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class=\"wp-caption-text\">A new collection of Emily Dickinson’s letters has been published by Harvard’s Belknap Press, edited by Dickinson scholars Cristanne Miller and Domhnall Mitchell. \u003ccite>(Three Lions/ Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A new collection of Emily Dickinson’s letters has been published by Harvard’s Belknap Press, edited by Dickinson scholars Cristanne Miller and Domhnall Mitchell.\u003c/p>\n\u003cp>Among the Great Moments in Literary History I wish I could’ve witnessed is that day, sometime after May 15, 1886, when Lavinia Dickinson entered the bedroom of her newly deceased older sister and began opening drawers. Out sprang poems, almost 1,800 of them. Given that Emily Dickinson had only published a handful of poems during her lifetime, this discovery was a shock.\u003c/p>\n\u003cp>[aside postid='arts_13956411']“‘Hope’ is the thing with feathers/That perches in the soul,” \u003ca href=\"https://www.poetryfoundation.org/poems/42889/hope-is-the-thing-with-feathers-314\">begins one of those now-famous poems. \u003c/a>Whatever Dickinson hoped for her poems, she could never have envisioned how they’d resonate with readers; nor how curious those readers would be about her life, much of it spent within her father’s house in Amherst, Mass., and, in later years, within that bedroom.\u003c/p>\n\u003cp>Every so often, the reading public’s image of Emily Dickinson shifts: For much of the 20th century, she was a fey Stevie Nicks-type figure — check out, for instance, the 1976 film of Julie Harris’ lauded one-woman show, \u003cem>The Belle of Amherst\u003c/em>.\u003c/p>\n\u003cp>A feminist Emily Dickinson emerged during the Second Women’s Movement, when poems like “I’m ‘wife’” were celebrated for their \u003cem>avant garde\u003c/em> anger. And, jumping to the present, a new monumental volume of Dickinson’s letters — the first in more than 60 years — gives us an engaged Emily Dickinson; a woman in conversation with the world, through gossip, as well as remarks about books, politics and the signal events of her age, particularly the Civil War.\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 676px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/21/51om5bjyvel._sl1000__custom-ec9c737497b65eefa6872d24e745711e729592e4.jpg?s=1200&c=75&f=jpeg\" alt=\"A book cover featuring a stamped letter, addressed in cursive.\" width=\"676\" height=\"1000\">\u003cfigcaption class=\"wp-caption-text\">‘The Letters of Emily Dickinson,’ by Emily Dickinson, edited by Cristanne Miller and Domhnall Mitchell.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>This new collection of \u003cem>The Letters of Emily Dickinson \u003c/em>is published by Harvard’s Belknap Press and edited by two Dickinson scholars, Cristanne Miller and Domhnall Mitchell. To accurately date some of Dickinson’s letters, they’ve studied weather reports and seasonal blooming and harvest cycles in 19th century Amherst. They’ve also added some 300 previously uncollected letters to this volume for a grand total of 1,304 letters.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>[aside postid='arts_13955903']The result is that \u003cem>The Letters of Emily Dickinson\u003c/em> reads like the closest thing we’ll probably ever have to an intimate autobiography of the poet. The first letter here is written by an 11-year-old Dickinson to her brother Austin, away at school. It’s a breathless, kid-sister-marvel of run-on sentences about yellow hens and a “skonk” and poor “Cousin Zebina [who] had a fit the other day and bit his tongue…”\u003c/p>\n\u003cp>The final letter, by an ailing 55-year-old Dickinson — most likely the last she wrote before falling unconscious on May 13, 1886 — was to her cousins Louisa and Frances Norcross. It reads:\u003c/p>\n\u003cblockquote>\u003cp>Little Cousins,\u003c/p>\n\u003cp>“Called back.”\u003c/p>\n\u003cp>Emily.\u003c/p>\u003c/blockquote>\n\u003cp>In between is a life filled with visitors, chores and recipes for doughnuts and coconut cakes. There’s mention of the racist minstrel stereotype Jim Crow, as well as of public figures like Florence Nightingale and Walt Whitman. There are also allusions to the death toll of the ongoing Civil War.\u003c/p>\n\u003cp>Dickinson’s loyal dog Carlo walks with her, and frogs and even flies keep her company. Indeed, in an 1859 letter about one such winged companion, Belle of Amherst charm alternates with cold-blooded callousness. Dickinson writes to her cousin Louisa:\u003c/p>\n\u003cblockquote>\u003cp>I enjoy much with a fly, during sister’s absence, not one of your blue monsters, but a timid creature, that hops from pane to pane of her white house, so very cheerfully, and hums and thrums, a sort of speck piano. … I’ll kill him the day [Lavinia] comes [home], for I shan’t need him any more …”\u003c/p>\u003c/blockquote>\n\u003cp>Dickinson’s singular voice comes into its own in the letters of the 1860s, which often blur into poems: cryptic, comic and charged with Awe. A simple thank-you note to her soul mate and beloved sister-in-law, Susan Gilbert Dickinson, reads:\u003c/p>\n\u003cblockquote>\u003cp>Dear Sue,\u003c/p>\n\u003cp>The Supper was delicate and strange. I ate it with compunction as I would eat a Vision.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>There are 1,304 letters, and, still, they’re not enough. Scholars estimate that we only have about one-tenth of the letters Dickinson ever wrote. And, on that momentous day in 1886, Lavinia entered her sister’s bedroom to find and successfully burn all the letters Dickinson herself had received from others during her lifetime. Such was the custom of the day. Which makes this new volume of Dickinson’s letters feel like both an intrusion and an outwitting of the silence of death — something I want to believe Dickinson would have relished.\u003c/p>\n\n","blocks":[],"excerpt":"Dickinson scholars Cristanne Miller and Domhnall Mitchell have compiled 1,304 letters, starting with one she wrote at age 11. ","status":"publish","parent":0,"modified":1714165232,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":872},"headData":{"title":"‘The Letters of Emily Dickinson’ Book Review: A Poetic Collection | KQED","description":"Dickinson scholars Cristanne Miller and Domhnall Mitchell have compiled 1,304 letters, starting with one she wrote at age 11. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","socialTitle":"‘The Letters of Emily Dickinson’ Book Review: A Poetic Collection%%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"This Collection May Be the Closest We'll Ever Come to a Dickinson Autobiography","datePublished":"2024-04-26T21:00:32.000Z","dateModified":"2024-04-26T21:00:32.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"1246249850","nprHtmlLink":"https://www.npr.org/2024/04/25/1246249850/emily-dickinsons-letters-review","nprRetrievedStory":"1","nprPubDate":"2024-04-25T10:14:50-04:00","nprStoryDate":"2024-04-25T10:14:50-04:00","nprLastModifiedDate":"2024-04-25T14:38:04-04:00","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/fa/2024/04/20240425_fa_02.mp3?d=437&size=7002951&e=1246249850&t=progseg&seg=2&p=13","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13956715/letters-of-emily-dickinson-book-autobiography-miller-mitchell","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/fa/2024/04/20240425_fa_02.mp3?d=437&size=7002951&e=1246249850&t=progseg&seg=2&p=13","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13956716\" class=\"wp-caption aligncenter\" style=\"max-width: 1547px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13956716 size-full\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/gettyimages-3072437_custom-a79fddc7e5d22b41a352b1bc0d2a3b1029839308-scaled-e1714160605404.jpg\" alt=\"An 19th century portrait of a young woman.\" width=\"1547\" height=\"1920\">\u003cfigcaption class=\"wp-caption-text\">A new collection of Emily Dickinson’s letters has been published by Harvard’s Belknap Press, edited by Dickinson scholars Cristanne Miller and Domhnall Mitchell. \u003ccite>(Three Lions/ Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A new collection of Emily Dickinson’s letters has been published by Harvard’s Belknap Press, edited by Dickinson scholars Cristanne Miller and Domhnall Mitchell.\u003c/p>\n\u003cp>Among the Great Moments in Literary History I wish I could’ve witnessed is that day, sometime after May 15, 1886, when Lavinia Dickinson entered the bedroom of her newly deceased older sister and began opening drawers. Out sprang poems, almost 1,800 of them. Given that Emily Dickinson had only published a handful of poems during her lifetime, this discovery was a shock.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13956411","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“‘Hope’ is the thing with feathers/That perches in the soul,” \u003ca href=\"https://www.poetryfoundation.org/poems/42889/hope-is-the-thing-with-feathers-314\">begins one of those now-famous poems. \u003c/a>Whatever Dickinson hoped for her poems, she could never have envisioned how they’d resonate with readers; nor how curious those readers would be about her life, much of it spent within her father’s house in Amherst, Mass., and, in later years, within that bedroom.\u003c/p>\n\u003cp>Every so often, the reading public’s image of Emily Dickinson shifts: For much of the 20th century, she was a fey Stevie Nicks-type figure — check out, for instance, the 1976 film of Julie Harris’ lauded one-woman show, \u003cem>The Belle of Amherst\u003c/em>.\u003c/p>\n\u003cp>A feminist Emily Dickinson emerged during the Second Women’s Movement, when poems like “I’m ‘wife’” were celebrated for their \u003cem>avant garde\u003c/em> anger. And, jumping to the present, a new monumental volume of Dickinson’s letters — the first in more than 60 years — gives us an engaged Emily Dickinson; a woman in conversation with the world, through gossip, as well as remarks about books, politics and the signal events of her age, particularly the Civil War.\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 676px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/21/51om5bjyvel._sl1000__custom-ec9c737497b65eefa6872d24e745711e729592e4.jpg?s=1200&c=75&f=jpeg\" alt=\"A book cover featuring a stamped letter, addressed in cursive.\" width=\"676\" height=\"1000\">\u003cfigcaption class=\"wp-caption-text\">‘The Letters of Emily Dickinson,’ by Emily Dickinson, edited by Cristanne Miller and Domhnall Mitchell.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>This new collection of \u003cem>The Letters of Emily Dickinson \u003c/em>is published by Harvard’s Belknap Press and edited by two Dickinson scholars, Cristanne Miller and Domhnall Mitchell. To accurately date some of Dickinson’s letters, they’ve studied weather reports and seasonal blooming and harvest cycles in 19th century Amherst. They’ve also added some 300 previously uncollected letters to this volume for a grand total of 1,304 letters.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955903","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The result is that \u003cem>The Letters of Emily Dickinson\u003c/em> reads like the closest thing we’ll probably ever have to an intimate autobiography of the poet. The first letter here is written by an 11-year-old Dickinson to her brother Austin, away at school. It’s a breathless, kid-sister-marvel of run-on sentences about yellow hens and a “skonk” and poor “Cousin Zebina [who] had a fit the other day and bit his tongue…”\u003c/p>\n\u003cp>The final letter, by an ailing 55-year-old Dickinson — most likely the last she wrote before falling unconscious on May 13, 1886 — was to her cousins Louisa and Frances Norcross. It reads:\u003c/p>\n\u003cblockquote>\u003cp>Little Cousins,\u003c/p>\n\u003cp>“Called back.”\u003c/p>\n\u003cp>Emily.\u003c/p>\u003c/blockquote>\n\u003cp>In between is a life filled with visitors, chores and recipes for doughnuts and coconut cakes. There’s mention of the racist minstrel stereotype Jim Crow, as well as of public figures like Florence Nightingale and Walt Whitman. There are also allusions to the death toll of the ongoing Civil War.\u003c/p>\n\u003cp>Dickinson’s loyal dog Carlo walks with her, and frogs and even flies keep her company. Indeed, in an 1859 letter about one such winged companion, Belle of Amherst charm alternates with cold-blooded callousness. Dickinson writes to her cousin Louisa:\u003c/p>\n\u003cblockquote>\u003cp>I enjoy much with a fly, during sister’s absence, not one of your blue monsters, but a timid creature, that hops from pane to pane of her white house, so very cheerfully, and hums and thrums, a sort of speck piano. … I’ll kill him the day [Lavinia] comes [home], for I shan’t need him any more …”\u003c/p>\u003c/blockquote>\n\u003cp>Dickinson’s singular voice comes into its own in the letters of the 1860s, which often blur into poems: cryptic, comic and charged with Awe. A simple thank-you note to her soul mate and beloved sister-in-law, Susan Gilbert Dickinson, reads:\u003c/p>\n\u003cblockquote>\u003cp>Dear Sue,\u003c/p>\n\u003cp>The Supper was delicate and strange. I ate it with compunction as I would eat a Vision.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\n\u003cp>There are 1,304 letters, and, still, they’re not enough. Scholars estimate that we only have about one-tenth of the letters Dickinson ever wrote. And, on that momentous day in 1886, Lavinia entered her sister’s bedroom to find and successfully burn all the letters Dickinson herself had received from others during her lifetime. Such was the custom of the day. Which makes this new volume of Dickinson’s letters feel like both an intrusion and an outwitting of the silence of death — something I want to believe Dickinson would have relished.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956715/letters-of-emily-dickinson-book-autobiography-miller-mitchell","authors":["92"],"programs":["arts_140"],"categories":["arts_1","arts_73","arts_835"],"tags":["arts_21719","arts_21679","arts_769","arts_585"],"affiliates":["arts_137"],"featImg":"arts_13956720","label":"arts_140"},"arts_13956676":{"type":"posts","id":"arts_13956676","meta":{"index":"posts_1591205157","site":"arts","id":"13956676","score":null,"sort":[1714081090000]},"guestAuthors":[],"slug":"baby-reindeer-netflix-review-problematic-abuse-lgbt-queerness","title":"Netflix’s ‘Baby Reindeer’: A Dark, Haunting Story Bungles its Depiction of Queerness","publishDate":1714081090,"format":"standard","headTitle":"Netflix’s ‘Baby Reindeer’: A Dark, Haunting Story Bungles its Depiction of Queerness | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cfigure class=\"wp-block-image size-large\">\u003c/figure>\n\u003cp>\u003cem>Note: You can’t really talk about this series without discussing a major revelation that occurs in episode four of its seven-episode season. So be warned: Spoilers ahead. \u003c/em>\u003c/p>\n\u003cp>There’s a reason that the first scene in the first episode of \u003cem>Baby Reindeer,\u003c/em> now streaming on Netflix, plays like it’s a classic setup to a joke: \u003cem>Woman walks into a bar.\u003c/em>\u003c/p>\n\u003cp>Creator and star Richard Gadd is setting our expectations exactly where he wants them set; he needs us to think that the story he’ll tell us over the next seven episodes will conform to the narrative contours of dark comedy.\u003c/p>\n\u003cp>[aside postid='arts_13955549']He’s already tipped us off that the comedy in question will be dark indeed, via a framing device that opens the show: We see his character Donny Dunn filing a police report that he’s being stalked by a woman named Martha (Jessica Gunning).\u003c/p>\n\u003cp>Cut to six months earlier: Martha enters the pub where Donny tends bar. Everything that follows is meant to place us inside Donny’s head. As he tells us about her, we can’t help but see her as he does: A sad, fat, pitiable middle-aged woman who’s clearly lying about her life. She’s not the high-powered lawyer she says she is — if she were, surely she could afford to buy a drink. And why would she spend all those potentially billable hours bellied up at Donny’s bar whenever he’s working a shift? And why would she proceed to send him thousands of unhinged text messages and stalk him, his girlfriend, and his family?\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Right, we think. We know what we’re in for: \u003cem>Baby Reindeer \u003c/em>is the story of one hapless young man getting cruelly stalked by a mentally ill woman, who, it turns out, has a history, and a criminal record, for doing so.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=eafm1gB6SCM\u003c/p>\n\u003cp>Moreover, it’s a true story. True-ish, anyway, as \u003cem>Baby Reindee\u003c/em>r is based on Gadd’s autobiographical one-man show.\u003c/p>\n\u003cp>[aside postid='arts_13954225']But Gadd soon complicates our understanding of events. It turns out Donny is a struggling would-be comedian; we watch a series of his cringeworthy sets before sparse, stone-faced audiences. He seems depressed and friendless — his work colleagues at the bar are hostile louts; he’s living with his ex-girlfriend’s mother on the outskirts of London.\u003c/p>\n\u003cp>Plus there’s the nagging fact that while Donny may not actively \u003cem>encourage \u003c/em>Martha’s fawning attention, he is awfully passive about shutting down her determination that they could get together, even as she grows more insistent, and more threatening.\u003c/p>\n\u003cp>Also, as the cop asks him at the start of the first episode. Why did he let it all go on for six months before filing a formal complaint?\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/25/br_101_unit_00683_rt.jpg-br_101_unit_00683_rt-1--9d5299c1b3002fe7610a6ea4c77f371792b6bd3f.jpg?s=1200&c=75&f=jpeg\" alt=\"A smiling white woman sits at the edge of a pub bar.\" width=\"1200\" height=\"900\">\u003cfigcaption class=\"wp-caption-text\">Jessica Gunning as Martha.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003ch3>The rug-pull\u003c/h3>\n\u003cp>The answer to that question is what \u003cem>Baby Reindeer \u003c/em>is truly about. It’s where the conventional and familiar trappings of dark comedy and psychological thriller fall away to reveal the show’s true, beating heart: Sexual abuse, and its lingering aftermath.\u003c/p>\n\u003cp>It isn’t until episode four that we learn that five years before Martha entered his life, Donny met a successful television writer named Darrien (Tom Goodman-Hill) who gave him career advice, promised to set him up with opportunities, and supplied him with drugs. During those sessions, while Donny was helpless to stop him, Darrien would sexually abuse him.\u003c/p>\n\u003cp>[aside postid='arts_13954702']This, the series proceeds to argue — far too tidily — is the answer to everything. It’s why Donny became the depressed, self-loathing man we’ve come to know. It’s why his comedy career stalled. It’s why he’s since chosen to degrade himself by having meaningless sex with both men and women, doing more drugs, and by developing an interest in “extreme” pornography.\u003c/p>\n\u003cp>It’s also, of course — or so the show would have us believe — why he was so disarmed and flattered by the attention Martha gave him, which seems (compared to the drug-filled sexual cesspits he once frequented) pure and wholesome and, not for nothing, reassuringly straight. At one point Donny guiltily admits to us that, at his very lowest point, he even started to find Martha — imagine that! a \u003cem>fat \u003c/em>woman! — sexually arousing.\u003c/p>\n\u003cblockquote class=\"npr-pull-quote\">\n\u003ch2>The series repeatedly and clumsily conflates the horror of abuse with the simple fact of queer sexuality.\u003c/h2>\n\u003c/blockquote>\n\u003cp>It’s this aspect of \u003cem>Baby Reindeer\u003c/em> — Gadd/Donny’s ultimate willingness to confront his abuse and explore its aftereffects — which has earned the show its most fulsome praise from critics and audiences. But in practice, the series repeatedly and clumsily conflates the horror of abuse with the simple fact of queer sexuality. Purely for dramatic purposes, \u003cem>Baby Reindeer\u003c/em> implies that Donny’s sexuality conforms to the laws of cause (the abuse) and effect (queerness). Worse, it does so in a way that seems specifically designed to reassure those audiences who believe queerness is something that happens \u003cem>to \u003c/em>people, something that can be triggered from the outside.\u003c/p>\n\u003ch3>Catching queerness like a cold\u003c/h3>\n\u003cp>Let me be clear: \u003cem>Baby Reindeer\u003c/em> is not making any kind of broad sexual/political case that same-sex abuse leads its victims to experience same-sex desire. Neither is it saying that all putatively straight men who get sexually abused by other men will henceforth be attracted to trans women.\u003c/p>\n\u003cp>[aside postid='arts_13953601']But it does want us to believe — in fact it entirely \u003cem>depends \u003c/em>upon us believing — that \u003cem>Donny\u003c/em>, for one, experienced same-sex desire only after his abuse — desire it goes out of its way to depict as filthy and degrading. It does, too, want us to believe that \u003cem>Donny \u003c/em>failed to make any romantic connections with women or men after his abuse — until he met Teri (Nava Mau) on a trans dating site.\u003c/p>\n\u003cp>Gadd himself identifies as bisexual, which makes it all the more puzzling and frustrating that, again and again, the series takes absurd pains to present Donny as someone who is not at all like the kinds of queer folk who (shudder!) willingly have sex with each other and (shock horror!) use recreational drugs and (gasp!) watch porn.\u003c/p>\n\u003cp>Rest assured, straight audiences: Donny’s queer sexuality was something forced upon him — a fact that his stoic father (Mark Lewis Jones) understands and underscores because, as he tearfully explains to his son, “I grew up in the Catholic Church.”\u003c/p>\n\u003cp>It’s a jaw-dropping scene, but not for the reason it wants to be. It’s meant as a moment of startling honesty and searing empathy between father and son.\u003c/p>\n\u003cp>It plays like a tasteless, homophobic joke.\u003c/p>\n\u003ch3>Sticking the dismount\u003c/h3>\n\u003cp>For all its queasy discomfort with, and prissy diffidence about queer sexuality, there is one thing \u003cem>Baby Reindee\u003c/em>r gets absolutely, hauntingly right: Its ending.\u003c/p>\n\u003cp>As the series concludes, Martha has been jailed for stalking Donny. In a thinner, less resonant series, our hero would take this as an unalloyed victory, as vindication. But smartly, Gadd shows us a Donny who has acknowledged his abuse but has only begun to effectively deal with it.\u003c/p>\n\u003cp>Donny, instead, wallows. He walks the streets, playing Martha’s tender/terrifying voicemails in his headphones. He sets out to confront his abuser, only to cave and accept a job working for him. He shambles through his life alone, until he enters a pub (\u003cem>Man walks into a bar\u003c/em>) and realizes he can’t pay for his drink. The handsome bartender comps him out of pity, just as Donny did to Martha in the first episode. The end.\u003c/p>\n\u003cp>… OK, that pity-drink callback at the very end is a bit on-the-nose, but the series’ refusal to afford Donny a clear, uncomplicated, once-and-for-all victory is a smart one. Had the series ended with a sense of triumph and finality, it would have been dramatically satisfying but emotionally dishonest. Human psychology is more complex than that, and the damage done by abuse more insidious.\u003c/p>\n\u003cp>[aside postid='arts_13953497']When we leave him, Donny is still trapped by his past, because he hasn’t yet done the work he needs to do. He still believes he deserves to be trapped, defined, by what happened to him.\u003c/p>\n\u003cp>But the series plants the seeds for the change that we know is coming: When he’s alone in that room of his, he’s turning his experience into the one-man show that will become \u003cem>Baby Reindeer\u003c/em>. It’s that process of transmutation and creation that will ultimately allow him to process his abuse and turn it into something that engages with the wider world, and grant him the ability, finally, to heal.\u003c/p>\n\u003cp>Maybe, in the process, he will manage to move past finding other queer folk and fat people disgusting. \u003cem>Baby Reindeer\u003c/em> suggests that Richard Gadd hasn’t quite managed to do that, yet.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>But I’m holding out hope for Donny.\u003c/p>\n\n","blocks":[],"excerpt":"The new series, based on creator Richard Gadd's one-man show, depicts queer sexuality as something that happens TO people.","status":"publish","parent":0,"modified":1714081090,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":31,"wordCount":1560},"headData":{"title":"A Queer Analysis of Dark Netflix Series, ‘Baby Reindeer’ | KQED","description":"The new series, based on creator Richard Gadd's one-man show, depicts queer sexuality as something that happens TO people.","ogTitle":"Netflix’s ‘Baby Reindeer’: A Dark, Haunting Story Bungles its Depiction of Queerness","ogDescription":"","ogImgId":"","twTitle":"Netflix’s ‘Baby Reindeer’: A Dark, Haunting Story Bungles its Depiction of Queerness","twDescription":"","twImgId":"","socialTitle":"A Queer Analysis of Dark Netflix Series, ‘Baby Reindeer’ %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Netflix’s ‘Baby Reindeer’: A Dark, Haunting Story Bungles its Depiction of Queerness","datePublished":"2024-04-25T21:38:10.000Z","dateModified":"2024-04-25T21:38:10.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"1247130712","nprHtmlLink":"https://www.npr.org/2024/04/25/1247130712/baby-reindeer-review-netflix","nprRetrievedStory":"1","nprPubDate":"2024-04-25T11:32:00-04:00","nprStoryDate":"2024-04-25T11:32:00-04:00","nprLastModifiedDate":"2024-04-25T11:32:00-04:00","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13956676/baby-reindeer-netflix-review-problematic-abuse-lgbt-queerness","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure class=\"wp-block-image size-large\">\u003c/figure>\n\u003cp>\u003cem>Note: You can’t really talk about this series without discussing a major revelation that occurs in episode four of its seven-episode season. So be warned: Spoilers ahead. \u003c/em>\u003c/p>\n\u003cp>There’s a reason that the first scene in the first episode of \u003cem>Baby Reindeer,\u003c/em> now streaming on Netflix, plays like it’s a classic setup to a joke: \u003cem>Woman walks into a bar.\u003c/em>\u003c/p>\n\u003cp>Creator and star Richard Gadd is setting our expectations exactly where he wants them set; he needs us to think that the story he’ll tell us over the next seven episodes will conform to the narrative contours of dark comedy.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955549","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>He’s already tipped us off that the comedy in question will be dark indeed, via a framing device that opens the show: We see his character Donny Dunn filing a police report that he’s being stalked by a woman named Martha (Jessica Gunning).\u003c/p>\n\u003cp>Cut to six months earlier: Martha enters the pub where Donny tends bar. Everything that follows is meant to place us inside Donny’s head. As he tells us about her, we can’t help but see her as he does: A sad, fat, pitiable middle-aged woman who’s clearly lying about her life. She’s not the high-powered lawyer she says she is — if she were, surely she could afford to buy a drink. And why would she spend all those potentially billable hours bellied up at Donny’s bar whenever he’s working a shift? And why would she proceed to send him thousands of unhinged text messages and stalk him, his girlfriend, and his family?\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Right, we think. We know what we’re in for: \u003cem>Baby Reindeer \u003c/em>is the story of one hapless young man getting cruelly stalked by a mentally ill woman, who, it turns out, has a history, and a criminal record, for doing so.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/eafm1gB6SCM'\n title='//www.youtube.com/embed/eafm1gB6SCM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Moreover, it’s a true story. True-ish, anyway, as \u003cem>Baby Reindee\u003c/em>r is based on Gadd’s autobiographical one-man show.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954225","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>But Gadd soon complicates our understanding of events. It turns out Donny is a struggling would-be comedian; we watch a series of his cringeworthy sets before sparse, stone-faced audiences. He seems depressed and friendless — his work colleagues at the bar are hostile louts; he’s living with his ex-girlfriend’s mother on the outskirts of London.\u003c/p>\n\u003cp>Plus there’s the nagging fact that while Donny may not actively \u003cem>encourage \u003c/em>Martha’s fawning attention, he is awfully passive about shutting down her determination that they could get together, even as she grows more insistent, and more threatening.\u003c/p>\n\u003cp>Also, as the cop asks him at the start of the first episode. Why did he let it all go on for six months before filing a formal complaint?\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/25/br_101_unit_00683_rt.jpg-br_101_unit_00683_rt-1--9d5299c1b3002fe7610a6ea4c77f371792b6bd3f.jpg?s=1200&c=75&f=jpeg\" alt=\"A smiling white woman sits at the edge of a pub bar.\" width=\"1200\" height=\"900\">\u003cfigcaption class=\"wp-caption-text\">Jessica Gunning as Martha.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003ch3>The rug-pull\u003c/h3>\n\u003cp>The answer to that question is what \u003cem>Baby Reindeer \u003c/em>is truly about. It’s where the conventional and familiar trappings of dark comedy and psychological thriller fall away to reveal the show’s true, beating heart: Sexual abuse, and its lingering aftermath.\u003c/p>\n\u003cp>It isn’t until episode four that we learn that five years before Martha entered his life, Donny met a successful television writer named Darrien (Tom Goodman-Hill) who gave him career advice, promised to set him up with opportunities, and supplied him with drugs. During those sessions, while Donny was helpless to stop him, Darrien would sexually abuse him.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954702","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>This, the series proceeds to argue — far too tidily — is the answer to everything. It’s why Donny became the depressed, self-loathing man we’ve come to know. It’s why his comedy career stalled. It’s why he’s since chosen to degrade himself by having meaningless sex with both men and women, doing more drugs, and by developing an interest in “extreme” pornography.\u003c/p>\n\u003cp>It’s also, of course — or so the show would have us believe — why he was so disarmed and flattered by the attention Martha gave him, which seems (compared to the drug-filled sexual cesspits he once frequented) pure and wholesome and, not for nothing, reassuringly straight. At one point Donny guiltily admits to us that, at his very lowest point, he even started to find Martha — imagine that! a \u003cem>fat \u003c/em>woman! — sexually arousing.\u003c/p>\n\u003cblockquote class=\"npr-pull-quote\">\n\u003ch2>The series repeatedly and clumsily conflates the horror of abuse with the simple fact of queer sexuality.\u003c/h2>\n\u003c/blockquote>\n\u003cp>It’s this aspect of \u003cem>Baby Reindeer\u003c/em> — Gadd/Donny’s ultimate willingness to confront his abuse and explore its aftereffects — which has earned the show its most fulsome praise from critics and audiences. But in practice, the series repeatedly and clumsily conflates the horror of abuse with the simple fact of queer sexuality. Purely for dramatic purposes, \u003cem>Baby Reindeer\u003c/em> implies that Donny’s sexuality conforms to the laws of cause (the abuse) and effect (queerness). Worse, it does so in a way that seems specifically designed to reassure those audiences who believe queerness is something that happens \u003cem>to \u003c/em>people, something that can be triggered from the outside.\u003c/p>\n\u003ch3>Catching queerness like a cold\u003c/h3>\n\u003cp>Let me be clear: \u003cem>Baby Reindeer\u003c/em> is not making any kind of broad sexual/political case that same-sex abuse leads its victims to experience same-sex desire. Neither is it saying that all putatively straight men who get sexually abused by other men will henceforth be attracted to trans women.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13953601","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>But it does want us to believe — in fact it entirely \u003cem>depends \u003c/em>upon us believing — that \u003cem>Donny\u003c/em>, for one, experienced same-sex desire only after his abuse — desire it goes out of its way to depict as filthy and degrading. It does, too, want us to believe that \u003cem>Donny \u003c/em>failed to make any romantic connections with women or men after his abuse — until he met Teri (Nava Mau) on a trans dating site.\u003c/p>\n\u003cp>Gadd himself identifies as bisexual, which makes it all the more puzzling and frustrating that, again and again, the series takes absurd pains to present Donny as someone who is not at all like the kinds of queer folk who (shudder!) willingly have sex with each other and (shock horror!) use recreational drugs and (gasp!) watch porn.\u003c/p>\n\u003cp>Rest assured, straight audiences: Donny’s queer sexuality was something forced upon him — a fact that his stoic father (Mark Lewis Jones) understands and underscores because, as he tearfully explains to his son, “I grew up in the Catholic Church.”\u003c/p>\n\u003cp>It’s a jaw-dropping scene, but not for the reason it wants to be. It’s meant as a moment of startling honesty and searing empathy between father and son.\u003c/p>\n\u003cp>It plays like a tasteless, homophobic joke.\u003c/p>\n\u003ch3>Sticking the dismount\u003c/h3>\n\u003cp>For all its queasy discomfort with, and prissy diffidence about queer sexuality, there is one thing \u003cem>Baby Reindee\u003c/em>r gets absolutely, hauntingly right: Its ending.\u003c/p>\n\u003cp>As the series concludes, Martha has been jailed for stalking Donny. In a thinner, less resonant series, our hero would take this as an unalloyed victory, as vindication. But smartly, Gadd shows us a Donny who has acknowledged his abuse but has only begun to effectively deal with it.\u003c/p>\n\u003cp>Donny, instead, wallows. He walks the streets, playing Martha’s tender/terrifying voicemails in his headphones. He sets out to confront his abuser, only to cave and accept a job working for him. He shambles through his life alone, until he enters a pub (\u003cem>Man walks into a bar\u003c/em>) and realizes he can’t pay for his drink. The handsome bartender comps him out of pity, just as Donny did to Martha in the first episode. The end.\u003c/p>\n\u003cp>… OK, that pity-drink callback at the very end is a bit on-the-nose, but the series’ refusal to afford Donny a clear, uncomplicated, once-and-for-all victory is a smart one. Had the series ended with a sense of triumph and finality, it would have been dramatically satisfying but emotionally dishonest. Human psychology is more complex than that, and the damage done by abuse more insidious.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13953497","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>When we leave him, Donny is still trapped by his past, because he hasn’t yet done the work he needs to do. He still believes he deserves to be trapped, defined, by what happened to him.\u003c/p>\n\u003cp>But the series plants the seeds for the change that we know is coming: When he’s alone in that room of his, he’s turning his experience into the one-man show that will become \u003cem>Baby Reindeer\u003c/em>. It’s that process of transmutation and creation that will ultimately allow him to process his abuse and turn it into something that engages with the wider world, and grant him the ability, finally, to heal.\u003c/p>\n\u003cp>Maybe, in the process, he will manage to move past finding other queer folk and fat people disgusting. \u003cem>Baby Reindeer\u003c/em> suggests that Richard Gadd hasn’t quite managed to do that, yet.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>But I’m holding out hope for Donny.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956676/baby-reindeer-netflix-review-problematic-abuse-lgbt-queerness","authors":["92"],"categories":["arts_1","arts_75","arts_990"],"tags":["arts_3226","arts_3324","arts_769"],"affiliates":["arts_137"],"featImg":"arts_13956677","label":"arts_137"},"arts_13956604":{"type":"posts","id":"arts_13956604","meta":{"index":"posts_1591205157","site":"arts","id":"13956604","score":null,"sort":[1713986477000]},"guestAuthors":[],"slug":"black-cowboys-book-review-eight-seconds-rodeo-culture-ivan-mcclellan-photography","title":"A Photographer Documented Black Cowboys Across the U.S. for a New Book","publishDate":1713986477,"format":"standard","headTitle":"A Photographer Documented Black Cowboys Across the U.S. for a New Book | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>As a child growing up in Kansas City, Ivan McClellan would sing the national anthem at the \u003ca href=\"https://www.americanroyal.com/rodeo/\">American Royal\u003c/a> rodeo with a youth choir. Those performances are some of his fondest memories, but they’re also bittersweet.\u003c/p>\n\u003cp>[aside postid='arts_13939278']That’s because just about everybody else around him was white.\u003c/p>\n\u003cp>“It wasn’t a place that we felt like we belonged,” McClellan told \u003cem>Morning Edition\u003c/em> host \u003ca href=\"https://www.npr.org/people/1018429547/a-martinez\">A Martínez\u003c/a>.\u003c/p>\n\u003cp>Learning about Black rodeos as an adult came as a revelation to him. McClellan spent nearly a decade documenting this unique culture all across the United States.\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/23/ivan_mcclellan_03_sq-acafa9119030ddf411da2cab26a000dc19d00146.jpg?s=1200&c=75&f=jpeg\" alt=\"Two young Black men seen in a wooded area at dusk, standing on the backs of two horses.\" width=\"1200\" height=\"1200\">\u003cfigcaption class=\"wp-caption-text\">Rodney & RJ, McCalla, Ala.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>His forthcoming photobook, \u003ca href=\"https://www.barnesandnoble.com/w/eight-seconds-miss-rosen/1144643838?ean=9788862088121\">\u003cem>Eight Seconds: Black Rodeo Culture\u003c/em>\u003c/a>, out April 30, features highlights from that journey. The title refers to the minimum amount of time a rider has to stay on a horse or other livestock in order to register a score during a competition.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“All of this beauty and energy and environment just stuck to me,” McClellan said about his first encounter with a Black rodeo. “I saw thousands of Black cowboys and they were doing the Cupid Shuffle in the desert and they were cooking turkey legs. And there were Black folks dressed like traditional cowboys. There were also Black folks riding their horses in Jordans and women riding with their braids blowing behind them and their hands with long acrylic nails clutching the reins.”\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/23/ivan_mcclellan_06_custom-d85e2c1b239ef70972128b1ddd896e5162adf770.jpg?s=1200&c=75&f=jpeg\" alt=\"Two Black men on horses race at high speeds around a sandy arena.\" width=\"1200\" height=\"930\">\u003cfigcaption class=\"wp-caption-text\">Riders pass a baton during a Pony Express relay race in Okmulgee, Okla.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>That event, \u003ca href=\"https://www.greencountryok.com/event/roy-leblanc-okmulgee-invitational-rodeo-%26-festival/69/\">the Roy Leblanc Invitational Rodeo in Oklahoma\u003c/a>, is one McClellan has come to dub “the Super Bowl of Black rodeos.” It is the oldest of its kind in the country.\u003c/p>\n\u003cp>[aside postid='arts_13955021']He began posting his photographs of the event online. As his social media audience grew, McClellan was soon traveling the country in search of similar happenings.\u003c/p>\n\u003cp>“There are Black cowboys pretty much everywhere. I mean, there are Black cowboys here in Portland, Ore., where I live, which I think is the last place that I would have expected to find them,” said McClellan, who now runs his own rodeo.\u003c/p>\n\u003cp>“I went all the way to Oklahoma to realize that there were cowboys up the road from me who have been there for four generations … You’d be hard pressed to find a part of America where there wasn’t at least some some portion of this culture.”\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/23/ivan_mcclellan_07_custom-0da721f05dccc9141ff2052b7e9719d3d118157d.jpg?s=1200&c=75&f=jpeg\" alt=\"A Black woman in a cowboy hat, shirt and jeans poses inside an industrial enclosure.\" width=\"1200\" height=\"891\">\u003cfigcaption class=\"wp-caption-text\">Jadayia Kursh, Okmulgee, Okla.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>It’s a narrative largely shunned by Hollywood and the broader mass culture, where the cowboy is consistently portrayed as a white male, be it John Wayne, Val Kilmer or on TV series like \u003cem>Bonanza\u003c/em> (1959-73) and \u003cem>Gunsmoke\u003c/em> (1955-75).\u003c/p>\n\u003cp>Up until a few years ago, “I really thought that term [cowboy] was a joke when applied to a Black person,” McClellan said.\u003c/p>\n\u003cp>In fact, the term was once a pejorative for African Americans working on ranches and farms, while white cowboys were known as “cowhands.”\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/23/ivan_mcclellan_08_custom-f5fa59efb45a4fb53276ba52a59684a8cc36fcc9.jpg?s=1200&c=75&f=jpeg\" alt=\"A Black man lies flat along a horse's back, his hat flying off behind him, as he struggles to stay on the bucking horse.\" width=\"1200\" height=\"891\">\u003cfigcaption class=\"wp-caption-text\">Patrick Liddell, Las Vegas, Nevada.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>But ultimately, cowboy became “a shorthand for our noblest ideals,” McClellan said. “A lot of these things our popular culture is hesitant to attribute to a Black person. So I think to have a cowboy rushing in, saving the day with a black face just didn’t jibe with the stories that Hollywood was trying to tell. I think it’s erasure. I think it’s at best, laziness, at worst, very intentional and malicious. But I’m excited to see that transforming before my eyes.”\u003c/p>\n\u003cp>Beyoncé’s recent country-influenced album \u003ca href=\"https://www.youtube.com/watch?v=x9XHMK3nWr4\">\u003cem>Cowboy Carter\u003c/em>\u003c/a> is the latest iteration of that push for change in popular culture. Lil Nas X challenged the country genre in 2018 with his song “\u003ca href=\"https://www.youtube.com/watch?v=r7qovpFAGrQ\">Old Town Road.\u003c/a>” It became a viral hit after sparking widespread conversations \u003ca href=\"https://www.npr.org/2019/04/05/710021098/lil-nas-x-country-musics-unlikely-son-sparks-conversation-on-genre-and-race\">about genre gatekeeping and Black musicians’ place within country culture\u003c/a>.\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/23/ivan_mcclellan_09_custom-d069a736f1be991e2c90579b2e603ca412549042.jpg?s=1200&c=75&f=jpeg\" alt=\"Two young Black men in full cowboy regalia stand behind a fence in a large warehouse, watching the distance intently. An older Black man stands at their side doing the same.\" width=\"1200\" height=\"894\">\u003cfigcaption class=\"wp-caption-text\">Bull Riders, Rosenberg, Texas.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>“It was a perfect alley-oop. And Beyoncé is hanging on the rim right now,” said McClellan. “Beyoncé is not only revealing Black cowboy culture, but she’s transforming country music forever and tearing down genres in a way that that I don’t think has ever been done.”\u003c/p>\n\u003cp>[aside postid='arts_13939314']For McClellan, there’s now one place where he keeps returning over and over.\u003c/p>\n\u003cp>“As far as cultural impact, there’s nothing like the Roy LeBlanc Invitational Rodeo,” he said. “On the second weekend in August at about 8 p.m. when the sun is going down, everything is gold and all the athletes are filing into the arena for the grand entry. And that is where I like to take photos more than anywhere else on the entire planet.”\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/23/ivan_mcclellan_04_custom-6997682f2f6e5a0d922046c6178e1759c11b9ebd.jpg?s=1200&c=75&f=jpeg\" alt=\"A young Black woman in a fringed red shirt and black cowboy hat decorated with a tiara sits on horseback comfortably holding reins.\" width=\"1200\" height=\"930\">\u003cfigcaption class=\"wp-caption-text\">Rodeo Queen, Okmulgee, Okla.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The broadcast version of this story was produced by \u003c/em>\u003ca href=\"https://www.npr.org/people/896256272/lilly-quiroz\">\u003cem>Lilly Quiroz\u003c/em>\u003c/a>\u003cem>. The digital version was edited by Obed Manuel.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Ivan McClellan’s ‘Eight Seconds: Black Rodeo Culture’ puts Black cowboys — male and female — front and center.","status":"publish","parent":0,"modified":1713994287,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":21,"wordCount":842},"headData":{"title":"‘Eight Seconds: Black Rodeo Culture’ Spotlights Black Cowboys | KQED","description":"Ivan McClellan’s ‘Eight Seconds: Black Rodeo Culture’ puts Black cowboys — male and female — front and center.","ogTitle":"A Photographer Documented Black Cowboys Across the U.S. for a New Book","ogDescription":"","ogImgId":"","twTitle":"A Photographer Documented Black Cowboys Across the U.S. for a New Book","twDescription":"","twImgId":"","socialTitle":"‘Eight Seconds: Black Rodeo Culture’ Spotlights Black Cowboys %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"A Photographer Documented Black Cowboys Across the U.S. for a New Book","datePublished":"2024-04-24T19:21:17.000Z","dateModified":"2024-04-24T21:31:27.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"1246716227","nprHtmlLink":"https://www.npr.org/2024/04/24/1246716227/black-cowboy-culture-ivan-mcclellan-photographer-8-seconds-book","nprRetrievedStory":"1","nprPubDate":"2024-04-24T05:00:45-04:00","nprStoryDate":"2024-04-24T05:00:45-04:00","nprLastModifiedDate":"2024-04-24T08:35:59-04:00","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/me/2024/04/20240424_me_a_photographer_documented_black_cowboys_across_the_us_for_a_new_book.mp3?d=409&size=6559496&e=1246716227&t=progseg&seg=2&p=3","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13956604/black-cowboys-book-review-eight-seconds-rodeo-culture-ivan-mcclellan-photography","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/me/2024/04/20240424_me_a_photographer_documented_black_cowboys_across_the_us_for_a_new_book.mp3?d=409&size=6559496&e=1246716227&t=progseg&seg=2&p=3","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>As a child growing up in Kansas City, Ivan McClellan would sing the national anthem at the \u003ca href=\"https://www.americanroyal.com/rodeo/\">American Royal\u003c/a> rodeo with a youth choir. Those performances are some of his fondest memories, but they’re also bittersweet.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13939278","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>That’s because just about everybody else around him was white.\u003c/p>\n\u003cp>“It wasn’t a place that we felt like we belonged,” McClellan told \u003cem>Morning Edition\u003c/em> host \u003ca href=\"https://www.npr.org/people/1018429547/a-martinez\">A Martínez\u003c/a>.\u003c/p>\n\u003cp>Learning about Black rodeos as an adult came as a revelation to him. McClellan spent nearly a decade documenting this unique culture all across the United States.\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/23/ivan_mcclellan_03_sq-acafa9119030ddf411da2cab26a000dc19d00146.jpg?s=1200&c=75&f=jpeg\" alt=\"Two young Black men seen in a wooded area at dusk, standing on the backs of two horses.\" width=\"1200\" height=\"1200\">\u003cfigcaption class=\"wp-caption-text\">Rodney & RJ, McCalla, Ala.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>His forthcoming photobook, \u003ca href=\"https://www.barnesandnoble.com/w/eight-seconds-miss-rosen/1144643838?ean=9788862088121\">\u003cem>Eight Seconds: Black Rodeo Culture\u003c/em>\u003c/a>, out April 30, features highlights from that journey. The title refers to the minimum amount of time a rider has to stay on a horse or other livestock in order to register a score during a competition.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“All of this beauty and energy and environment just stuck to me,” McClellan said about his first encounter with a Black rodeo. “I saw thousands of Black cowboys and they were doing the Cupid Shuffle in the desert and they were cooking turkey legs. And there were Black folks dressed like traditional cowboys. There were also Black folks riding their horses in Jordans and women riding with their braids blowing behind them and their hands with long acrylic nails clutching the reins.”\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/23/ivan_mcclellan_06_custom-d85e2c1b239ef70972128b1ddd896e5162adf770.jpg?s=1200&c=75&f=jpeg\" alt=\"Two Black men on horses race at high speeds around a sandy arena.\" width=\"1200\" height=\"930\">\u003cfigcaption class=\"wp-caption-text\">Riders pass a baton during a Pony Express relay race in Okmulgee, Okla.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>That event, \u003ca href=\"https://www.greencountryok.com/event/roy-leblanc-okmulgee-invitational-rodeo-%26-festival/69/\">the Roy Leblanc Invitational Rodeo in Oklahoma\u003c/a>, is one McClellan has come to dub “the Super Bowl of Black rodeos.” It is the oldest of its kind in the country.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955021","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>He began posting his photographs of the event online. As his social media audience grew, McClellan was soon traveling the country in search of similar happenings.\u003c/p>\n\u003cp>“There are Black cowboys pretty much everywhere. I mean, there are Black cowboys here in Portland, Ore., where I live, which I think is the last place that I would have expected to find them,” said McClellan, who now runs his own rodeo.\u003c/p>\n\u003cp>“I went all the way to Oklahoma to realize that there were cowboys up the road from me who have been there for four generations … You’d be hard pressed to find a part of America where there wasn’t at least some some portion of this culture.”\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/23/ivan_mcclellan_07_custom-0da721f05dccc9141ff2052b7e9719d3d118157d.jpg?s=1200&c=75&f=jpeg\" alt=\"A Black woman in a cowboy hat, shirt and jeans poses inside an industrial enclosure.\" width=\"1200\" height=\"891\">\u003cfigcaption class=\"wp-caption-text\">Jadayia Kursh, Okmulgee, Okla.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>It’s a narrative largely shunned by Hollywood and the broader mass culture, where the cowboy is consistently portrayed as a white male, be it John Wayne, Val Kilmer or on TV series like \u003cem>Bonanza\u003c/em> (1959-73) and \u003cem>Gunsmoke\u003c/em> (1955-75).\u003c/p>\n\u003cp>Up until a few years ago, “I really thought that term [cowboy] was a joke when applied to a Black person,” McClellan said.\u003c/p>\n\u003cp>In fact, the term was once a pejorative for African Americans working on ranches and farms, while white cowboys were known as “cowhands.”\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/23/ivan_mcclellan_08_custom-f5fa59efb45a4fb53276ba52a59684a8cc36fcc9.jpg?s=1200&c=75&f=jpeg\" alt=\"A Black man lies flat along a horse's back, his hat flying off behind him, as he struggles to stay on the bucking horse.\" width=\"1200\" height=\"891\">\u003cfigcaption class=\"wp-caption-text\">Patrick Liddell, Las Vegas, Nevada.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>But ultimately, cowboy became “a shorthand for our noblest ideals,” McClellan said. “A lot of these things our popular culture is hesitant to attribute to a Black person. So I think to have a cowboy rushing in, saving the day with a black face just didn’t jibe with the stories that Hollywood was trying to tell. I think it’s erasure. I think it’s at best, laziness, at worst, very intentional and malicious. But I’m excited to see that transforming before my eyes.”\u003c/p>\n\u003cp>Beyoncé’s recent country-influenced album \u003ca href=\"https://www.youtube.com/watch?v=x9XHMK3nWr4\">\u003cem>Cowboy Carter\u003c/em>\u003c/a> is the latest iteration of that push for change in popular culture. Lil Nas X challenged the country genre in 2018 with his song “\u003ca href=\"https://www.youtube.com/watch?v=r7qovpFAGrQ\">Old Town Road.\u003c/a>” It became a viral hit after sparking widespread conversations \u003ca href=\"https://www.npr.org/2019/04/05/710021098/lil-nas-x-country-musics-unlikely-son-sparks-conversation-on-genre-and-race\">about genre gatekeeping and Black musicians’ place within country culture\u003c/a>.\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/23/ivan_mcclellan_09_custom-d069a736f1be991e2c90579b2e603ca412549042.jpg?s=1200&c=75&f=jpeg\" alt=\"Two young Black men in full cowboy regalia stand behind a fence in a large warehouse, watching the distance intently. An older Black man stands at their side doing the same.\" width=\"1200\" height=\"894\">\u003cfigcaption class=\"wp-caption-text\">Bull Riders, Rosenberg, Texas.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>“It was a perfect alley-oop. And Beyoncé is hanging on the rim right now,” said McClellan. “Beyoncé is not only revealing Black cowboy culture, but she’s transforming country music forever and tearing down genres in a way that that I don’t think has ever been done.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13939314","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>For McClellan, there’s now one place where he keeps returning over and over.\u003c/p>\n\u003cp>“As far as cultural impact, there’s nothing like the Roy LeBlanc Invitational Rodeo,” he said. “On the second weekend in August at about 8 p.m. when the sun is going down, everything is gold and all the athletes are filing into the arena for the grand entry. And that is where I like to take photos more than anywhere else on the entire planet.”\u003c/p>\n\u003cfigure class=\"wp-block-image size-large\">\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 1200px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://media.npr.org/assets/img/2024/04/23/ivan_mcclellan_04_custom-6997682f2f6e5a0d922046c6178e1759c11b9ebd.jpg?s=1200&c=75&f=jpeg\" alt=\"A young Black woman in a fringed red shirt and black cowboy hat decorated with a tiara sits on horseback comfortably holding reins.\" width=\"1200\" height=\"930\">\u003cfigcaption class=\"wp-caption-text\">Rodeo Queen, Okmulgee, Okla.\u003c/figcaption>\u003c/figure>\n\u003c/figure>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The broadcast version of this story was produced by \u003c/em>\u003ca href=\"https://www.npr.org/people/896256272/lilly-quiroz\">\u003cem>Lilly Quiroz\u003c/em>\u003c/a>\u003cem>. The digital version was edited by Obed Manuel.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956604/black-cowboys-book-review-eight-seconds-rodeo-culture-ivan-mcclellan-photography","authors":["92"],"programs":["arts_140"],"categories":["arts_1","arts_73","arts_835"],"tags":["arts_1050","arts_22110","arts_822","arts_22111","arts_585"],"affiliates":["arts_137"],"featImg":"arts_13956605","label":"arts_140"},"arts_13956411":{"type":"posts","id":"arts_13956411","meta":{"index":"posts_1591205157","site":"arts","id":"13956411","score":null,"sort":[1713899846000]},"guestAuthors":[],"slug":"amy-tan-interview-new-book-backyard-bird-chronicles-sausalito","title":"Amy Tan’s Bird Obsession Led to a New Book — and Keeping Mealworms in Her Fridge","publishDate":1713899846,"format":"standard","headTitle":"Amy Tan’s Bird Obsession Led to a New Book — and Keeping Mealworms in Her Fridge | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>If you know author Amy Tan for \u003cem>The Joy Luck Club\u003c/em> — a novel about Chinese immigrant families in San Francisco — her new book, \u003cem>The Backyard Bird Chronicles\u003c/em>, might seem like a deviation.\u003c/p>\n\u003cp>That’s because Tan didn’t set out to write a book when she started working on it in 2016.\u003c/p>\n\u003cp>She was depressed with the state of the world then and was trying to lose herself in nature.\u003c/p>\n\u003cp>She began looking out her window and journaling. Soon, she had pages and pages of observations and drawings of the birds in her very own backyard. Those musings turned into \u003cem>The Backyard Bird Chronicles\u003c/em>, a nature journal out this week.\u003c/p>\n\u003cp>\u003cem>Morning Edition \u003c/em>host Leila Fadel spoke with Tan about the joys of birdwatching.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cem>This interview has been edited for length and clarity. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Leila Fadel: \u003c/strong>What made you start journaling and focusing on birds?\u003c/p>\n\u003cp>\u003cstrong>Amy Tan: \u003c/strong>I tend to be an obsessive person to begin with, but one of the things I obsessed on in 2016 was the degree of racism that was being shown, and people now considered it almost their freedom of expression to say exactly what they thought about other people who were of a different race. It was people ignoring me as if I were invisible in a store — everybody else being served, but not me. And it happened on an airplane not that long ago. And the first thing that comes to mind is: racism. Yeah, and I never had that feeling before, and it was horrible. So I needed to get it out of my mind, and I decided to go back into nature and also start learning how to draw.\u003c/p>\n\u003cfigure id=\"attachment_13956419\" class=\"wp-caption aligncenter\" style=\"max-width: 1096px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956419\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.00.39-PM.png\" alt=\"Six sketches of owl's facial expressions, labeled Great Horned Owls.\" width=\"1096\" height=\"1318\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.00.39-PM.png 1096w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.00.39-PM-800x962.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.00.39-PM-1020x1227.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.00.39-PM-160x192.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.00.39-PM-768x924.png 768w\" sizes=\"(max-width: 1096px) 100vw, 1096px\">\u003cfigcaption class=\"wp-caption-text\">Sketches of Great Horned Owls from Amy Tan’s new book, ‘The Backyard Bird Chronicles.’ \u003ccite>(Penguin Randomhouse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Fadel: \u003c/strong>Did it help with all of this terribleness that you were feeling and experiencing?\u003c/p>\n\u003cp>\u003cstrong>Tan:\u003c/strong> Yes, it was like a reset for the world at the time because I was feeling so much despair that our world was turning uglier and uglier. And instead, here I was in nature. And it was beautiful. It was in the moment. And what better antidote to be in a place of biodiversity as opposed to hatred of diversity?\u003c/p>\n\u003cp>\u003cstrong>Fadel:\u003c/strong> You have these incredible drawings of California quail and golden crown sparrows and hummingbirds, pine siskins — in different moods and health. All of these scenes are from the bird life in your own backyard?\u003c/p>\n\u003cp>\u003cstrong>Tan: \u003c/strong>Every single bird in the book is from my backyard. Every bird that I’ve drawn is a bird that looked at me. I only write about the birds in my backyard. And that was just a decision I made for myself that I would make this very personal.\u003c/p>\n\u003cp>\u003cstrong>[aside postid='arts_13938121']Fadel: \u003c/strong>You say that you’re a bit obsessive. How many hours a day were you watching birds in your backyard?\u003c/p>\n\u003cp>\u003cstrong>Tan:\u003c/strong> I have bird feeders visible from almost all of the windows in my house and I have a lot of windows. So I was spending, on some days, 10 hours watching the birds and sketching them … Now, I was learning to draw. So a lot of that time was simply drawing the same bird over and over and over again just for the practice of it.\u003c/p>\n\u003cp>\u003cstrong>Fadel:\u003c/strong> You notice the birds and you also notice them noticing you. Who is Amy Tan to these birds?\u003c/p>\n\u003cp>\u003cstrong>Tan: \u003c/strong>I suspect that they know me as the flightless creature who brings out the food. I once took away the feeders because there was an outbreak of disease that some finches had brought. And I took them all down for a very long time, and suddenly I had birds coming to the window in the bathroom … and they were looking at me very intensely. These were birds I always wanted to see. And now here they were coming to the window. And I remember one of them just looked at me, an orange crowned warbler, and then it tapped his beak on the window. And I’ve heard people say, ‘Oh, they’re tapping it because they see their reflection, blah, blah, blah.’ But this was not that. When I moved to another room, it followed me and went to that window and just stared at me. And then it followed me to another window. And then later in the day, when I opened the door, it flew in and it just stared at me like, “Where is the food?”\u003c/p>\n\u003cfigure id=\"attachment_13956420\" class=\"wp-caption aligncenter\" style=\"max-width: 968px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956420\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.02.51-PM.png\" alt=\"Playful illustrations of three blue scrub jays, an adult female owl and its male offspring, three crows and a young girl.\" width=\"968\" height=\"1294\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.02.51-PM.png 968w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.02.51-PM-800x1069.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.02.51-PM-160x214.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.02.51-PM-768x1027.png 768w\" sizes=\"(max-width: 968px) 100vw, 968px\">\u003cfigcaption class=\"wp-caption-text\">Sketches from Amy Tan’s book, ‘The Backyard Bird Chronicles.’ \u003ccite>(Penguin Randomhouse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Fadel: \u003c/strong>Your husband makes a few little appearances in the book where he drives you to get food for the birds. And I think at one point you’re spending $250 a month on food for the birds. What does he think about your hobby?\u003c/p>\n\u003cp>\u003cstrong>Tan: \u003c/strong>That’s obsessive, I would say. I know. I would buy these live mealworms. Sometimes there were 20,000 of them. And I would put them in containers … and then I would put them in the fridge. And so when I started getting 20,000 instead of 10,000, Lou did say something about, “You’ve got too many mealworms in here.”\u003c/p>\n\u003cp>[aside postid='arts_13951961']The other thing that he was tolerant of is that sometimes I would have a dead bird and I carefully wrapped them up, put the date when they were found and what the breed was. And then I’d put them in the freezer to give to the California Academy of Sciences. Then I feel they’re going off to a very advanced institution, and it makes me feel better in a way. They will serve a purpose, even though they’ve died.\u003c/p>\n\u003cp>\u003cstrong>Fadel: \u003c/strong>Also, Lou really loves you. That’s a sign of real love.\u003c/p>\n\u003cp>\u003cstrong>Tan: \u003c/strong>We’ve been together for 54 years, so he knows me and my habits, and I’ve had dead snakes in the freezer in the past. So this is probably one step up.\u003c/p>\n\u003cp>\u003cstrong>Fadel: \u003c/strong>Par for the course. Amy Tan, her new book is \u003cem>The Backyard Bird Chronicles\u003c/em> and she’s written and illustrated it. Thank you so much for this book and really such a joyful conversation.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cstrong>Tan: \u003c/strong>Thank you.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Amy+Tan%27s+bird+obsession+led+to+a+new+book+%E2%80%94+and+keeping+mealworms+in+her+fridge&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"The Bay Area author charts her foray into birdwatching and the natural wonders of California in ‘The Backyard Bird Chronicles.’ ","status":"publish","parent":0,"modified":1713899846,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":25,"wordCount":1083},"headData":{"title":"Amy Tan’s New Book Documents the Birds in Her Sausalito Yard | KQED","description":"The Bay Area author charts her foray into birdwatching and the natural wonders of California in ‘The Backyard Bird Chronicles.’ ","ogTitle":"Amy Tan’s Bird Obsession Led to a New Book — and Keeping Mealworms in Her Fridge","ogDescription":"","ogImgId":"","twTitle":"Amy Tan’s Bird Obsession Led to a New Book — and Keeping Mealworms in Her Fridge","twDescription":"","twImgId":"","socialTitle":"Amy Tan’s New Book Documents the Birds in Her Sausalito Yard %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Amy Tan’s Bird Obsession Led to a New Book — and Keeping Mealworms in Her Fridge","datePublished":"2024-04-23T19:17:26.000Z","dateModified":"2024-04-23T19:17:26.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprImageCredit":"Kim Newmoney","nprByline":"Julie Depenbrock","nprImageAgency":"Penguin Randomhouse","nprStoryId":"1246277603","nprApiLink":"http://api.npr.org/query?id=1246277603&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2024/04/22/1246277603/amy-tan-backyard-bird-chronicles?ft=nprml&f=1246277603","nprRetrievedStory":"1","nprPubDate":"Tue, 23 Apr 2024 07:59:00 -0400","nprStoryDate":"Mon, 22 Apr 2024 05:14:12 -0400","nprLastModifiedDate":"Tue, 23 Apr 2024 07:59:39 -0400","nprAudio":"https://play.podtrac.com/npr-191676894/ondemand.npr.org/anon.npr-mp3/npr/me/2024/04/20240422_me_backyard_bird_chronicles.mp3?orgId=1&topicId=1033&aggIds=1200383155&d=418&p=3&story=1246277603&ft=nprml&f=1246277603","nprAudioM3u":"http://api.npr.org/m3u/11246277604-8e0565.m3u?orgId=1&topicId=1033&aggIds=1200383155&d=418&p=3&story=1246277603&ft=nprml&f=1246277603","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13956411/amy-tan-interview-new-book-backyard-bird-chronicles-sausalito","audioUrl":"https://play.podtrac.com/npr-191676894/ondemand.npr.org/anon.npr-mp3/npr/me/2024/04/20240422_me_backyard_bird_chronicles.mp3?orgId=1&topicId=1033&aggIds=1200383155&d=418&p=3&story=1246277603&ft=nprml&f=1246277603","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you know author Amy Tan for \u003cem>The Joy Luck Club\u003c/em> — a novel about Chinese immigrant families in San Francisco — her new book, \u003cem>The Backyard Bird Chronicles\u003c/em>, might seem like a deviation.\u003c/p>\n\u003cp>That’s because Tan didn’t set out to write a book when she started working on it in 2016.\u003c/p>\n\u003cp>She was depressed with the state of the world then and was trying to lose herself in nature.\u003c/p>\n\u003cp>She began looking out her window and journaling. Soon, she had pages and pages of observations and drawings of the birds in her very own backyard. Those musings turned into \u003cem>The Backyard Bird Chronicles\u003c/em>, a nature journal out this week.\u003c/p>\n\u003cp>\u003cem>Morning Edition \u003c/em>host Leila Fadel spoke with Tan about the joys of birdwatching.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>This interview has been edited for length and clarity. \u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Leila Fadel: \u003c/strong>What made you start journaling and focusing on birds?\u003c/p>\n\u003cp>\u003cstrong>Amy Tan: \u003c/strong>I tend to be an obsessive person to begin with, but one of the things I obsessed on in 2016 was the degree of racism that was being shown, and people now considered it almost their freedom of expression to say exactly what they thought about other people who were of a different race. It was people ignoring me as if I were invisible in a store — everybody else being served, but not me. And it happened on an airplane not that long ago. And the first thing that comes to mind is: racism. Yeah, and I never had that feeling before, and it was horrible. So I needed to get it out of my mind, and I decided to go back into nature and also start learning how to draw.\u003c/p>\n\u003cfigure id=\"attachment_13956419\" class=\"wp-caption aligncenter\" style=\"max-width: 1096px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956419\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.00.39-PM.png\" alt=\"Six sketches of owl's facial expressions, labeled Great Horned Owls.\" width=\"1096\" height=\"1318\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.00.39-PM.png 1096w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.00.39-PM-800x962.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.00.39-PM-1020x1227.png 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.00.39-PM-160x192.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.00.39-PM-768x924.png 768w\" sizes=\"(max-width: 1096px) 100vw, 1096px\">\u003cfigcaption class=\"wp-caption-text\">Sketches of Great Horned Owls from Amy Tan’s new book, ‘The Backyard Bird Chronicles.’ \u003ccite>(Penguin Randomhouse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Fadel: \u003c/strong>Did it help with all of this terribleness that you were feeling and experiencing?\u003c/p>\n\u003cp>\u003cstrong>Tan:\u003c/strong> Yes, it was like a reset for the world at the time because I was feeling so much despair that our world was turning uglier and uglier. And instead, here I was in nature. And it was beautiful. It was in the moment. And what better antidote to be in a place of biodiversity as opposed to hatred of diversity?\u003c/p>\n\u003cp>\u003cstrong>Fadel:\u003c/strong> You have these incredible drawings of California quail and golden crown sparrows and hummingbirds, pine siskins — in different moods and health. All of these scenes are from the bird life in your own backyard?\u003c/p>\n\u003cp>\u003cstrong>Tan: \u003c/strong>Every single bird in the book is from my backyard. Every bird that I’ve drawn is a bird that looked at me. I only write about the birds in my backyard. And that was just a decision I made for myself that I would make this very personal.\u003c/p>\n\u003cp>\u003cstrong>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13938121","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Fadel: \u003c/strong>You say that you’re a bit obsessive. How many hours a day were you watching birds in your backyard?\u003c/p>\n\u003cp>\u003cstrong>Tan:\u003c/strong> I have bird feeders visible from almost all of the windows in my house and I have a lot of windows. So I was spending, on some days, 10 hours watching the birds and sketching them … Now, I was learning to draw. So a lot of that time was simply drawing the same bird over and over and over again just for the practice of it.\u003c/p>\n\u003cp>\u003cstrong>Fadel:\u003c/strong> You notice the birds and you also notice them noticing you. Who is Amy Tan to these birds?\u003c/p>\n\u003cp>\u003cstrong>Tan: \u003c/strong>I suspect that they know me as the flightless creature who brings out the food. I once took away the feeders because there was an outbreak of disease that some finches had brought. And I took them all down for a very long time, and suddenly I had birds coming to the window in the bathroom … and they were looking at me very intensely. These were birds I always wanted to see. And now here they were coming to the window. And I remember one of them just looked at me, an orange crowned warbler, and then it tapped his beak on the window. And I’ve heard people say, ‘Oh, they’re tapping it because they see their reflection, blah, blah, blah.’ But this was not that. When I moved to another room, it followed me and went to that window and just stared at me. And then it followed me to another window. And then later in the day, when I opened the door, it flew in and it just stared at me like, “Where is the food?”\u003c/p>\n\u003cfigure id=\"attachment_13956420\" class=\"wp-caption aligncenter\" style=\"max-width: 968px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956420\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.02.51-PM.png\" alt=\"Playful illustrations of three blue scrub jays, an adult female owl and its male offspring, three crows and a young girl.\" width=\"968\" height=\"1294\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.02.51-PM.png 968w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.02.51-PM-800x1069.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.02.51-PM-160x214.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-23-at-12.02.51-PM-768x1027.png 768w\" sizes=\"(max-width: 968px) 100vw, 968px\">\u003cfigcaption class=\"wp-caption-text\">Sketches from Amy Tan’s book, ‘The Backyard Bird Chronicles.’ \u003ccite>(Penguin Randomhouse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Fadel: \u003c/strong>Your husband makes a few little appearances in the book where he drives you to get food for the birds. And I think at one point you’re spending $250 a month on food for the birds. What does he think about your hobby?\u003c/p>\n\u003cp>\u003cstrong>Tan: \u003c/strong>That’s obsessive, I would say. I know. I would buy these live mealworms. Sometimes there were 20,000 of them. And I would put them in containers … and then I would put them in the fridge. And so when I started getting 20,000 instead of 10,000, Lou did say something about, “You’ve got too many mealworms in here.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13951961","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The other thing that he was tolerant of is that sometimes I would have a dead bird and I carefully wrapped them up, put the date when they were found and what the breed was. And then I’d put them in the freezer to give to the California Academy of Sciences. Then I feel they’re going off to a very advanced institution, and it makes me feel better in a way. They will serve a purpose, even though they’ve died.\u003c/p>\n\u003cp>\u003cstrong>Fadel: \u003c/strong>Also, Lou really loves you. That’s a sign of real love.\u003c/p>\n\u003cp>\u003cstrong>Tan: \u003c/strong>We’ve been together for 54 years, so he knows me and my habits, and I’ve had dead snakes in the freezer in the past. So this is probably one step up.\u003c/p>\n\u003cp>\u003cstrong>Fadel: \u003c/strong>Par for the course. Amy Tan, her new book is \u003cem>The Backyard Bird Chronicles\u003c/em> and she’s written and illustrated it. Thank you so much for this book and really such a joyful conversation.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cstrong>Tan: \u003c/strong>Thank you.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Amy+Tan%27s+bird+obsession+led+to+a+new+book+%E2%80%94+and+keeping+mealworms+in+her+fridge&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956411/amy-tan-interview-new-book-backyard-bird-chronicles-sausalito","authors":["byline_arts_13956411"],"programs":["arts_140"],"categories":["arts_1","arts_73","arts_835"],"tags":["arts_9124","arts_16385","arts_1050","arts_21679","arts_585"],"affiliates":["arts_137"],"featImg":"arts_13956412","label":"arts_140"},"arts_13956374":{"type":"posts","id":"arts_13956374","meta":{"index":"posts_1591205157","site":"arts","id":"13956374","score":null,"sort":[1713893938000]},"guestAuthors":[],"slug":"new-the-jinx-part-two-hbo-max-review-robert-durst-confession","title":"So Far, the Biggest Mystery of the New ‘Jinx’ Is: What’s the Mystery?","publishDate":1713893938,"format":"standard","headTitle":"So Far, the Biggest Mystery of the New ‘Jinx’ Is: What’s the Mystery? | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>HBO’s \u003ca href=\"https://www.npr.org/2015/03/18/376989647/the-jinx-and-the-challenges-of-public-curiosity\">\u003cem>The Jinx\u003c/em>,\u003c/a> which aired in 2015 (yes, nine years ago), was a huge contributor to the true-crime boom in television and audio. It came out the same year as Netflix’s \u003ca href=\"https://www.npr.org/2016/01/05/461908092/over-10-years-two-filmmakers-documented-the-making-a-murderer\">\u003cem>Making a Murderer\u003c/em> \u003c/a>and only a few months after the first season of the podcast \u003ca href=\"https://www.npr.org/2014/12/18/371636304/sarah-koenig-on-serial-i-think-something-went-wrong-with-this-case\">\u003cem>Serial\u003c/em>\u003c/a>. Few later attempts have been as successful, though, because they lack \u003cem>The Jinx\u003c/em>‘s secret weapon: the participation of the extraordinarily strange, compulsively talkative, and now deceased subject, Robert Durst.\u003c/p>\n\u003cp>The story of the docuseries goes like this: Durst had long been suspected in both the disappearance of his wife, Kathie, in 1982 and the shooting death of his best friend, Susan Berman, in 2000. He had admitted shooting his neighbor, Morris Black, in 2001 but was acquitted by a jury on a theory of self-defense. For reasons known only to himself, Durst chose to live out his life as an ultrawealthy real estate tycoon, but also to sit for long interviews with director Andrew Jarecki for \u003cem>The Jinx \u003c/em>to discuss the alleged crimes.\u003c/p>\n\u003cp>[aside postid='arts_11299066']These interviews were what made \u003cem>The Jinx \u003c/em>so compelling. Durst could not stop himself from talking, even when staying silent was obviously in his best interests. This extended to a hot-mic incident that Jarecki treated as a bombshell confession, even though it turned out to be a \u003ca href=\"https://www.nytimes.com/2019/04/24/arts/television/robert-durst-the-jinx.html\">bit more complicated than that\u003c/a>. The day before the finale aired, Durst was arrested for the murder of Berman, based in part on evidence that the documentarians had uncovered and provided to law enforcement. This follow-up series essentially covers his trial and the time leading up to it. But it, too, lacks the punch that Durst’s presence offered the original.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=ShYl5K8Nlq8\u003c/p>\n\u003cp>There are some things about the self-referential nature of this second chapter that are a little unpleasant. \u003cem>The Jinx \u003c/em>is now part of the story of Durst’s life after his arrest. The filmmakers show some footage of the series finale viewing party they held in 2015 for (among others) the family of the disappeared first wife Durst is suspected of having killed. We watch their (apparent) relief and gratitude when the “confession” is played. Not shown: the incident \u003ca href=\"https://www.nytimes.com/2019/04/24/arts/television/robert-durst-the-jinx.html\">reported in \u003cem>The New York Times\u003c/em>\u003c/a> in which another guest at the same party (Rosie O’Donnell, for whatever reason) immediately demanded to know why the filmmakers would have withheld this evidence from law enforcement to use it as the kicker to the show, a question that played out in the press as well, along with some \u003ca href=\"https://www.npr.org/2015/03/18/376989647/the-jinx-and-the-challenges-of-public-curiosity\">other tough questions about the making of\u003c/a> \u003cem>The Jinx\u003c/em>. But the way the viewing party is shown in \u003cem>Part Two\u003c/em>, nobody felt anything but vindicated and thankful.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>It seems questionable to set up a viewing party for a putative victim’s family and film their reaction to your big reveal about her murder, and a bit sketchy to omit parts where people weren’t sure you were doing the good deed you think you were doing.\u003c/p>\n\u003cp>Ethically, those things raise some questions. But as television, the biggest problem with the episodes HBO provided to critics (four out of what will eventually be six) is that they’re pretty boring. Without Durst’s involvement (it seems that he finally stopped participating in documentary-making after he was arrested and died shortly after his conviction), the series often seems to be grasping for revelations. It’s also heavily reliant on reenactments, which aren’t particularly visually interesting and look a lot like every other true-crime reenactment on TV.\u003c/p>\n\u003cp>[aside postid='arts_13955854']The third episode is the best of the four; without spoiling it, it sheds a bit of additional light on the back story, if you’re still looking for it. But what \u003cem>The Jinx — Part Two\u003c/em> reveals is that \u003cem>The Jinx \u003c/em>was interesting because while Durst might be a murderer, he was also a gruesomely fascinating interview subject. While there’s tape here of phone calls from when he was incarcerated, and sometimes you get those “Bob being Bob” moments, the mesmerizing aspects of the original are not there.\u003c/p>\n\u003cp>There’s no telling what might come in the final two episodes; perhaps they have more to say, and that’s why they were held back from critics. The big revelations in \u003cem>The Jinx \u003c/em>came in the last two episodes, after all. But in the meantime, this feels like a mystery show in search of a mystery, a true crime series with limited truths to share.\u003c/p>\n\u003cp>\u003cem>This piece also appeared in NPR’s Pop Culture Happy Hour newsletter. \u003c/em>\u003ca href=\"https://www.npr.org/newsletter/pop-culture\">\u003cem>Sign up for the newsletter\u003c/em>\u003c/a>\u003cem> so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Listen to Pop Culture Happy Hour on \u003c/em>\u003ca href=\"http://n.pr/3xNgYt9\">\u003cem>Apple Podcasts\u003c/em>\u003c/a>\u003cem> and \u003c/em>\u003ca href=\"http://n.pr/3ELR3n6\">\u003cem>Spotify\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=So+far%2C+the+biggest+mystery+of+the+new+%27Jinx%27+is%3A+What%27s+the+mystery%3F&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"Nine years ago, HBO’s ‘The Jinx’ played a role in the arrest of Robert Durst. Now its follow-up is grasping for revelations.","status":"publish","parent":0,"modified":1713893938,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":837},"headData":{"title":"Review: ‘The Jinx - Part Two’ Doesn’t Offer Much New Information | KQED","description":"Nine years ago, HBO’s ‘The Jinx’ played a role in the arrest of Robert Durst. Now its follow-up is grasping for revelations.","ogTitle":"So Far, the Biggest Mystery of the New ‘Jinx’ Is: What’s the Mystery?","ogDescription":"","ogImgId":"","twTitle":"So Far, the Biggest Mystery of the New ‘Jinx’ Is: What’s the Mystery?","twDescription":"","twImgId":"","socialTitle":"Review: ‘The Jinx - Part Two’ Doesn’t Offer Much New Information %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"So Far, the Biggest Mystery of the New ‘Jinx’ Is: What’s the Mystery?","datePublished":"2024-04-23T17:38:58.000Z","dateModified":"2024-04-23T17:38:58.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Linda Holmes","nprImageAgency":"HBO","nprStoryId":"1245787366","nprApiLink":"http://api.npr.org/query?id=1245787366&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2024/04/20/1245787366/the-jinx-part-two-review-robert-durst-murder?ft=nprml&f=1245787366","nprRetrievedStory":"1","nprPubDate":"Sat, 20 Apr 2024 07:01:00 -0400","nprStoryDate":"Sat, 20 Apr 2024 07:01:14 -0400","nprLastModifiedDate":"Sat, 20 Apr 2024 07:01:14 -0400","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13956374/new-the-jinx-part-two-hbo-max-review-robert-durst-confession","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>HBO’s \u003ca href=\"https://www.npr.org/2015/03/18/376989647/the-jinx-and-the-challenges-of-public-curiosity\">\u003cem>The Jinx\u003c/em>,\u003c/a> which aired in 2015 (yes, nine years ago), was a huge contributor to the true-crime boom in television and audio. It came out the same year as Netflix’s \u003ca href=\"https://www.npr.org/2016/01/05/461908092/over-10-years-two-filmmakers-documented-the-making-a-murderer\">\u003cem>Making a Murderer\u003c/em> \u003c/a>and only a few months after the first season of the podcast \u003ca href=\"https://www.npr.org/2014/12/18/371636304/sarah-koenig-on-serial-i-think-something-went-wrong-with-this-case\">\u003cem>Serial\u003c/em>\u003c/a>. Few later attempts have been as successful, though, because they lack \u003cem>The Jinx\u003c/em>‘s secret weapon: the participation of the extraordinarily strange, compulsively talkative, and now deceased subject, Robert Durst.\u003c/p>\n\u003cp>The story of the docuseries goes like this: Durst had long been suspected in both the disappearance of his wife, Kathie, in 1982 and the shooting death of his best friend, Susan Berman, in 2000. He had admitted shooting his neighbor, Morris Black, in 2001 but was acquitted by a jury on a theory of self-defense. For reasons known only to himself, Durst chose to live out his life as an ultrawealthy real estate tycoon, but also to sit for long interviews with director Andrew Jarecki for \u003cem>The Jinx \u003c/em>to discuss the alleged crimes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_11299066","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>These interviews were what made \u003cem>The Jinx \u003c/em>so compelling. Durst could not stop himself from talking, even when staying silent was obviously in his best interests. This extended to a hot-mic incident that Jarecki treated as a bombshell confession, even though it turned out to be a \u003ca href=\"https://www.nytimes.com/2019/04/24/arts/television/robert-durst-the-jinx.html\">bit more complicated than that\u003c/a>. The day before the finale aired, Durst was arrested for the murder of Berman, based in part on evidence that the documentarians had uncovered and provided to law enforcement. This follow-up series essentially covers his trial and the time leading up to it. But it, too, lacks the punch that Durst’s presence offered the original.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ShYl5K8Nlq8'\n title='//www.youtube.com/embed/ShYl5K8Nlq8'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>There are some things about the self-referential nature of this second chapter that are a little unpleasant. \u003cem>The Jinx \u003c/em>is now part of the story of Durst’s life after his arrest. The filmmakers show some footage of the series finale viewing party they held in 2015 for (among others) the family of the disappeared first wife Durst is suspected of having killed. We watch their (apparent) relief and gratitude when the “confession” is played. Not shown: the incident \u003ca href=\"https://www.nytimes.com/2019/04/24/arts/television/robert-durst-the-jinx.html\">reported in \u003cem>The New York Times\u003c/em>\u003c/a> in which another guest at the same party (Rosie O’Donnell, for whatever reason) immediately demanded to know why the filmmakers would have withheld this evidence from law enforcement to use it as the kicker to the show, a question that played out in the press as well, along with some \u003ca href=\"https://www.npr.org/2015/03/18/376989647/the-jinx-and-the-challenges-of-public-curiosity\">other tough questions about the making of\u003c/a> \u003cem>The Jinx\u003c/em>. But the way the viewing party is shown in \u003cem>Part Two\u003c/em>, nobody felt anything but vindicated and thankful.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>It seems questionable to set up a viewing party for a putative victim’s family and film their reaction to your big reveal about her murder, and a bit sketchy to omit parts where people weren’t sure you were doing the good deed you think you were doing.\u003c/p>\n\u003cp>Ethically, those things raise some questions. But as television, the biggest problem with the episodes HBO provided to critics (four out of what will eventually be six) is that they’re pretty boring. Without Durst’s involvement (it seems that he finally stopped participating in documentary-making after he was arrested and died shortly after his conviction), the series often seems to be grasping for revelations. It’s also heavily reliant on reenactments, which aren’t particularly visually interesting and look a lot like every other true-crime reenactment on TV.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955854","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The third episode is the best of the four; without spoiling it, it sheds a bit of additional light on the back story, if you’re still looking for it. But what \u003cem>The Jinx — Part Two\u003c/em> reveals is that \u003cem>The Jinx \u003c/em>was interesting because while Durst might be a murderer, he was also a gruesomely fascinating interview subject. While there’s tape here of phone calls from when he was incarcerated, and sometimes you get those “Bob being Bob” moments, the mesmerizing aspects of the original are not there.\u003c/p>\n\u003cp>There’s no telling what might come in the final two episodes; perhaps they have more to say, and that’s why they were held back from critics. The big revelations in \u003cem>The Jinx \u003c/em>came in the last two episodes, after all. But in the meantime, this feels like a mystery show in search of a mystery, a true crime series with limited truths to share.\u003c/p>\n\u003cp>\u003cem>This piece also appeared in NPR’s Pop Culture Happy Hour newsletter. \u003c/em>\u003ca href=\"https://www.npr.org/newsletter/pop-culture\">\u003cem>Sign up for the newsletter\u003c/em>\u003c/a>\u003cem> so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Listen to Pop Culture Happy Hour on \u003c/em>\u003ca href=\"http://n.pr/3xNgYt9\">\u003cem>Apple Podcasts\u003c/em>\u003c/a>\u003cem> and \u003c/em>\u003ca href=\"http://n.pr/3ELR3n6\">\u003cem>Spotify\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=So+far%2C+the+biggest+mystery+of+the+new+%27Jinx%27+is%3A+What%27s+the+mystery%3F&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956374/new-the-jinx-part-two-hbo-max-review-robert-durst-confession","authors":["byline_arts_13956374"],"programs":["arts_140"],"categories":["arts_1","arts_75","arts_990"],"tags":["arts_21958","arts_8350","arts_20624","arts_769","arts_585","arts_8366"],"affiliates":["arts_137"],"featImg":"arts_13956375","label":"arts_140"},"arts_13956128":{"type":"posts","id":"arts_13956128","meta":{"index":"posts_1591205157","site":"arts","id":"13956128","score":null,"sort":[1713390986000]},"guestAuthors":[],"slug":"best-mysteries-and-thriller-novels-spring-2024","title":"5 New Mysteries and Thrillers for Your Nightstand This Spring","publishDate":1713390986,"format":"standard","headTitle":"5 New Mysteries and Thrillers for Your Nightstand This Spring | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Welcome back, mystery and thriller devotees! These books will take you from murder in present-day Texas to cryptography in Cold War Berlin to an online community that might hold the solution to a missing-person case.\u003c/p>\n\u003cp>Happy reading!\u003c/p>\n\u003ch3>‘Listen for the Lie’ by Amy Tintera\u003c/h3>\n\u003cfigure id=\"attachment_13956153\" class=\"wp-caption aligncenter\" style=\"max-width: 834px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956153\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.42.17-PM.png\" alt=\"A red book cover illustrated with a winding aux cord.\" width=\"834\" height=\"1212\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.42.17-PM.png 834w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.42.17-PM-800x1163.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.42.17-PM-160x233.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.42.17-PM-768x1116.png 768w\" sizes=\"(max-width: 834px) 100vw, 834px\">\u003cfigcaption class=\"wp-caption-text\">‘Listen for the Lie’ by Amy Tintera. \u003ccite>(Celadon Books)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Savannah Harper, the sweetheart of Plumpton, Texas, died from blows to her head. A few hours later, her best friend forever, Lucy Chase, was found wandering the town streets covered in blood. While Lucy was never formally charged with the murder, the community convicted her lock, stock and a full plate of barbecue. Five years later, Lucy has come home just as true-crime podcaster Ben Owens arrives to produce an episode of his show, \u003cem>Listen for the Lie.\u003c/em>\u003c/p>\n\u003cp>[aside postid='arts_13956050']As Ben encourages the tetchy, secretive Lucy to share her side of the story with him, she relaxes beneath his sunny, handsome gaze and starts to look at the truth. Unfortunately, truth doesn’t matter much to the residents of Plumpton, who long ago made up their minds about a young woman whose persona chafes against their ideas of femininity. Fortunately, by the time you meet the Plumptonites, you’ll have been mesmerized by Lucy’s hilarious, self-deprecating first-person narration. “It’s probably unfair to say that a podcast ruined my life,” she tells readers, and then, as she talks about making dinner during which she’ll break up with her clueless boyfriend: “Let this be a lesson to all the men out there who can’t handle conflict — man up and dump your girlfriend, or you might end up living with a suspected murder indefinitely.”\u003c/p>\n\u003cp>Podcast episodes interspersed between Lucy’s chapters form a clever way for Tintera (already a bestselling YA author; this is her debut for adults) to draw out the suspense. Revealing too much about the other characters might ruin that cleverness, but it’s important to note that even when the story has ended and the murderer found, there are secrets within secrets, the kind that women have long used to protect each other.\u003c/p>\n\u003ch3>‘Where You End’ by Abbott Kahler\u003c/h3>\n\u003cfigure id=\"attachment_13956154\" class=\"wp-caption aligncenter\" style=\"max-width: 832px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956154\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.44.04-PM.png\" alt=\"A book cover illustrated with winding bare tree branches and two rabbit masks.\" width=\"832\" height=\"1214\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.44.04-PM.png 832w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.44.04-PM-800x1167.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.44.04-PM-160x233.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.44.04-PM-768x1121.png 768w\" sizes=\"(max-width: 832px) 100vw, 832px\">\u003cfigcaption class=\"wp-caption-text\">‘Where You End’ by Abbott Kahler. \u003ccite>(Henry Holt and Co.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Abbott Kahler’s debut centers on a young woman named Katherine “Kat” Bird, who has a near-death experience after her car collides with a deer, and wakes to near-total amnesia. She remembers her twin sister, Jude, who tries to fill in all of the blanks in Kat’s memory, but as Kat slowly recovers, she realizes Jude’s recounting of events contradict her own.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Did the sisters have an idyllic childhood, or were they raised in a cult? If the latter is true, why would Jude be trying to pretend it never happened? Kahler (who has written acclaimed nonfiction as Karen Abbott) constructs a thriller so perfectly paced that you actually will not be able to put it down. You’ll be longing at each step to see how much Kat remembers and how much Jude complicates the memories. Each clue (there are few pictures of the sisters together, for example) has a flip side, a structural technique that works particularly well since the book is set in 1970s Philadelphia, with all of that city’s grittiness, community, and culture.\u003c/p>\n\u003cp>Kahler based her novel on the real-life story of Alex and Marcus Lewis, 18-year-old British identical twins. In 1982, Alex awoke from a coma following a motorcycle accident and remembered nothing except his brother’s name and face; Marcus decided to use the opportunity to invent new lives for them both. Kahler expands on their situation by going deeper into the effects of trauma for women and girls, making \u003cem>Where You End\u003c/em> incredibly relevant, right up to the truly shocking ending.\u003c/p>\n\u003ch3>‘The Night of the Storm’ by Nishita Parekh\u003c/h3>\n\u003cfigure id=\"attachment_13956156\" class=\"wp-caption aligncenter\" style=\"max-width: 832px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956156\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.46.08-PM.png\" alt=\"A book cover depicting a large house surrounded by water with a storm raging overhead.\" width=\"832\" height=\"1214\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.46.08-PM.png 832w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.46.08-PM-800x1167.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.46.08-PM-160x233.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.46.08-PM-768x1121.png 768w\" sizes=\"(max-width: 832px) 100vw, 832px\">\u003cfigcaption class=\"wp-caption-text\">‘The Night of the Storm’ by Nishita Parekh. \u003ccite>(Dutton)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Answer to a question you didn’t ask: In the UK, the board game Clue is known as Cluedo, a portmanteau word for “clue” plus “ludo,” the Latin for “I play.” In Nishita Parekh’s debut, a locked-room mystery that toys with everyone’s memories of playing Clue, readers may want to keep that active verb in mind. Set in Houston among a group of upperclass suburban Desi friends, \u003cem>The Night of the Storm\u003c/em> puts family drama above anything resembling, say, \u003cem>Cape Fear\u003c/em>-style hijinks — but the word “storm” in the title can mean so many things.\u003c/p>\n\u003cp>[aside postid='arts_13955903']Protagonist Jia Shah, single mom to Ishaan, decides they’ll both shelter from Hurricane Harvey at her sister Seema’s large home in Sugar Land. Seema’s husband Vipul and some of his relatives make things more complicated for Jia, through both their busy presence and because Jia and Vipul have some sexual tension going on; one of the things that makes this book fascinating is the look at a second-generation immigrant family enjoying their new country while also feeling the pull of hereditary expectations.\u003c/p>\n\u003cp>If you’re looking for a thriller — and this book is labeled one — you’ve come to the wrong place. \u003cem>The Night of the Storm\u003c/em> resembles nothing so much as a Golden Age mystery, and if you appreciate those, you’ve come to the right place. Parekh has clearly read her Christie, Marsh, and Allingham; she also clearly relishes those authors and their attention to cohesion and convention. Come on in and shelter from this \u003cem>Storm\u003c/em> with a truly unreliable cast of characters.\u003c/p>\n\u003ch3>‘Rabbit Hole’ by Kate Brody\u003c/h3>\n\u003cfigure id=\"attachment_13956157\" class=\"wp-caption aligncenter\" style=\"max-width: 838px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956157\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.47.47-PM.png\" alt=\"A book cover depicting a woman's face partially obscured by a finger print. \" width=\"838\" height=\"1210\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.47.47-PM.png 838w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.47.47-PM-800x1155.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.47.47-PM-160x231.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.47.47-PM-768x1109.png 768w\" sizes=\"(max-width: 838px) 100vw, 838px\">\u003cfigcaption class=\"wp-caption-text\">‘Rabbit Hole’ by Kate Brody. \u003ccite>(Soho Crime)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A decade ago, Teddy Angstrom’s older sister Angie disappeared at age 18. When their father chooses suicide on the anniversary of Angie’s death, the now 26-year-old Teddy leaves the private school in Maine where she teaches English for home to sort out family matters with her grieving mother. Teddy discovers Mark Angstrom had grown obsessed with Reddit boards about true crime, some of them specifically about Angie’s case.\u003c/p>\n\u003cp>[aside postid='arts_13955214']Her initial look at the discussions soon turns into an obsession equaling her father’s, one that will pull her into the orbit of 19-year-old Mickey, a local college student with multiple tattoos and perhaps multiple motives for the assistance she gives Teddy. The weird friendship these women create reflects the darkness into which Teddy descends, continuing her addiction to the internet as she develops an addiction to alcohol, and accidentally outing herself as Angie’s sister to the various members of the Reddit boards.\u003c/p>\n\u003cp>Brody wisely builds the suspense around Teddy’s dissolution and paranoia, rather than focusing on the details of Angie’s fate, creating an atmosphere so suffocating and panicky that readers will feel the effects of loss, grief, and confusion as surely as if they were inside Teddy’s very smart and once better-adjusted mind. Teddy’s longing not just for her sister’s survival but for their ability to share life as 20-somethings marks her more indelibly than Mickey’s body ink.\u003c/p>\n\u003ch3>‘The Berlin Letters’ by Katherine Reay\u003c/h3>\n\u003cfigure id=\"attachment_13956158\" class=\"wp-caption aligncenter\" style=\"max-width: 820px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956158\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.49.15-PM.png\" alt=\"A book cover depicting a woman dressed in conservative 1980s-era clothing stands, arms folded in front of a small yellow car and a wall of graffiti.\" width=\"820\" height=\"1212\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.49.15-PM.png 820w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.49.15-PM-800x1182.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.49.15-PM-160x236.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.49.15-PM-768x1135.png 768w\" sizes=\"(max-width: 820px) 100vw, 820px\">\u003cfigcaption class=\"wp-caption-text\">‘The Berlin Letters’ by Katherine Reay. \u003ccite>(Harper Muse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Brilliant cryptographer Luisa Voekler, whose talent was nurtured by her grandfather’s frequent code-based scavenger hunts, wants to move up in the CIA, but finds her career sidelined in the late 1980s as she translates World War II documents. One day she recognizes a tiny symbol that will lead her down a dangerous path. Her discovery involves her father, Haris, who remains in the East Berlin his family left in 1961 as the East German government put up a wall dividing the city.\u003c/p>\n\u003cp>[aside postid='arts_13955156']Reay has written a number of novels based on Brontë and Austen characters, as well as a couple of lighthearted looks at women’s friendships in Illinois, but in 2021 she turned to darker territory, setting books about spycraft in London, Moscow — and now Berlin and Washington, D.C. The cover of \u003cem>The Berlin Letters\u003c/em> announces both its relatively recent time period, with the figure of a young woman dressed in contemporary clothing, yet also nods to the singularity of modern Berlin, with a backdrop of the Wall covered in graffiti and the trunk of an iconic East German Trabant or “Trabi” auto (known for being constructed from lightweight resin).\u003c/p>\n\u003cp>The author knows East and West Berlin inside out, discussing details like the houses on Bernauer Strasse that allowed inhabitants, for a time, to easily defect simply by walking out of their front doors. However, those details never overwhelm a fast-paced story told by father and daughter from their different vantage points, as Luisa learns the truth of her past, and both stories reach the shocking, history-making night when The Berlin Wall fell on Nov. 9, 1989.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>Bethanne Patrick is a freelance writer and critic who tweets \u003c/em>\u003ca href=\"https://twitter.com/thebookmaven\">\u003cem>@TheBookMaven\u003c/em>\u003c/a>\u003cem> and hosts the podcast Missing Pages.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=5+new+mysteries+and+thrillers+for+your+nightstand+this+spring&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"These thrilling new books will take you from murder in present-day Texas to cryptography in Cold War Berlin.","status":"publish","parent":0,"modified":1713390986,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":1583},"headData":{"title":"Best New Mystery and Thriller Novels for Spring 2024 | KQED","description":"These thrilling new books will take you from murder in present-day Texas to cryptography in Cold War Berlin.","ogTitle":"5 New Mysteries and Thrillers for Your Nightstand This Spring","ogDescription":"","ogImgId":"","twTitle":"5 New Mysteries and Thrillers for Your Nightstand This Spring","twDescription":"","twImgId":"","socialTitle":"Best New Mystery and Thriller Novels for Spring 2024%%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"5 New Mysteries and Thrillers for Your Nightstand This Spring","datePublished":"2024-04-17T21:56:26.000Z","dateModified":"2024-04-17T21:56:26.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Bethanne Patrick","nprImageAgency":"NPR","nprStoryId":"1239716585","nprApiLink":"http://api.npr.org/query?id=1239716585&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2024/04/17/1239716585/5-new-mysteries-and-thrillers-spring-2024-reading-list-recommendations?ft=nprml&f=1239716585","nprRetrievedStory":"1","nprPubDate":"Wed, 17 Apr 2024 11:29:00 -0400","nprStoryDate":"Wed, 17 Apr 2024 10:49:00 -0400","nprLastModifiedDate":"Wed, 17 Apr 2024 11:29:14 -0400","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13956128/best-mysteries-and-thriller-novels-spring-2024","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Welcome back, mystery and thriller devotees! These books will take you from murder in present-day Texas to cryptography in Cold War Berlin to an online community that might hold the solution to a missing-person case.\u003c/p>\n\u003cp>Happy reading!\u003c/p>\n\u003ch3>‘Listen for the Lie’ by Amy Tintera\u003c/h3>\n\u003cfigure id=\"attachment_13956153\" class=\"wp-caption aligncenter\" style=\"max-width: 834px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956153\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.42.17-PM.png\" alt=\"A red book cover illustrated with a winding aux cord.\" width=\"834\" height=\"1212\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.42.17-PM.png 834w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.42.17-PM-800x1163.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.42.17-PM-160x233.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.42.17-PM-768x1116.png 768w\" sizes=\"(max-width: 834px) 100vw, 834px\">\u003cfigcaption class=\"wp-caption-text\">‘Listen for the Lie’ by Amy Tintera. \u003ccite>(Celadon Books)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Savannah Harper, the sweetheart of Plumpton, Texas, died from blows to her head. A few hours later, her best friend forever, Lucy Chase, was found wandering the town streets covered in blood. While Lucy was never formally charged with the murder, the community convicted her lock, stock and a full plate of barbecue. Five years later, Lucy has come home just as true-crime podcaster Ben Owens arrives to produce an episode of his show, \u003cem>Listen for the Lie.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13956050","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>As Ben encourages the tetchy, secretive Lucy to share her side of the story with him, she relaxes beneath his sunny, handsome gaze and starts to look at the truth. Unfortunately, truth doesn’t matter much to the residents of Plumpton, who long ago made up their minds about a young woman whose persona chafes against their ideas of femininity. Fortunately, by the time you meet the Plumptonites, you’ll have been mesmerized by Lucy’s hilarious, self-deprecating first-person narration. “It’s probably unfair to say that a podcast ruined my life,” she tells readers, and then, as she talks about making dinner during which she’ll break up with her clueless boyfriend: “Let this be a lesson to all the men out there who can’t handle conflict — man up and dump your girlfriend, or you might end up living with a suspected murder indefinitely.”\u003c/p>\n\u003cp>Podcast episodes interspersed between Lucy’s chapters form a clever way for Tintera (already a bestselling YA author; this is her debut for adults) to draw out the suspense. Revealing too much about the other characters might ruin that cleverness, but it’s important to note that even when the story has ended and the murderer found, there are secrets within secrets, the kind that women have long used to protect each other.\u003c/p>\n\u003ch3>‘Where You End’ by Abbott Kahler\u003c/h3>\n\u003cfigure id=\"attachment_13956154\" class=\"wp-caption aligncenter\" style=\"max-width: 832px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956154\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.44.04-PM.png\" alt=\"A book cover illustrated with winding bare tree branches and two rabbit masks.\" width=\"832\" height=\"1214\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.44.04-PM.png 832w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.44.04-PM-800x1167.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.44.04-PM-160x233.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.44.04-PM-768x1121.png 768w\" sizes=\"(max-width: 832px) 100vw, 832px\">\u003cfigcaption class=\"wp-caption-text\">‘Where You End’ by Abbott Kahler. \u003ccite>(Henry Holt and Co.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Abbott Kahler’s debut centers on a young woman named Katherine “Kat” Bird, who has a near-death experience after her car collides with a deer, and wakes to near-total amnesia. She remembers her twin sister, Jude, who tries to fill in all of the blanks in Kat’s memory, but as Kat slowly recovers, she realizes Jude’s recounting of events contradict her own.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Did the sisters have an idyllic childhood, or were they raised in a cult? If the latter is true, why would Jude be trying to pretend it never happened? Kahler (who has written acclaimed nonfiction as Karen Abbott) constructs a thriller so perfectly paced that you actually will not be able to put it down. You’ll be longing at each step to see how much Kat remembers and how much Jude complicates the memories. Each clue (there are few pictures of the sisters together, for example) has a flip side, a structural technique that works particularly well since the book is set in 1970s Philadelphia, with all of that city’s grittiness, community, and culture.\u003c/p>\n\u003cp>Kahler based her novel on the real-life story of Alex and Marcus Lewis, 18-year-old British identical twins. In 1982, Alex awoke from a coma following a motorcycle accident and remembered nothing except his brother’s name and face; Marcus decided to use the opportunity to invent new lives for them both. Kahler expands on their situation by going deeper into the effects of trauma for women and girls, making \u003cem>Where You End\u003c/em> incredibly relevant, right up to the truly shocking ending.\u003c/p>\n\u003ch3>‘The Night of the Storm’ by Nishita Parekh\u003c/h3>\n\u003cfigure id=\"attachment_13956156\" class=\"wp-caption aligncenter\" style=\"max-width: 832px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956156\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.46.08-PM.png\" alt=\"A book cover depicting a large house surrounded by water with a storm raging overhead.\" width=\"832\" height=\"1214\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.46.08-PM.png 832w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.46.08-PM-800x1167.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.46.08-PM-160x233.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.46.08-PM-768x1121.png 768w\" sizes=\"(max-width: 832px) 100vw, 832px\">\u003cfigcaption class=\"wp-caption-text\">‘The Night of the Storm’ by Nishita Parekh. \u003ccite>(Dutton)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Answer to a question you didn’t ask: In the UK, the board game Clue is known as Cluedo, a portmanteau word for “clue” plus “ludo,” the Latin for “I play.” In Nishita Parekh’s debut, a locked-room mystery that toys with everyone’s memories of playing Clue, readers may want to keep that active verb in mind. Set in Houston among a group of upperclass suburban Desi friends, \u003cem>The Night of the Storm\u003c/em> puts family drama above anything resembling, say, \u003cem>Cape Fear\u003c/em>-style hijinks — but the word “storm” in the title can mean so many things.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955903","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Protagonist Jia Shah, single mom to Ishaan, decides they’ll both shelter from Hurricane Harvey at her sister Seema’s large home in Sugar Land. Seema’s husband Vipul and some of his relatives make things more complicated for Jia, through both their busy presence and because Jia and Vipul have some sexual tension going on; one of the things that makes this book fascinating is the look at a second-generation immigrant family enjoying their new country while also feeling the pull of hereditary expectations.\u003c/p>\n\u003cp>If you’re looking for a thriller — and this book is labeled one — you’ve come to the wrong place. \u003cem>The Night of the Storm\u003c/em> resembles nothing so much as a Golden Age mystery, and if you appreciate those, you’ve come to the right place. Parekh has clearly read her Christie, Marsh, and Allingham; she also clearly relishes those authors and their attention to cohesion and convention. Come on in and shelter from this \u003cem>Storm\u003c/em> with a truly unreliable cast of characters.\u003c/p>\n\u003ch3>‘Rabbit Hole’ by Kate Brody\u003c/h3>\n\u003cfigure id=\"attachment_13956157\" class=\"wp-caption aligncenter\" style=\"max-width: 838px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956157\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.47.47-PM.png\" alt=\"A book cover depicting a woman's face partially obscured by a finger print. \" width=\"838\" height=\"1210\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.47.47-PM.png 838w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.47.47-PM-800x1155.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.47.47-PM-160x231.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.47.47-PM-768x1109.png 768w\" sizes=\"(max-width: 838px) 100vw, 838px\">\u003cfigcaption class=\"wp-caption-text\">‘Rabbit Hole’ by Kate Brody. \u003ccite>(Soho Crime)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>A decade ago, Teddy Angstrom’s older sister Angie disappeared at age 18. When their father chooses suicide on the anniversary of Angie’s death, the now 26-year-old Teddy leaves the private school in Maine where she teaches English for home to sort out family matters with her grieving mother. Teddy discovers Mark Angstrom had grown obsessed with Reddit boards about true crime, some of them specifically about Angie’s case.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955214","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Her initial look at the discussions soon turns into an obsession equaling her father’s, one that will pull her into the orbit of 19-year-old Mickey, a local college student with multiple tattoos and perhaps multiple motives for the assistance she gives Teddy. The weird friendship these women create reflects the darkness into which Teddy descends, continuing her addiction to the internet as she develops an addiction to alcohol, and accidentally outing herself as Angie’s sister to the various members of the Reddit boards.\u003c/p>\n\u003cp>Brody wisely builds the suspense around Teddy’s dissolution and paranoia, rather than focusing on the details of Angie’s fate, creating an atmosphere so suffocating and panicky that readers will feel the effects of loss, grief, and confusion as surely as if they were inside Teddy’s very smart and once better-adjusted mind. Teddy’s longing not just for her sister’s survival but for their ability to share life as 20-somethings marks her more indelibly than Mickey’s body ink.\u003c/p>\n\u003ch3>‘The Berlin Letters’ by Katherine Reay\u003c/h3>\n\u003cfigure id=\"attachment_13956158\" class=\"wp-caption aligncenter\" style=\"max-width: 820px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956158\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.49.15-PM.png\" alt=\"A book cover depicting a woman dressed in conservative 1980s-era clothing stands, arms folded in front of a small yellow car and a wall of graffiti.\" width=\"820\" height=\"1212\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.49.15-PM.png 820w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.49.15-PM-800x1182.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.49.15-PM-160x236.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/Screen-Shot-2024-04-17-at-2.49.15-PM-768x1135.png 768w\" sizes=\"(max-width: 820px) 100vw, 820px\">\u003cfigcaption class=\"wp-caption-text\">‘The Berlin Letters’ by Katherine Reay. \u003ccite>(Harper Muse)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Brilliant cryptographer Luisa Voekler, whose talent was nurtured by her grandfather’s frequent code-based scavenger hunts, wants to move up in the CIA, but finds her career sidelined in the late 1980s as she translates World War II documents. One day she recognizes a tiny symbol that will lead her down a dangerous path. Her discovery involves her father, Haris, who remains in the East Berlin his family left in 1961 as the East German government put up a wall dividing the city.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955156","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Reay has written a number of novels based on Brontë and Austen characters, as well as a couple of lighthearted looks at women’s friendships in Illinois, but in 2021 she turned to darker territory, setting books about spycraft in London, Moscow — and now Berlin and Washington, D.C. The cover of \u003cem>The Berlin Letters\u003c/em> announces both its relatively recent time period, with the figure of a young woman dressed in contemporary clothing, yet also nods to the singularity of modern Berlin, with a backdrop of the Wall covered in graffiti and the trunk of an iconic East German Trabant or “Trabi” auto (known for being constructed from lightweight resin).\u003c/p>\n\u003cp>The author knows East and West Berlin inside out, discussing details like the houses on Bernauer Strasse that allowed inhabitants, for a time, to easily defect simply by walking out of their front doors. However, those details never overwhelm a fast-paced story told by father and daughter from their different vantage points, as Luisa learns the truth of her past, and both stories reach the shocking, history-making night when The Berlin Wall fell on Nov. 9, 1989.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>Bethanne Patrick is a freelance writer and critic who tweets \u003c/em>\u003ca href=\"https://twitter.com/thebookmaven\">\u003cem>@TheBookMaven\u003c/em>\u003c/a>\u003cem> and hosts the podcast Missing Pages.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=5+new+mysteries+and+thrillers+for+your+nightstand+this+spring&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956128/best-mysteries-and-thriller-novels-spring-2024","authors":["byline_arts_13956128"],"programs":["arts_140"],"categories":["arts_1","arts_73","arts_835"],"tags":["arts_5221","arts_769","arts_585","arts_11718"],"affiliates":["arts_137"],"featImg":"arts_13956129","label":"arts_140"},"arts_13956050":{"type":"posts","id":"arts_13956050","meta":{"index":"posts_1591205157","site":"arts","id":"13956050","score":null,"sort":[1713300502000]},"guestAuthors":[],"slug":"a-better-world-sarah-langan-thriller-book-review","title":"It’s a Wild Ride to Get to the Bottom of What Everyone’s Hiding in ‘A Better World’","publishDate":1713300502,"format":"aside","headTitle":"It’s a Wild Ride to Get to the Bottom of What Everyone’s Hiding in ‘A Better World’ | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cfigure id=\"attachment_13956051\" class=\"wp-caption aligncenter\" style=\"max-width: 990px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956051\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/better_custom-24ff7930367c23dfeb72232bab46653f4ce87f14.jpg\" alt=\"A book cover depicts a red sunset flipped upside down with land rising on both sides of a road.\" width=\"990\" height=\"1494\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/better_custom-24ff7930367c23dfeb72232bab46653f4ce87f14.jpg 990w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/better_custom-24ff7930367c23dfeb72232bab46653f4ce87f14-800x1207.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/better_custom-24ff7930367c23dfeb72232bab46653f4ce87f14-160x241.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/better_custom-24ff7930367c23dfeb72232bab46653f4ce87f14-768x1159.jpg 768w\" sizes=\"(max-width: 990px) 100vw, 990px\">\u003cfigcaption class=\"wp-caption-text\">‘A Better World’ by Sarah Langan. \u003ccite>(Atria Books)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sarah Langan’s \u003cem>A Better World\u003c/em> is one of those novels that burrow under your skin a little deeper with each chapter until you feel profoundly unsettled but also incapable of turning away. A very sinister thriller with a dash of science-fiction and full of inscrutabilities, this novel about a mother trying to save her family from a dying world is as entreating and creepy as it is timely and humane.\u003c/p>\n\u003cp>[aside postid='arts_13955954']The Farmer-Bowens are struggling. Russell, the family’s father and Linda’s husband has lost his job, and they’re quickly running out of money and options. Linda, a pediatrician, can’t get enough hours to keep them afloat. Their kids, twins Hip and Josie, have somewhat normal lives, but Linda knows they deserve better than the polluted, dying world New York has to offer them. That’s why an invitation to visit Plymouth Valley, a walled-off company town with a good school where food is free, there’s no crime, and the air is clean is such a great opportunity. If Russell can get the job, Linda’s career will suffer, but the whole family will live in a much better, cleaner place, and they won’t have to worry about becoming homeless. When Russell is offered the job, the family jumps at the chance of a better life.\u003c/p>\n\u003cp>Plymouth Valley is as clean and organized as they said, but there’s something right below the surface that feels off. The locals have some strange customs, the sum of which they call the Hollow, and they seem to hate outsiders. After the initial shock of their move wears off, the Farmer-Bowens begin to feel ostracized and struggle to adapt. No one talks to them or invites them to their events. The kids at school shun Hip and Josie. Russell’s coworkers refuse to help him achieve his goals.\u003c/p>\n\u003cp>[aside postid='arts_13955156']Luckily, things change when Linda starts volunteering as a doctor for ActHollow, a small charity run by some of the most powerful and influential people in town. Finally, the family has the perfect life. Except they don’t. Plymouth Valley is more than strange, and it’s full of secrets and populated by folks with hidden agendas, bizarre birds, and maybe something monstrous hiding in the nuclear shelter tunnels that run under the entire town. The Farmer-Bowens have no clue what they’re surrounded by, and the towns biggest and most ominous yearly event, the Plymouth Valley Winter Festival, is approaching. Linda might be asking too many questions, but maybe Plymouth Valley is very different than how it pretends to be.\u003c/p>\n\u003cp>\u003cem>A Better World\u003c/em> is relentlessly creepy. Langan presents a controlled community where some things might seem off, but where the quality of life makes any weirdness worth it. Then, she quickly lifts the veil to reveal an increasingly odd, incredibly hostile, and extremely secretive world where people will do anything to get a “golden ticket” to stay in Plymouth Valley, there’s a horrible hazing process for all newcomers, mental health is on shaky grounds, alcoholism runs rampant, and where almost every smile and flash of “prayer hands” is fake and hides some ulterior motive. The outside world is dystopia that’s slowly killing all humans, but the perfect life of Plymouth Valley is just a facade that hides a community that’s rotten at its core. And Langan doesn’t just show a rotten world; she uses Plymouth Valley to explore wealth, the social effects of living in constant competition, and the evil sides of power and privilege.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The social critique is always there, but it never gets in the way of the action or interferes with Langan’s storytelling, which here is full of strangeness that borders on horror. Also, there are plenty of elements that add eerie layers to this narrative. Two worth mentioning are the strange form of cancer some kids have in Plymouth Valley, which is called “aplastic anemia,” and the “caladrius,” strange flightless birds that were genetically engineered. The birds are all over the place, live next to the houses, and serve as occasional food or as sacrifice while also occasionally feeding on food made from their own. These two elements, along with some others, start out as relatively simple things that, while strange, are not disturbing. But that slowly changes until the mere presence of the big birds manages to convey a sense of unease.\u003c/p>\n\u003cp>[aside postid='arts_13955903']In \u003cem>A Better World\u003c/em>, everyone is hiding something, and getting to the bottom of things is a very entertaining ride full of bumps, bad vibes, and hidden dangers. Certain books rely mostly on atmosphere to deliver their story — Ira Levin’s \u003cem>Rosemary’s Baby\u003c/em> and Shirley Jackson’s \u003cem>The Haunting of Hill House\u003c/em>, for example — and Langan does that here. This is a story about survival where a woman is caught between two bad places with nowhere to go, but we want her to triumph. The darkness and critiques here make for a great read, but it’s the humanity with which Langan portrays Linda that makes this dark thriller a must read.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Gabino Iglesias is an author, book reviewer and professor living in Austin, Texas. Find him on X, formerly Twitter, at \u003ca href=\"https://twitter.com/Gabino_Iglesias\">@Gabino_Iglesias\u003c/a>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=It%27s+a+wild+ride+to+get+to+the+bottom+of+what+everyone%27s+hiding+in+%27A+Better+World%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"A sinister thriller with a dash of science-fiction, Sarah Langan's novel is as entreating as it is timely and humane.","status":"publish","parent":0,"modified":1713300502,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":934},"headData":{"title":"‘A Better World’ Book Review: Sarah Langan’s New Novel Disturbs | KQED","description":"A sinister thriller with a dash of science-fiction, Sarah Langan's novel is as entreating as it is timely and humane.","ogTitle":"It’s a Wild Ride to Get to the Bottom of What Everyone’s Hiding in ‘A Better World’","ogDescription":"","ogImgId":"","twTitle":"It’s a Wild Ride to Get to the Bottom of What Everyone’s Hiding in ‘A Better World’","twDescription":"","twImgId":"","socialTitle":"‘A Better World’ Book Review: Sarah Langan’s New Novel Disturbs %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"It’s a Wild Ride to Get to the Bottom of What Everyone’s Hiding in ‘A Better World’","datePublished":"2024-04-16T20:48:22.000Z","dateModified":"2024-04-16T20:48:22.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Gabino Iglesias","nprImageAgency":"Atria Books","nprStoryId":"1244788857","nprApiLink":"http://api.npr.org/query?id=1244788857&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2024/04/16/1244788857/sarah-langan-novel-thriller-a-better-world?ft=nprml&f=1244788857","nprRetrievedStory":"1","nprPubDate":"Tue, 16 Apr 2024 12:24:00 -0400","nprStoryDate":"Tue, 16 Apr 2024 12:24:51 -0400","nprLastModifiedDate":"Tue, 16 Apr 2024 12:24:51 -0400","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13956050/a-better-world-sarah-langan-thriller-book-review","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13956051\" class=\"wp-caption aligncenter\" style=\"max-width: 990px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956051\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/better_custom-24ff7930367c23dfeb72232bab46653f4ce87f14.jpg\" alt=\"A book cover depicts a red sunset flipped upside down with land rising on both sides of a road.\" width=\"990\" height=\"1494\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/better_custom-24ff7930367c23dfeb72232bab46653f4ce87f14.jpg 990w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/better_custom-24ff7930367c23dfeb72232bab46653f4ce87f14-800x1207.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/better_custom-24ff7930367c23dfeb72232bab46653f4ce87f14-160x241.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/better_custom-24ff7930367c23dfeb72232bab46653f4ce87f14-768x1159.jpg 768w\" sizes=\"(max-width: 990px) 100vw, 990px\">\u003cfigcaption class=\"wp-caption-text\">‘A Better World’ by Sarah Langan. \u003ccite>(Atria Books)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Sarah Langan’s \u003cem>A Better World\u003c/em> is one of those novels that burrow under your skin a little deeper with each chapter until you feel profoundly unsettled but also incapable of turning away. A very sinister thriller with a dash of science-fiction and full of inscrutabilities, this novel about a mother trying to save her family from a dying world is as entreating and creepy as it is timely and humane.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955954","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>The Farmer-Bowens are struggling. Russell, the family’s father and Linda’s husband has lost his job, and they’re quickly running out of money and options. Linda, a pediatrician, can’t get enough hours to keep them afloat. Their kids, twins Hip and Josie, have somewhat normal lives, but Linda knows they deserve better than the polluted, dying world New York has to offer them. That’s why an invitation to visit Plymouth Valley, a walled-off company town with a good school where food is free, there’s no crime, and the air is clean is such a great opportunity. If Russell can get the job, Linda’s career will suffer, but the whole family will live in a much better, cleaner place, and they won’t have to worry about becoming homeless. When Russell is offered the job, the family jumps at the chance of a better life.\u003c/p>\n\u003cp>Plymouth Valley is as clean and organized as they said, but there’s something right below the surface that feels off. The locals have some strange customs, the sum of which they call the Hollow, and they seem to hate outsiders. After the initial shock of their move wears off, the Farmer-Bowens begin to feel ostracized and struggle to adapt. No one talks to them or invites them to their events. The kids at school shun Hip and Josie. Russell’s coworkers refuse to help him achieve his goals.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955156","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Luckily, things change when Linda starts volunteering as a doctor for ActHollow, a small charity run by some of the most powerful and influential people in town. Finally, the family has the perfect life. Except they don’t. Plymouth Valley is more than strange, and it’s full of secrets and populated by folks with hidden agendas, bizarre birds, and maybe something monstrous hiding in the nuclear shelter tunnels that run under the entire town. The Farmer-Bowens have no clue what they’re surrounded by, and the towns biggest and most ominous yearly event, the Plymouth Valley Winter Festival, is approaching. Linda might be asking too many questions, but maybe Plymouth Valley is very different than how it pretends to be.\u003c/p>\n\u003cp>\u003cem>A Better World\u003c/em> is relentlessly creepy. Langan presents a controlled community where some things might seem off, but where the quality of life makes any weirdness worth it. Then, she quickly lifts the veil to reveal an increasingly odd, incredibly hostile, and extremely secretive world where people will do anything to get a “golden ticket” to stay in Plymouth Valley, there’s a horrible hazing process for all newcomers, mental health is on shaky grounds, alcoholism runs rampant, and where almost every smile and flash of “prayer hands” is fake and hides some ulterior motive. The outside world is dystopia that’s slowly killing all humans, but the perfect life of Plymouth Valley is just a facade that hides a community that’s rotten at its core. And Langan doesn’t just show a rotten world; she uses Plymouth Valley to explore wealth, the social effects of living in constant competition, and the evil sides of power and privilege.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The social critique is always there, but it never gets in the way of the action or interferes with Langan’s storytelling, which here is full of strangeness that borders on horror. Also, there are plenty of elements that add eerie layers to this narrative. Two worth mentioning are the strange form of cancer some kids have in Plymouth Valley, which is called “aplastic anemia,” and the “caladrius,” strange flightless birds that were genetically engineered. The birds are all over the place, live next to the houses, and serve as occasional food or as sacrifice while also occasionally feeding on food made from their own. These two elements, along with some others, start out as relatively simple things that, while strange, are not disturbing. But that slowly changes until the mere presence of the big birds manages to convey a sense of unease.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955903","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In \u003cem>A Better World\u003c/em>, everyone is hiding something, and getting to the bottom of things is a very entertaining ride full of bumps, bad vibes, and hidden dangers. Certain books rely mostly on atmosphere to deliver their story — Ira Levin’s \u003cem>Rosemary’s Baby\u003c/em> and Shirley Jackson’s \u003cem>The Haunting of Hill House\u003c/em>, for example — and Langan does that here. This is a story about survival where a woman is caught between two bad places with nowhere to go, but we want her to triumph. The darkness and critiques here make for a great read, but it’s the humanity with which Langan portrays Linda that makes this dark thriller a must read.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Gabino Iglesias is an author, book reviewer and professor living in Austin, Texas. Find him on X, formerly Twitter, at \u003ca href=\"https://twitter.com/Gabino_Iglesias\">@Gabino_Iglesias\u003c/a>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=It%27s+a+wild+ride+to+get+to+the+bottom+of+what+everyone%27s+hiding+in+%27A+Better+World%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956050/a-better-world-sarah-langan-thriller-book-review","authors":["byline_arts_13956050"],"programs":["arts_140"],"categories":["arts_1","arts_73","arts_75"],"tags":["arts_21817","arts_5221","arts_769","arts_585"],"affiliates":["arts_137"],"featImg":"arts_13956054","label":"arts_140"},"arts_13955954":{"type":"posts","id":"arts_13955954","meta":{"index":"posts_1591205157","site":"arts","id":"13955954","score":null,"sort":[1713198527000]},"guestAuthors":[],"slug":"salman-rushdie-new-memoir-knife-revelations-attempted-murder","title":"5 Takeaways From Salman Rushdie’s New Memoir ‘Knife’","publishDate":1713198527,"format":"standard","headTitle":"5 Takeaways From Salman Rushdie’s New Memoir ‘Knife’ | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>On August 12, 2022, famed \u003ca href=\"https://www.kqed.org/arts/13917567/author-salman-rushdie-was-attacked-on-a-lecture-stage-in-new-york\">author Salman Rushdie was stabbed\u003c/a>. He was on stage at the Chautauqua Institution in western New York, about to give a talk “about the importance of keeping writers safe from harm,” Rushdie writes in his new memoir, \u003cem>Knife\u003c/em>: \u003cem>Meditations After an Attempted Murder.\u003c/em>\u003c/p>\n\u003cp>[aside postid='arts_13917567']Rushdie, the 76-year-old writer of \u003cem>The Satanic Verses\u003c/em>, \u003cem>Midnight’s Children\u003c/em>, \u003cem>Victory City\u003c/em>, and more, survived the attack. But not without some lasting scars, including being blind in one eye. Since the attack, he’s done a handful of interviews here and there, but he’s kept mostly to himself. In \u003cem>Knife, \u003c/em>he details everything that’s been going on in his life and in his head since the attack. He talks about the recovery process, the support he received from loved ones, and his feelings about his alleged attacker, Hadi Matar.\u003c/p>\n\u003cp>Matar is in custody at Chautauqua County Jail, being charged with second-degree attempted murder and second-degree assault. The judge in his case actually postponed Matar’s trial after Rushdie announced his memoir, in order to give Matar’s lawyers an opportunity to see what’s inside the book.\u003c/p>\n\u003cfigure id=\"attachment_13955956\" class=\"wp-caption aligncenter\" style=\"max-width: 836px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955956\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/ap23139513677116_custom-ae7b8cc2149ed9e693a807fd1cb7f91cb0ade247.jpg\" alt=\"A senior man with white goatee and eye glasses with one lens blacked out, viewed in head and shoulders close up.\" width=\"836\" height=\"1053\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/ap23139513677116_custom-ae7b8cc2149ed9e693a807fd1cb7f91cb0ade247.jpg 836w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/ap23139513677116_custom-ae7b8cc2149ed9e693a807fd1cb7f91cb0ade247-800x1008.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/ap23139513677116_custom-ae7b8cc2149ed9e693a807fd1cb7f91cb0ade247-160x202.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/ap23139513677116_custom-ae7b8cc2149ed9e693a807fd1cb7f91cb0ade247-768x967.jpg 768w\" sizes=\"(max-width: 836px) 100vw, 836px\">\u003cfigcaption class=\"wp-caption-text\">Author Salman Rushdie speaking to the press at a literary festival in May 2023. It was his first appearance at a public event since he was attacked in August 2022. \u003ccite>(AP Photo/ Ted Shaffrey)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The book is out Tuesday. Here’s what you can expect from it:\u003c/p>\n\u003cp>\u003cstrong>1. Rushdie has no interest in re-litigating ‘\u003c/strong>\u003cstrong>The Satanic Verses’\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Rushdie only makes a few mentions of his 1988 book that led the supreme leader of Iran at the time to call for Rushdie’s death. And, Rushdie notes in \u003cem>Knife\u003c/em>, it wasn’t just the Muslim world criticizing Rushdie for writing the book. He calls out other names, including former \u003ca href=\"https://www.cartercenter.org/news/documents/doc1381.html\">U.S. President Jimmy Carter\u003c/a> and the writers Roald Dahl and Germaine Greer. Besides that, Rushdie writes that he’s said everything he’s needed to say about \u003cem>Satanic Verses\u003c/em> in his previous memoir, \u003cem>Joseph Anton. \u003c/em>\u003c/p>\n\u003cp>\u003cem>“\u003c/em>If anyone’s looking for remorse, you can stop reading right here,” he writes in \u003cem>Knife\u003c/em>. “My novels can take care of themselves.”\u003c/p>\n\u003cp>\u003cstrong>2. The book is about freedom of speech, particularly aimed at the left\u003c/strong>\u003c/p>\n\u003cp>[aside postid='arts_13918020']Rushdie instead saves his argumentative energy to make an appeal for freedom of speech — an ideal, he believes, progressives and the left have left behind to their detriment. “This move away from First Amendment principles allowed that venerable piece of Constitution to be co-opted by the right,” he writes.\u003c/p>\n\u003cp>Rushdie’s had a long background in free speech advocacy. He’s the former president of PEN America, the literary rights advocacy group, and co-founded that organization’s World Voices Festival. His first public appearance after being attacked was at a \u003ca href=\"https://www.youtube.com/watch?v=6uqSKvl8e3M&t=328s\">PEN Gala in his honor\u003c/a>. And, if anything, the attack has only furthered his positions. “Art is not a luxury. It stands at the essence of our humanity, and it asks for no special protection except the right to exist,” he writes.\u003c/p>\n\u003cp>\u003cstrong>3. It’s also a book about marriage\u003c/strong>\u003c/p>\n\u003cp>In 2021, Rushdie quietly married the poet and novelist Rachel Eliza Griffiths. Rushdie is tender when he writes about the early days of their relationship, saying he was not looking for romance. “And then it came up behind me and whacked me behind the ear and I was powerless to resist.”\u003c/p>\n\u003cfigure id=\"attachment_13955958\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955958\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1255977126-scaled-e1713197378581.jpg\" alt=\"A man of Indian descent stands on a red carpet wearing a black suit and glasses with one lens blacked out. Close at his side is a glamorous Black woman in a black gown with long dark hair.\" width=\"1920\" height=\"1216\">\u003cfigcaption class=\"wp-caption-text\">Salman Rushdie and his wife Rachel Eliza Griffiths arrive for the PEN America Literary Gala In New York, May 2023. \u003ccite>(TIMOTHY A. CLARY/ AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s Griffiths who helps Rushdie through the many doctor visits, physical therapy appointments, sleepless nights, mystery ailments and piling bills (a sub-takeaway could be, not even world-famous authors can avoid surprise medical bills), all while tending to her own writing career. There are tough moments that they have to go through together in the book, but there are also regular moments that could be scenes from any other marriage.\u003c/p>\n\u003cp>\u003cstrong>4. He tries to understand his attacker\u003c/strong>\u003c/p>\n\u003cp>Rushdie never refers to Matar by name in the book. And he maintains a certain distance from him. There’s a quick instance in the memoir where Rushdie toys with the idea of reaching out to Matar, but he quickly decides that’s a bad idea. Instead, Rushdie chooses a different route to understanding Matar that we won’t spoil here. But it is an exercise in deep empathy — one that seems to help Rushdie find at least a little bit of closure.\u003c/p>\n\u003cp>\u003cstrong>5. There’s a possible documentary on the way.\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Early on in the book, Rushdie and Griffiths begin filming Rushdie’s thoughts. The plan seems to be to take all the footage and bring it to an experienced filmmaker, who can shape it into something. But there have been no announcements made on that front yet.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=5+takeaways+from+Salman+Rushdie%27s+new+memoir+%27Knife%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"Rushdie's new memoir unpacks everything he's been feeling since he was stabbed on stage in New York in 2022.","status":"publish","parent":0,"modified":1713198527,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":866},"headData":{"title":"‘Knife’ by Salman Rushdie: 5 Takeaways From the New Memoir | KQED","description":"Rushdie's new memoir unpacks everything he's been feeling since he was stabbed on stage in New York in 2022.","ogTitle":"5 Takeaways From Salman Rushdie’s New Memoir ‘Knife’","ogDescription":"","ogImgId":"","twTitle":"5 Takeaways From Salman Rushdie’s New Memoir ‘Knife’","twDescription":"","twImgId":"","socialTitle":"‘Knife’ by Salman Rushdie: 5 Takeaways From the New Memoir %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"5 Takeaways From Salman Rushdie’s New Memoir ‘Knife’","datePublished":"2024-04-15T16:28:47.000Z","dateModified":"2024-04-15T16:28:47.000Z","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Andrew Limbong","nprImageAgency":"Random House","nprStoryId":"1244354113","nprApiLink":"http://api.npr.org/query?id=1244354113&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprHtmlLink":"https://www.npr.org/2024/04/15/1244354113/salman-rushdie-memoir-knife?ft=nprml&f=1244354113","nprRetrievedStory":"1","nprPubDate":"Mon, 15 Apr 2024 10:07:00 -0400","nprStoryDate":"Mon, 15 Apr 2024 10:07:47 -0400","nprLastModifiedDate":"Mon, 15 Apr 2024 10:07:47 -0400","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13955954/salman-rushdie-new-memoir-knife-revelations-attempted-murder","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>On August 12, 2022, famed \u003ca href=\"https://www.kqed.org/arts/13917567/author-salman-rushdie-was-attacked-on-a-lecture-stage-in-new-york\">author Salman Rushdie was stabbed\u003c/a>. He was on stage at the Chautauqua Institution in western New York, about to give a talk “about the importance of keeping writers safe from harm,” Rushdie writes in his new memoir, \u003cem>Knife\u003c/em>: \u003cem>Meditations After an Attempted Murder.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13917567","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Rushdie, the 76-year-old writer of \u003cem>The Satanic Verses\u003c/em>, \u003cem>Midnight’s Children\u003c/em>, \u003cem>Victory City\u003c/em>, and more, survived the attack. But not without some lasting scars, including being blind in one eye. Since the attack, he’s done a handful of interviews here and there, but he’s kept mostly to himself. In \u003cem>Knife, \u003c/em>he details everything that’s been going on in his life and in his head since the attack. He talks about the recovery process, the support he received from loved ones, and his feelings about his alleged attacker, Hadi Matar.\u003c/p>\n\u003cp>Matar is in custody at Chautauqua County Jail, being charged with second-degree attempted murder and second-degree assault. The judge in his case actually postponed Matar’s trial after Rushdie announced his memoir, in order to give Matar’s lawyers an opportunity to see what’s inside the book.\u003c/p>\n\u003cfigure id=\"attachment_13955956\" class=\"wp-caption aligncenter\" style=\"max-width: 836px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955956\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/ap23139513677116_custom-ae7b8cc2149ed9e693a807fd1cb7f91cb0ade247.jpg\" alt=\"A senior man with white goatee and eye glasses with one lens blacked out, viewed in head and shoulders close up.\" width=\"836\" height=\"1053\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/ap23139513677116_custom-ae7b8cc2149ed9e693a807fd1cb7f91cb0ade247.jpg 836w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/ap23139513677116_custom-ae7b8cc2149ed9e693a807fd1cb7f91cb0ade247-800x1008.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/ap23139513677116_custom-ae7b8cc2149ed9e693a807fd1cb7f91cb0ade247-160x202.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/ap23139513677116_custom-ae7b8cc2149ed9e693a807fd1cb7f91cb0ade247-768x967.jpg 768w\" sizes=\"(max-width: 836px) 100vw, 836px\">\u003cfigcaption class=\"wp-caption-text\">Author Salman Rushdie speaking to the press at a literary festival in May 2023. It was his first appearance at a public event since he was attacked in August 2022. \u003ccite>(AP Photo/ Ted Shaffrey)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The book is out Tuesday. Here’s what you can expect from it:\u003c/p>\n\u003cp>\u003cstrong>1. Rushdie has no interest in re-litigating ‘\u003c/strong>\u003cstrong>The Satanic Verses’\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Rushdie only makes a few mentions of his 1988 book that led the supreme leader of Iran at the time to call for Rushdie’s death. And, Rushdie notes in \u003cem>Knife\u003c/em>, it wasn’t just the Muslim world criticizing Rushdie for writing the book. He calls out other names, including former \u003ca href=\"https://www.cartercenter.org/news/documents/doc1381.html\">U.S. President Jimmy Carter\u003c/a> and the writers Roald Dahl and Germaine Greer. Besides that, Rushdie writes that he’s said everything he’s needed to say about \u003cem>Satanic Verses\u003c/em> in his previous memoir, \u003cem>Joseph Anton. \u003c/em>\u003c/p>\n\u003cp>\u003cem>“\u003c/em>If anyone’s looking for remorse, you can stop reading right here,” he writes in \u003cem>Knife\u003c/em>. “My novels can take care of themselves.”\u003c/p>\n\u003cp>\u003cstrong>2. The book is about freedom of speech, particularly aimed at the left\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13918020","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Rushdie instead saves his argumentative energy to make an appeal for freedom of speech — an ideal, he believes, progressives and the left have left behind to their detriment. “This move away from First Amendment principles allowed that venerable piece of Constitution to be co-opted by the right,” he writes.\u003c/p>\n\u003cp>Rushdie’s had a long background in free speech advocacy. He’s the former president of PEN America, the literary rights advocacy group, and co-founded that organization’s World Voices Festival. His first public appearance after being attacked was at a \u003ca href=\"https://www.youtube.com/watch?v=6uqSKvl8e3M&t=328s\">PEN Gala in his honor\u003c/a>. And, if anything, the attack has only furthered his positions. “Art is not a luxury. It stands at the essence of our humanity, and it asks for no special protection except the right to exist,” he writes.\u003c/p>\n\u003cp>\u003cstrong>3. It’s also a book about marriage\u003c/strong>\u003c/p>\n\u003cp>In 2021, Rushdie quietly married the poet and novelist Rachel Eliza Griffiths. Rushdie is tender when he writes about the early days of their relationship, saying he was not looking for romance. “And then it came up behind me and whacked me behind the ear and I was powerless to resist.”\u003c/p>\n\u003cfigure id=\"attachment_13955958\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955958\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/GettyImages-1255977126-scaled-e1713197378581.jpg\" alt=\"A man of Indian descent stands on a red carpet wearing a black suit and glasses with one lens blacked out. Close at his side is a glamorous Black woman in a black gown with long dark hair.\" width=\"1920\" height=\"1216\">\u003cfigcaption class=\"wp-caption-text\">Salman Rushdie and his wife Rachel Eliza Griffiths arrive for the PEN America Literary Gala In New York, May 2023. \u003ccite>(TIMOTHY A. CLARY/ AFP via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s Griffiths who helps Rushdie through the many doctor visits, physical therapy appointments, sleepless nights, mystery ailments and piling bills (a sub-takeaway could be, not even world-famous authors can avoid surprise medical bills), all while tending to her own writing career. There are tough moments that they have to go through together in the book, but there are also regular moments that could be scenes from any other marriage.\u003c/p>\n\u003cp>\u003cstrong>4. He tries to understand his attacker\u003c/strong>\u003c/p>\n\u003cp>Rushdie never refers to Matar by name in the book. And he maintains a certain distance from him. There’s a quick instance in the memoir where Rushdie toys with the idea of reaching out to Matar, but he quickly decides that’s a bad idea. Instead, Rushdie chooses a different route to understanding Matar that we won’t spoil here. But it is an exercise in deep empathy — one that seems to help Rushdie find at least a little bit of closure.\u003c/p>\n\u003cp>\u003cstrong>5. There’s a possible documentary on the way.\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Early on in the book, Rushdie and Griffiths begin filming Rushdie’s thoughts. The plan seems to be to take all the footage and bring it to an experienced filmmaker, who can shape it into something. But there have been no announcements made on that front yet.\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=5+takeaways+from+Salman+Rushdie%27s+new+memoir+%27Knife%27&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955954/salman-rushdie-new-memoir-knife-revelations-attempted-murder","authors":["byline_arts_13955954"],"programs":["arts_140"],"categories":["arts_1","arts_73","arts_835"],"tags":["arts_9054","arts_21679","arts_585"],"affiliates":["arts_137"],"featImg":"arts_13955959","label":"arts_140"},"arts_13955948":{"type":"posts","id":"arts_13955948","meta":{"index":"posts_1591205157","site":"arts","id":"13955948","score":null,"sort":[1713190768000]},"guestAuthors":[],"slug":"best-new-documentaries-netflix-hbo-streaming","title":"Three Eye-Opening Documentaries You Can Stream Right Now","publishDate":1713190768,"format":"standard","headTitle":"Three Eye-Opening Documentaries You Can Stream Right Now | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>True crime docs, scammer docs, serious docs … one of the most notable developments of the streaming era of television is that there are new documentary films and series coming out \u003cem>constantly\u003c/em>. The difficulty for someone who might want to check some of them out is that they go by in a blur, and a lot of them have similar-looking titles and promotion. There are still big-ticket entries — on April 21, HBO will premiere a follow-up series to its huge true-crime hit \u003cem>The Jinx\u003c/em> — but there are also a lot of lower-profile projects flying by, so let’s take a moment to check in with a few current ones.\u003c/p>\n\u003ch3>‘\u003ca href=\"https://www.netflix.com/watch/81586385\">What Jennifer Did\u003c/a>’\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=M-ppnYEAqSE\u003c/p>\n\u003cp>A feature-length film about a 2010 home invasion that killed a woman and left her husband in a coma, \u003cem>What Jennifer Did \u003c/em>is mostly told from the point of view of the police who gradually zeroed in on the couple’s daughter, who was home at the time.\u003c/p>\n\u003cp>Police-side crime documentaries tend to be the least interesting to me, and in this case, it feels like there’s a tremendous amount of context missing about the family in favor of a fairly simple “she wanted to be with her boyfriend” narrative. But I say that in part because I have read \u003ca href=\"https://torontolife.com/city/jennifer-pan-revenge/\">the 2015 piece by Karen Ho\u003c/a> in \u003cem>Toronto Life\u003c/em> that considers more broadly what led to this bizarre act.\u003c/p>\n\u003cp>\u003cem>Netflix, available now.\u003c/em>\u003c/p>\n\u003ch3>‘\u003ca href=\"https://play.max.com/video/watch/f0ec4d4e-1b22-431e-8f3d-229103287d3a/511cde7d-1801-4af3-b2dc-d372eaf84791\">Brandy Hellville & the Cult of Fast Fashion\u003c/a>’\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=p1pONvsrBEo\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>I can honestly tell you I was not very familiar with the Brandy Melville brand before I watched this film, which tells the story of how social media helped make a juggernaut out of a whole lot of nondescript tiny shirts. (It’s more complicated than that, and … also not.)\u003c/p>\n\u003cp>The story of the gross in-store culture (which reminded me a \u003cem>lot\u003c/em> of parts of \u003ca href=\"https://www.netflix.com/title/81323741\">the Netflix film \u003cem>White Hot\u003c/em>, about Abercrombie & Fitch\u003c/a>) is interesting and pretty lively, but I would have preferred a little more time spent on the fast-fashion element, which I do think is ripe for more documentary work.\u003c/p>\n\u003cp>\u003cem>Max, available now.\u003c/em>\u003c/p>\n\u003ch3>‘\u003ca href=\"https://play.max.com/show/a27b5e0a-68eb-48e2-baa6-2b0f01d5b8be\">The Synanon Fix\u003c/a>’\u003c/h3>\n\u003cp>https://www.youtube.com/watch?v=Y8Z8xMmly1M\u003c/p>\n\u003cp>Sometimes, it feels like documentaries are their own expanded universe. I was just watching \u003ca href=\"https://www.netflix.com/title/81579761\">an entirely different show\u003c/a> about the “troubled teen” industry and its dark history, and it mentioned how Synanon, which began in California as a program to treat addiction, influenced much of what became the “we will grab your badly behaved teenager from their bed, take them to some secluded location, allow them no contact with anybody, and turn them around” model.\u003c/p>\n\u003cp>And now, Synanon has its own docuseries, which considers whether and when Synanon turned into what you would call a cult. (Was it the head-shaving? The mass weddings? The dictates about reproduction?) But what stands out the most is the consideration of how a program and a community can change shape, and it takes a while for people inside and outside it to register those changes.\u003c/p>\n\u003cp>\u003cem>Max, airing now.\u003c/em>\u003c/p>\n\u003cp>[aside postid='arts_13954796']We’re only scratching the surface of what’s out there — Netflix’s #1 show as I write this is their \u003ca href=\"https://www.netflix.com/browse?jbv=81476420\">\u003cem>\u003cstrong>Unlocked: A Jail Experiment\u003c/strong>\u003c/em>\u003c/a>, about a “program” that gives incarcerated men more freedom. And I am 100% committed to finding time before it expires on April 20 to watch \u003ca href=\"https://www.pbs.org/video/menus-plaisirs-les-troisgros-rbfnou/\">\u003cem>\u003cstrong>Menus-Plaisirs — Les Troisgros\u003c/strong>\u003c/em>\u003c/a>, the latest from the great documentarian Frederick Wiseman, which is available on PBS.\u003c/p>\n\u003cp>\u003cem>This piece also appeared in NPR’s Pop Culture Happy Hour newsletter. \u003c/em>\u003ca href=\"https://www.npr.org/newsletter/pop-culture\">\u003cem>Sign up for the newsletter\u003c/em>\u003c/a>\u003cem> so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Listen to Pop Culture Happy Hour on \u003c/em>\u003ca href=\"http://n.pr/3xNgYt9\">\u003cem>Apple Podcasts\u003c/em>\u003c/a>\u003cem> and \u003c/em>\u003ca href=\"http://n.pr/3ELR3n6\">\u003cem>Spotify\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Three+eye-opening+documentaries+you+can+stream+right+now&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","blocks":[],"excerpt":"It can be hard keeping track of all the new docs out there. Three currently on Netflix and Max are stand outs.","status":"publish","parent":0,"modified":1713162028,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":683},"headData":{"title":"Best New True Crime Documentaries to Stream | KQED","description":"It can be hard keeping track of all the new docs out there. 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The difficulty for someone who might want to check some of them out is that they go by in a blur, and a lot of them have similar-looking titles and promotion. There are still big-ticket entries — on April 21, HBO will premiere a follow-up series to its huge true-crime hit \u003cem>The Jinx\u003c/em> — but there are also a lot of lower-profile projects flying by, so let’s take a moment to check in with a few current ones.\u003c/p>\n\u003ch3>‘\u003ca href=\"https://www.netflix.com/watch/81586385\">What Jennifer Did\u003c/a>’\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/M-ppnYEAqSE'\n title='//www.youtube.com/embed/M-ppnYEAqSE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>A feature-length film about a 2010 home invasion that killed a woman and left her husband in a coma, \u003cem>What Jennifer Did \u003c/em>is mostly told from the point of view of the police who gradually zeroed in on the couple’s daughter, who was home at the time.\u003c/p>\n\u003cp>Police-side crime documentaries tend to be the least interesting to me, and in this case, it feels like there’s a tremendous amount of context missing about the family in favor of a fairly simple “she wanted to be with her boyfriend” narrative. But I say that in part because I have read \u003ca href=\"https://torontolife.com/city/jennifer-pan-revenge/\">the 2015 piece by Karen Ho\u003c/a> in \u003cem>Toronto Life\u003c/em> that considers more broadly what led to this bizarre act.\u003c/p>\n\u003cp>\u003cem>Netflix, available now.\u003c/em>\u003c/p>\n\u003ch3>‘\u003ca href=\"https://play.max.com/video/watch/f0ec4d4e-1b22-431e-8f3d-229103287d3a/511cde7d-1801-4af3-b2dc-d372eaf84791\">Brandy Hellville & the Cult of Fast Fashion\u003c/a>’\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/p1pONvsrBEo'\n title='//www.youtube.com/embed/p1pONvsrBEo'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>I can honestly tell you I was not very familiar with the Brandy Melville brand before I watched this film, which tells the story of how social media helped make a juggernaut out of a whole lot of nondescript tiny shirts. (It’s more complicated than that, and … also not.)\u003c/p>\n\u003cp>The story of the gross in-store culture (which reminded me a \u003cem>lot\u003c/em> of parts of \u003ca href=\"https://www.netflix.com/title/81323741\">the Netflix film \u003cem>White Hot\u003c/em>, about Abercrombie & Fitch\u003c/a>) is interesting and pretty lively, but I would have preferred a little more time spent on the fast-fashion element, which I do think is ripe for more documentary work.\u003c/p>\n\u003cp>\u003cem>Max, available now.\u003c/em>\u003c/p>\n\u003ch3>‘\u003ca href=\"https://play.max.com/show/a27b5e0a-68eb-48e2-baa6-2b0f01d5b8be\">The Synanon Fix\u003c/a>’\u003c/h3>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Y8Z8xMmly1M'\n title='//www.youtube.com/embed/Y8Z8xMmly1M'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Sometimes, it feels like documentaries are their own expanded universe. I was just watching \u003ca href=\"https://www.netflix.com/title/81579761\">an entirely different show\u003c/a> about the “troubled teen” industry and its dark history, and it mentioned how Synanon, which began in California as a program to treat addiction, influenced much of what became the “we will grab your badly behaved teenager from their bed, take them to some secluded location, allow them no contact with anybody, and turn them around” model.\u003c/p>\n\u003cp>And now, Synanon has its own docuseries, which considers whether and when Synanon turned into what you would call a cult. (Was it the head-shaving? The mass weddings? The dictates about reproduction?) But what stands out the most is the consideration of how a program and a community can change shape, and it takes a while for people inside and outside it to register those changes.\u003c/p>\n\u003cp>\u003cem>Max, airing now.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954796","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>We’re only scratching the surface of what’s out there — Netflix’s #1 show as I write this is their \u003ca href=\"https://www.netflix.com/browse?jbv=81476420\">\u003cem>\u003cstrong>Unlocked: A Jail Experiment\u003c/strong>\u003c/em>\u003c/a>, about a “program” that gives incarcerated men more freedom. And I am 100% committed to finding time before it expires on April 20 to watch \u003ca href=\"https://www.pbs.org/video/menus-plaisirs-les-troisgros-rbfnou/\">\u003cem>\u003cstrong>Menus-Plaisirs — Les Troisgros\u003c/strong>\u003c/em>\u003c/a>, the latest from the great documentarian Frederick Wiseman, which is available on PBS.\u003c/p>\n\u003cp>\u003cem>This piece also appeared in NPR’s Pop Culture Happy Hour newsletter. \u003c/em>\u003ca href=\"https://www.npr.org/newsletter/pop-culture\">\u003cem>Sign up for the newsletter\u003c/em>\u003c/a>\u003cem> so you don’t miss the next one, plus get weekly recommendations about what’s making us happy.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>Listen to Pop Culture Happy Hour on \u003c/em>\u003ca href=\"http://n.pr/3xNgYt9\">\u003cem>Apple Podcasts\u003c/em>\u003c/a>\u003cem> and \u003c/em>\u003ca href=\"http://n.pr/3ELR3n6\">\u003cem>Spotify\u003c/em>\u003c/a>\u003cem>.\u003c/em>\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2024 NPR. To see more, \u003ca href=\"https://www.npr.org\">visit NPR\u003c/a>.\u003cimg decoding=\"async\" src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=Three+eye-opening+documentaries+you+can+stream+right+now&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955948/best-new-documentaries-netflix-hbo-streaming","authors":["byline_arts_13955948"],"programs":["arts_140"],"categories":["arts_1","arts_74","arts_75","arts_990"],"tags":["arts_13672","arts_20624","arts_3324","arts_769","arts_6427","arts_585","arts_8366"],"affiliates":["arts_137"],"featImg":"arts_13955949","label":"arts_140"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.","airtime":"MON-FRI 3am-9am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/morning-edition/","meta":{"site":"news","source":"npr"},"link":"/radio/program/morning-edition"},"onourwatch":{"id":"onourwatch","title":"On Our Watch","tagline":"Police secrets, unsealed","info":"For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us","airtime":"SUN 2pm-3pm, MON 12am-1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png","officialWebsiteLink":"https://www.wnycstudios.org/shows/otm","meta":{"site":"news","source":"wnyc"},"link":"/radio/program/on-the-media","subscribe":{"apple":"https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2","tuneIn":"https://tunein.com/radio/On-the-Media-p69/","rss":"http://feeds.wnyc.org/onthemedia"}},"our-body-politic":{"id":"our-body-politic","title":"Our Body Politic","info":"Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.","airtime":"SAT 6pm-7pm, SUN 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://our-body-politic.simplecast.com/","meta":{"site":"news","source":"kcrw"},"link":"/radio/program/our-body-politic","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/our-body-politic/id1533069868","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw","spotify":"https://open.spotify.com/show/4ApAiLT1kV153TttWAmqmc","rss":"https://feeds.simplecast.com/_xaPhs1s","tuneIn":"https://tunein.com/podcasts/News--Politics-Podcasts/Our-Body-Politic-p1369211/"}},"pbs-newshour":{"id":"pbs-newshour","title":"PBS NewsHour","info":"Analysis, background reports and updates from the PBS NewsHour putting today's news in context.","airtime":"MON-FRI 3pm-4pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.pbs.org/newshour/","meta":{"site":"news","source":"pbs"},"link":"/radio/program/pbs-newshour","subscribe":{"apple":"https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2","tuneIn":"https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/","rss":"https://www.pbs.org/newshour/feeds/rss/podcasts/show"}},"perspectives":{"id":"perspectives","title":"Perspectives","tagline":"KQED's series of of daily listener commentaries since 1991","info":"KQED's series of of daily listener commentaries since 1991.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Perspectives-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/perspectives/","meta":{"site":"radio","source":"kqed","order":"15"},"link":"/perspectives","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/id73801135","npr":"https://www.npr.org/podcasts/432309616/perspectives","rss":"https://ww2.kqed.org/perspectives/category/perspectives/feed/","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"}},"planet-money":{"id":"planet-money","title":"Planet Money","info":"The economy explained. 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