Nelson, whose gallery has become the primary facilitator of the growing Ross market, said he purchased the painting from the PBS volunteer with the intention of selling it, but now isn’t so sure he’s ready to let it go.
“I think that the greatest thing we can do with it is travel it. I’d rather we get this in front of the public,” he said. “But there are definitely offers that I would probably have to take.”
He’s confident he’ll get his asking price, even if most Ross paintings that he’s traded don’t even break the six-figure range.
Part of his confidence comes from the recent cultural resurgence Ross has enjoyed as younger generations discover his appeal through the internet.
That moment could be traced back to 2015, when the streaming service Twitch marathoned old Ross episodes and attracted some 5.6 million viewers.
Today, the official Bob Ross YouTube page boasts over 5.62 million subscribers. Netflix re-launched Ross’s second series, 1991’s Beauty is Everywhere, in 2016, and reruns of The Joy of Painting still appear regularly on public television.
The increase in popularity has come with increased interest in owning a Ross painting. But, as The New York Times put it in a 2019 investigation, the lack of available Ross work is among “the internet’s greatest mysteries.”
Ross once said he painted over 30,000 paintings in his lifetime, and he likely painted 1,143 alone for the filming of the show: An analysis by the website FiveThirtyEight calculated he produced paintings for 381 of the 403 episodes, and his standard process was to make three of the same paintings for each show; one as a template to copy, one on camera and a third after the show for use in instructional materials.
An estimated 1,165 of his pieces are being stored by his surviving company, Bob Ross Inc., which told The New York Times in 2019 that it has no intention of selling off the works, but has since parted with a few to the Smithsonian’s National Museum of American History.