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Born and raised in Wales, she started her career in London, as a music journalist for uproarious rock ’n’ roll magazine, \u003cem>\u003ca href=\"https://www.kerrang.com/features/an-oral-history-of-alternative-tentacles-40-years-of-keeping-punk-alive/\">Kerrang!\u003c/a>\u003c/em>. In America, she got her start at alt-weeklies including \u003cem>SF Weekly\u003c/em>\u003c/a> and the \u003ca href=\"https://www.villagevoice.com/author/raealexandra/\">\u003cem>Village Voice\u003c/em>\u003c/a>, and freelanced for a great many other publications. Her undying love for San Francisco has, more recently, turned her into \u003ca href=\"https://www.kqed.org/arts/category/history\">a history nerd\u003c/a>. In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture.","avatar":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twitter":"raemondjjjj","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Rae Alexandra | KQED","description":"Staff Writer","ogImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ralexandra"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"pop_112753":{"type":"posts","id":"pop_112753","meta":{"index":"posts_1716263798","site":"pop","id":"112753","score":null,"sort":[1563914659000]},"parent":0,"labelTerm":{"site":"pop"},"blocks":[],"publishDate":1563914659,"format":"standard","disqusTitle":"The Impossible Task of Keeping Amy Winehouse Alive, 8 Years After Her Death","title":"The Impossible Task of Keeping Amy Winehouse Alive, 8 Years After Her Death","headTitle":"KQED Pop | KQED Arts","content":"\u003cp>Last month, Miley Cyrus took to the stage at England's Glastonbury Festival and belted out a cover of Amy Winehouse's \"Back to Black.\" It felt appropriate given that Cyrus was sharing the stage that day with Mark Ronson—the man who produced the original track for Winehouse, as well as the album that spawned it. Miley's rendition was a fist-in-the-air take on what the BBC recently referred to as \"\u003ca href=\"http://www.bbc.com/culture/story/20190709-back-to-black-the-millennial-i-will-survive\" target=\"_blank\" rel=\"noopener noreferrer\">the millennial 'I Will Survive'\u003c/a>.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_bM4CnFG74A\u003c/p>\n\u003cp>It was impossible not to notice how far removed this version was from the original. In Amy's hands, \"Back To Black\" was agonizing to the point of being an audible ache. In Miley's, it was merely a defiant singalong. It was a sad reminder that, though she only died eight years ago, the gulf created by Amy Winehouse's absence is still so enormous, it actually feels like she's been gone for much longer.\u003c/p>\n\u003cp>[aside postid='pop_17172']Part of the reason for that is just how impossible it is to keep Amy's spirit alive. All of the things that made her such a compelling performer and human were perfectly intangible, and simply cannot be replicated. Still people can't stop trying. Since she died, there have been endless \u003ca href=\"https://www.kathmanduandbeyond.com/amy-winehouse-street-art-trail-camden-london/\" target=\"_blank\" rel=\"noopener noreferrer\">murals\u003c/a>, biographies, \u003ca href=\"http://www.becomingamy.com/\" target=\"_blank\" rel=\"noopener noreferrer\">tribute acts\u003c/a>, \u003ca href=\"https://www.etsy.com/search?q=Amy%20winehouse\" target=\"_blank\" rel=\"noopener noreferrer\">merch\u003c/a> items and \u003ca href=\"https://www.rollingstone.com/music/music-news/amy-winehouse-foundation-plots-back-to-black-covers-contest-115330/\" target=\"_blank\" rel=\"noopener noreferrer\">covers competitions\u003c/a>. None of which have come even vaguely close to capturing the detonative clash of raw sensitivity and streetsmart wise-assery that Amy barreled through life with. Eulogies have a tendency to gloss over people's sharpest, most uncomfortable edges, and pop culture loves to paint stars who died young in only the most tragic of lights. Amy Winehouse is dealing with both in equal measure.\u003c/p>\n\u003cp>She is not the first legend this has happened to. Eventually, all musicians who die too soon fall prey to the public's desire to mythologize them, but the process reduces them to their most memorable selves; shells devoid of the complexities that made them great in the first place. What we're left with is Jimi Hendrix \u003ca href=\"https://www.youtube.com/watch?v=uZot7BBzgog\" target=\"_blank\" rel=\"noopener noreferrer\">kneeling before a flaming guitar\u003c/a>; \u003ca href=\"https://i.pinimg.com/originals/78/bb/ee/78bbee2743df71821fb202bffec83bfe.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">Kurt Cobain in blue flannel\u003c/a>, crying at the side of the stage; \u003ca href=\"http://content.time.com/time/specials/packages/article/0,28804,2107768_2107767_2107761,00.html\" target=\"_blank\" rel=\"noopener noreferrer\">John Lennon, naked\u003c/a> and fetal, clinging to Yoko.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Arguably, Amy has been reduced to bare essentials at a faster pace than her predecessors, probably thanks in part to the fact that she was a Halloween costume before she even died. The tattoos and the eyeliner and that stack of beehive hair piled onto too frail a body—Amy hid behind these things in life, and they are concealing her in death too.\u003c/p>\n\u003cp>In 2014, on what should have been Amy's 31st birthday, a bronze statue in Amy's honor was unveiled in her North London neighborhood of Camden. The likeness was good and the hair flower was real, but, by its very nature, it reduced Amy to her physical signifiers—which in a larger sense, is about the biggest disservice we could do her. One couldn't help but feel that Amy herself—self-deprecating and lacking entirely in airs and graces—might have found the whole thing somewhat preposterous. One of the funniest things about interviews with Amy was her\u003ca href=\"https://www.youtube.com/watch?v=s5Dqa_K6blg\" target=\"_blank\" rel=\"noopener noreferrer\"> inability to suffer fools and sycophants\u003c/a>. This statue is a magnet for both.\u003c/p>\n\u003cfigure id=\"attachment_112755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-112755 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/07/GettyImages-455478218-800x541.jpg\" alt=\"Camden's Amy Winehouse statue.\" width=\"800\" height=\"541\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/07/GettyImages-455478218-800x541.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/07/GettyImages-455478218-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/07/GettyImages-455478218-768x520.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/07/GettyImages-455478218-1020x690.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2019/07/GettyImages-455478218-1200x812.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/12/2019/07/GettyImages-455478218-1920x1299.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2019/07/GettyImages-455478218.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Camden's Amy Winehouse statue. \u003ccite>(CYRIL VILLEMAIN/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ironically, our memories of Amy have also been muddied by the Winehouse family themselves, in their repeated attempts to tell their own versions of her story. An exhibition her brother Alex put together, \u003ca href=\"https://www.thecjm.org/exhibitions/16\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>Amy Winehouse: A Family Portrait\u003c/i>\u003c/a>, featuring a collection of Amy's personal effects, toured the world, appearing at San Francisco's Contemporary Jewish Museum in 2015. Her father Mitch released a book titled \u003ca href=\"https://www.amazon.com/Amy-My-Daughter-Mitch-Winehouse/dp/006219142X/ref=sr_1_1?keywords=mitch+winehouse&qid=1562794613&s=gateway&sr=8-1\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>My Daughter, Amy\u003c/i>\u003c/a> in 2013. Her mother Janis released another, \u003ca href=\"https://www.amazon.com/Loving-Amy-Mothers-Janis-Winehouse/dp/1250078490/ref=pd_bxgy_14_img_2/139-3618790-3784407?_encoding=UTF8&pd_rd_i=1250078490&pd_rd_r=e4911bfd-a35a-11e9-95ef-ff89da75d8b9&pd_rd_w=CYaqR&pd_rd_wg=nVyr5&pf_rd_p=a2006322-0bc0-4db9-a08e-d168c18ce6f0&pf_rd_r=SCKFNQ4T8EYMFH2FY0VZ&psc=1&refRID=SCKFNQ4T8EYMFH2FY0VZ\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>Loving Amy, A Mother's Story\u003c/i>\u003c/a> in 2016. The family has even backed the controversial \u003ca href=\"https://www.theguardian.com/music/2019/feb/22/amy-winehouse-hologram-tour-postponed\" target=\"_blank\" rel=\"noopener noreferrer\">Amy Winehouse hologram\u003c/a> currently in production.\u003c/p>\n\u003cp>Arguably, since her passing, the closest anyone has come to bottling and preserving Amy Winehouse's true, multi-faceted self was 2015's \u003cem>Amy\u003c/em>. The film distinguished itself by pulling zero punches, effectively documenting both the majesty of Winehouse at work, and the horrifying consequences of her most self-destructive impulses. It caught her sharp wit and her selfish side; her sensitive core and the caustic walls she put up to try and protect herself.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=_2yCIwmNuLE\u003c/p>\n\u003cp>Some scenes also served to show some of the uglier realities of the relationship between Amy and her dad. In one now-infamous moment, Mitch brings a TV crew to Saint Lucia even though his daughter is trying to recover outside of the spotlight. After he chastises her for being rude to two fans who wanted a picture, she says \"I don't want to be made a mug [fool] out of, dad.\" Sound engineer, Shomari Dilon comments in a voiceover: \"She just wanted her dad and he didn't just come by himself. He came with cameras and audio guys.\" After the movie's release, Mitch Winehouse insisted that this depiction of him was \"\u003ca href=\"https://www.theguardian.com/music/2015/may/01/mitch-winehouse-interview-amy-documentary-film\" target=\"_blank\" rel=\"noopener noreferrer\">misleading\u003c/a>.\" But it's hard not to recall it every time he makes yet another public appearance to talk about Amy or endorse something related to her.\u003c/p>\n\u003cp>The sheer number of people who have produced tributes to Amy Winehouse in the last eight years speaks volumes about how much she's still missed, and how much money can still be made from her. Probably, Amy would be best served posthumously if the world simply followed the instructions she left us. She told journalists repeatedly throughout her life that she would like everyone to just focus on her songs. In one early MTV UK interview, she said: \"The more people see of me, the more they’ll realize that all I’m good for is making music.\"\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=h1TQRJWLZ3s\u003c/p>\n\u003cp>Before Amy Winehouse died, I had been in the habit of listening to \u003cem>Back to Black\u003c/em> daily. After her death, I abruptly stopped and shelved that record for a full five years. In the immediate aftermath of her loss, listening to the more searing moments of the album—in full knowledge that there would never be a happy ending—was simply too dark. I tried to engage in other ways but they too felt uncomfortably masochistic. (It took me 20 minutes after the \u003cem>Amy\u003c/em> documentary had finished to stop crying long enough to get out of the movie theater.)\u003c/p>\n\u003cp>[aside postid='pop_105661']In the end, for me, the solution to keeping Amy Winehouse's spirit alive was the very simplest one—I just returned to the music with fresh ears, and made a concerted effort to remember how it felt the first time. Going back to the start was the easiest way to erase everything that had happened in between—the substance abuse, the relationship drama, the sanitized, simplified version of her we see so often now. \u003cem>Back To Black\u003c/em> and \u003cem>Frank\u003c/em> are the only things we know for sure represent how Amy Winehouse wanted to be seen by the world, and they are a more realistic reflection of her than any hologram ever could be.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cspan style=\"background-color: transparent\">Try as other people might, the only person who was ever any good at telling Amy's story was Amy herself. Only her albums can do that now. We should let them. \u003c/span>\u003c/p>\n\n","disqusIdentifier":"112753 https://ww2.kqed.org/pop/?p=112753","disqusUrl":"https://ww2.kqed.org/pop/2019/07/23/the-impossible-task-of-keeping-amy-winehouse-alive-8-years-after-her-death/","stats":{"hasVideo":true,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":1275,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":15},"modified":1663180407,"excerpt":"If it feels like Amy has been gone for longer, it's because the things she hid behind in life are concealing her in death too. ","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"If it feels like Amy has been gone for longer, it's because the things she hid behind in life are concealing her in death too. ","title":"The Impossible Task of Keeping Amy Winehouse Alive, 8 Years After Her Death - KQED Pop","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Impossible Task of Keeping Amy Winehouse Alive, 8 Years After Her Death","datePublished":"2019-07-23T13:44:19-07:00","dateModified":"2022-09-14T11:33:27-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"the-impossible-task-of-keeping-amy-winehouse-alive-8-years-after-her-death","status":"publish","templateType":"standard","excludeFromSiteSearch":"Include","featuredImageType":"standard","path":"/pop/112753/the-impossible-task-of-keeping-amy-winehouse-alive-8-years-after-her-death","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Last month, Miley Cyrus took to the stage at England's Glastonbury Festival and belted out a cover of Amy Winehouse's \"Back to Black.\" It felt appropriate given that Cyrus was sharing the stage that day with Mark Ronson—the man who produced the original track for Winehouse, as well as the album that spawned it. Miley's rendition was a fist-in-the-air take on what the BBC recently referred to as \"\u003ca href=\"http://www.bbc.com/culture/story/20190709-back-to-black-the-millennial-i-will-survive\" target=\"_blank\" rel=\"noopener noreferrer\">the millennial 'I Will Survive'\u003c/a>.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_bM4CnFG74A'\n title='//www.youtube.com/embed/_bM4CnFG74A'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It was impossible not to notice how far removed this version was from the original. In Amy's hands, \"Back To Black\" was agonizing to the point of being an audible ache. In Miley's, it was merely a defiant singalong. It was a sad reminder that, though she only died eight years ago, the gulf created by Amy Winehouse's absence is still so enormous, it actually feels like she's been gone for much longer.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"pop_17172","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Part of the reason for that is just how impossible it is to keep Amy's spirit alive. All of the things that made her such a compelling performer and human were perfectly intangible, and simply cannot be replicated. Still people can't stop trying. Since she died, there have been endless \u003ca href=\"https://www.kathmanduandbeyond.com/amy-winehouse-street-art-trail-camden-london/\" target=\"_blank\" rel=\"noopener noreferrer\">murals\u003c/a>, biographies, \u003ca href=\"http://www.becomingamy.com/\" target=\"_blank\" rel=\"noopener noreferrer\">tribute acts\u003c/a>, \u003ca href=\"https://www.etsy.com/search?q=Amy%20winehouse\" target=\"_blank\" rel=\"noopener noreferrer\">merch\u003c/a> items and \u003ca href=\"https://www.rollingstone.com/music/music-news/amy-winehouse-foundation-plots-back-to-black-covers-contest-115330/\" target=\"_blank\" rel=\"noopener noreferrer\">covers competitions\u003c/a>. None of which have come even vaguely close to capturing the detonative clash of raw sensitivity and streetsmart wise-assery that Amy barreled through life with. Eulogies have a tendency to gloss over people's sharpest, most uncomfortable edges, and pop culture loves to paint stars who died young in only the most tragic of lights. Amy Winehouse is dealing with both in equal measure.\u003c/p>\n\u003cp>She is not the first legend this has happened to. Eventually, all musicians who die too soon fall prey to the public's desire to mythologize them, but the process reduces them to their most memorable selves; shells devoid of the complexities that made them great in the first place. What we're left with is Jimi Hendrix \u003ca href=\"https://www.youtube.com/watch?v=uZot7BBzgog\" target=\"_blank\" rel=\"noopener noreferrer\">kneeling before a flaming guitar\u003c/a>; \u003ca href=\"https://i.pinimg.com/originals/78/bb/ee/78bbee2743df71821fb202bffec83bfe.jpg\" target=\"_blank\" rel=\"noopener noreferrer\">Kurt Cobain in blue flannel\u003c/a>, crying at the side of the stage; \u003ca href=\"http://content.time.com/time/specials/packages/article/0,28804,2107768_2107767_2107761,00.html\" target=\"_blank\" rel=\"noopener noreferrer\">John Lennon, naked\u003c/a> and fetal, clinging to Yoko.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Arguably, Amy has been reduced to bare essentials at a faster pace than her predecessors, probably thanks in part to the fact that she was a Halloween costume before she even died. The tattoos and the eyeliner and that stack of beehive hair piled onto too frail a body—Amy hid behind these things in life, and they are concealing her in death too.\u003c/p>\n\u003cp>In 2014, on what should have been Amy's 31st birthday, a bronze statue in Amy's honor was unveiled in her North London neighborhood of Camden. The likeness was good and the hair flower was real, but, by its very nature, it reduced Amy to her physical signifiers—which in a larger sense, is about the biggest disservice we could do her. One couldn't help but feel that Amy herself—self-deprecating and lacking entirely in airs and graces—might have found the whole thing somewhat preposterous. One of the funniest things about interviews with Amy was her\u003ca href=\"https://www.youtube.com/watch?v=s5Dqa_K6blg\" target=\"_blank\" rel=\"noopener noreferrer\"> inability to suffer fools and sycophants\u003c/a>. This statue is a magnet for both.\u003c/p>\n\u003cfigure id=\"attachment_112755\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-112755 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2019/07/GettyImages-455478218-800x541.jpg\" alt=\"Camden's Amy Winehouse statue.\" width=\"800\" height=\"541\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2019/07/GettyImages-455478218-800x541.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2019/07/GettyImages-455478218-160x108.jpg 160w, https://ww2.kqed.org/app/uploads/sites/12/2019/07/GettyImages-455478218-768x520.jpg 768w, https://ww2.kqed.org/app/uploads/sites/12/2019/07/GettyImages-455478218-1020x690.jpg 1020w, https://ww2.kqed.org/app/uploads/sites/12/2019/07/GettyImages-455478218-1200x812.jpg 1200w, https://ww2.kqed.org/app/uploads/sites/12/2019/07/GettyImages-455478218-1920x1299.jpg 1920w, https://ww2.kqed.org/app/uploads/sites/12/2019/07/GettyImages-455478218.jpg 2048w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Camden's Amy Winehouse statue. \u003ccite>(CYRIL VILLEMAIN/AFP/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Ironically, our memories of Amy have also been muddied by the Winehouse family themselves, in their repeated attempts to tell their own versions of her story. An exhibition her brother Alex put together, \u003ca href=\"https://www.thecjm.org/exhibitions/16\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>Amy Winehouse: A Family Portrait\u003c/i>\u003c/a>, featuring a collection of Amy's personal effects, toured the world, appearing at San Francisco's Contemporary Jewish Museum in 2015. Her father Mitch released a book titled \u003ca href=\"https://www.amazon.com/Amy-My-Daughter-Mitch-Winehouse/dp/006219142X/ref=sr_1_1?keywords=mitch+winehouse&qid=1562794613&s=gateway&sr=8-1\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>My Daughter, Amy\u003c/i>\u003c/a> in 2013. Her mother Janis released another, \u003ca href=\"https://www.amazon.com/Loving-Amy-Mothers-Janis-Winehouse/dp/1250078490/ref=pd_bxgy_14_img_2/139-3618790-3784407?_encoding=UTF8&pd_rd_i=1250078490&pd_rd_r=e4911bfd-a35a-11e9-95ef-ff89da75d8b9&pd_rd_w=CYaqR&pd_rd_wg=nVyr5&pf_rd_p=a2006322-0bc0-4db9-a08e-d168c18ce6f0&pf_rd_r=SCKFNQ4T8EYMFH2FY0VZ&psc=1&refRID=SCKFNQ4T8EYMFH2FY0VZ\" target=\"_blank\" rel=\"noopener noreferrer\">\u003ci>Loving Amy, A Mother's Story\u003c/i>\u003c/a> in 2016. The family has even backed the controversial \u003ca href=\"https://www.theguardian.com/music/2019/feb/22/amy-winehouse-hologram-tour-postponed\" target=\"_blank\" rel=\"noopener noreferrer\">Amy Winehouse hologram\u003c/a> currently in production.\u003c/p>\n\u003cp>Arguably, since her passing, the closest anyone has come to bottling and preserving Amy Winehouse's true, multi-faceted self was 2015's \u003cem>Amy\u003c/em>. The film distinguished itself by pulling zero punches, effectively documenting both the majesty of Winehouse at work, and the horrifying consequences of her most self-destructive impulses. It caught her sharp wit and her selfish side; her sensitive core and the caustic walls she put up to try and protect herself.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/_2yCIwmNuLE'\n title='//www.youtube.com/embed/_2yCIwmNuLE'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Some scenes also served to show some of the uglier realities of the relationship between Amy and her dad. In one now-infamous moment, Mitch brings a TV crew to Saint Lucia even though his daughter is trying to recover outside of the spotlight. After he chastises her for being rude to two fans who wanted a picture, she says \"I don't want to be made a mug [fool] out of, dad.\" Sound engineer, Shomari Dilon comments in a voiceover: \"She just wanted her dad and he didn't just come by himself. He came with cameras and audio guys.\" After the movie's release, Mitch Winehouse insisted that this depiction of him was \"\u003ca href=\"https://www.theguardian.com/music/2015/may/01/mitch-winehouse-interview-amy-documentary-film\" target=\"_blank\" rel=\"noopener noreferrer\">misleading\u003c/a>.\" But it's hard not to recall it every time he makes yet another public appearance to talk about Amy or endorse something related to her.\u003c/p>\n\u003cp>The sheer number of people who have produced tributes to Amy Winehouse in the last eight years speaks volumes about how much she's still missed, and how much money can still be made from her. Probably, Amy would be best served posthumously if the world simply followed the instructions she left us. She told journalists repeatedly throughout her life that she would like everyone to just focus on her songs. In one early MTV UK interview, she said: \"The more people see of me, the more they’ll realize that all I’m good for is making music.\"\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/h1TQRJWLZ3s'\n title='//www.youtube.com/embed/h1TQRJWLZ3s'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Before Amy Winehouse died, I had been in the habit of listening to \u003cem>Back to Black\u003c/em> daily. After her death, I abruptly stopped and shelved that record for a full five years. In the immediate aftermath of her loss, listening to the more searing moments of the album—in full knowledge that there would never be a happy ending—was simply too dark. I tried to engage in other ways but they too felt uncomfortably masochistic. (It took me 20 minutes after the \u003cem>Amy\u003c/em> documentary had finished to stop crying long enough to get out of the movie theater.)\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"pop_105661","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In the end, for me, the solution to keeping Amy Winehouse's spirit alive was the very simplest one—I just returned to the music with fresh ears, and made a concerted effort to remember how it felt the first time. Going back to the start was the easiest way to erase everything that had happened in between—the substance abuse, the relationship drama, the sanitized, simplified version of her we see so often now. \u003cem>Back To Black\u003c/em> and \u003cem>Frank\u003c/em> are the only things we know for sure represent how Amy Winehouse wanted to be seen by the world, and they are a more realistic reflection of her than any hologram ever could be.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"background-color: transparent\">Try as other people might, the only person who was ever any good at telling Amy's story was Amy herself. Only her albums can do that now. We should let them. \u003c/span>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/112753/the-impossible-task-of-keeping-amy-winehouse-alive-8-years-after-her-death","authors":["11242"],"categories":["pop_2937","pop_4"],"tags":["pop_3780","pop_2774","pop_3778","pop_3341","pop_3779","pop_3678","pop_721"],"featImg":"pop_112756","label":"pop"},"pop_105661":{"type":"posts","id":"pop_105661","meta":{"index":"posts_1716263798","site":"pop","id":"105661","score":null,"sort":[1536610253000]},"parent":0,"labelTerm":{"site":"pop"},"blocks":[],"publishDate":1536610253,"format":"standard","disqusTitle":"Mac Miller, Ariana Grande and Our Addiction to Pointing the Finger","title":"Mac Miller, Ariana Grande and Our Addiction to Pointing the Finger","headTitle":"KQED Pop | KQED Arts","content":"\u003cp>On Friday morning, Mac Miller was found dead of an apparent overdose, after years of openly struggling with addiction. One of Miller's most endearing qualities as an artist was his willingness to share his vulnerabilities and fears around his own struggles with sobriety. \"\u003cem>I'm hoping not to join \u003c/em>\u003ca href=\"https://www.ranker.com/list/members-of-the-27-club/famous-celebrity-deaths-list\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>the 27 club\u003c/em>\u003c/a>,\" he rapped on \"Brand Name.\" In the end, tragically, Mac Miller only made it to 26.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=vuCyrtGQhAk\u003c/p>\n\u003cp>Miller's fame—and the amount of public scrutiny he was put under—grew when he got into a relationship with Ariana Grande in September 2016. When the longtime friends and collaborators officially split last May, and Grande went public about her whirlwind romance with Pete Davidson just a couple of weeks later, Miller fans weren't happy. Some were quick to blame Grande for Miller's addiction issues, to the degree that she felt the need to \u003ca href=\"https://twitter.com/ArianaGrande/status/999314187384901633\" target=\"_blank\" rel=\"noopener noreferrer\">hit back on Twitter\u003c/a>.\u003c/p>\n\u003cp>[aside postid='arts_13840493']For his part, Miller publicly stated that he was fine with the break-up and his ex-girlfriend's new relationship. At the end of July, in \u003ca href=\"https://abcnews.go.com/GMA/Culture/ariana-grandes-mac-miller-breaks-silence-engagement-pete/story?id=56780176\" target=\"_blank\" rel=\"noopener noreferrer\">an interview with Zane Lowe\u003c/a>, he said \"I was in love with somebody. We were together for two years. We worked through good times, bad times, stress and everything else. And then it came to an end and we both moved on. And it's that simple, you know?\"\u003c/p>\n\u003cp>On Instagram, \u003ca href=\"https://www.etonline.com/everything-mac-miller-and-ariana-grande-have-said-about-their-relationship-109253\" target=\"_blank\" rel=\"noopener noreferrer\">Grande stated:\u003c/a> \"This is one of my best friends in the whole world and favorite people on the planet. I respect and adore him endlessly.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Still, on Friday, as the tragic news about Miller broke, Grande was not left to grieve in peace. Instead, her Instagram page became a battleground between Miller fans pointing the finger and Grande fans rushing to her defense. There were multiple fans who pleaded with her to \"turn off the comments\" hours before she finally did. By that time, the damage was already done.\u003c/p>\n\u003cfigure id=\"attachment_105664\" class=\"wp-caption aligncenter\" style=\"max-width: 355px\">\u003cimg class=\"size-full wp-image-105664\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/09/horrible1.png\" alt=\"\" width=\"355\" height=\"233\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/09/horrible1.png 355w, https://ww2.kqed.org/app/uploads/sites/12/2018/09/horrible1-160x105.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/09/horrible1-240x158.png 240w\" sizes=\"(max-width: 355px) 100vw, 355px\">\u003cfigcaption class=\"wp-caption-text\">Comments posted to Ariana Grande's Instagram account on Friday, September 7, 2018.\u003c/figcaption>\u003c/figure>\n\u003cp>At the time of publication, Grande has yet to speak publicly about the death of Miller, though she did post a touching photo of him to her Instagram account over the weekend.\u003c/p>\n\u003cp>https://www.instagram.com/p/Bneu_dCHVdn/?hl=en&taken-by=arianagrande\u003c/p>\n\u003cp>The public attack on Grande is horrible but in no way surprising. It's not even the first time in the last few \u003cem>weeks\u003c/em> that a woman has been blamed for a famous man's own longterm, personal struggles. Ben Affleck's current girlfriend, model Shauna Sexton, was accused of landing the 46-year-old actor back in rehab late last month after she posted a photo of herself enjoying a glass of wine. Admittedly, her timing wasn't great; the pic went up just three days after Affleck's ex-wife, Jennifer Garner, staged an intervention. But when accusations started flying in the comments, Sexton quickly and directly pointed out that her boyfriend's ability to stay sober had little to do with her.\u003c/p>\n\u003cp>Sexton \u003ca href=\"https://www.thehollywoodgossip.com/2018/09/shauna-sexton-you-think-i-sent-ben-affleck-to-rehab/\" target=\"_blank\" rel=\"noopener noreferrer\">wrote\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>\"I love to drink and party! Absolutely dude. Most 22 year olds do… [Does it] mean i would disrespect someone’s hard earned sobriety by drinking with them or in front of them? Hell no… Ben is a grown ass man, baby. He makes his own decisions. Blaming a 22 year old for someone’s 3rd time in rehab is just ridiculous...He is human. I am human. You are human. We all are going to f**k up it’s just a matter of learning from it. Don’t be so quick to throw shade on people. Take a step back, accept that we are all on our own journey, and be a little less critical.\"\u003c/p>\u003c/blockquote>\n\u003cp>So where does the compulsion come from, to hold responsible anyone other than the dead celebrity in question? The root of it is in the public's great sense of personal attachment to famous people, especially musicians. Pointing the finger at someone else means propelling our own sadness out and away from us. \u003ca href=\"https://www.shape.com/blogs/shape-your-life/why-we-take-celebs-deaths-so-hard\" target=\"_blank\" rel=\"noopener noreferrer\">Therapist Patrick Wanis told \u003cem>Shape\u003c/em> \u003c/a>magazine: “We grieve them … because we feel they can no longer continue to contribute to our lives—we have lost out on their next musical creation.”\u003c/p>\n\u003cp>The other factor is an unwillingness to blame the deceased person themselves, for being gone too soon. No one wishes to speak ill of the dead, so we absolve them of responsibility and shift blame to the next nearest living person.\u003c/p>\n\u003cp>[aside postid='pop_107245']What the blame game ignores, of course, is just how complex addiction is. The causes of drug and alcohol dependency differ wildly depending on the individual. As the \u003ca href=\"https://www.centeronaddiction.org/what-addiction/addiction-disease\" target=\"_blank\" rel=\"noopener noreferrer\">Center on Addiction\u003c/a> points out: \"Addiction disrupts regions of the brain that are responsible for reward, motivation, learning, judgment and memory.\" Relapses can be caused by anything and nothing. And for partners living with an addict, there is no perfect way of dealing with it. If they exercise tough love and leave, they are accused of abandonment. If they stay, they are accused of enabling. It's a no-win position to be in.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>One thing to keep in mind is that the only person that can keep an addict sober is the addict themselves. Assistance can come from sponsors, organizations and, yes, partners. But if it feels too uncomfortable to pass judgment on the addict, it should feel just as unjust to direct it at their loved ones. In the end, Mac Miller didn't die because Ariana Grande broke up with him; Mac Miller died because he had a disease.\u003c/p>\n\n","disqusIdentifier":"105661 https://ww2.kqed.org/pop/?p=105661","disqusUrl":"https://ww2.kqed.org/pop/2018/09/10/mac-miller-ariana-grande-and-our-addiction-to-pointing-the-finger/","stats":{"hasVideo":true,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":956,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":15},"modified":1662578357,"excerpt":"What drives us to point the finger at their loved ones, every time a famous musician dies from addiction?","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"What drives us to point the finger at their loved ones, every time a famous musician dies from addiction?","title":"Mac Miller, Ariana Grande and Our Addiction to Pointing the Finger - KQED Pop","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Mac Miller, Ariana Grande and Our Addiction to Pointing the Finger","datePublished":"2018-09-10T13:10:53-07:00","dateModified":"2022-09-07T12:19:17-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"mac-miller-ariana-grande-and-our-addiction-to-pointing-the-finger","status":"publish","templateType":"standard","excludeFromSiteSearch":"Include","featuredImageType":"standard","path":"/pop/105661/mac-miller-ariana-grande-and-our-addiction-to-pointing-the-finger","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Friday morning, Mac Miller was found dead of an apparent overdose, after years of openly struggling with addiction. One of Miller's most endearing qualities as an artist was his willingness to share his vulnerabilities and fears around his own struggles with sobriety. \"\u003cem>I'm hoping not to join \u003c/em>\u003ca href=\"https://www.ranker.com/list/members-of-the-27-club/famous-celebrity-deaths-list\" target=\"_blank\" rel=\"noopener noreferrer\">\u003cem>the 27 club\u003c/em>\u003c/a>,\" he rapped on \"Brand Name.\" In the end, tragically, Mac Miller only made it to 26.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/vuCyrtGQhAk'\n title='//www.youtube.com/embed/vuCyrtGQhAk'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Miller's fame—and the amount of public scrutiny he was put under—grew when he got into a relationship with Ariana Grande in September 2016. When the longtime friends and collaborators officially split last May, and Grande went public about her whirlwind romance with Pete Davidson just a couple of weeks later, Miller fans weren't happy. Some were quick to blame Grande for Miller's addiction issues, to the degree that she felt the need to \u003ca href=\"https://twitter.com/ArianaGrande/status/999314187384901633\" target=\"_blank\" rel=\"noopener noreferrer\">hit back on Twitter\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13840493","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>For his part, Miller publicly stated that he was fine with the break-up and his ex-girlfriend's new relationship. At the end of July, in \u003ca href=\"https://abcnews.go.com/GMA/Culture/ariana-grandes-mac-miller-breaks-silence-engagement-pete/story?id=56780176\" target=\"_blank\" rel=\"noopener noreferrer\">an interview with Zane Lowe\u003c/a>, he said \"I was in love with somebody. We were together for two years. We worked through good times, bad times, stress and everything else. And then it came to an end and we both moved on. And it's that simple, you know?\"\u003c/p>\n\u003cp>On Instagram, \u003ca href=\"https://www.etonline.com/everything-mac-miller-and-ariana-grande-have-said-about-their-relationship-109253\" target=\"_blank\" rel=\"noopener noreferrer\">Grande stated:\u003c/a> \"This is one of my best friends in the whole world and favorite people on the planet. I respect and adore him endlessly.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Still, on Friday, as the tragic news about Miller broke, Grande was not left to grieve in peace. Instead, her Instagram page became a battleground between Miller fans pointing the finger and Grande fans rushing to her defense. There were multiple fans who pleaded with her to \"turn off the comments\" hours before she finally did. By that time, the damage was already done.\u003c/p>\n\u003cfigure id=\"attachment_105664\" class=\"wp-caption aligncenter\" style=\"max-width: 355px\">\u003cimg class=\"size-full wp-image-105664\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2018/09/horrible1.png\" alt=\"\" width=\"355\" height=\"233\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2018/09/horrible1.png 355w, https://ww2.kqed.org/app/uploads/sites/12/2018/09/horrible1-160x105.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2018/09/horrible1-240x158.png 240w\" sizes=\"(max-width: 355px) 100vw, 355px\">\u003cfigcaption class=\"wp-caption-text\">Comments posted to Ariana Grande's Instagram account on Friday, September 7, 2018.\u003c/figcaption>\u003c/figure>\n\u003cp>At the time of publication, Grande has yet to speak publicly about the death of Miller, though she did post a touching photo of him to her Instagram account over the weekend.\u003c/p>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"instagramLink","attributes":{"named":{"instagramUrl":"https://www.instagram.com/p/Bneu_dCHVdn/?hl=en&taken-by=arianagrande"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>The public attack on Grande is horrible but in no way surprising. It's not even the first time in the last few \u003cem>weeks\u003c/em> that a woman has been blamed for a famous man's own longterm, personal struggles. Ben Affleck's current girlfriend, model Shauna Sexton, was accused of landing the 46-year-old actor back in rehab late last month after she posted a photo of herself enjoying a glass of wine. Admittedly, her timing wasn't great; the pic went up just three days after Affleck's ex-wife, Jennifer Garner, staged an intervention. But when accusations started flying in the comments, Sexton quickly and directly pointed out that her boyfriend's ability to stay sober had little to do with her.\u003c/p>\n\u003cp>Sexton \u003ca href=\"https://www.thehollywoodgossip.com/2018/09/shauna-sexton-you-think-i-sent-ben-affleck-to-rehab/\" target=\"_blank\" rel=\"noopener noreferrer\">wrote\u003c/a>:\u003c/p>\n\u003cblockquote>\u003cp>\"I love to drink and party! Absolutely dude. Most 22 year olds do… [Does it] mean i would disrespect someone’s hard earned sobriety by drinking with them or in front of them? Hell no… Ben is a grown ass man, baby. He makes his own decisions. Blaming a 22 year old for someone’s 3rd time in rehab is just ridiculous...He is human. I am human. You are human. We all are going to f**k up it’s just a matter of learning from it. Don’t be so quick to throw shade on people. Take a step back, accept that we are all on our own journey, and be a little less critical.\"\u003c/p>\u003c/blockquote>\n\u003cp>So where does the compulsion come from, to hold responsible anyone other than the dead celebrity in question? The root of it is in the public's great sense of personal attachment to famous people, especially musicians. Pointing the finger at someone else means propelling our own sadness out and away from us. \u003ca href=\"https://www.shape.com/blogs/shape-your-life/why-we-take-celebs-deaths-so-hard\" target=\"_blank\" rel=\"noopener noreferrer\">Therapist Patrick Wanis told \u003cem>Shape\u003c/em> \u003c/a>magazine: “We grieve them … because we feel they can no longer continue to contribute to our lives—we have lost out on their next musical creation.”\u003c/p>\n\u003cp>The other factor is an unwillingness to blame the deceased person themselves, for being gone too soon. No one wishes to speak ill of the dead, so we absolve them of responsibility and shift blame to the next nearest living person.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"pop_107245","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>What the blame game ignores, of course, is just how complex addiction is. The causes of drug and alcohol dependency differ wildly depending on the individual. As the \u003ca href=\"https://www.centeronaddiction.org/what-addiction/addiction-disease\" target=\"_blank\" rel=\"noopener noreferrer\">Center on Addiction\u003c/a> points out: \"Addiction disrupts regions of the brain that are responsible for reward, motivation, learning, judgment and memory.\" Relapses can be caused by anything and nothing. And for partners living with an addict, there is no perfect way of dealing with it. If they exercise tough love and leave, they are accused of abandonment. If they stay, they are accused of enabling. It's a no-win position to be in.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>One thing to keep in mind is that the only person that can keep an addict sober is the addict themselves. Assistance can come from sponsors, organizations and, yes, partners. But if it feels too uncomfortable to pass judgment on the addict, it should feel just as unjust to direct it at their loved ones. In the end, Mac Miller didn't die because Ariana Grande broke up with him; Mac Miller died because he had a disease.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/105661/mac-miller-ariana-grande-and-our-addiction-to-pointing-the-finger","authors":["11242"],"categories":["pop_7","pop_1041"],"tags":["pop_2774","pop_1680","pop_212","pop_651","pop_3291","pop_1301"],"featImg":"pop_105679","label":"pop"},"pop_17172":{"type":"posts","id":"pop_17172","meta":{"index":"posts_1716263798","site":"pop","id":"17172","score":null,"sort":[1437690651000]},"parent":0,"labelTerm":{"site":"pop"},"blocks":[],"publishDate":1437690651,"format":"aside","disqusTitle":"12 Surprising Things I Learned at the Amy Winehouse Exhibit","title":"12 Surprising Things I Learned at the Amy Winehouse Exhibit","headTitle":"KQED Pop | KQED Arts","content":"\u003cfigure id=\"attachment_17235\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/5_Amy_Winehouse_.jpg\">\u003cimg class=\"size-medium wp-image-17235\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/5_Amy_Winehouse_-800x807.jpg\" alt=\"Amy Winehouse chilling in her flat. Photo: Mark Okoh / Camera Press London\" width=\"800\" height=\"807\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-800x807.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-400x404.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-1440x1453.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-1400x1412.jpg 1400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-1180x1190.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-960x968.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-75x75.jpg 75w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Amy Winehouse chilling in her flat. Photo: Mark Okoh / Camera Press London\u003c/figcaption>\u003c/figure>\n\u003cp>Four years ago today, Amy Winehouse died. But her impact on music lives on, in the form of \u003cem>Amy\u003c/em>, a new documentary about her life in theaters now, as well as a traveling museum exhibit called \u003cem>\u003ca href=\"http://www.thecjm.org/on-view/upcoming/amy-winehouse-a-family-portrait/about\" target=\"_blank\">Amy Winehouse: A Family Portrait\u003c/a>\u003c/em>, which has made its way from London to San Francisco's Contemporary Jewish Museum.\u003c/p>\n\u003cp>I was apprehensive about the exhibit at first because it feels weird for us, complete strangers, to go rifling through her belongings so soon after her death. There comes a point where we must draw the line between our adoration for a celebrity and letting them have the dignity of resting in peace (\u003ca href=\"http://ww2.kqed.org/pop/2015/04/09/why-the-selena-hologram-is-a-really-bad-idea/\" target=\"_blank\">Selena's hologram comes to mind\u003c/a>).\u003c/p>\n\u003cp>But the show does its best to navigate this tricky space, by working with Amy's immediate family to move the spotlight off of the tragedy and spectacle of her life and onto mementos that project a simple truth: Amy Winehouse was just a girl. Yes, a very talented, famous girl, but ultimately a human being just like you or me.\u003c/p>\n\u003cp>Here are some humanizing details about Amy that surprised me:\u003c/p>\n\u003cfigure id=\"attachment_17238\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/1_Amy_Winehouse.jpg\">\u003cimg class=\"size-medium wp-image-17238\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/1_Amy_Winehouse-800x1202.jpg\" alt=\"A young Amy outside her Grandma’s flat in Southgate. Photo: The Winehouse family\" width=\"800\" height=\"1202\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-800x1202.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-400x601.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-1440x2164.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-1400x2104.jpg 1400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-1180x1773.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-960x1443.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A young Amy outside her Grandma’s flat in Southgate. Photo: The Winehouse family\u003c/figcaption>\u003c/figure>\n\u003cp>1. Amy is so defined by London, but she was almost an American! Her ancestor, Harris Winehouse, emigrated from Minsk, Belarus to London in 1890, and was soon followed by his family. The only problem? He meant to go to New York. Oops.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>2. Amy's grandmother, Cynthia, was a bad ass. She believed herself to be a medium and taught Amy how to read tarot cards. \"Nan\" also held a grudge (\u003cem>broyges\u003c/em> in Yiddish) against Amy's brother for not saying hello to her when he was eight. That's one way to teach the youth to respect their elders!\u003c/p>\n\u003cp>3. Amy loved \u003ca href=\"http://ww2.kqed.org/pop/2013/08/16/the-smiths-and-charlie-brown-a-match-made-in-miserable-heaven/\" target=\"_blank\">Snoopy\u003c/a> growing up and well into adulthood. She collected any books featuring the cartoon pup that she could get her hands on.\u003c/p>\n\u003cp>4. Amy always wanted to live in Camden, a hip neighborhood in London. When she was old enough, she got a job selling candles at the market there.\u003c/p>\n\u003cp>5. Amy was an OK cook, but made a mean meatball.\u003c/p>\n\u003cp>6. She was essentially expelled from two different schools. During a class at Sylvia Young Theatre School, she decided it was a good time as any to pierce her ears with a drawing pin.\u003c/p>\n\u003cp>7. Her music collection was wide-ranging. There are artists you would expect: Miles Davis, Ella Fitzgerald, Aretha Franklin, Ray Charles and Louis Armstrong. And some you might not: Adam Sandler, Mickey Mouse Club, Marilyn Monroe, Beck and George Michael.\u003c/p>\n\u003cp>8. Her brother says that Amy was insecure about how intelligent she was. She would leave Jackie Collins novels out, while hiding books by Dostoyevsky. She was also obsessed with word puzzles.\u003c/p>\n\u003cfigure id=\"attachment_17237\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/4_JML_Install_shot.jpg\">\u003cimg class=\"size-medium wp-image-17237\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/4_JML_Install_shot-800x510.jpg\" alt=\"Photo: Ian Lillicrapp / Jewish Museum London\" width=\"800\" height=\"510\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-800x510.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-400x255.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-1440x919.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-1400x893.jpg 1400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-1180x753.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-960x613.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Ian Lillicrapp / Jewish Museum London\u003c/figcaption>\u003c/figure>\n\u003cp>9. Don't let the omnipresent ballet flats fool you. Amy loved shoes in a Carrie Bradshaw kind of way. The exhibit showcases heels by the high-fashion likes of Yves Saint Laurent, Christian Louboutin, Fendi, Ferragamo, and Miu Miu.\u003c/p>\n\u003cp>10. Speaking of Ms. Bradshaw, Amy loved \u003cem>Sex and the City\u003c/em>, if her DVD/VHS collection (seen in this close-up below) is any indication. Other favorite shows and movies include \u003cem>Will & Grace\u003c/em>, \u003cem>Jackass The Movie\u003c/em>, \u003cem>MTV Yoga\u003c/em>, \u003cem>Beaches\u003c/em>, \u003cem>Dirty Dancing\u003c/em>, \u003cem>Tootsie\u003c/em>, \u003cem>Ghost World\u003c/em>, \u003cem>The Craft\u003c/em>, \u003cem>The Birdcage\u003c/em>, and all the Audrey Hepburn movies.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/amy-winehouse-dvd-collection.jpg\">\u003cimg class=\"aligncenter size-full wp-image-17241\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/amy-winehouse-dvd-collection.jpg\" alt=\"amy-winehouse-dvd-collection\" width=\"621\" height=\"1485\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/amy-winehouse-dvd-collection.jpg 621w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/amy-winehouse-dvd-collection-400x957.jpg 400w\" sizes=\"(max-width: 621px) 100vw, 621px\">\u003c/a>\u003c/p>\n\u003cp>11. The most interesting part of the exhibit for me was the tracklist from Amy's \"Songs on my Chill-Out Tape.\" Anyone who has made a mix for a crush knows how soul-revealing the medium can be. Seeing the school uniform she wore, the records she touched and her collection of designer shoes is all personal, but this artifact, written in \u003ca href=\"http://i3.cdnds.net/12/29/amy_list.jpg\" target=\"_blank\">her own bubbly handwriting\u003c/a> really projects Amy's humanity and personal taste. Give her mix a listen:\u003c/p>\n\u003cp>https://open.spotify.com/user/excusemybeauty/playlist/4VRREKznKDWikJyRDr65Jx\u003c/p>\n\u003cp>12. Carole King's \"So Far Away,\" a favorite song of Amy's which makes an appearance as the penultimate track on her mix, was played at her funeral. *fights to hold in sob*\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"http://www.thecjm.org/on-view/upcoming/amy-winehouse-a-family-portrait/about\" target=\"_blank\">Amy Winehouse: A Family Portrait\u003c/a>\u003c/em> opens today and runs through November 1, 2015 at the Contemporary Jewish Museum in San Francisco. To read more about the exhibit, check out my colleague \u003ca href=\"http://ww2.kqed.org/arts/2015/07/22/why-cant-we-leave-amy-winehouse-alone/\" target=\"_blank\">Gabe Meline's take\u003c/a> on why we can't leave Amy Winehouse alone.\u003c/p>\n\n","disqusIdentifier":"17172 http://ww2.kqed.org/pop/?p=17172","disqusUrl":"https://ww2.kqed.org/pop/2015/07/23/12-surprising-things-i-learned-at-the-amy-winehouse-exhibit/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":770,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":20},"modified":1437759057,"excerpt":"From a love of Adam Sandler and Snoopy to a found tracklist to a \"Chill-Out\" mix, CJM's Amy Winehouse exhibit shows a whole new human side to the late singer.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"From a love of Adam Sandler and Snoopy to a found tracklist to a "Chill-Out" mix, CJM's Amy Winehouse exhibit shows a whole new human side to the late singer.","title":"12 Surprising Things I Learned at the Amy Winehouse Exhibit | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"12 Surprising Things I Learned at the Amy Winehouse Exhibit","datePublished":"2015-07-23T15:30:51-07:00","dateModified":"2015-07-24T10:30:57-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"12-surprising-things-i-learned-at-the-amy-winehouse-exhibit","status":"publish","path":"/pop/17172/12-surprising-things-i-learned-at-the-amy-winehouse-exhibit","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_17235\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/5_Amy_Winehouse_.jpg\">\u003cimg class=\"size-medium wp-image-17235\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/5_Amy_Winehouse_-800x807.jpg\" alt=\"Amy Winehouse chilling in her flat. Photo: Mark Okoh / Camera Press London\" width=\"800\" height=\"807\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-800x807.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-400x404.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-1440x1453.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-1400x1412.jpg 1400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-1180x1190.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-960x968.jpg 960w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-32x32.jpg 32w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-64x64.jpg 64w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-96x96.jpg 96w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-128x128.jpg 128w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/5_Amy_Winehouse_-75x75.jpg 75w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Amy Winehouse chilling in her flat. Photo: Mark Okoh / Camera Press London\u003c/figcaption>\u003c/figure>\n\u003cp>Four years ago today, Amy Winehouse died. But her impact on music lives on, in the form of \u003cem>Amy\u003c/em>, a new documentary about her life in theaters now, as well as a traveling museum exhibit called \u003cem>\u003ca href=\"http://www.thecjm.org/on-view/upcoming/amy-winehouse-a-family-portrait/about\" target=\"_blank\">Amy Winehouse: A Family Portrait\u003c/a>\u003c/em>, which has made its way from London to San Francisco's Contemporary Jewish Museum.\u003c/p>\n\u003cp>I was apprehensive about the exhibit at first because it feels weird for us, complete strangers, to go rifling through her belongings so soon after her death. There comes a point where we must draw the line between our adoration for a celebrity and letting them have the dignity of resting in peace (\u003ca href=\"http://ww2.kqed.org/pop/2015/04/09/why-the-selena-hologram-is-a-really-bad-idea/\" target=\"_blank\">Selena's hologram comes to mind\u003c/a>).\u003c/p>\n\u003cp>But the show does its best to navigate this tricky space, by working with Amy's immediate family to move the spotlight off of the tragedy and spectacle of her life and onto mementos that project a simple truth: Amy Winehouse was just a girl. Yes, a very talented, famous girl, but ultimately a human being just like you or me.\u003c/p>\n\u003cp>Here are some humanizing details about Amy that surprised me:\u003c/p>\n\u003cfigure id=\"attachment_17238\" class=\"wp-caption alignright\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/1_Amy_Winehouse.jpg\">\u003cimg class=\"size-medium wp-image-17238\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/1_Amy_Winehouse-800x1202.jpg\" alt=\"A young Amy outside her Grandma’s flat in Southgate. Photo: The Winehouse family\" width=\"800\" height=\"1202\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-800x1202.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-400x601.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-1440x2164.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-1400x2104.jpg 1400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-1180x1773.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/1_Amy_Winehouse-960x1443.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">A young Amy outside her Grandma’s flat in Southgate. Photo: The Winehouse family\u003c/figcaption>\u003c/figure>\n\u003cp>1. Amy is so defined by London, but she was almost an American! Her ancestor, Harris Winehouse, emigrated from Minsk, Belarus to London in 1890, and was soon followed by his family. The only problem? He meant to go to New York. Oops.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>2. Amy's grandmother, Cynthia, was a bad ass. She believed herself to be a medium and taught Amy how to read tarot cards. \"Nan\" also held a grudge (\u003cem>broyges\u003c/em> in Yiddish) against Amy's brother for not saying hello to her when he was eight. That's one way to teach the youth to respect their elders!\u003c/p>\n\u003cp>3. Amy loved \u003ca href=\"http://ww2.kqed.org/pop/2013/08/16/the-smiths-and-charlie-brown-a-match-made-in-miserable-heaven/\" target=\"_blank\">Snoopy\u003c/a> growing up and well into adulthood. She collected any books featuring the cartoon pup that she could get her hands on.\u003c/p>\n\u003cp>4. Amy always wanted to live in Camden, a hip neighborhood in London. When she was old enough, she got a job selling candles at the market there.\u003c/p>\n\u003cp>5. Amy was an OK cook, but made a mean meatball.\u003c/p>\n\u003cp>6. She was essentially expelled from two different schools. During a class at Sylvia Young Theatre School, she decided it was a good time as any to pierce her ears with a drawing pin.\u003c/p>\n\u003cp>7. Her music collection was wide-ranging. There are artists you would expect: Miles Davis, Ella Fitzgerald, Aretha Franklin, Ray Charles and Louis Armstrong. And some you might not: Adam Sandler, Mickey Mouse Club, Marilyn Monroe, Beck and George Michael.\u003c/p>\n\u003cp>8. Her brother says that Amy was insecure about how intelligent she was. She would leave Jackie Collins novels out, while hiding books by Dostoyevsky. She was also obsessed with word puzzles.\u003c/p>\n\u003cfigure id=\"attachment_17237\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/4_JML_Install_shot.jpg\">\u003cimg class=\"size-medium wp-image-17237\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/4_JML_Install_shot-800x510.jpg\" alt=\"Photo: Ian Lillicrapp / Jewish Museum London\" width=\"800\" height=\"510\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-800x510.jpg 800w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-400x255.jpg 400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-1440x919.jpg 1440w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-1400x893.jpg 1400w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-1180x753.jpg 1180w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/4_JML_Install_shot-960x613.jpg 960w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Ian Lillicrapp / Jewish Museum London\u003c/figcaption>\u003c/figure>\n\u003cp>9. Don't let the omnipresent ballet flats fool you. Amy loved shoes in a Carrie Bradshaw kind of way. The exhibit showcases heels by the high-fashion likes of Yves Saint Laurent, Christian Louboutin, Fendi, Ferragamo, and Miu Miu.\u003c/p>\n\u003cp>10. Speaking of Ms. Bradshaw, Amy loved \u003cem>Sex and the City\u003c/em>, if her DVD/VHS collection (seen in this close-up below) is any indication. Other favorite shows and movies include \u003cem>Will & Grace\u003c/em>, \u003cem>Jackass The Movie\u003c/em>, \u003cem>MTV Yoga\u003c/em>, \u003cem>Beaches\u003c/em>, \u003cem>Dirty Dancing\u003c/em>, \u003cem>Tootsie\u003c/em>, \u003cem>Ghost World\u003c/em>, \u003cem>The Craft\u003c/em>, \u003cem>The Birdcage\u003c/em>, and all the Audrey Hepburn movies.\u003c/p>\n\u003cp>\u003ca href=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/amy-winehouse-dvd-collection.jpg\">\u003cimg class=\"aligncenter size-full wp-image-17241\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2015/07/amy-winehouse-dvd-collection.jpg\" alt=\"amy-winehouse-dvd-collection\" width=\"621\" height=\"1485\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2015/07/amy-winehouse-dvd-collection.jpg 621w, https://ww2.kqed.org/app/uploads/sites/12/2015/07/amy-winehouse-dvd-collection-400x957.jpg 400w\" sizes=\"(max-width: 621px) 100vw, 621px\">\u003c/a>\u003c/p>\n\u003cp>11. The most interesting part of the exhibit for me was the tracklist from Amy's \"Songs on my Chill-Out Tape.\" Anyone who has made a mix for a crush knows how soul-revealing the medium can be. Seeing the school uniform she wore, the records she touched and her collection of designer shoes is all personal, but this artifact, written in \u003ca href=\"http://i3.cdnds.net/12/29/amy_list.jpg\" target=\"_blank\">her own bubbly handwriting\u003c/a> really projects Amy's humanity and personal taste. Give her mix a listen:\u003c/p>\n\u003cp>https://open.spotify.com/user/excusemybeauty/playlist/4VRREKznKDWikJyRDr65Jx\u003c/p>\n\u003cp>12. Carole King's \"So Far Away,\" a favorite song of Amy's which makes an appearance as the penultimate track on her mix, was played at her funeral. *fights to hold in sob*\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>\u003ca href=\"http://www.thecjm.org/on-view/upcoming/amy-winehouse-a-family-portrait/about\" target=\"_blank\">Amy Winehouse: A Family Portrait\u003c/a>\u003c/em> opens today and runs through November 1, 2015 at the Contemporary Jewish Museum in San Francisco. To read more about the exhibit, check out my colleague \u003ca href=\"http://ww2.kqed.org/arts/2015/07/22/why-cant-we-leave-amy-winehouse-alone/\" target=\"_blank\">Gabe Meline's take\u003c/a> on why we can't leave Amy Winehouse alone.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/17172/12-surprising-things-i-learned-at-the-amy-winehouse-exhibit","authors":["27"],"categories":["pop_4"],"tags":["pop_2774"],"featImg":"pop_17233","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. 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