Wanda Johnson (center), the mother of Oscar J. Grant III, walks with supporters as they leave the Los Angeles Superior Court after the involuntary manslaughter verdict against former Bay Area Rapid Transit (BART) officer Johannes Mehserle, in Los Angeles on July 8, 2010. (MARK RALSTON/AFP/Getty Images)
I didn’t vote for Barack Obama in 2008. He ran on the concept of hope and the promise of change, and honestly, as a 21 year-old African American man, I didn’t believe anything in this country would really change. Whenever I saw red and blue lights in my rearview mirror, it didn’t matter who was sitting in the Oval Office. I still feared for my life.
It was supposed to be a “promising” new year in 2009: President Bush was leaving office and President Obama, the nation’s first African American president, was about to be sworn in. And then just a few weeks prior to Obama’s inauguration, Oscar Grant was killed.
The video of Grant’s death showed Johannes Mehserle, a white Bay Area Rapid Transit officer, launching a bullet through the back of a defenseless young African American man who lay face down on the train platform at Fruitvale Station in East Oakland. The video spread instantly across the relatively new social media terrain, and was broadcast on local and national news outlets. What a way to start the year.
It quickly canceled any notion of a “post-racial America,” as some folks were calling the era. Ha! To think, I almost had the audacity of hope.
A mourner holds holds a program during funeral services for twenty two year-old Oscar Grant III at Palma Ceia Baptist Church Jan. 7, 2009 in Hayward. (Justin Sullivan/Getty Images)
In 2009, I was in my junior year as a communications student at Howard University; I was just dabbling in journalism. And then I started covering stories related to Oscar Grant’s killing.
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There’s a whole wave of folks who were impacted by Oscar Grant’s death, so much that it altered their life’s trajectory. I’m one of them. For me, journalism got real.
For the first few months, I followed the news from my dorm room. I saw friends and fellow community members take to the streets demanding the arrest of Johannes Mehserle, and in the summer of 2010, I wrote about the Johannes Mehserle trial for NPR. I remember the trial of Michael Jackson’s doctor Conrad Murray, and the announcement that LeBron James would “take his talents to south beach,” and how they both made Oscar Grant a secondary story.
That same summer, I interviewed Oakland’s mayor Ron Dellums about the possibility of renaming Fruitvale Station in Oscar Grant’s honor. (Unrelated to my inquiry, Grant’s family put the question to a formal proposal this year.)
In 2010, I was downtown at Frank Ogawa Plaza when news broke of Mehserle’s verdict: involuntary manslaughter. Although he ultimately only spent eleven months behind bars, it was the first time in California’s history that an officer of the law would do time in jail related to the killing of a civilian.
A small win for change.
Protestors paint a mural of slain 22-year-old Oscar Grant on Jan. 14, 2009 in Oakland. (Justin Sullivan/Getty Images)
That summer I worked with Young Gully and Jamon Dru to produce The Grant Station Project, a hip-hop album blending lyrics and audio interviews, all to document the feelings of community members at the time.
In 2013, I wrote about Trayvon Martin and Oscar Grant for the Huffington Post. That was around the time President Obama, then in his second term, finally said something about police violence. I was happy to see that. I had voted for Obama the second time around—I was starting to accept that the change I was seeking wouldn’t come overnight. I figured the presence of an African American man in the position of president at least symbolized progress.
In 2014, I wrote about Mike Brown, Ferguson and police brutality for California Sunday magazine. I wrote about the privilege of protesting and lack of a federal database to document instances of police brutality for Fusion. I even worked on The Force, a documentary about the Oakland Police Department, with Pete Nicks.
I tell you all this not to tout my resume, but to explain that over the past 10 years, I’ve become burnt out on the topic of police killing people of color in America, particularly African American men. Burnt out not just because of my professional involvement, but because I’ve personally had to consume so many stories.
The tales of Aiyana Jones. Tamir Rice. Eric Garner. Philando Castile. Sandra Bland. Mario Woods. Alex Nieto. So many others. Even in this year, when police in Sacramento shot and killed Stephon Clark, an unarmed father of two. And before that, on Jan. 3, when a BART officer shot and killed Sahleem Tindle in West Oakland.
Ten years after Oscar Grant, I’m still writing about people like Nia Wilson, who was killed by a white man at a BART station. He may not be an officer of the law, but given what’s transpired at the courts in what could potentially be a mistrial, it sure seems as though the law is on his side.
All of it is cause to lose hope.
Protestors carry signs with a picture of slain 22-year-old Oscar Grant III during a demonstration at Oakland City Hall Jan. 14, 2009 in Oakland. (Justin Sullivan/Getty Images)
Over the past decade, we’ve seen some alterations, but no deep-rooted, systemic change. There have been numerous adjustments to the entire criminal justice system, including local police officers wearing body cameras, and statewide changes to incarceration, and the most recent federal criminal reform bill. We’ve even seen a few jury trials of police brutality where officers have been found guilty of murder, as in the Laquan McDonald shooting in Chicago.
Much respect to the people who’ve worked for these legislative changes. To the organizers, political figures, artists, and parents who’ve taken time away from their families to do something about this injustice: your efforts do not go unseen. I’ve seen you work for years, often behind a camera, focusing on aperture and lighting, while you focused on fighting the system.
This past Sunday, many of the front-line fighters for justice in the name of Oscar Grant stood in the Eastside Arts Alliance community space, celebrating the birthday of Wanda Johnson, Oscar’s mother. If there is any hope for change, it was in that room that evening.
Wanda Johnson (center), mother of Oscar Grant, at a December 2018 event at Eastside Arts Alliance in Oakland. (Pendarvis Harshaw/KQED)
Am I a pessimist? No. I’m an African American man from Oakland who could’ve easily been Oscar Grant. And I know the underlying theme to this narrative. There’s a reason so many journalists have jobs reporting these kind of injustices.
Every day, there’s something in the news about people treated wrongly in prisons, school security guards crossing the line, or people dying in American custody while trying to flee poverty and/or war in their homeland.
No, it’s not all directly about police brutality, but it all adds up to dismiss any once-held notion of hope or change. As Donald Glover bleakly said earlier this year, this is America.
So this Jan. 1, as many bank on the potential for a new year’s changes—the prospect of financial growth, or weight loss—I’m resigned to the fact that little, if anything, will change in society for young black men. I’ll still vote, but I’ll also continue to fear for my life when I get pulled over.
I am looking forward to one thing this year, the third week in February, around the time of Oscar Grant’s birthday. That’s when former President Barack Obama is scheduled to be in Oakland to speak at a My Brother’s Keeper initiative—an event for African American boys and men.
I wonder if he’ll even mention Oscar Grant.
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"slug": "oscar-grant-and-the-scarcity-of-hope",
"title": "Oscar Grant and the Scarcity of Hope",
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"headTitle": "Oscar Grant and the Scarcity of Hope | KQED",
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"content": "\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> didn’t vote for Barack Obama in 2008. He ran on the concept of hope and the promise of change, and honestly, as a 21 year-old African American man, I didn’t believe anything in this country would really change. Whenever I saw red and blue lights in my rearview mirror, it didn’t matter who was sitting in the Oval Office. I still feared for my life.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>It was supposed to be a “promising” new year in 2009: President Bush was leaving office and President Obama, the nation’s first African American president, was about to be sworn in. And then just a few weeks prior to Obama’s inauguration, Oscar Grant was killed.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.youtube.com/watch?v=Q2LDw5l_yMI\" target=\"_blank\" rel=\"noopener noreferrer\">video\u003c/a> of Grant’s death showed Johannes Mehserle, a white Bay Area Rapid Transit officer, launching a bullet through the back of a defenseless young African American man who lay face down on the train platform at Fruitvale Station in East Oakland. The video spread instantly across the relatively new social media terrain, and was broadcast on local and national news outlets. What a way to start the year.\u003c/p>\n\u003cp>It quickly canceled any notion of a “\u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=18489466\" target=\"_blank\" rel=\"noopener noreferrer\">post-racial America\u003c/a>,” as some folks were calling the era. Ha! To think, I almost had the audacity of hope.\u003c/p>\n\u003cfigure id=\"attachment_13847914\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13847914\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/12/Pen.Grant_.FuneralProgram-800x543.jpg\" alt=\"A mourner holds holds a program during funeral services for twenty two year-old Oscar Grant III at Palma Ceia Baptist Church Jan. 7, 2009 in Hayward.\" width=\"800\" height=\"543\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.FuneralProgram-800x543.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.FuneralProgram-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.FuneralProgram-768x522.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.FuneralProgram-1020x693.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.FuneralProgram-1200x815.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.FuneralProgram.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mourner holds holds a program during funeral services for twenty two year-old Oscar Grant III at Palma Ceia Baptist Church Jan. 7, 2009 in Hayward. \u003ccite>(Justin Sullivan/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>n 2009, I was in my junior year as a communications student at Howard University; I was just dabbling in journalism. And then I started covering stories related to Oscar Grant’s killing.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There’s a whole wave of folks who were impacted by Oscar Grant’s death, so much that it altered their life’s trajectory. I’m one of them. For me, journalism got real.\u003c/p>\n\u003cp>For the first few months, I followed the news from my dorm room. I saw friends and fellow community members take to the streets demanding the arrest of Johannes Mehserle, and in the summer of 2010, I \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=128220858\" target=\"_blank\" rel=\"noopener noreferrer\">wrote about\u003c/a> the Johannes Mehserle trial for NPR. I remember the trial of Michael Jackson’s doctor Conrad Murray, and the announcement that LeBron James would “take his talents to south beach,” and how they both made Oscar Grant a secondary story.\u003c/p>\n\u003cp>That same summer, I interviewed Oakland’s mayor Ron Dellums about the possibility of renaming Fruitvale Station in Oscar Grant’s honor. (Unrelated to my inquiry, Grant’s family put the question to a \u003ca href=\"https://www.kqed.org/news/11710770/honoring-oscar-grant-gets-political-at-bart-meeting\" target=\"_blank\" rel=\"noopener noreferrer\">formal proposal\u003c/a> this year.)\u003c/p>\n\u003cp>In 2010, I was downtown at Frank Ogawa Plaza when news broke of Mehserle’s verdict: involuntary manslaughter. Although he ultimately only spent eleven months behind bars, it was the first time in California’s history that an officer of the law would do time in jail related to the killing of a civilian.\u003c/p>\n\u003cp>A small win for change.\u003c/p>\n\u003cfigure id=\"attachment_13847912\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13847912\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-800x551.jpg\" alt=\"Protestors paint a mural of slain 22-year-old Oscar Grant III Jan. 14, 2009 in Oakland.\" width=\"800\" height=\"551\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-800x551.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-768x529.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-1020x702.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-1200x826.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-1180x812.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-960x661.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-240x165.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-375x258.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-520x358.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Protestors paint a mural of slain 22-year-old Oscar Grant on Jan. 14, 2009 in Oakland. \u003ccite>(Justin Sullivan/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That summer I worked with Young Gully and Jamon Dru to produce \u003cem>\u003ca href=\"https://younggullyyh.bandcamp.com/album/the-grant-station-project\" target=\"_blank\" rel=\"noopener noreferrer\">The Grant Station Project\u003c/a>\u003c/em>, a hip-hop album blending lyrics and audio interviews, all to document the feelings of community members at the time.\u003c/p>\n\u003cp>In 2013, I \u003ca href=\"https://www.huffingtonpost.com/youth-radio-youth-media-international/from-oscar-to-trayvon_b_3659590.html\" target=\"_blank\" rel=\"noopener noreferrer\">wrote about\u003c/a> Trayvon Martin and Oscar Grant for the Huffington Post. That was around the time President Obama, then in his second term, \u003ca href=\"https://www.nbcnews.com/politics/barack-obama/wake-police-shootings-obama-speaks-more-bluntly-about-race-n278616\" target=\"_blank\" rel=\"noopener noreferrer\">finally said something\u003c/a> about police violence. I was happy to see that. I had voted for Obama the second time around—I was starting to accept that the change I was seeking wouldn’t come overnight. I figured the presence of an African American man in the position of president at least symbolized progress.\u003c/p>\n\u003cp>In 2014, I \u003ca href=\"https://story.californiasunday.com/miniseries-the-authorities\" target=\"_blank\" rel=\"noopener noreferrer\">wrote about\u003c/a> Mike Brown, Ferguson and police brutality for \u003cem>California Sunday\u003c/em> magazine. I wrote about the \u003ca href=\"https://splinternews.com/who-has-the-privilege-to-protest-1793844263\" target=\"_blank\" rel=\"noopener noreferrer\">privilege of protesting\u003c/a> and \u003ca href=\"https://splinternews.com/attorney-general-eric-holder-wants-better-data-about-po-1793844769\" target=\"_blank\" rel=\"noopener noreferrer\">lack of a federal database\u003c/a> to document instances of police brutality for Fusion. I even worked on \u003cem>\u003ca href=\"https://itvs.org/films/force\" target=\"_blank\" rel=\"noopener noreferrer\">The Force\u003c/a>\u003c/em>, a documentary about the Oakland Police Department, with Pete Nicks.\u003c/p>\n\u003cp>I tell you all this not to tout my resume, but to explain that over the past 10 years, I’ve become burnt out on the topic of police killing people of color in America, particularly African American men. Burnt out not just because of my professional involvement, but because I’ve personally had to consume so many stories.\u003c/p>\n\u003cp>The tales of Aiyana Jones. Tamir Rice. Eric Garner. Philando Castile. Sandra Bland. Mario Woods. Alex Nieto. So many others. Even in this year, when police in Sacramento shot and killed Stephon Clark, an unarmed father of two. And before that, on Jan. 3, when a BART officer shot and killed Sahleem Tindle in West Oakland.\u003c/p>\n\u003cp>Ten years after Oscar Grant, I’m \u003ca href=\"https://www.kqed.org/arts/13837639/nia-wilson-and-the-war-on-black-women\" target=\"_blank\" rel=\"noopener noreferrer\">still writing about people like Nia Wilson\u003c/a>, who was killed by a white man at a BART station. He may not be an officer of the law, but given what’s transpired at the courts in what could potentially be a mistrial, it sure seems as though the law is on his side.\u003c/p>\n\u003cp>All of it is cause to lose hope.\u003c/p>\n\u003cfigure id=\"attachment_13847915\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13847915\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-800x545.jpg\" alt=\"Protestors carry signs with a picture of slain 22-year-old Oscar Grant III during a demonstration at Oakland City Hall Jan. 14, 2009 in Oakland.\" width=\"800\" height=\"545\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-800x545.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-768x523.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-1020x695.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-1200x818.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-1180x804.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-960x654.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-240x164.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-375x255.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-520x354.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Protestors carry signs with a picture of slain 22-year-old Oscar Grant III during a demonstration at Oakland City Hall Jan. 14, 2009 in Oakland. \u003ccite>(Justin Sullivan/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">O\u003c/span>ver the past decade, we’ve seen some alterations, but no deep-rooted, systemic change. There have been numerous adjustments to the entire criminal justice system, including local police officers wearing body cameras, and statewide changes to incarceration, and the most recent federal criminal reform bill. We’ve even seen a few jury trials of police brutality where officers have been found \u003ca href=\"https://en.wikipedia.org/wiki/Murder_of_Laquan_McDonald#Van_Dyke's_trial\" target=\"_blank\" rel=\"noopener noreferrer\">guilty of murder\u003c/a>, as in the Laquan McDonald shooting in Chicago.\u003c/p>\n\u003cp>Much respect to the people who’ve worked for these legislative changes. To the organizers, political figures, artists, and parents who’ve taken time away from their families to do something about this injustice: your efforts do not go unseen. I’ve seen you work for years, often behind a camera, focusing on aperture and lighting, while you focused on fighting the system.\u003c/p>\n\u003cp>This past Sunday, many of the front-line fighters for justice in the name of Oscar Grant stood in the Eastside Arts Alliance community space, celebrating the birthday of Wanda Johnson, Oscar’s mother. If there is any hope for change, it was in that room that evening.\u003c/p>\n\u003cfigure id=\"attachment_13847913\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13847913\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/12/Pen.Grant_.WandaJohnsonatEAA-800x535.jpg\" alt=\"Wanda Johnson (center), mother of Oscar Grant, at a December 2018 event at Eastside Arts Alliance in Oakland.\" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.WandaJohnsonatEAA.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.WandaJohnsonatEAA-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.WandaJohnsonatEAA-768x514.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wanda Johnson (center), mother of Oscar Grant, at a December 2018 event at Eastside Arts Alliance in Oakland. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Am I a pessimist? No. I’m an African American man from Oakland who could’ve easily been Oscar Grant. And I know the underlying theme to this narrative. There’s a reason so many journalists have jobs reporting these kind of injustices.\u003c/p>\n\u003cp>Every day, there’s something in the news about people treated wrongly in prisons, school security guards crossing the line, or people dying in American custody while trying to flee poverty and/or war in their homeland.\u003c/p>\n\u003cp>No, it’s not all directly about police brutality, but it all adds up to dismiss any once-held notion of hope or change. As Donald Glover bleakly said earlier this year, \u003ca href=\"https://www.kqed.org/arts/13831328/on-childish-gambinos-this-is-america-and-our-national-ugliness\" target=\"_blank\" rel=\"noopener noreferrer\">this is America\u003c/a>.\u003c/p>\n\u003cp>So this Jan. 1, as many bank on the potential for a new year’s changes—the prospect of financial growth, or weight loss—I’m resigned to the fact that little, if anything, will change in society for young black men. I’ll still vote, but I’ll also continue to fear for my life when I get pulled over.\u003c/p>\n\u003cp>I am looking forward to one thing this year, the third week in February, around the time of Oscar Grant’s birthday. That’s when former President Barack Obama is scheduled to be in Oakland to speak at a My Brother’s Keeper initiative—an event for African American boys and men.\u003c/p>\n\u003cp>I wonder if he’ll even mention Oscar Grant.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span> didn’t vote for Barack Obama in 2008. He ran on the concept of hope and the promise of change, and honestly, as a 21 year-old African American man, I didn’t believe anything in this country would really change. Whenever I saw red and blue lights in my rearview mirror, it didn’t matter who was sitting in the Oval Office. I still feared for my life.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"alignright size-thumbnail wp-image-13833985\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg\" alt=\"\" width=\"160\" height=\"184\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_-160x184.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/05/OGPenn.Cap_.jpg 180w\" sizes=\"(max-width: 160px) 100vw, 160px\">\u003c/p>\n\u003cp>It was supposed to be a “promising” new year in 2009: President Bush was leaving office and President Obama, the nation’s first African American president, was about to be sworn in. And then just a few weeks prior to Obama’s inauguration, Oscar Grant was killed.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.youtube.com/watch?v=Q2LDw5l_yMI\" target=\"_blank\" rel=\"noopener noreferrer\">video\u003c/a> of Grant’s death showed Johannes Mehserle, a white Bay Area Rapid Transit officer, launching a bullet through the back of a defenseless young African American man who lay face down on the train platform at Fruitvale Station in East Oakland. The video spread instantly across the relatively new social media terrain, and was broadcast on local and national news outlets. What a way to start the year.\u003c/p>\n\u003cp>It quickly canceled any notion of a “\u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=18489466\" target=\"_blank\" rel=\"noopener noreferrer\">post-racial America\u003c/a>,” as some folks were calling the era. Ha! To think, I almost had the audacity of hope.\u003c/p>\n\u003cfigure id=\"attachment_13847914\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13847914\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/12/Pen.Grant_.FuneralProgram-800x543.jpg\" alt=\"A mourner holds holds a program during funeral services for twenty two year-old Oscar Grant III at Palma Ceia Baptist Church Jan. 7, 2009 in Hayward.\" width=\"800\" height=\"543\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.FuneralProgram-800x543.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.FuneralProgram-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.FuneralProgram-768x522.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.FuneralProgram-1020x693.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.FuneralProgram-1200x815.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.FuneralProgram.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">A mourner holds holds a program during funeral services for twenty two year-old Oscar Grant III at Palma Ceia Baptist Church Jan. 7, 2009 in Hayward. \u003ccite>(Justin Sullivan/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">I\u003c/span>n 2009, I was in my junior year as a communications student at Howard University; I was just dabbling in journalism. And then I started covering stories related to Oscar Grant’s killing.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There’s a whole wave of folks who were impacted by Oscar Grant’s death, so much that it altered their life’s trajectory. I’m one of them. For me, journalism got real.\u003c/p>\n\u003cp>For the first few months, I followed the news from my dorm room. I saw friends and fellow community members take to the streets demanding the arrest of Johannes Mehserle, and in the summer of 2010, I \u003ca href=\"https://www.npr.org/templates/story/story.php?storyId=128220858\" target=\"_blank\" rel=\"noopener noreferrer\">wrote about\u003c/a> the Johannes Mehserle trial for NPR. I remember the trial of Michael Jackson’s doctor Conrad Murray, and the announcement that LeBron James would “take his talents to south beach,” and how they both made Oscar Grant a secondary story.\u003c/p>\n\u003cp>That same summer, I interviewed Oakland’s mayor Ron Dellums about the possibility of renaming Fruitvale Station in Oscar Grant’s honor. (Unrelated to my inquiry, Grant’s family put the question to a \u003ca href=\"https://www.kqed.org/news/11710770/honoring-oscar-grant-gets-political-at-bart-meeting\" target=\"_blank\" rel=\"noopener noreferrer\">formal proposal\u003c/a> this year.)\u003c/p>\n\u003cp>In 2010, I was downtown at Frank Ogawa Plaza when news broke of Mehserle’s verdict: involuntary manslaughter. Although he ultimately only spent eleven months behind bars, it was the first time in California’s history that an officer of the law would do time in jail related to the killing of a civilian.\u003c/p>\n\u003cp>A small win for change.\u003c/p>\n\u003cfigure id=\"attachment_13847912\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13847912\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-800x551.jpg\" alt=\"Protestors paint a mural of slain 22-year-old Oscar Grant III Jan. 14, 2009 in Oakland.\" width=\"800\" height=\"551\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-800x551.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-768x529.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-1020x702.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-1200x826.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-1180x812.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-960x661.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-240x165.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-375x258.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Mural_-520x358.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Protestors paint a mural of slain 22-year-old Oscar Grant on Jan. 14, 2009 in Oakland. \u003ccite>(Justin Sullivan/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>That summer I worked with Young Gully and Jamon Dru to produce \u003cem>\u003ca href=\"https://younggullyyh.bandcamp.com/album/the-grant-station-project\" target=\"_blank\" rel=\"noopener noreferrer\">The Grant Station Project\u003c/a>\u003c/em>, a hip-hop album blending lyrics and audio interviews, all to document the feelings of community members at the time.\u003c/p>\n\u003cp>In 2013, I \u003ca href=\"https://www.huffingtonpost.com/youth-radio-youth-media-international/from-oscar-to-trayvon_b_3659590.html\" target=\"_blank\" rel=\"noopener noreferrer\">wrote about\u003c/a> Trayvon Martin and Oscar Grant for the Huffington Post. That was around the time President Obama, then in his second term, \u003ca href=\"https://www.nbcnews.com/politics/barack-obama/wake-police-shootings-obama-speaks-more-bluntly-about-race-n278616\" target=\"_blank\" rel=\"noopener noreferrer\">finally said something\u003c/a> about police violence. I was happy to see that. I had voted for Obama the second time around—I was starting to accept that the change I was seeking wouldn’t come overnight. I figured the presence of an African American man in the position of president at least symbolized progress.\u003c/p>\n\u003cp>In 2014, I \u003ca href=\"https://story.californiasunday.com/miniseries-the-authorities\" target=\"_blank\" rel=\"noopener noreferrer\">wrote about\u003c/a> Mike Brown, Ferguson and police brutality for \u003cem>California Sunday\u003c/em> magazine. I wrote about the \u003ca href=\"https://splinternews.com/who-has-the-privilege-to-protest-1793844263\" target=\"_blank\" rel=\"noopener noreferrer\">privilege of protesting\u003c/a> and \u003ca href=\"https://splinternews.com/attorney-general-eric-holder-wants-better-data-about-po-1793844769\" target=\"_blank\" rel=\"noopener noreferrer\">lack of a federal database\u003c/a> to document instances of police brutality for Fusion. I even worked on \u003cem>\u003ca href=\"https://itvs.org/films/force\" target=\"_blank\" rel=\"noopener noreferrer\">The Force\u003c/a>\u003c/em>, a documentary about the Oakland Police Department, with Pete Nicks.\u003c/p>\n\u003cp>I tell you all this not to tout my resume, but to explain that over the past 10 years, I’ve become burnt out on the topic of police killing people of color in America, particularly African American men. Burnt out not just because of my professional involvement, but because I’ve personally had to consume so many stories.\u003c/p>\n\u003cp>The tales of Aiyana Jones. Tamir Rice. Eric Garner. Philando Castile. Sandra Bland. Mario Woods. Alex Nieto. So many others. Even in this year, when police in Sacramento shot and killed Stephon Clark, an unarmed father of two. And before that, on Jan. 3, when a BART officer shot and killed Sahleem Tindle in West Oakland.\u003c/p>\n\u003cp>Ten years after Oscar Grant, I’m \u003ca href=\"https://www.kqed.org/arts/13837639/nia-wilson-and-the-war-on-black-women\" target=\"_blank\" rel=\"noopener noreferrer\">still writing about people like Nia Wilson\u003c/a>, who was killed by a white man at a BART station. He may not be an officer of the law, but given what’s transpired at the courts in what could potentially be a mistrial, it sure seems as though the law is on his side.\u003c/p>\n\u003cp>All of it is cause to lose hope.\u003c/p>\n\u003cfigure id=\"attachment_13847915\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13847915\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-800x545.jpg\" alt=\"Protestors carry signs with a picture of slain 22-year-old Oscar Grant III during a demonstration at Oakland City Hall Jan. 14, 2009 in Oakland.\" width=\"800\" height=\"545\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-800x545.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-160x109.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-768x523.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-1020x695.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-1200x818.jpg 1200w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-1180x804.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-960x654.jpg 960w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-240x164.jpg 240w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-375x255.jpg 375w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.Protestors-520x354.jpg 520w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Protestors carry signs with a picture of slain 22-year-old Oscar Grant III during a demonstration at Oakland City Hall Jan. 14, 2009 in Oakland. \u003ccite>(Justin Sullivan/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-size: 4.6875em;float: left;line-height: 0.733em;padding: 0.05em 0.1em 0 0;font-family: times, serif, georgia\">O\u003c/span>ver the past decade, we’ve seen some alterations, but no deep-rooted, systemic change. There have been numerous adjustments to the entire criminal justice system, including local police officers wearing body cameras, and statewide changes to incarceration, and the most recent federal criminal reform bill. We’ve even seen a few jury trials of police brutality where officers have been found \u003ca href=\"https://en.wikipedia.org/wiki/Murder_of_Laquan_McDonald#Van_Dyke's_trial\" target=\"_blank\" rel=\"noopener noreferrer\">guilty of murder\u003c/a>, as in the Laquan McDonald shooting in Chicago.\u003c/p>\n\u003cp>Much respect to the people who’ve worked for these legislative changes. To the organizers, political figures, artists, and parents who’ve taken time away from their families to do something about this injustice: your efforts do not go unseen. I’ve seen you work for years, often behind a camera, focusing on aperture and lighting, while you focused on fighting the system.\u003c/p>\n\u003cp>This past Sunday, many of the front-line fighters for justice in the name of Oscar Grant stood in the Eastside Arts Alliance community space, celebrating the birthday of Wanda Johnson, Oscar’s mother. If there is any hope for change, it was in that room that evening.\u003c/p>\n\u003cfigure id=\"attachment_13847913\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13847913\" src=\"https://ww2.kqed.org/arts/wp-content/uploads/sites/2/2018/12/Pen.Grant_.WandaJohnsonatEAA-800x535.jpg\" alt=\"Wanda Johnson (center), mother of Oscar Grant, at a December 2018 event at Eastside Arts Alliance in Oakland.\" width=\"800\" height=\"535\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.WandaJohnsonatEAA.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.WandaJohnsonatEAA-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2018/12/Pen.Grant_.WandaJohnsonatEAA-768x514.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Wanda Johnson (center), mother of Oscar Grant, at a December 2018 event at Eastside Arts Alliance in Oakland. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Am I a pessimist? No. I’m an African American man from Oakland who could’ve easily been Oscar Grant. And I know the underlying theme to this narrative. There’s a reason so many journalists have jobs reporting these kind of injustices.\u003c/p>\n\u003cp>Every day, there’s something in the news about people treated wrongly in prisons, school security guards crossing the line, or people dying in American custody while trying to flee poverty and/or war in their homeland.\u003c/p>\n\u003cp>No, it’s not all directly about police brutality, but it all adds up to dismiss any once-held notion of hope or change. As Donald Glover bleakly said earlier this year, \u003ca href=\"https://www.kqed.org/arts/13831328/on-childish-gambinos-this-is-america-and-our-national-ugliness\" target=\"_blank\" rel=\"noopener noreferrer\">this is America\u003c/a>.\u003c/p>\n\u003cp>So this Jan. 1, as many bank on the potential for a new year’s changes—the prospect of financial growth, or weight loss—I’m resigned to the fact that little, if anything, will change in society for young black men. I’ll still vote, but I’ll also continue to fear for my life when I get pulled over.\u003c/p>\n\u003cp>I am looking forward to one thing this year, the third week in February, around the time of Oscar Grant’s birthday. That’s when former President Barack Obama is scheduled to be in Oakland to speak at a My Brother’s Keeper initiative—an event for African American boys and men.\u003c/p>\n\u003cp>I wonder if he’ll even mention Oscar Grant.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game and Brown has some lessons he'd like to share. ",
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"marketplace": {
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"title": "Marketplace",
"info": "Our flagship program, helmed by Kai Ryssdal, examines what the day in money delivered, through stories, conversations, newsworthy numbers and more. Updated Monday through Friday at about 3:30 p.m. PT.",
"airtime": "MON-FRI 4pm-4:30pm, MON-WED 6:30pm-7pm",
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"masters-of-scale": {
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},
"mindshift": {
"id": "mindshift",
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"tagline": "A podcast about the future of learning and how we raise our kids",
"info": "The MindShift podcast explores the innovations in education that are shaping how kids learn. Hosts Ki Sung and Katrina Schwartz introduce listeners to educators, researchers, parents and students who are developing effective ways to improve how kids learn. We cover topics like how fed-up administrators are developing surprising tactics to deal with classroom disruptions; how listening to podcasts are helping kids develop reading skills; the consequences of overparenting; and why interdisciplinary learning can engage students on all ends of the traditional achievement spectrum. This podcast is part of the MindShift education site, a division of KQED News. KQED is an NPR/PBS member station based in San Francisco. You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>",
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"order": 12
},
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5",
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"morning-edition": {
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"onourwatch": {
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"title": "On Our Watch",
"tagline": "Deeply-reported investigative journalism",
"info": "For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?",
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"order": 11
},
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"on-the-media": {
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"title": "On The Media",
"info": "Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us",
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"link": "/radio/program/on-the-media",
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"pbs-newshour": {
"id": "pbs-newshour",
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"tuneIn": "https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/",
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},
"perspectives": {
"id": "perspectives",
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"officialWebsiteLink": "/perspectives/",
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"order": 14
},
"link": "/perspectives",
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"planet-money": {
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"title": "Planet Money",
"info": "The economy explained. Imagine you could call up a friend and say, Meet me at the bar and tell me what's going on with the economy. Now imagine that's actually a fun evening.",
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"imageSrc": "https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/planetmoney.jpg",
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},
"link": "/radio/program/planet-money",
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"apple": "https://itunes.apple.com/us/podcast/planet-money/id290783428?mt=2",
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},
"politicalbreakdown": {
"id": "politicalbreakdown",
"title": "Political Breakdown",
"tagline": "Politics from a personal perspective",
"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
"airtime": "THU 6:30pm-7pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Political-Breakdown-2024-Podcast-Tile-703x703-1.jpg",
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"order": 5
},
"link": "/podcasts/politicalbreakdown",
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"google": "https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5Nzk2MzI2MTEx",
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"possible": {
"id": "possible",
"title": "Possible",
"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
"airtime": "SUN 2pm",
"imageSrc": "https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg",
"officialWebsiteLink": "https://www.possible.fm/",
"meta": {
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"source": "Possible"
},
"link": "/radio/program/possible",
"subscribe": {
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"spotify": "https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"
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},
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