Elena Pinderhughes has been around the East Bay music scene since before she learned how to walk.
She recorded her first published work before the age of 10, and has gone on to share stages with Herbie Hancock, and work with Carlos Santana. She’s also played NPR’s Tiny Desk with Chief Xian aTunde Adjuah (formerly Christian Scott) and even played a set at Coachella with Future.
But Elena says she wouldn’t be where she is today without family support and the musical institutions of the East Bay. Working with her brother, pianist and vocalist Samora Pinderhughes, assisted her growth at home, while organizations like the Young Musicians Choral Orchestra aided her progress in the community.
As she learned more about music, she learned about the world around her and within herself. Her travels helped her realize the value of the diversity in her community back home. Through playing the flute in male-dominated bands, she gained a deeper understanding of the power she wields as a woman.
Now Elena is preparing for the next iteration of her career. She’s relying on the tools given to her by the Bay Area’s multi-talented musical community as she moves into the world of scoring films, making R&B music and more.
This week she tells us all about the depths of family bonds, and how jazz is conversation in musical form.
Below are lightly edited excerpts of my conversation with Elena Pinderhughes
HARSHAW: What do you define as jazz?
PINDERHUGHES: I don’t know if I have a short answer to that, but I think there’s a couple of parts of it that are really important. It’s creativity. It’s freedom. Its legacy. It’s music that stems from the Black experience. I think it’s really a Black cultural expression that stretches and changes with people’s experiences but is rooted in different things like call and response and different harmonic traditions that we’re all familiar with, but have been stretched and changed as the times and different generations have come through.
At its core I think it’s communication. Because when you’re playing jazz, the biggest thing is you’re listening to everybody around you, reacting. You’re communicating.