If you hang around San Francisco’s indie folk scene, it will not take you long to run into singer and promoter Jessie Woletz. As an individual, she’s warm and soft-spoken, having worked as a nanny for over a decade. But as Seaweed Sway, the moniker for her DIY music and event-production project that’s hosted shows around the Bay Area since 2007, she’s a veritable force of nature. She gets things done. And she knows a lot of people.
Singing for Children on the Other Side of the World
Rupa Marya of Rupa & the April Fishes, seen here performing at a 2014 festival in Germany, is among the 87 (and counting) artists who appear on 'Mixtape for Palestine.' Organizer Jessie Woletz says Marya is one of several local artist-activists whose work helped inspire the project. (Rs-foto/Creative Commons)
Both of these attributes came in handy last month, when Woletz — feeling helpless while taking in images of the devastation in Gaza — decided to contact artists she knew with a simple request: “Do you want to donate a song to support relief in Palestine?”
The result is a compilation, clocking in at 87 songs and counting, that has already raised more than $5000 for the Middle East Children’s Alliance since its release on Jan. 1. Mixtape for Palestine, available for download via Bandcamp with a donation to MECA, is a sprawling patchwork of songs — some originals, some previously released, some covers — by artists across a wide variety of genres.
Emerging local artists appear alongside names with wider recognition, including Jolie Holland, Little Wings, field medic, C.J. Boyd (with a song featuring Bonnie “Prince” Billy), Ayla Nereo, Meklit and more. Veteran Bay Area musicians turned out in droves, including Rupa & the April Fishes, Brian Belknap, Diana Gameros, Sean Hayes, Kelly McFarling, Chelsea Coleman, Whiskerman, Megan Keely, Ezra Lipp and Amina Shareef Ali.
A handful of the tracks directly address the current death toll in Palestine, like Maia “MJoy” Wiitala’s “Watermelon Nights,” and B. Hamilton’s “That God Damn Paul McCartney Christmas Song.” (While the very first track, Nora Roman and the Border Busters’ “Song For Palestine,” could have been written last week, the group actually released it in 2011.) Others are protest songs originally inspired by other causes or oppressed communities; still others speak more generally on themes of heartbreak and grief. Woletz welcomed them all.
“I wasn’t sure anyone would want to do it,” she says of her initial trepidation. “I know different artists have different views [on the war] … but my hope was, ‘OK, let’s find where we align.’ I think we can have different views and still come together to support people who are not getting resources.”
Quickly, she says, it became obvious that many artists agreed. It took some dialogue about the exact language that would be released with the compilation, and where and how funds would be distributed, says Woletz. But she was moved by the sheer number of musicians who ultimately wanted to get involved.
“It’s a risky thing for some of them, there’s a risk of losing fans,” she says. “But people are choosing to speak out anyway, putting themselves out there, and that feels really powerful.”
The compilation’s cover image, donated by artist Donovan Brutus, was inspired by Palestinian embroidery, with traditional motifs like chickpeas, raisins, roosters and the Moon of Bethlehem embedded throughout the design.
Brutus is just one of many artists involved with the project whom Woletz originally met at Amnesia, the tiny, beloved Mission District music venue where she hosted shows for years, and which closed in 2020.
For those who frequented the club in its heyday, the compilation also feels a bit like a family reunion, full of now far-flung artists who once called the Bay home: Kacey Johansing and Lapel, now both in Los Angeles; Kendra McKinley and Sonya Cotton, in New York and New Jersey; Misisipi Mike Wolf, now in Duluth, Minnesota. Mariee Siou, now based in Portland, is one of several artist-activists who was instrumental in helping Woletz learn about Palestine, and in spurring her to take action.
“So many artists have left over the last few years, especially during the pandemic, and I think we all have grief about that,” says Woletz. “This is hopefully a way to build a sort of shared reality, to bring together different communities at a time when so many of us are feeling helpless, and put our energy in the same place.”
‘Mixtape for Palestine’ is available on Bandcamp for a donation of at least $25 to MECA. To bypass Bandcamp’s fees so the organization receives 100% of your donation, visit bit.ly/MECAmixtape and include your email address to receive a download link.
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