Joan Didion famously chronicled California’s culture and mythology in works like “Slouching Towards Bethlehem” and “The White Album.” And it’s Didion’s relationship with Hollywood in particular that New York Times film critic Alissa Wilkinson explores in “We Tell Ourselves Stories,” her new analysis of the California writer. “The movies,” Wilkinson writes, “shaped us — shaped her — to believe life would follow a genre and an arc, with rising action, climax and resolution. It would make narrative sense. The reality is quite different.” We talk to Wilkinson about how Didion saw an American political landscape that was molding itself after the movies — and came to value story over substance.
Joan Didion and How Hollywood Shaped American Politics
Alissa Wilkinson's new book is, "We Tell Ourselves Stories: Joan Didion and the American Dream Machine." (Photos courtesy of Alissa Wilkerson's team and Janet Fries via GettyImages)
Guests:
Alissa Wilkinson, movie critic, New York Times
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