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PHOTOS: Mission District's 41st Carnaval Explores Healing Through Culture

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A crowd gathers as dancers twirl down Mission Street at the 41st Annual Carnaval Parade on May 26, 2019.  (Audrey Garces/KQED)

Carnaval San Francisco celebrated the diverse Latin American and Caribbean roots of the city’s Mission District over the weekend with dance performances, music and food. This year’s theme focused on healing through culture in reaction to the hostility the Latino community feels under the Trump administration, according to Carnaval Executive Producer Roberto Hernandez.

The two-day cultural celebration began Saturday with vendors and performers, and continued Sunday with a parade that travelled along 24th and Mission Streets.

More than 400 members of Karibbean Vibrationz celebrate the group’s ten-year anniversary at Carnaval with a performance titled, “Evolution to Epicness.” (Audrey Garces/KQED)
A dancer with Flavaz of D’Carribean stops to pet a furry friend. (Audrey Garces/KQED)
Smoke wallows down 24th Street as a woman carries burning incense with Esplendor Azteca Xipe Totec — a group that teaches indigenous cultural dances throughout the Bay Area. (Audrey Garces/KQED)

The annual festivities began back in 1979 as a spin-off of the traditional Brazilian pre-Lent festival, but the celebration has evolved to expand its diversity over the decades.

The first Carnaval parade marched around Precita Park on a drizzly February day, as expat communities in the city yearned for a taste of home more than 40 years ago.

A mother and daughter hold hands at the 41st annual Carnaval Festival on Bryant Street. (Audrey Garces/KQED)
A woman sells five dollar tostadas to festival-goers. (Audrey Garces/KQED)
A crowd gathers to watch as the parade travels down 24th Street. Floats in the parade range from simple to extravagant. (Audrey Garces/KQED)

Since its inception, the festival moved to May seeking better weather. In addition to celebrating Caribbean, Central and South American heritages, Carnaval eventually became even more diverse by inviting Asian Pacific and Hawaiian communities into the festivities.

“The best thing about Carnaval is just seeing everybody that doesn’t live here anymore but they come back to celebrate,” said Jackie Ruiz, an attendee on Saturday. “That’s really awesome, I love that.”

A dancer with Flavaz of D’Carribean flaunts her moves for the crowd. (Audrey Garces/KQED)
A woman in traditional Bolivian dress dances to a live band with Bolivia Para El Mundo. (Audrey Garces/KQED)
Two attendees cheer as they watch the parade pass by. (Audrey Garces/KQED)

Hernandez, the event’s executive producer, said the visible celebration is all too rare for certain communities.

“It’s sad because I know currently there are millions of Latinos in this country that go from work and go to home,” he said. “They don’t go to movies, they don’t go to clubs, they don’t go to outings, they don’t go to picnics.”

But for many, the festivities provide a home away from home.

La Cumbiamba Colombiana, a Bay Area dance company that passes Columbian traditions to younger generations, performs cumbia dance. (Audrey Garces/KQED)
Samba Conmigo merges cultural dances through a combination of samba, salsa and ballet on Bryant Street. (Audrey Garces/KQED)

KQED’s Sara Hossaini contributed to the report.

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