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She was born and raised in the East Bay and holds a B.A. in Urban Studies from Barnard College.","avatar":"https://secure.gravatar.com/avatar/5fded66cae47704cdfc5021cde0f3aa4?s=600&d=blank&r=g","twitter":"sharkfinney","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"news","roles":["editor"]}],"headData":{"title":"Annelise Finney | KQED","description":"Weekend Reporter","ogImgSrc":"https://secure.gravatar.com/avatar/5fded66cae47704cdfc5021cde0f3aa4?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/5fded66cae47704cdfc5021cde0f3aa4?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/afinney"},"swhitney":{"type":"authors","id":"11784","meta":{"index":"authors_1716337520","id":"11784","found":true},"name":"Spencer Whitney","firstName":"Spencer","lastName":"Whitney","slug":"swhitney","email":"swhitney@kqed.org","display_author_email":false,"staff_mastheads":[],"title":"KQED Digital Editor","bio":"Spencer Whitney is currently a Digital Editor for KQED News. Prior to joining KQED News, Spencer worked as the Multimedia Editor at the Oakland Post and an Assistant Editor in the Editorial department at the San Francisco Chronicle. He attended Howard University as an undergraduate and interned with SiriusXM. He also attended UC Berkeley's Graduate School of Journalism and had the opportunity to write for the hyperlocal news sites Richmond Confidential and Oakland North.","avatar":"https://secure.gravatar.com/avatar/aedfae46322917626352337ecd4f0981?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"science","roles":["editor"]},{"site":"perspectives","roles":["editor"]}],"headData":{"title":"Spencer Whitney | KQED","description":"KQED Digital Editor","ogImgSrc":"https://secure.gravatar.com/avatar/aedfae46322917626352337ecd4f0981?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/aedfae46322917626352337ecd4f0981?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/swhitney"},"apelit":{"type":"authors","id":"11812","meta":{"index":"authors_1716337520","id":"11812","found":true},"name":"Attila Pelit","firstName":"Attila","lastName":"Pelit","slug":"apelit","email":"apelit@kqed.org","display_author_email":false,"staff_mastheads":[],"title":"KQED Contributor","bio":null,"avatar":"https://secure.gravatar.com/avatar/9b7b8a9e595d58a1f4d853f8608ae584?s=600&d=mm&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"news","roles":["editor"]},{"site":"science","roles":["editor"]},{"site":"elections","roles":["editor"]},{"site":"liveblog","roles":["editor"]}],"headData":{"title":"Attila Pelit | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/9b7b8a9e595d58a1f4d853f8608ae584?s=600&d=mm&r=g","twImgSrc":"https://secure.gravatar.com/avatar/9b7b8a9e595d58a1f4d853f8608ae584?s=600&d=mm&r=g"},"isLoading":false,"link":"/author/apelit"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"news_12007055":{"type":"posts","id":"news_12007055","meta":{"index":"posts_1716263798","site":"news","id":"12007055","score":null,"sort":[1727657769000]},"guestAuthors":[],"slug":"analog-dog-disco-dani-part-one","title":"Analog Dog: 'Disco Dani, Part One'","publishDate":1727657769,"format":"standard","headTitle":"Analog Dog: ‘Disco Dani, Part One’ | KQED","labelTerm":{"term":34370,"site":"news"},"content":"\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop\u003c/a> is a weekly radio series hosted by the KQED weekend news team. In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>This week’s episode of Sunday Music Drop is about a band that came about following a discussion on … the universe.\u003c/p>\n\u003cp>“On a fateful day, we played a show together, and then a few months later, [fellow band member Rob Nicol] was at Hardly Strictly Bluegrass on a blanket, and we sat down for like a good couple hours together and talked about the nature of reality in the universe,” says Austin Wasielewski, vocalist, guitarist, keyboard and synth player for Analog Dog. “Then we found our other mates and the five years have gone by, like, in the blink of an eye.”\u003c/p>\n\u003cp>In that blink of the eye, Analog Dog has become a project that Wasielewski says embraces “magical thinking” in a way that enables them to “break beyond those boundaries and see the depth of our connection to each other and the depth of our connection to the earth.”\u003c/p>\n\u003cp>“So I think that we strive to awaken that magic within people so that we can kind of exist in a more community space and in a more magical space,” Wasielewski says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Analog Dog is a San Francisco band inspired by the Bay Area, which Nicol considers a “hotbed of ideas and cultural growth” — and yet, none of the band members are from the Bay Area.\u003c/p>\n\u003cp>“We hail almost like, distinctly from every corner of the country except for California and the West Coast,” Nicol says. “And so we all ended up here, and I think what brought us all out here is ideas.\u003c/p>\n\u003cp>“If you look at like the Grateful Dead and you look at California in general and all the artists that have come out from the West, I think that there’s just a there’s a pull and their gravity that brought us all here that I don’t think is in any way coincidence.”\u003c/p>\n\u003cp>So, what does Analog Dog sound like?\u003c/p>\n\u003cp>“… Its music is essentially genre fluid … encompassed in rock and roll roots, indie vibes, disco-dance passion, some improvisation and jam philosophy, with a little bit of jazz sprinkled on top.”\u003c/p>\n\u003cp>Their song “Disco Dani, Part One” is not just any song for them, it’s the one they close almost every show with, because “by then, everybody’s warmed up and it just hits in such a simple, fun way.”\u003c/p>\n\u003cp>“People lose it because we lose it because we know no matter where we’re at in the set, no matter how the set went, we just have this closer that everybody’s going to lose their pants … you wouldn’t believe the pants!”\u003c/p>\n\u003cp>There’s a song called Patience by Tame Impala. And I was super into it, and I was like, let’s write one like this and our keyboardist Jason. He kind of had a lick based on that, and we worked through that.\u003c/p>\n\u003cp>We also felt that if it was just part one — that’s been done a million times — It’s a great song, but it’s still just like a pop song. And so [we made] part two [which] has these… just like we got into three different keys and there’s time changes and it just goes crazy!\u003c/p>\n\u003cp>Rob Nicol describes the “flux” that underlies the song.\u003c/p>\n\u003cp>“[On the one hand, it’s a] kind of pop and really palatable, easy-to-digest music. And then this other hand in a more complex, challenging musical landscape that we’re both inspired by. And so it’s finding that right balance that people can connect with, but also that will keep things, keep people, keep people coming back to find something new.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.analogdogband.com/\">Analog Dog\u003c/a> also includes Celia Ford on bass and vocals; Jason Blasingame on keyboard, synth and saxophone; and Kale Frank on drums. They will perform live at \u003ca href=\"https://www.jamcellarsballroom.com/tm-attraction/analog-dog/\">JaM Cellars Ballroom in Napa on Oct. 18\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"San Francisco-based band Analog Dog describes their song 'Disco Dani, Part One' as a set closer designed to make everybody 'lose their pants.'","status":"publish","parent":0,"modified":1727809518,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":19,"wordCount":738},"headData":{"title":"Analog Dog: 'Disco Dani, Part One' | KQED","description":"San Francisco-based band Analog Dog describes their song 'Disco Dani, Part One' as a set closer designed to make everybody 'lose their pants.'","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Analog Dog: 'Disco Dani, Part One'","datePublished":"2024-09-29T17:56:09-07:00","dateModified":"2024-10-01T12:05:18-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"audioUrl":"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/09/Analog-Dog-SELECTS-KM_mixdown.mp3","sticky":false,"nprStoryId":"kqed-12007055","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/12007055/analog-dog-disco-dani-part-one","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop\u003c/a> is a weekly radio series hosted by the KQED weekend news team. In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>This week’s episode of Sunday Music Drop is about a band that came about following a discussion on … the universe.\u003c/p>\n\u003cp>“On a fateful day, we played a show together, and then a few months later, [fellow band member Rob Nicol] was at Hardly Strictly Bluegrass on a blanket, and we sat down for like a good couple hours together and talked about the nature of reality in the universe,” says Austin Wasielewski, vocalist, guitarist, keyboard and synth player for Analog Dog. “Then we found our other mates and the five years have gone by, like, in the blink of an eye.”\u003c/p>\n\u003cp>In that blink of the eye, Analog Dog has become a project that Wasielewski says embraces “magical thinking” in a way that enables them to “break beyond those boundaries and see the depth of our connection to each other and the depth of our connection to the earth.”\u003c/p>\n\u003cp>“So I think that we strive to awaken that magic within people so that we can kind of exist in a more community space and in a more magical space,” Wasielewski says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Analog Dog is a San Francisco band inspired by the Bay Area, which Nicol considers a “hotbed of ideas and cultural growth” — and yet, none of the band members are from the Bay Area.\u003c/p>\n\u003cp>“We hail almost like, distinctly from every corner of the country except for California and the West Coast,” Nicol says. “And so we all ended up here, and I think what brought us all out here is ideas.\u003c/p>\n\u003cp>“If you look at like the Grateful Dead and you look at California in general and all the artists that have come out from the West, I think that there’s just a there’s a pull and their gravity that brought us all here that I don’t think is in any way coincidence.”\u003c/p>\n\u003cp>So, what does Analog Dog sound like?\u003c/p>\n\u003cp>“… Its music is essentially genre fluid … encompassed in rock and roll roots, indie vibes, disco-dance passion, some improvisation and jam philosophy, with a little bit of jazz sprinkled on top.”\u003c/p>\n\u003cp>Their song “Disco Dani, Part One” is not just any song for them, it’s the one they close almost every show with, because “by then, everybody’s warmed up and it just hits in such a simple, fun way.”\u003c/p>\n\u003cp>“People lose it because we lose it because we know no matter where we’re at in the set, no matter how the set went, we just have this closer that everybody’s going to lose their pants … you wouldn’t believe the pants!”\u003c/p>\n\u003cp>There’s a song called Patience by Tame Impala. And I was super into it, and I was like, let’s write one like this and our keyboardist Jason. He kind of had a lick based on that, and we worked through that.\u003c/p>\n\u003cp>We also felt that if it was just part one — that’s been done a million times — It’s a great song, but it’s still just like a pop song. And so [we made] part two [which] has these… just like we got into three different keys and there’s time changes and it just goes crazy!\u003c/p>\n\u003cp>Rob Nicol describes the “flux” that underlies the song.\u003c/p>\n\u003cp>“[On the one hand, it’s a] kind of pop and really palatable, easy-to-digest music. And then this other hand in a more complex, challenging musical landscape that we’re both inspired by. And so it’s finding that right balance that people can connect with, but also that will keep things, keep people, keep people coming back to find something new.”\u003c/p>\n\u003cp>\u003ca href=\"https://www.analogdogband.com/\">Analog Dog\u003c/a> also includes Celia Ford on bass and vocals; Jason Blasingame on keyboard, synth and saxophone; and Kale Frank on drums. They will perform live at \u003ca href=\"https://www.jamcellarsballroom.com/tm-attraction/analog-dog/\">JaM Cellars Ballroom in Napa on Oct. 18\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/12007055/analog-dog-disco-dani-part-one","authors":["11772","11812"],"programs":["news_34370"],"categories":["news_29992","news_223","news_8"],"tags":["news_1425","news_31662"],"featImg":"news_12007085","label":"news_34370"},"news_12000645":{"type":"posts","id":"news_12000645","meta":{"index":"posts_1716263798","site":"news","id":"12000645","score":null,"sort":[1724028205000]},"guestAuthors":[],"slug":"los-cenzontles-valor-latino","title":"Los Cenzontles: ‘Valor Latino’","publishDate":1724028205,"format":"audio","headTitle":"Los Cenzontles: ‘Valor Latino’ | KQED","labelTerm":{"term":34370,"site":"news"},"content":"\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop\u003c/a> is a weekly radio series hosted by the KQED weekend news team. In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Eugene Rodriguez wants to change the narrative of Latino storytelling in the media.\u003c/p>\n\u003cp>“To be proud of being anything in life … it shouldn’t be predicated on whether you’re rich,” he said. “It should be predicated on what you contribute.”\u003c/p>\n\u003cp>Often, there’s an overemphasis on people with white-collar jobs, he said. “If you’re a custodian or you’re a landscaper, these are also super important jobs.”\u003c/p>\n\u003cp>Rodriguez is the founder and director of Los Cenzontles, a nonprofit organization and band.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The song ‘Valor Latino’ celebrates the many contributions Latinos bring to the United States. Rodriguez said he also wants “to challenge Latinos, to have the courage, the valor, to represent ourselves and to speak up for our interests.”\u003c/p>\n\u003cp>Cenzontle means ‘mockingbird’ in Spanish, and the nonprofit explores music with Mexican roots. He founded the group because of a personal need for connection. In 1987, after graduating from music school, he had a child who died in surgery. During that same time, his wife was going through cancer treatments, he said.\u003c/p>\n\u003cp>“I didn’t have the heart to try to enter into a professional music career,” he said. Los Cenzontles provided “a much more meaningful way to make music” and “create a community of people.”\u003c/p>\n\u003cp>Rodriguez said he had always felt a connection between love and music ever since his first memories of his father playing guitar for him when he was about four years old. “He used to sing folk songs,” he said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The band will be performing at \u003ca href=\"https://citylights.com/events/eugene-rodriguez-and-friends/\">City Lights bookstore in San Francisco\u003c/a> on Aug. 23. The event is also a celebration of the Rodriquez’s new memoir, ‘Bird of Four Hundred Voices: A Mexican American Memoir of Music and Belonging.’\u003c/p>\n\n","blocks":[],"excerpt":"Eugene Rodriguez wants to change the narrative of Latino storytelling in the media.","status":"publish","parent":0,"modified":1727136934,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":359},"headData":{"title":"Los Cenzontles: ‘Valor Latino’ | KQED","description":"Eugene Rodriguez wants to change the narrative of Latino storytelling in the media.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Los Cenzontles: ‘Valor Latino’","datePublished":"2024-08-18T17:43:25-07:00","dateModified":"2024-09-23T17:15:34-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"audioUrl":"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/08/SMD_LosCenzontles_FinalMix.mp3","sticky":false,"nprStoryId":"kqed-12000645","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/12000645/los-cenzontles-valor-latino","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop\u003c/a> is a weekly radio series hosted by the KQED weekend news team. In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Eugene Rodriguez wants to change the narrative of Latino storytelling in the media.\u003c/p>\n\u003cp>“To be proud of being anything in life … it shouldn’t be predicated on whether you’re rich,” he said. “It should be predicated on what you contribute.”\u003c/p>\n\u003cp>Often, there’s an overemphasis on people with white-collar jobs, he said. “If you’re a custodian or you’re a landscaper, these are also super important jobs.”\u003c/p>\n\u003cp>Rodriguez is the founder and director of Los Cenzontles, a nonprofit organization and band.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The song ‘Valor Latino’ celebrates the many contributions Latinos bring to the United States. Rodriguez said he also wants “to challenge Latinos, to have the courage, the valor, to represent ourselves and to speak up for our interests.”\u003c/p>\n\u003cp>Cenzontle means ‘mockingbird’ in Spanish, and the nonprofit explores music with Mexican roots. He founded the group because of a personal need for connection. In 1987, after graduating from music school, he had a child who died in surgery. During that same time, his wife was going through cancer treatments, he said.\u003c/p>\n\u003cp>“I didn’t have the heart to try to enter into a professional music career,” he said. Los Cenzontles provided “a much more meaningful way to make music” and “create a community of people.”\u003c/p>\n\u003cp>Rodriguez said he had always felt a connection between love and music ever since his first memories of his father playing guitar for him when he was about four years old. “He used to sing folk songs,” he said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The band will be performing at \u003ca href=\"https://citylights.com/events/eugene-rodriguez-and-friends/\">City Lights bookstore in San Francisco\u003c/a> on Aug. 23. The event is also a celebration of the Rodriquez’s new memoir, ‘Bird of Four Hundred Voices: A Mexican American Memoir of Music and Belonging.’\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/12000645/los-cenzontles-valor-latino","authors":["11772"],"programs":["news_34370"],"categories":["news_8","news_33520"],"tags":["news_31662","news_31663"],"featImg":"news_12000646","label":"news_34370"},"news_11999753":{"type":"posts","id":"news_11999753","meta":{"index":"posts_1716263798","site":"news","id":"11999753","score":null,"sort":[1723417236000]},"guestAuthors":[],"slug":"starfish-prime-62nd-street","title":"Starfish Prime: '62nd Street'","publishDate":1723417236,"format":"standard","headTitle":"Starfish Prime: ’62nd Street’ | KQED","labelTerm":{},"content":"\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>San Francisco-based band Starfish Prime has been influenced 100% by the city they’re from, says band member Joey Goodman, who has a background in jazz and an affinity for beatnik literature and “old hippie” writers. Half the band has Grateful Dead roots, while the other half, he says, has roots in jazz.\u003c/p>\n\u003cp>“I think if you move somewhere and you appreciate the beauty and the history of its music scene, then I think it’s almost inevitable that your sound will reflect its history somehow,” he says.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The opening lyrics of their song “62nd Street” have fog and buses, both of which are quintessentially San Francisco. They recorded the song live, Goodman says because they “like doing things by the seat of their pants.” And the meaning of “62nd Street”?\u003c/p>\n\u003cp>“I don’t know if this is fun to reveal or not, but the title of 62nd Street is a pun on 60 seconds, the amount of time … the fact that one place can, in a short amount of time, change meanings so severely. … You can pass someplace and, in different times of your life, think about it so fondly or so regretfully, even though it’s the same place.”\u003c/p>\n\u003cp>But Goodman doesn’t want the listener to focus too much on that. He believes listeners can bring whatever meaning they have to it.\u003c/p>\n\u003cp>Starfish Prime are guitarist and lead vocals Joey Goodman, Nathan Kruse on keyboards, Ben Stolz on drums and Alex Wolfert on bass. Goodman and Kruse met as students at UC Santa Barbara, both of them jazz musicians who started jamming together. They eventually met drummer Stolz and through friends Wolfert. Goodman says they all get along great and that there’s no “\u003cspan style=\"font-weight: 400\">battling at all of personalities,” which comes through in the recording of “62nd Street.”\u003c/span>\u003c/p>\n\u003cp>“I think you can tell that we play well together. … Once the band knows the vibe of the melody and the words, we really just stay out of each other’s way, and we appreciate the idiosyncrasies each player has.”\u003c/p>\n\u003cp>You can see Starfish Prime perform live at Green Apple Books (9th Avenue location) in San Francisco on Aug. 24 at 5:30 p.m.\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Starfish Prime's 100% San Francisco roots come through in their song '62nd Street.'","status":"publish","parent":0,"modified":1727136940,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":439},"headData":{"title":"Starfish Prime: '62nd Street' | KQED","description":"Starfish Prime's 100% San Francisco roots come through in their song '62nd Street.'","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Starfish Prime: '62nd Street'","datePublished":"2024-08-11T16:00:36-07:00","dateModified":"2024-09-23T17:15:40-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"source":"sunday music drop","sourceUrl":"https://www.kqed.org/sundaymusicdrop","audioUrl":"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/08/SMD-Starfish-Prime1_mixdown.mp3","sticky":false,"nprStoryId":"kqed-11999753","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11999753/starfish-prime-62nd-street","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>San Francisco-based band Starfish Prime has been influenced 100% by the city they’re from, says band member Joey Goodman, who has a background in jazz and an affinity for beatnik literature and “old hippie” writers. Half the band has Grateful Dead roots, while the other half, he says, has roots in jazz.\u003c/p>\n\u003cp>“I think if you move somewhere and you appreciate the beauty and the history of its music scene, then I think it’s almost inevitable that your sound will reflect its history somehow,” he says.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The opening lyrics of their song “62nd Street” have fog and buses, both of which are quintessentially San Francisco. They recorded the song live, Goodman says because they “like doing things by the seat of their pants.” And the meaning of “62nd Street”?\u003c/p>\n\u003cp>“I don’t know if this is fun to reveal or not, but the title of 62nd Street is a pun on 60 seconds, the amount of time … the fact that one place can, in a short amount of time, change meanings so severely. … You can pass someplace and, in different times of your life, think about it so fondly or so regretfully, even though it’s the same place.”\u003c/p>\n\u003cp>But Goodman doesn’t want the listener to focus too much on that. He believes listeners can bring whatever meaning they have to it.\u003c/p>\n\u003cp>Starfish Prime are guitarist and lead vocals Joey Goodman, Nathan Kruse on keyboards, Ben Stolz on drums and Alex Wolfert on bass. Goodman and Kruse met as students at UC Santa Barbara, both of them jazz musicians who started jamming together. They eventually met drummer Stolz and through friends Wolfert. Goodman says they all get along great and that there’s no “\u003cspan style=\"font-weight: 400\">battling at all of personalities,” which comes through in the recording of “62nd Street.”\u003c/span>\u003c/p>\n\u003cp>“I think you can tell that we play well together. … Once the band knows the vibe of the melody and the words, we really just stay out of each other’s way, and we appreciate the idiosyncrasies each player has.”\u003c/p>\n\u003cp>You can see Starfish Prime perform live at Green Apple Books (9th Avenue location) in San Francisco on Aug. 24 at 5:30 p.m.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11999753/starfish-prime-62nd-street","authors":["11503","11812"],"programs":["news_34370"],"categories":["news_29992","news_223","news_8","news_33520"],"tags":["news_32662","news_1425","news_31662"],"featImg":"news_11999755","label":"source_news_11999753"},"news_11998774":{"type":"posts","id":"news_11998774","meta":{"index":"posts_1716263798","site":"news","id":"11998774","score":null,"sort":[1722816050000]},"guestAuthors":[],"slug":"natalie-cressman-and-ian-faquini-lavagem-de-conceicao","title":"Natalie Cressman and Ian Faquini: 'Lavagem de Conceição'","publishDate":1722816050,"format":"audio","headTitle":"Natalie Cressman and Ian Faquini: ‘Lavagem de Conceição’ | KQED","labelTerm":{},"content":"\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>San Francisco’s Natalie Cressman and Berkeley’s Ian Faquini album called, ‘Guinga,’ was released on April 12 on \u003ca href=\"https://groundupmusic.net/artists/nataliecressmanianfaquini/\">GroundUp Music\u003c/a> and is a tribute to the legendary Brazilian composer, guitarist and vocalist, \u003ca href=\"https://www.npr.org/2020/01/04/793330442/the-brazilian-guitarist-beloved-by-musicians-around-the-world\">Guinga\u003c/a>.\u003c/p>\n\u003cp>Faquini, born in Brazil and raised in Berkeley and Cressman, born and raised in San Francisco, met at an annual \u003ca href=\"https://www.calbrazilcamp.com/\">Brazil Camp\u003c/a> in Cazadero, Calif. It’s also where they met teacher and collaborator Guinga. Cressman plays trombone and Faquini plays guitar.\u003c/p>\n\u003cp>Their song featured in the Sunday Music Drop honors Conceição Damasceno, an important figure in the Bay Area Brazilian culture scene. They described how every year after Brazil Camp, they would attend a party called Lavagem. They named the song ‘Lavagem de Conceição.’\u003c/p>\n\u003cp>“It literally means washing, so it’s a kind of a religious Afro-Brazilian ceremony,” Cressman said.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The lyrics describe the dream of a grief-stricken guitarist with images of a spider crawling on the guitar, tuning pegs and obscuring his vision.\u003c/p>\n\u003cp>“It felt so somber,” Cressman said. “We were trying to come up with ways that the trombone could be kind of like wailing.”\u003c/p>\n\u003cp>They both come from musical families. Cressman’s father is a trombonist who plays Latin jazz and Afro-Cuban music. And her mom is a jazz vocalist who specializes in Brazilian music. Faquini’s father is also a professional musician who plays blues and rock.\u003c/p>\n\u003cp>And they both value time spent in Brazil as well as their upbringing in the Bay Area. “I think it’s extremely valuable to just be in the space where a lot of this music was created,” Cressman said. “There’s such a melodious aspect to the language of Portuguese that I feel like learning it helps me understand the music better.”\u003c/p>\n\u003cp>Both Cressman and Faquini say the Bay Area influences their music.\u003c/p>\n\u003cp>“Who I am now is a product of growing up in the Bay Area,” Cressman said. “There’s not very many places in the United States where there is this beautiful cross-pollination of American music and musicians from Cuba and Puerto Rico and Brazil.”\u003c/p>\n\u003cp>“It’s a super special place that I’m happy to be a part of,” Faquini said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Their song ‘Lavagem de Conceição’ features vocals by Brazilian master guitarist Guinga, with Anna Paes and Sandy Cressman providing vocals. \u003ca href=\"https://summerfest.sanjosejazz.org/artists/natalie-cressman-ian-faquini\">They will perform at San Jose Jazz Summer Fest on Aug. 10\u003c/a>. Guinga is also visiting the Bay Area this summer, \u003ca href=\"https://ybgfestival.org/event/brazil-in-the-gardens-2024/\">performing on Aug. 15 at Yerba Buena Gardens\u003c/a> in San Francisco and \u003ca href=\"https://www.eventbrite.com/e/the-best-of-brazil-guinga-monica-salmaso-teco-cardoso-tickets-943128170747?aff=oddtdtcreator\">Aug. 16 at the Soundroom in Oakland\u003c/a>.\u003c/p>\n\n","blocks":[],"excerpt":"In this episode of the Sunday Music Drop, San Francisco’s Natalie Cressman and Berkeley’s Ian Faquini share their song 'Lavagem de Conceição,' featuring Guinga, and talk about their love of music.","status":"publish","parent":0,"modified":1727136945,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":510},"headData":{"title":"Natalie Cressman and Ian Faquini: 'Lavagem de Conceição' | KQED","description":"In this episode of the Sunday Music Drop, San Francisco’s Natalie Cressman and Berkeley’s Ian Faquini share their song 'Lavagem de Conceição,' featuring Guinga, and talk about their love of music.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Natalie Cressman and Ian Faquini: 'Lavagem de Conceição'","datePublished":"2024-08-04T17:00:50-07:00","dateModified":"2024-09-23T17:15:45-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"source":"Sunday Music Drop","sourceUrl":"https://www.kqed.org/sundaymusicdrop","audioUrl":"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/08/SMD_Natalie-Cressman-_-Ian-Faquini-_240804.mp3","sticky":false,"nprStoryId":"kqed-11998774","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11998774/natalie-cressman-and-ian-faquini-lavagem-de-conceicao","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>San Francisco’s Natalie Cressman and Berkeley’s Ian Faquini album called, ‘Guinga,’ was released on April 12 on \u003ca href=\"https://groundupmusic.net/artists/nataliecressmanianfaquini/\">GroundUp Music\u003c/a> and is a tribute to the legendary Brazilian composer, guitarist and vocalist, \u003ca href=\"https://www.npr.org/2020/01/04/793330442/the-brazilian-guitarist-beloved-by-musicians-around-the-world\">Guinga\u003c/a>.\u003c/p>\n\u003cp>Faquini, born in Brazil and raised in Berkeley and Cressman, born and raised in San Francisco, met at an annual \u003ca href=\"https://www.calbrazilcamp.com/\">Brazil Camp\u003c/a> in Cazadero, Calif. It’s also where they met teacher and collaborator Guinga. Cressman plays trombone and Faquini plays guitar.\u003c/p>\n\u003cp>Their song featured in the Sunday Music Drop honors Conceição Damasceno, an important figure in the Bay Area Brazilian culture scene. They described how every year after Brazil Camp, they would attend a party called Lavagem. They named the song ‘Lavagem de Conceição.’\u003c/p>\n\u003cp>“It literally means washing, so it’s a kind of a religious Afro-Brazilian ceremony,” Cressman said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The lyrics describe the dream of a grief-stricken guitarist with images of a spider crawling on the guitar, tuning pegs and obscuring his vision.\u003c/p>\n\u003cp>“It felt so somber,” Cressman said. “We were trying to come up with ways that the trombone could be kind of like wailing.”\u003c/p>\n\u003cp>They both come from musical families. Cressman’s father is a trombonist who plays Latin jazz and Afro-Cuban music. And her mom is a jazz vocalist who specializes in Brazilian music. Faquini’s father is also a professional musician who plays blues and rock.\u003c/p>\n\u003cp>And they both value time spent in Brazil as well as their upbringing in the Bay Area. “I think it’s extremely valuable to just be in the space where a lot of this music was created,” Cressman said. “There’s such a melodious aspect to the language of Portuguese that I feel like learning it helps me understand the music better.”\u003c/p>\n\u003cp>Both Cressman and Faquini say the Bay Area influences their music.\u003c/p>\n\u003cp>“Who I am now is a product of growing up in the Bay Area,” Cressman said. “There’s not very many places in the United States where there is this beautiful cross-pollination of American music and musicians from Cuba and Puerto Rico and Brazil.”\u003c/p>\n\u003cp>“It’s a super special place that I’m happy to be a part of,” Faquini said.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Their song ‘Lavagem de Conceição’ features vocals by Brazilian master guitarist Guinga, with Anna Paes and Sandy Cressman providing vocals. \u003ca href=\"https://summerfest.sanjosejazz.org/artists/natalie-cressman-ian-faquini\">They will perform at San Jose Jazz Summer Fest on Aug. 10\u003c/a>. Guinga is also visiting the Bay Area this summer, \u003ca href=\"https://ybgfestival.org/event/brazil-in-the-gardens-2024/\">performing on Aug. 15 at Yerba Buena Gardens\u003c/a> in San Francisco and \u003ca href=\"https://www.eventbrite.com/e/the-best-of-brazil-guinga-monica-salmaso-teco-cardoso-tickets-943128170747?aff=oddtdtcreator\">Aug. 16 at the Soundroom in Oakland\u003c/a>.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11998774/natalie-cressman-and-ian-faquini-lavagem-de-conceicao","authors":["11772","11626"],"programs":["news_34370"],"categories":["news_8","news_33520"],"tags":["news_31662","news_31663"],"featImg":"news_11998777","label":"source_news_11998774"},"news_11997777":{"type":"posts","id":"news_11997777","meta":{"index":"posts_1716263798","site":"news","id":"11997777","score":null,"sort":[1722207640000]},"guestAuthors":[],"slug":"jae-stix-loyalty","title":"Jae Stix: 'Loyalty'","publishDate":1722207640,"format":"standard","headTitle":"Jae Stix: ‘Loyalty’ | KQED","labelTerm":{},"content":"\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Antioch’s Jae “Stix” Jackson is the lead drummer and musical director for Baycoin Beats, a collective of musicians that fuses R&B and contemporary jazz as well as soul, neo soul and trap music. For each gig with the project, Stix brings together a unique mix of musicians that play a mix of cover songs and original music. \u003c/p>\n\u003cp>“I like to work with a lot of people and everybody’s sound is different. So when we come together, you’re not going to always hear one sound,” said Stix. “So that’s why it’s a collective, because each time sometime I have a different crew and you’re going to get a different sound.”\u003c/p>\n\u003cp>Jae Stix was born and raised in Richmond and comes from a musically inclined family. Their father played drums and their mother was in gospel choirs when they were two years old.\u003c/p>\n\u003cp>“They said, I start pulling out pots and pans, just pulling out pots and pans and beating on them,” said Stix.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Stix is self-taught with no formal training. Their love of drumming led them to start playing in the choir at five years old, and continued into their teenage years with different bands and groups throughout the Bay Area. They currently play for Redemption Church in San Francisco.\u003c/p>\n\u003cp>“Growing up in the 90s, girl drummers wasn’t the thing. It’s definitely a male-dominated instrument,” they said. “And Sheila E paved the way. I dealt with a lot of that growing up. And to this day, I still [do]. But I got through it. It was definitely challenging and it didn’t stop me. I do it for the joy.”\u003c/p>\n\u003cp>They now live in Antioch with their wife, Clarisse LaGrone Jackson, who doubles as the band’s manager. Baycoin Beats also hosts an underground, Supperjam, founded and hosted by the duo. Baycoin Beats’ first EP will be released in Fall 2024.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If you’d like to hear Jae Stix and Bay Coin Beats live, the band will be performing at the \u003ca href=\"https://summerfest.sanjosejazz.org/artists/baycoin-beats\">San Jose Jazz Summerfest\u003c/a> on Aug. 9.\u003c/p>\n\n","blocks":[],"excerpt":"In this episode of the Sunday Music Drop, Antioch's Jae \"Stix\" Jackson shares their song \"Loyalty\" and talks about their love of drumming.","status":"publish","parent":0,"modified":1727136950,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":11,"wordCount":415},"headData":{"title":"Jae Stix: 'Loyalty' | KQED","description":"In this episode of the Sunday Music Drop, Antioch's Jae "Stix" Jackson shares their song "Loyalty" and talks about their love of drumming.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Jae Stix: 'Loyalty'","datePublished":"2024-07-28T16:00:40-07:00","dateModified":"2024-09-23T17:15:50-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"source":"Sunday Music Drop","sourceUrl":"https://www.kqed.org/sundaymusicdrop","audioUrl":"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/07/SMD_Baycoin-Beats_240721-pod.mp3","sticky":false,"nprStoryId":"kqed-11997777","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11997777/jae-stix-loyalty","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>Antioch’s Jae “Stix” Jackson is the lead drummer and musical director for Baycoin Beats, a collective of musicians that fuses R&B and contemporary jazz as well as soul, neo soul and trap music. For each gig with the project, Stix brings together a unique mix of musicians that play a mix of cover songs and original music. \u003c/p>\n\u003cp>“I like to work with a lot of people and everybody’s sound is different. So when we come together, you’re not going to always hear one sound,” said Stix. “So that’s why it’s a collective, because each time sometime I have a different crew and you’re going to get a different sound.”\u003c/p>\n\u003cp>Jae Stix was born and raised in Richmond and comes from a musically inclined family. Their father played drums and their mother was in gospel choirs when they were two years old.\u003c/p>\n\u003cp>“They said, I start pulling out pots and pans, just pulling out pots and pans and beating on them,” said Stix.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Stix is self-taught with no formal training. Their love of drumming led them to start playing in the choir at five years old, and continued into their teenage years with different bands and groups throughout the Bay Area. They currently play for Redemption Church in San Francisco.\u003c/p>\n\u003cp>“Growing up in the 90s, girl drummers wasn’t the thing. It’s definitely a male-dominated instrument,” they said. “And Sheila E paved the way. I dealt with a lot of that growing up. And to this day, I still [do]. But I got through it. It was definitely challenging and it didn’t stop me. I do it for the joy.”\u003c/p>\n\u003cp>They now live in Antioch with their wife, Clarisse LaGrone Jackson, who doubles as the band’s manager. Baycoin Beats also hosts an underground, Supperjam, founded and hosted by the duo. Baycoin Beats’ first EP will be released in Fall 2024.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If you’d like to hear Jae Stix and Bay Coin Beats live, the band will be performing at the \u003ca href=\"https://summerfest.sanjosejazz.org/artists/baycoin-beats\">San Jose Jazz Summerfest\u003c/a> on Aug. 9.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11997777/jae-stix-loyalty","authors":["11772","11784"],"programs":["news_34370"],"categories":["news_8","news_33520"],"tags":["news_31662","news_31663"],"featImg":"news_11997785","label":"source_news_11997777"},"news_11992613":{"type":"posts","id":"news_11992613","meta":{"index":"posts_1716263798","site":"news","id":"11992613","score":null,"sort":[1719790242000]},"guestAuthors":[],"slug":"ian-santillano-explanations","title":"Ian Santillano: 'Explanations'","publishDate":1719790242,"format":"standard","headTitle":"Ian Santillano: ‘Explanations’ | KQED","labelTerm":{},"content":"\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>Hayward’s \u003ca href=\"https://iansantillano.bandcamp.com/\">Ian Santillano\u003c/a> is a Filipino-American alternative singer and songwriter who mixes R&B, Americana, and soaring and soulful guitar lines into his music. He enjoys neo-soul, folk and country music and was influenced by his parents, who frequently sang karaoke throughout his life.\u003c/p>\n\u003cp>His song “Explanations” was written and recorded in the house he shares with his mother. Though he plays in bands, Santillano sings all the parts and plays all the instruments in this song. The song idea started from Stevie Wonder’s “I Just Called to Say I Love You.” Santillano says his constant feeling of introspection inspired his song.\u003c/p>\n\u003cp>“I really love this track because most of the song is just the lead vocal,” he says. “The second verse has this crazy harmony [with] crunchy tracking. It’s tracked in this way that it’s almost like there are all four individual voices instead of a barbershop quartet where it’s a bunch of voices trying to be one voice together.”\u003c/p>\n\u003cp>While Santillano grew up in the Bay Area, he says his upbringing and private school made him feel disconnected from the region.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“I think [when I was writing this song] I was trying to find structure or trying to find like a box, but I realized how much of the Bay Area symbolizes that idea that there is no box, that there is no rule,” he says. “We do what we do unapologetically.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If you’d like to hear Ian Santillano live, he’ll be performing at \u003ca href=\"https://dice.fm/partner/dice/event/6dd382-always-hallways-jacob-sigman-ian-santillano-27th-jul-kilowatt-san-francisco-tickets?dice_id=3382763&dice_channel=web&dice_tags=organic&dice_campaign=DICE&dice_feature=mio_marketing&_branch_match_id=1331748265249498994&_branch_referrer=H4sIAAAAAAAAA8soKSkottLXz8nMy9ZLyUxO1UvL1U8yMks0sDAwNk62SAYAJYtdRiEAAAA%3D\">Kilowatt Bar in San Francisco\u003c/a> on Saturday, July 27, at 8:00 p.m.\u003c/p>\n\n","blocks":[],"excerpt":"In this episode of the Sunday Music Drop, Hayward's singer and songwriter Ian Santillano shares his song \"Explanations,\" inspired by his feelings of introspection.","status":"publish","parent":0,"modified":1727136955,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":9,"wordCount":331},"headData":{"title":"Ian Santillano: 'Explanations' | KQED","description":"In this episode of the Sunday Music Drop, Hayward's singer and songwriter Ian Santillano shares his song "Explanations," inspired by his feelings of introspection.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Ian Santillano: 'Explanations'","datePublished":"2024-06-30T16:30:42-07:00","dateModified":"2024-09-23T17:15:55-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"source":"Sunday Music Drop","sourceUrl":"https://www.kqed.org/sundaymusicdrop","audioUrl":"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/SMD-Ian-Santillano.mp3","sticky":false,"nprStoryId":"kqed-11992613","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/news/11992613/ian-santillano-explanations","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>Hayward’s \u003ca href=\"https://iansantillano.bandcamp.com/\">Ian Santillano\u003c/a> is a Filipino-American alternative singer and songwriter who mixes R&B, Americana, and soaring and soulful guitar lines into his music. He enjoys neo-soul, folk and country music and was influenced by his parents, who frequently sang karaoke throughout his life.\u003c/p>\n\u003cp>His song “Explanations” was written and recorded in the house he shares with his mother. Though he plays in bands, Santillano sings all the parts and plays all the instruments in this song. The song idea started from Stevie Wonder’s “I Just Called to Say I Love You.” Santillano says his constant feeling of introspection inspired his song.\u003c/p>\n\u003cp>“I really love this track because most of the song is just the lead vocal,” he says. “The second verse has this crazy harmony [with] crunchy tracking. It’s tracked in this way that it’s almost like there are all four individual voices instead of a barbershop quartet where it’s a bunch of voices trying to be one voice together.”\u003c/p>\n\u003cp>While Santillano grew up in the Bay Area, he says his upbringing and private school made him feel disconnected from the region.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“I think [when I was writing this song] I was trying to find structure or trying to find like a box, but I realized how much of the Bay Area symbolizes that idea that there is no box, that there is no rule,” he says. “We do what we do unapologetically.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>If you’d like to hear Ian Santillano live, he’ll be performing at \u003ca href=\"https://dice.fm/partner/dice/event/6dd382-always-hallways-jacob-sigman-ian-santillano-27th-jul-kilowatt-san-francisco-tickets?dice_id=3382763&dice_channel=web&dice_tags=organic&dice_campaign=DICE&dice_feature=mio_marketing&_branch_match_id=1331748265249498994&_branch_referrer=H4sIAAAAAAAAA8soKSkottLXz8nMy9ZLyUxO1UvL1U8yMks0sDAwNk62SAYAJYtdRiEAAAA%3D\">Kilowatt Bar in San Francisco\u003c/a> on Saturday, July 27, at 8:00 p.m.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11992613/ian-santillano-explanations","authors":["11772","11784"],"programs":["news_34370"],"categories":["news_29992","news_223","news_8","news_33520"],"tags":["news_31662","news_31663"],"featImg":"news_11992619","label":"source_news_11992613"},"news_11991629":{"type":"posts","id":"news_11991629","meta":{"index":"posts_1716263798","site":"news","id":"11991629","score":null,"sort":[1719190322000]},"guestAuthors":[],"slug":"howan-old-head","title":"Howan: 'Old Head'","publishDate":1719190322,"format":"standard","headTitle":"Howan: ‘Old Head’ | KQED","labelTerm":{},"content":"\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>Howan is a San Jose-based indie rock band whose songs are all in Mandarin. The band members were all born in China and later came to the United States to study and work. The music reflects their lives and feelings in both China and the U.S. They met while jamming in practice spaces around the South Bay.\u003c/p>\n\u003cp>“It has a feeling of both nostalgia, but also with the hope and happiness of living here,” says Wenhui, who plays the keys and sings. “In our first album [Howan], a lot of songs are about the sea, and our lead vocalist’s hometown is also a city by the sea in Xiamen, China. In the sound, you can feel a geographical connection between the [west] coast of the United States and the south coast of China.”\u003c/p>\n\u003cp>Howan’s influences are funk and math rock while their melodies sound closer to Chinese indie music. Wenhui says that it’s been difficult to meet friends who are willing to make Mandarin music in the U.S., where most people don’t really speak the language.\u003c/p>\n\u003cp>“I feel [when] writing in Mandarin, I can describe things more accurately, and it’s my mother language,” says Fei, the band’s lead vocalist and guitar player. “We do find after our show that there’s always people coming to me saying that they are enjoying our music, while they don’t speak Chinese at all.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Regarding “Old Head,” Wenhui says it’s the most representative song of how they make a fusion of Western and Chinese music. While the lyrics and the melody have a very Chinese style, the guitar riffs are from funk music. The song is about an Asian grandfather who moved to the U.S. at an early age.\u003c/p>\n\u003cp>“He spent a kind of special life here, and he had his own secrets. But at the end of his elderly life, he can still have fun and play mahjong in the mahjong house in Chinatown,” Wenhui says. “He’s living in a completely different cultural environment, but he can still enjoy his life.”\u003c/p>\n\u003cp>Wenhui says life on the West Coast moves at a slower pace than in China, which gives the band more time and energy to focus on music.\u003c/p>\n\u003cp>“Like most of the indie music in China now, [especially] the most popular ones, they are extremely emotional and intensively expressing a lot of things, or at least trying to express a lot of things,” she says. “But I feel like here, music is more like just music, where you feel the rhythm, you feel the melody, and you feel happy.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The band’s members also include Fei on the guitar and lead vocals, Jing Guo on the drums, and Rann on the bass guitar. Howan will be performing at \u003ca href=\"http://www.bottomofthehill.com/20240630.html\">Bottom of the Hill\u003c/a> in San Francisco on June 30th at 8:00 p.m., so you can go hear them live.\u003c/p>\n\n","blocks":[],"excerpt":"In this episode of the Sunday Music Drop, San Jose-based indie rock band Howan shares their song \"Old Head\" and talk about writing and performing all of their songs in Mandarin.","status":"publish","parent":0,"modified":1727136960,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":12,"wordCount":561},"headData":{"title":"Howan: 'Old Head' | KQED","description":"In this episode of the Sunday Music Drop, San Jose-based indie rock band Howan shares their song "Old Head" and talk about writing and performing all of their songs in Mandarin.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Howan: 'Old Head'","datePublished":"2024-06-23T17:52:02-07:00","dateModified":"2024-09-23T17:16:00-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"source":"Sunday Music Drop","sourceUrl":"https://www.kqed.org/sundaymusicdrop","audioUrl":"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/SMD-Howan_240623.mp3","sticky":false,"nprStoryId":"kqed-11991629","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11991629/howan-old-head","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>Howan is a San Jose-based indie rock band whose songs are all in Mandarin. The band members were all born in China and later came to the United States to study and work. The music reflects their lives and feelings in both China and the U.S. They met while jamming in practice spaces around the South Bay.\u003c/p>\n\u003cp>“It has a feeling of both nostalgia, but also with the hope and happiness of living here,” says Wenhui, who plays the keys and sings. “In our first album [Howan], a lot of songs are about the sea, and our lead vocalist’s hometown is also a city by the sea in Xiamen, China. In the sound, you can feel a geographical connection between the [west] coast of the United States and the south coast of China.”\u003c/p>\n\u003cp>Howan’s influences are funk and math rock while their melodies sound closer to Chinese indie music. Wenhui says that it’s been difficult to meet friends who are willing to make Mandarin music in the U.S., where most people don’t really speak the language.\u003c/p>\n\u003cp>“I feel [when] writing in Mandarin, I can describe things more accurately, and it’s my mother language,” says Fei, the band’s lead vocalist and guitar player. “We do find after our show that there’s always people coming to me saying that they are enjoying our music, while they don’t speak Chinese at all.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Regarding “Old Head,” Wenhui says it’s the most representative song of how they make a fusion of Western and Chinese music. While the lyrics and the melody have a very Chinese style, the guitar riffs are from funk music. The song is about an Asian grandfather who moved to the U.S. at an early age.\u003c/p>\n\u003cp>“He spent a kind of special life here, and he had his own secrets. But at the end of his elderly life, he can still have fun and play mahjong in the mahjong house in Chinatown,” Wenhui says. “He’s living in a completely different cultural environment, but he can still enjoy his life.”\u003c/p>\n\u003cp>Wenhui says life on the West Coast moves at a slower pace than in China, which gives the band more time and energy to focus on music.\u003c/p>\n\u003cp>“Like most of the indie music in China now, [especially] the most popular ones, they are extremely emotional and intensively expressing a lot of things, or at least trying to express a lot of things,” she says. “But I feel like here, music is more like just music, where you feel the rhythm, you feel the melody, and you feel happy.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>The band’s members also include Fei on the guitar and lead vocals, Jing Guo on the drums, and Rann on the bass guitar. Howan will be performing at \u003ca href=\"http://www.bottomofthehill.com/20240630.html\">Bottom of the Hill\u003c/a> in San Francisco on June 30th at 8:00 p.m., so you can go hear them live.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11991629/howan-old-head","authors":["11503","11784"],"programs":["news_34370"],"categories":["news_29992","news_223","news_8","news_33520"],"tags":["news_31662","news_31663"],"featImg":"news_11991660","label":"source_news_11991629"},"news_11990594":{"type":"posts","id":"news_11990594","meta":{"index":"posts_1716263798","site":"news","id":"11990594","score":null,"sort":[1718575201000]},"guestAuthors":[],"slug":"zekarias-musele-thompson-a-new-bootymix-redux-v4","title":"Zekarias Musele Thompson: 'A New Bootymix Redux'","publishDate":1718575201,"format":"standard","headTitle":"Zekarias Musele Thompson: ‘A New Bootymix Redux’ | KQED","labelTerm":{},"content":"\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>West Oakland-based multidisciplinary artist, student and experimental saxophonist Zekarias Musele Thompson is, in their own words, “concerned with humanity’s conceptual and emotional organizational structures and how we bring them into material form.” This, almost by definition, demands a multifaceted approach, one that spans sound, image, performance and facilitation, involving photography, writing, sonic composition and collaborative performances. Thompson covers it all and seeks to bring about a sense of “deep, empathic listening.”\u003c/p>\n\u003cp>Thompson has presented their work in exhibitions and concerts across the Bay Area and in Iceland, having collaborated with dozens of artists. They are a cofounder of Working Name Studios, “a collectively owned and organized arts institution with the mission of building institutional stability and equity for underrepresented creative practices, ideas, and people.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>This week, we bring you Thompson’s “A New Bootymix Redux,” which inspired their upcoming \u003ca href=\"https://www.moadsf.org/programs-residencies-awards/emerging-artists-2024-2025\">solo exhibition and group of compositions \u003c/a>titled \u003cem>The Meeting Place\u003c/em>: photographic landscapes embellished with oil paint, accompanied by eight musical compositions playing continuously as group participation is enhanced through sculptures that double as seating, creating an experience that intervenes with “entrenched ideas about the nature and interpretation of the art object, its authorship, and its viewership.”\u003c/p>\n\u003cp>Of “A New Bootymix Redux,” Thompson says, “I was thinking about the ways that the sounds of the breath that is going through the saxophone can interact with these analog synth electrical signals that are also doing something in ways that are similar but very different …”\u003c/p>\n\u003cp>You can experience Thompson’s work from July 24 to Sept. 1 at MoAD — Museum of the African Diaspora, located at 685 Mission St. and Third Street in San Francisco, on the ground floor of the St. Regis.\u003c/p>\n\u003cp>\u003c/p>\n","blocks":[],"excerpt":"In this episode of the Sunday Music Drop, West Oakland-based artist, student and experimental saxophonist Zekarias Musele Thompson performs 'A New Bootymix Redux' and of their upcoming exhibition at MoAB.","status":"publish","parent":0,"modified":1727136965,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":342},"headData":{"title":"Zekarias Musele Thompson: 'A New Bootymix Redux' | KQED","description":"In this episode of the Sunday Music Drop, West Oakland-based artist, student and experimental saxophonist Zekarias Musele Thompson performs 'A New Bootymix Redux' and of their upcoming exhibition at MoAB.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Zekarias Musele Thompson: 'A New Bootymix Redux'","datePublished":"2024-06-16T15:00:01-07:00","dateModified":"2024-09-23T17:16:05-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"source":"Sunday Music Drop","sourceUrl":"https://www.kqed.org/sundaymusicdrop","audioUrl":"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/SMD_Zekarias-Thompson_240616.mp3","sticky":false,"nprStoryId":"kqed-11990594","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11990594/zekarias-musele-thompson-a-new-bootymix-redux-v4","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003c/em>\u003c/p>\n\u003cp>West Oakland-based multidisciplinary artist, student and experimental saxophonist Zekarias Musele Thompson is, in their own words, “concerned with humanity’s conceptual and emotional organizational structures and how we bring them into material form.” This, almost by definition, demands a multifaceted approach, one that spans sound, image, performance and facilitation, involving photography, writing, sonic composition and collaborative performances. Thompson covers it all and seeks to bring about a sense of “deep, empathic listening.”\u003c/p>\n\u003cp>Thompson has presented their work in exhibitions and concerts across the Bay Area and in Iceland, having collaborated with dozens of artists. They are a cofounder of Working Name Studios, “a collectively owned and organized arts institution with the mission of building institutional stability and equity for underrepresented creative practices, ideas, and people.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This week, we bring you Thompson’s “A New Bootymix Redux,” which inspired their upcoming \u003ca href=\"https://www.moadsf.org/programs-residencies-awards/emerging-artists-2024-2025\">solo exhibition and group of compositions \u003c/a>titled \u003cem>The Meeting Place\u003c/em>: photographic landscapes embellished with oil paint, accompanied by eight musical compositions playing continuously as group participation is enhanced through sculptures that double as seating, creating an experience that intervenes with “entrenched ideas about the nature and interpretation of the art object, its authorship, and its viewership.”\u003c/p>\n\u003cp>Of “A New Bootymix Redux,” Thompson says, “I was thinking about the ways that the sounds of the breath that is going through the saxophone can interact with these analog synth electrical signals that are also doing something in ways that are similar but very different …”\u003c/p>\n\u003cp>You can experience Thompson’s work from July 24 to Sept. 1 at MoAD — Museum of the African Diaspora, located at 685 Mission St. and Third Street in San Francisco, on the ground floor of the St. Regis.\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11990594/zekarias-musele-thompson-a-new-bootymix-redux-v4","authors":["11812","11772"],"programs":["news_34370"],"categories":["news_29992","news_223","news_8","news_33520"],"tags":["news_31662","news_31663"],"featImg":"news_11990606","label":"source_news_11990594"},"news_11989574":{"type":"posts","id":"news_11989574","meta":{"index":"posts_1716263798","site":"news","id":"11989574","score":null,"sort":[1717975824000]},"guestAuthors":[],"slug":"mare-dolly-dahlia","title":"Mare: 'Dolly Dahlia'","publishDate":1717975824,"format":"standard","headTitle":"Mare: ‘Dolly Dahlia’ | KQED","labelTerm":{},"content":"\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>San Francisco’s Mare (Jess Konye) is a multi-genre artist who makes songs that are experimental, pop, and electronic adjacent. While originally from upstate New York, Konye moved to the city a few years ago.\u003c/p>\n\u003cp>She’ll be releasing eight more singles in the coming weeks and playing shows with her six-person band to prep for the production of her first LP. She hopes to have a full-length record ready for the fall of next year.\u003c/p>\n\u003cp>Mare’s name comes from “lunar mare,” which refers to the large, basaltic plains on Earth’s Moon.\u003c/p>\n\u003cp>“I’ve always been in love with the moon since I was like a little kid,” said Mare. “My music that I want to create is textural, vibey, ambient, and spacey. So, I chose the name Mare.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Mare’s musical influences include Debussy and Ravel, as well as Japanese composers Joe Hisaishi and Ryuichi Sakamoto. Mare says she focuses on the texture of her music, referring to the ambient soundscapes that exist in the background of her songs.\u003c/p>\n\u003cp>“In any given Mare song, there might be like a foreground sound, but there’s also like a lot of ambient [that] just drones in the background,” she said.\u003c/p>\n\u003cp>When it comes to songwriting, Mare will start by humming a melody to play on the guitar. After that, she uploads it to Ableton Live, the audio production software she uses to create music, and loops the sound.\u003c/p>\n\u003cp>“From there, I inform myself on like what to do next, and then as it evolves, it turns less into what would ‘x’ artist do and more of like ‘oh this feels right’ to play that note, this feels right to add this texture, or to say this thing,” she said.\u003c/p>\n\u003cp>Mare says her song “Dolly Dahlia” is representative of her artistry both up to this point and where she’s headed in the future. The song is named after Dolly, a friend she made over the internet, who also shares her love of the moon. The lyrics are paraphrases of the way Dolly speaks.\u003c/p>\n\u003cp>“We were like talking about the concept of like a friendship garden, where I’ll go to your house and give you seeds to plant a plant to remind you of me, and you can do the same, and she was like, ‘well, I’m Dolly, so I’m gonna give you a Dahlia and also, alliteration,’ and so I was like, ‘that’s so cool,'” said Mare. “I named the song after that sentiment.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Mare’s band members include Jason Romero, Chloe Donovan, Stephanie Olinger, Finn Roy, and JC Grady. Mare and her band will be performing at Neck of the Woods in San Francisco on June 26th, so you can go hear her live.\u003c/p>\n\n","blocks":[],"excerpt":"In this episode of the Sunday Music Drop, San Francisco's Mare shares her song \"Dolly Dahlia.\" Her music blends elements of electronic, pop, and experimental sounds.","status":"publish","parent":0,"modified":1727136970,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":14,"wordCount":541},"headData":{"title":"Mare: 'Dolly Dahlia' | KQED","description":"In this episode of the Sunday Music Drop, San Francisco's Mare shares her song "Dolly Dahlia." Her music blends elements of electronic, pop, and experimental sounds.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Mare: 'Dolly Dahlia'","datePublished":"2024-06-09T16:30:24-07:00","dateModified":"2024-09-23T17:16:10-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"source":"Sunday Music Drop","sourceUrl":"https://www.kqed.org/sundaymusicdrop","audioUrl":"https://cdn.kqed.org/wp-content/uploads/sites/10/2024/06/SMD-Mare_240609.mp3","sticky":false,"nprStoryId":"kqed-11989574","excludeFromSiteSearch":"Include","articleAge":"0","path":"/news/11989574/mare-dolly-dahlia","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>\u003ca href=\"https://www.kqed.org/sundaymusicdrop\">The Sunday Music Drop is a weekly radio series hosted by the KQED weekend news team.\u003c/a> In each segment, we feature a song from a local musician or band with an upcoming show and hear about what inspires their music.\u003cbr>\n\u003c/em>\u003c/p>\n\u003cp>San Francisco’s Mare (Jess Konye) is a multi-genre artist who makes songs that are experimental, pop, and electronic adjacent. While originally from upstate New York, Konye moved to the city a few years ago.\u003c/p>\n\u003cp>She’ll be releasing eight more singles in the coming weeks and playing shows with her six-person band to prep for the production of her first LP. She hopes to have a full-length record ready for the fall of next year.\u003c/p>\n\u003cp>Mare’s name comes from “lunar mare,” which refers to the large, basaltic plains on Earth’s Moon.\u003c/p>\n\u003cp>“I’ve always been in love with the moon since I was like a little kid,” said Mare. “My music that I want to create is textural, vibey, ambient, and spacey. So, I chose the name Mare.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Mare’s musical influences include Debussy and Ravel, as well as Japanese composers Joe Hisaishi and Ryuichi Sakamoto. Mare says she focuses on the texture of her music, referring to the ambient soundscapes that exist in the background of her songs.\u003c/p>\n\u003cp>“In any given Mare song, there might be like a foreground sound, but there’s also like a lot of ambient [that] just drones in the background,” she said.\u003c/p>\n\u003cp>When it comes to songwriting, Mare will start by humming a melody to play on the guitar. After that, she uploads it to Ableton Live, the audio production software she uses to create music, and loops the sound.\u003c/p>\n\u003cp>“From there, I inform myself on like what to do next, and then as it evolves, it turns less into what would ‘x’ artist do and more of like ‘oh this feels right’ to play that note, this feels right to add this texture, or to say this thing,” she said.\u003c/p>\n\u003cp>Mare says her song “Dolly Dahlia” is representative of her artistry both up to this point and where she’s headed in the future. The song is named after Dolly, a friend she made over the internet, who also shares her love of the moon. The lyrics are paraphrases of the way Dolly speaks.\u003c/p>\n\u003cp>“We were like talking about the concept of like a friendship garden, where I’ll go to your house and give you seeds to plant a plant to remind you of me, and you can do the same, and she was like, ‘well, I’m Dolly, so I’m gonna give you a Dahlia and also, alliteration,’ and so I was like, ‘that’s so cool,'” said Mare. “I named the song after that sentiment.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Mare’s band members include Jason Romero, Chloe Donovan, Stephanie Olinger, Finn Roy, and JC Grady. Mare and her band will be performing at Neck of the Woods in San Francisco on June 26th, so you can go hear her live.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/11989574/mare-dolly-dahlia","authors":["11503","11784"],"programs":["news_34370"],"categories":["news_29992","news_223","news_8","news_33520"],"tags":["news_31662","news_31663"],"featImg":"news_11989578","label":"source_news_11989574"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? 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Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. 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