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Born and raised in Wales, she started her career in London, as a music journalist for uproarious rock ’n’ roll magazine, \u003cem>\u003ca href=\"https://www.kerrang.com/features/an-oral-history-of-alternative-tentacles-40-years-of-keeping-punk-alive/\">Kerrang!\u003c/a>\u003c/em>. In America, she got her start at alt-weeklies including \u003cem>SF Weekly\u003c/em>\u003c/a> and the \u003ca href=\"https://www.villagevoice.com/author/raealexandra/\">\u003cem>Village Voice\u003c/em>\u003c/a>, and freelanced for a great many other publications. Her undying love for San Francisco has, more recently, turned her into \u003ca href=\"https://www.kqed.org/arts/category/history\">a history nerd\u003c/a>. In 2023, Rae was awarded an SPJ Excellence in Journalism Award for Arts & Culture.","avatar":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twitter":"raemondjjjj","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["editor"]},{"site":"bayareabites","roles":["editor"]},{"site":"science","roles":["editor"]}],"headData":{"title":"Rae Alexandra | KQED","description":"Staff Writer","ogImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/d5ef3d663d9adae1345d06932a3951de?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ralexandra"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"pop_112303":{"type":"posts","id":"pop_112303","meta":{"index":"posts_1716263798","site":"pop","id":"112303","score":null,"sort":[1559854075000]},"parent":0,"labelTerm":{"site":"pop"},"blocks":[],"publishDate":1559854075,"format":"standard","disqusTitle":"With 1 Huge Lie Revealed, 'Big Little Lies' Season 2 Takes A Slow-Burn Strategy","title":"With 1 Huge Lie Revealed, 'Big Little Lies' Season 2 Takes A Slow-Burn Strategy","headTitle":"KQED Pop | KQED Arts","content":"\u003cp>Sequels have come to seem inescapable in movies and TV, where the commercial logic is to keep a franchise going—even if it has nowhere to go. That's why I was leery of Season 2 of \u003cem>Big Little Lies\u003c/em>. I'd been a fan of the original HBO series, a sneaky deep blend of satire and mystery that built to a satisfying finale in which its sexually violent villain is killed and the show's five heroines testify that his death was an accident. The story was over. But the show was too successful to end.\u003c/p>\n\u003cp>And so we have Season 2, set a few months after the death. We're back in the entitled coastal enclave around Monterey, Calif., with its yoga classes, photo-op real estate and overbearing parents who treat the local grade school as their personal fiefdom. As a new school year begins, our heroines—now dubbed the Monterey Five—are dealing with the emotional aftermath of their big \u003cem>big\u003c/em> lie about the killing, as well as the littler untruths of daily life.\u003c/p>\n\u003cp>The tireless busybody Madeline (Reese Witherspoon) has alienated her loving but prickly husband, played by Adam Scott. Nicole Kidman's Celeste is grappling with the death of her abusive husband, whom she can't get out of her head. Jane (Shailene Woodley), a single mom who became pregnant after being raped, must cope with her son knowing who his father really was. Tech exec Renata—a deliciously histrionic character played by Laura Dern—is riding high, until her husband's business dealings go bad. Meanwhile, Zoë Kravitz's new age-y character, Bonnie—who actually did the killing—is in a funk over taking a human life.\u003c/p>\n\u003cp>The key to any sequel is to keep things the same yet add something extra. In a show like \u003cem>Big Little Lies\u003c/em>, that means the addition of Oscar-winning actor \u003ca href=\"https://www.npr.org/2016/08/10/489464731/meryl-streep-embodies-the-pull-of-music-in-florence-foster-jenkins\">Meryl Streep\u003c/a>, who isn't about to be shown up by Season 1's tremendous cast. Sporting vaguely rodential teeth, Streep is effortlessly dominating as Mary Louise, the dead man's grieving, slyly aggressive mother, who doubts the official version of her son's death and refuses to believe he was a sexual thug. Mary Louise flutters around the Monterey Five, an unsettling presence who keeps turning up like Lt. Columbo and keeps strewing slivers of glass into everything she says.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=eCWevZV945M\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Based on the novel by Liane Moriarty, the original \u003cem>Big Little Lies\u003c/em> took a seemingly idyllic community of suburban moms and showed the infernal stuff festering beneath it. This wasn't the most original idea ever, but the show deftly pulled you in with alluring surfaces—only to confront you with disturbing truths about sexual violence. The whole thing whooshed along with a mysterious sense of impending doom.\u003c/p>\n\u003cp>With the mysteries revealed, Moriarty and screenwriter David E. Kelley—plus a new director, Andrea Arnold—have adopted a slow-burn strategy this time out, at least in the three episodes screened for critics. Steeped in shame, anger and melancholy, the storytelling is moodier and less electric.\u003c/p>\n\u003cp>While this may ultimately prove deeper, it's initially less gripping. Although Kidman is terrific at capturing Celeste's confused sense of loss, for instance, these feelings are less dramatically compelling than Season 1's Emmy-winning portrait of a woman who fears but also desires her husband's sexualized violence.\u003c/p>\n\u003cp>That said, this sequel is worth seeing for its ensemble of leading ladies—maybe the greatest in TV history—who bring invention and life to every scene. Dern's Renata and Woodley's Jane are thinly drawn, but you scarcely notice because these actresses flesh them out with such skill.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I'd like to give a particular shoutout to Witherspoon, who, though the prime mover of the series, never got as much praise as she deserved for her smart, funny performance as Madeline, a woman with so many bees in her bonnet she might as well wear a hive. Controlling and insecure, Madeline is the show's glue and its most enjoyable character. I'd cheerfully watch a series about her sparring with the school principal, bickering with her teenage daughter, yelling at random drivers on the road and trying to save her marriage. \u003cem>Big Little Lies 3\u003c/em>, anyone?\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=With+1+Huge+Lie+Revealed%2C+%27Big+Little+Lies%27+Season+2+Takes+A+Slow-Burn+Strategy&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n","disqusIdentifier":"112303 https://ww2.kqed.org/pop/?p=112303","disqusUrl":"https://ww2.kqed.org/pop/2019/06/06/with-1-huge-lie-revealed-big-little-lies-season-2-takes-a-slow-burn-strategy/","stats":{"hasVideo":true,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":743,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":11},"modified":1559854075,"excerpt":"Meryl Streep joins the 'Big Little Lies' cast as the mother of the man killed at the end of Season 1—complicating things for the Monterey Five, who are still processing the aftermath of the death.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Meryl Streep joins the 'Big Little Lies' cast as the mother of the man killed at the end of Season 1—complicating things for the Monterey Five, who are still processing the aftermath of the death.","title":"With 1 Huge Lie Revealed, 'Big Little Lies' Season 2 Takes A Slow-Burn Strategy | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"With 1 Huge Lie Revealed, 'Big Little Lies' Season 2 Takes A Slow-Burn Strategy","datePublished":"2019-06-06T13:47:55-07:00","dateModified":"2019-06-06T13:47:55-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"with-1-huge-lie-revealed-big-little-lies-season-2-takes-a-slow-burn-strategy","status":"publish","nprApiLink":"http://api.npr.org/query?id=730275468&apiKey=MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004","nprByline":"John Powers","nprStoryDate":"Thu, 06 Jun 2019 12:31:04 -0400","nprLastModifiedDate":"Thu, 06 Jun 2019 13:36:57 -0400","nprHtmlLink":"https://www.npr.org/2019/06/06/730275468/with-1-huge-lie-revealed-big-little-lies-season-2-takes-a-slow-burn-strategy?ft=nprml&f=730275468","nprAudio":"https://ondemand.npr.org/anon.npr-mp3/npr/fa/2019/06/20190606_fa_02.mp3?orgId=427869011&topicId=1163&d=520&p=13&story=730275468&ft=nprml&f=730275468","audioTrackLength":521,"nprImageAgency":"HBO","nprAudioM3u":"http://api.npr.org/m3u/1730377029-31ec71.m3u?orgId=427869011&topicId=1163&d=520&p=13&story=730275468&ft=nprml&f=730275468","nprStoryId":"730275468","nprRetrievedStory":"1","nprPubDate":"Thu, 06 Jun 2019 14:03:00 -0400","path":"/pop/112303/with-1-huge-lie-revealed-big-little-lies-season-2-takes-a-slow-burn-strategy","audioUrl":"https://ondemand.npr.org/anon.npr-mp3/npr/fa/2019/06/20190606_fa_02.mp3?orgId=427869011&topicId=1163&d=520&p=13&story=730275468&ft=nprml&f=730275468","parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Sequels have come to seem inescapable in movies and TV, where the commercial logic is to keep a franchise going—even if it has nowhere to go. That's why I was leery of Season 2 of \u003cem>Big Little Lies\u003c/em>. I'd been a fan of the original HBO series, a sneaky deep blend of satire and mystery that built to a satisfying finale in which its sexually violent villain is killed and the show's five heroines testify that his death was an accident. The story was over. But the show was too successful to end.\u003c/p>\n\u003cp>And so we have Season 2, set a few months after the death. We're back in the entitled coastal enclave around Monterey, Calif., with its yoga classes, photo-op real estate and overbearing parents who treat the local grade school as their personal fiefdom. As a new school year begins, our heroines—now dubbed the Monterey Five—are dealing with the emotional aftermath of their big \u003cem>big\u003c/em> lie about the killing, as well as the littler untruths of daily life.\u003c/p>\n\u003cp>The tireless busybody Madeline (Reese Witherspoon) has alienated her loving but prickly husband, played by Adam Scott. Nicole Kidman's Celeste is grappling with the death of her abusive husband, whom she can't get out of her head. Jane (Shailene Woodley), a single mom who became pregnant after being raped, must cope with her son knowing who his father really was. Tech exec Renata—a deliciously histrionic character played by Laura Dern—is riding high, until her husband's business dealings go bad. Meanwhile, Zoë Kravitz's new age-y character, Bonnie—who actually did the killing—is in a funk over taking a human life.\u003c/p>\n\u003cp>The key to any sequel is to keep things the same yet add something extra. In a show like \u003cem>Big Little Lies\u003c/em>, that means the addition of Oscar-winning actor \u003ca href=\"https://www.npr.org/2016/08/10/489464731/meryl-streep-embodies-the-pull-of-music-in-florence-foster-jenkins\">Meryl Streep\u003c/a>, who isn't about to be shown up by Season 1's tremendous cast. Sporting vaguely rodential teeth, Streep is effortlessly dominating as Mary Louise, the dead man's grieving, slyly aggressive mother, who doubts the official version of her son's death and refuses to believe he was a sexual thug. Mary Louise flutters around the Monterey Five, an unsettling presence who keeps turning up like Lt. Columbo and keeps strewing slivers of glass into everything she says.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/eCWevZV945M'\n title='//www.youtube.com/embed/eCWevZV945M'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Based on the novel by Liane Moriarty, the original \u003cem>Big Little Lies\u003c/em> took a seemingly idyllic community of suburban moms and showed the infernal stuff festering beneath it. This wasn't the most original idea ever, but the show deftly pulled you in with alluring surfaces—only to confront you with disturbing truths about sexual violence. The whole thing whooshed along with a mysterious sense of impending doom.\u003c/p>\n\u003cp>With the mysteries revealed, Moriarty and screenwriter David E. Kelley—plus a new director, Andrea Arnold—have adopted a slow-burn strategy this time out, at least in the three episodes screened for critics. Steeped in shame, anger and melancholy, the storytelling is moodier and less electric.\u003c/p>\n\u003cp>While this may ultimately prove deeper, it's initially less gripping. Although Kidman is terrific at capturing Celeste's confused sense of loss, for instance, these feelings are less dramatically compelling than Season 1's Emmy-winning portrait of a woman who fears but also desires her husband's sexualized violence.\u003c/p>\n\u003cp>That said, this sequel is worth seeing for its ensemble of leading ladies—maybe the greatest in TV history—who bring invention and life to every scene. Dern's Renata and Woodley's Jane are thinly drawn, but you scarcely notice because these actresses flesh them out with such skill.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I'd like to give a particular shoutout to Witherspoon, who, though the prime mover of the series, never got as much praise as she deserved for her smart, funny performance as Madeline, a woman with so many bees in her bonnet she might as well wear a hive. Controlling and insecure, Madeline is the show's glue and its most enjoyable character. I'd cheerfully watch a series about her sparring with the school principal, bickering with her teenage daughter, yelling at random drivers on the road and trying to save her marriage. \u003cem>Big Little Lies 3\u003c/em>, anyone?\u003c/p>\n\u003cdiv class=\"fullattribution\">\u003cem>Copyright 2019 Fresh Air. To see more, visit \u003ca href=\"http://www.npr.org/programs/fresh-air/\">Fresh Air\u003c/a>.\u003cimg src=\"https://www.google-analytics.com/__utm.gif?utmac=UA-5828686-4&utmdt=With+1+Huge+Lie+Revealed%2C+%27Big+Little+Lies%27+Season+2+Takes+A+Slow-Burn+Strategy&utme=8(APIKey)9(MDAxOTAwOTE4MDEyMTkxMDAzNjczZDljZA004)\">\u003c/em>\u003c/div>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/112303/with-1-huge-lie-revealed-big-little-lies-season-2-takes-a-slow-burn-strategy","authors":["byline_pop_112303"],"categories":["pop_3"],"tags":["pop_3109","pop_271","pop_269","pop_254","pop_3690","pop_3691","pop_3692","pop_2978"],"featImg":"pop_112304","label":"pop"},"pop_96666":{"type":"posts","id":"pop_96666","meta":{"index":"posts_1716263798","site":"pop","id":"96666","score":null,"sort":[1507641343000]},"parent":0,"labelTerm":{"site":"pop"},"blocks":[],"publishDate":1507641343,"format":"standard","disqusTitle":"What Harvey Weinstein's Downfall and Blade Runner's Failure Have in Common","title":"What Harvey Weinstein's Downfall and Blade Runner's Failure Have in Common","headTitle":"KQED Pop | KQED Arts","content":"\u003cp>Last Thursday, \u003ca href=\"https://www.nytimes.com/2017/10/05/us/harvey-weinstein-harassment-allegations.html\">the \u003cem>New York Times\u003c/em>\u003c/a> pretty much single-handedly brought down one of the most powerful men in Hollywood with an article alleging decades of sexual harassment, abuse of power, and seriously inappropriate conduct. Harvey Weinstein has spent decades building a $160 million fortune, as a movie producer and studio executive for Miramax and, more recently, The Weinstein Company, both of which he co-founded with his brother, Bob. On Sunday, he was fired from his namesake company, as all of Hollywood rushed to distance itself from him.\u003c/p>\n\u003cp>Some reports have claimed that Weinstein sent out a mass email to his movie industry peers, just hours before losing his job, begging for their support. \u003ca href=\"http://www.foxnews.com/entertainment/2017/10/09/groveling-harvey-weinstein-sends-desperate-email-to-hollywood-elite-before-getting-fired-report-says.html\">Fox News reported\u003c/a> that part of his email pleaded: \"If you could write [a] letter backing me, getting me the help and time away I need, and also stating your opposition to the board firing me, it would help a lot. I am desperate for your help. Just give me the time to have therapy. Do not let me be fired. If the industry supports me, that is all I need.” Weinstein's pleas ultimately fell on deaf ears.\u003c/p>\n\u003cp>As \u003ca href=\"https://www.salon.com/2017/10/07/trumps-family-and-friends-really-want-to-tie-harvey-weinstein-to-democrats/\">some Republicans\u003c/a> sought to politicize the scandal and \u003ca href=\"https://www.bloomberg.com/news/articles/2017-10-07/some-democrats-returning-money-they-received-from-weinstein\">Democrats scrambled\u003c/a> to donate any Weinstein campaign contributions to charity, the fallout in Hollywood was even greater, as the film community tried to figure out just how far-reaching Weinstein's abusive behavior had spread. The \u003cem>Times\u003c/em> reported that at least eight women had reached settlements with Weinstein since 1990. Ashley Judd openly detailed some truly disturbing incidents with the executive, as did several other women who never filed charges for fear of having their careers ruined.\u003c/p>\n\u003cp>It is impossible not to draw parallels between the conduct Weinstein is accused of and the allegations that first emerged against Bill Cosby three years ago. Both concern men in positions of power in the entertainment industry; both men are alleged to have preyed on younger women who were desperate to gain more traction in a notoriously difficult business; both situations were talked about within elite circles as problematic open secrets; both men repeatedly paid women for their silence.\u003c/p>\n\u003cp>As more and more details emerge about Weinstein's conduct, and who knew what over the years, two of Hollywood's biggest female stars asked that this be a turning point in their industry. In a statement, \u003ca href=\"https://www.huffingtonpost.com/entry/meryl-streep-harvey-weinstein_us_59db5d87e4b072637c45420e\">Meryl Streep said:\u003c/a> “The behavior is inexcusable, but the abuse of power familiar. Each brave voice that is raised, heard and credited by our watchdog media will ultimately change the game.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ca href=\"https://www.vanityfair.com/hollywood/2017/10/glenn-close-harvey-weinstein-statement-meryl-streep\">Glenn Close noted:\u003c/a> “Ours is an industry in which very few actors are indispensable and women are cast in far fewer roles than men, so the stakes are higher for women and make them more vulnerable to the manipulations of a predator. I applaud the monumental courage of the women who have spoken up. I hope that their stories and the reportage that gave them their voices represents a tipping point, that more stories will be told and that change will follow… I feel the time is long and tragically overdue for all of us in the industry, women and men, to unite — calmly and dispassionately — and create a new culture of respect, equality and empowerment, where bullies and their enablers are no longer allowed to prosper.”\u003c/p>\n\u003cp>In 2017, it is starting to feel like more respect for women both on and off-screen is finding footing, or, at the very least, crawling out of the shadows and demanding to see the light of day. The crimes Weinstein and Cosby are accused of date back decades and yet they were both exposed within three years of each other. It cannot merely be a coincidence.\u003c/p>\n\u003cp>Consider also the fact that, in that exact same space of time (since the \u003ca href=\"https://en.wikipedia.org/wiki/Sony_Pictures_hack\">Sony hack\u003c/a> of November 2014), issues around pay equity between men and women working in Hollywood have been spoken of much more openly and often. Since 2015 alone, the likes of \u003ca href=\"http://ew.com/article/2015/10/13/jennifer-lawrence-lenny-letter-essay-sexism/\">Jennifer Lawrence\u003c/a>, \u003ca href=\"http://www.esquire.co.uk/culture/news/a9624/esquire-meets-emma-watson/\">Emma Watson\u003c/a>, \u003ca href=\"http://www.telegraph.co.uk/news/celebritynews/11924312/Meryl-Streep-I-still-experience-sexism-and-get-paid-less-than-men.html\">Meryl Streep\u003c/a>, \u003ca href=\"http://www.hollywoodreporter.com/news/amanda-seyfried-hollywood-wage-gap-808527\">Amanda Seyfried\u003c/a>, \u003ca href=\"http://ew.com/article/2015/02/22/oscars-2015-winner-patricia-arquettes-rally-cry-for-wage-equality-rights/\">Patricia Arquette\u003c/a>, \u003ca href=\"https://www.theguardian.com/film/2017/jan/11/natalie-portman-ashton-kutcher-no-strings-attached-gender-pay-gap\">Natalie Portman\u003c/a>, \u003ca href=\"http://ew.com/article/2015/10/15/jessica-chastain-gender-pay-gap-no-excuse/\">Jessica Chastain\u003c/a>, \u003ca href=\"http://ew.com/article/2015/11/07/sharon-stone-gender-pay-inequality-hollywood/\">Sharon Stone,\u003c/a> and \u003ca href=\"http://www.mtv.com/news/2277218/sienna-miller-fights-wage-gap-broadway/\">Sienna Miller\u003c/a> have all raised their objections to getting paid less than male co-stars. What's more, thanks to the extra attention being given to the issue, prominent actors are starting to take pay cuts to ensure they and their female co-stars get paid the same (\u003ca href=\"https://www.amazon.com/Then-Again-Diane-Keaton/dp/0812980956/ref=sr_1_1?ie=UTF8&qid=1507595822&sr=8-1&keywords=diane+keaton+then+again\">Diane Keaton\u003c/a> and \u003ca href=\"http://ew.com/movies/stars-gender-pay-gap/emma-stone\">Emma Stone\u003c/a> have both been open about their experiences with, and gratitude for, this).\u003c/p>\n\u003cp>More coincidentally, Weinstein's toppling occurred the same weekend that Hollywood faced one of its biggest recent shocks -- the disappointing show of the much-anticipated, well-reviewed \u003ca href=\"http://www.imdb.com/title/tt1856101/?ref_=fn_al_tt_1\">\u003cem>Blade Runner 2049\u003c/em>\u003c/a>. Hollywood insiders were shocked to see the $155-200 million movie perform so badly, bringing in just $31.5 million during its opening weekend, thanks to the fact that women stayed away in droves (\u003ca href=\"https://jezebel.com/blade-runner-2049-flopped-at-the-box-office-because-wom-1819277271\">71% of ticket buyers were male\u003c/a>).\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=gCcx85zbxz4\u003c/p>\n\u003cp>It's not difficult to see why this epic didn't appeal to many women. Twitter users pointed out that the movie failed to pass \u003ca href=\"https://en.wikipedia.org/wiki/Bechdel_test\">the Bechdel Test\u003c/a>, \u003ca href=\"https://www.theguardian.com/film/2017/oct/09/is-blade-runner-2049-a-sexist-film-or-a-fair-depiction-of-a-dystopic-future\">\u003cem>The Guardian\u003c/em>\u003c/a> pointedly explored the more sexist elements of the film, \u003ca href=\"https://i-d.vice.com/en_uk/article/evpwga/blade-runner-2049-sexist-misogynistic-mess?utm_medium=twitter&utm_source=dlvr.it\">i-D\u003c/a> called it \"a misogynistic mess\" that portrayed male deaths as \"blunt, noble,\" and female deaths as \"desperate\" and \"fetishistic.\" \u003ca href=\"https://www.wired.com/story/blade-runner-2049-politics/amp\">\u003cem>Wired\u003c/em>\u003c/a> noted the film portrayed: \"Three female characters, not one of them voicing an ambition or desire that does not pertain to their male counterparts.\"\u003c/p>\n\u003cp>The idea that female-led movies do not make money at the box office should have gone out the window once and for all over the summer thanks to \u003ca href=\"http://deadline.com/2017/06/wonder-woman-female-director-highest-grossing-live-action-film-worldwide-1202118522/\">\u003cem>Wonder Woman\u003c/em>\u003c/a>\u003cem>,\u003c/em> the biggest blockbuster of the summer, the second-highest grossing film of the entire year, and the biggest grossing movie for a female director ever. It's worth noting also that \u003ca href=\"https://www.salon.com/2017/09/02/summer-box-office-movies-2017-highest/\">\u003cem>Girl's Trip\u003c/em>\u003c/a> was the tenth most profitable movie of the summer when, by Hollywood standards, it was very much supposed to be a movie for mostly minorities. Traditionally, when female-led movies do well, the movie industry gasps in shock; when male-led ones do poorly, the industry responds the same way for the opposite reasons. In the post-\u003cem>Bridesmaids\u003c/em> landscape, these types of notions are outdated.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Taking a step back and putting all of these factors together leaves the indelible impression that Hollywood is in the midst of a major shift right now, one that increasingly demonstrates the power of women both on and off the screen, one that will no longer put up with double standards based on gender, one that will not stay silent about casting couch abuses and, yes, one in which men like Harvey Weinstein no longer get to be in charge.\u003c/p>\n\n","disqusIdentifier":"96666 https://ww2.kqed.org/pop/?p=96666","disqusUrl":"https://ww2.kqed.org/pop/2017/10/10/what-harvey-weinsteins-downfall-and-blade-runners-failure-have-in-common/","stats":{"hasVideo":true,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":1143,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":14},"modified":1507609979,"excerpt":"Hollywood gender inequality has been on the ropes for three years—could Weinstein be the breaking point?","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Hollywood gender inequality has been on the ropes for three years—could Weinstein be the breaking point?","title":"What Harvey Weinstein's Downfall and Blade Runner's Failure Have in Common | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"What Harvey Weinstein's Downfall and Blade Runner's Failure Have in Common","datePublished":"2017-10-10T06:15:43-07:00","dateModified":"2017-10-09T21:32:59-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"what-harvey-weinsteins-downfall-and-blade-runners-failure-have-in-common","status":"publish","path":"/pop/96666/what-harvey-weinsteins-downfall-and-blade-runners-failure-have-in-common","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Last Thursday, \u003ca href=\"https://www.nytimes.com/2017/10/05/us/harvey-weinstein-harassment-allegations.html\">the \u003cem>New York Times\u003c/em>\u003c/a> pretty much single-handedly brought down one of the most powerful men in Hollywood with an article alleging decades of sexual harassment, abuse of power, and seriously inappropriate conduct. Harvey Weinstein has spent decades building a $160 million fortune, as a movie producer and studio executive for Miramax and, more recently, The Weinstein Company, both of which he co-founded with his brother, Bob. On Sunday, he was fired from his namesake company, as all of Hollywood rushed to distance itself from him.\u003c/p>\n\u003cp>Some reports have claimed that Weinstein sent out a mass email to his movie industry peers, just hours before losing his job, begging for their support. \u003ca href=\"http://www.foxnews.com/entertainment/2017/10/09/groveling-harvey-weinstein-sends-desperate-email-to-hollywood-elite-before-getting-fired-report-says.html\">Fox News reported\u003c/a> that part of his email pleaded: \"If you could write [a] letter backing me, getting me the help and time away I need, and also stating your opposition to the board firing me, it would help a lot. I am desperate for your help. Just give me the time to have therapy. Do not let me be fired. If the industry supports me, that is all I need.” Weinstein's pleas ultimately fell on deaf ears.\u003c/p>\n\u003cp>As \u003ca href=\"https://www.salon.com/2017/10/07/trumps-family-and-friends-really-want-to-tie-harvey-weinstein-to-democrats/\">some Republicans\u003c/a> sought to politicize the scandal and \u003ca href=\"https://www.bloomberg.com/news/articles/2017-10-07/some-democrats-returning-money-they-received-from-weinstein\">Democrats scrambled\u003c/a> to donate any Weinstein campaign contributions to charity, the fallout in Hollywood was even greater, as the film community tried to figure out just how far-reaching Weinstein's abusive behavior had spread. The \u003cem>Times\u003c/em> reported that at least eight women had reached settlements with Weinstein since 1990. Ashley Judd openly detailed some truly disturbing incidents with the executive, as did several other women who never filed charges for fear of having their careers ruined.\u003c/p>\n\u003cp>It is impossible not to draw parallels between the conduct Weinstein is accused of and the allegations that first emerged against Bill Cosby three years ago. Both concern men in positions of power in the entertainment industry; both men are alleged to have preyed on younger women who were desperate to gain more traction in a notoriously difficult business; both situations were talked about within elite circles as problematic open secrets; both men repeatedly paid women for their silence.\u003c/p>\n\u003cp>As more and more details emerge about Weinstein's conduct, and who knew what over the years, two of Hollywood's biggest female stars asked that this be a turning point in their industry. In a statement, \u003ca href=\"https://www.huffingtonpost.com/entry/meryl-streep-harvey-weinstein_us_59db5d87e4b072637c45420e\">Meryl Streep said:\u003c/a> “The behavior is inexcusable, but the abuse of power familiar. Each brave voice that is raised, heard and credited by our watchdog media will ultimately change the game.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ca href=\"https://www.vanityfair.com/hollywood/2017/10/glenn-close-harvey-weinstein-statement-meryl-streep\">Glenn Close noted:\u003c/a> “Ours is an industry in which very few actors are indispensable and women are cast in far fewer roles than men, so the stakes are higher for women and make them more vulnerable to the manipulations of a predator. I applaud the monumental courage of the women who have spoken up. I hope that their stories and the reportage that gave them their voices represents a tipping point, that more stories will be told and that change will follow… I feel the time is long and tragically overdue for all of us in the industry, women and men, to unite — calmly and dispassionately — and create a new culture of respect, equality and empowerment, where bullies and their enablers are no longer allowed to prosper.”\u003c/p>\n\u003cp>In 2017, it is starting to feel like more respect for women both on and off-screen is finding footing, or, at the very least, crawling out of the shadows and demanding to see the light of day. The crimes Weinstein and Cosby are accused of date back decades and yet they were both exposed within three years of each other. It cannot merely be a coincidence.\u003c/p>\n\u003cp>Consider also the fact that, in that exact same space of time (since the \u003ca href=\"https://en.wikipedia.org/wiki/Sony_Pictures_hack\">Sony hack\u003c/a> of November 2014), issues around pay equity between men and women working in Hollywood have been spoken of much more openly and often. Since 2015 alone, the likes of \u003ca href=\"http://ew.com/article/2015/10/13/jennifer-lawrence-lenny-letter-essay-sexism/\">Jennifer Lawrence\u003c/a>, \u003ca href=\"http://www.esquire.co.uk/culture/news/a9624/esquire-meets-emma-watson/\">Emma Watson\u003c/a>, \u003ca href=\"http://www.telegraph.co.uk/news/celebritynews/11924312/Meryl-Streep-I-still-experience-sexism-and-get-paid-less-than-men.html\">Meryl Streep\u003c/a>, \u003ca href=\"http://www.hollywoodreporter.com/news/amanda-seyfried-hollywood-wage-gap-808527\">Amanda Seyfried\u003c/a>, \u003ca href=\"http://ew.com/article/2015/02/22/oscars-2015-winner-patricia-arquettes-rally-cry-for-wage-equality-rights/\">Patricia Arquette\u003c/a>, \u003ca href=\"https://www.theguardian.com/film/2017/jan/11/natalie-portman-ashton-kutcher-no-strings-attached-gender-pay-gap\">Natalie Portman\u003c/a>, \u003ca href=\"http://ew.com/article/2015/10/15/jessica-chastain-gender-pay-gap-no-excuse/\">Jessica Chastain\u003c/a>, \u003ca href=\"http://ew.com/article/2015/11/07/sharon-stone-gender-pay-inequality-hollywood/\">Sharon Stone,\u003c/a> and \u003ca href=\"http://www.mtv.com/news/2277218/sienna-miller-fights-wage-gap-broadway/\">Sienna Miller\u003c/a> have all raised their objections to getting paid less than male co-stars. What's more, thanks to the extra attention being given to the issue, prominent actors are starting to take pay cuts to ensure they and their female co-stars get paid the same (\u003ca href=\"https://www.amazon.com/Then-Again-Diane-Keaton/dp/0812980956/ref=sr_1_1?ie=UTF8&qid=1507595822&sr=8-1&keywords=diane+keaton+then+again\">Diane Keaton\u003c/a> and \u003ca href=\"http://ew.com/movies/stars-gender-pay-gap/emma-stone\">Emma Stone\u003c/a> have both been open about their experiences with, and gratitude for, this).\u003c/p>\n\u003cp>More coincidentally, Weinstein's toppling occurred the same weekend that Hollywood faced one of its biggest recent shocks -- the disappointing show of the much-anticipated, well-reviewed \u003ca href=\"http://www.imdb.com/title/tt1856101/?ref_=fn_al_tt_1\">\u003cem>Blade Runner 2049\u003c/em>\u003c/a>. Hollywood insiders were shocked to see the $155-200 million movie perform so badly, bringing in just $31.5 million during its opening weekend, thanks to the fact that women stayed away in droves (\u003ca href=\"https://jezebel.com/blade-runner-2049-flopped-at-the-box-office-because-wom-1819277271\">71% of ticket buyers were male\u003c/a>).\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gCcx85zbxz4'\n title='//www.youtube.com/embed/gCcx85zbxz4'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It's not difficult to see why this epic didn't appeal to many women. Twitter users pointed out that the movie failed to pass \u003ca href=\"https://en.wikipedia.org/wiki/Bechdel_test\">the Bechdel Test\u003c/a>, \u003ca href=\"https://www.theguardian.com/film/2017/oct/09/is-blade-runner-2049-a-sexist-film-or-a-fair-depiction-of-a-dystopic-future\">\u003cem>The Guardian\u003c/em>\u003c/a> pointedly explored the more sexist elements of the film, \u003ca href=\"https://i-d.vice.com/en_uk/article/evpwga/blade-runner-2049-sexist-misogynistic-mess?utm_medium=twitter&utm_source=dlvr.it\">i-D\u003c/a> called it \"a misogynistic mess\" that portrayed male deaths as \"blunt, noble,\" and female deaths as \"desperate\" and \"fetishistic.\" \u003ca href=\"https://www.wired.com/story/blade-runner-2049-politics/amp\">\u003cem>Wired\u003c/em>\u003c/a> noted the film portrayed: \"Three female characters, not one of them voicing an ambition or desire that does not pertain to their male counterparts.\"\u003c/p>\n\u003cp>The idea that female-led movies do not make money at the box office should have gone out the window once and for all over the summer thanks to \u003ca href=\"http://deadline.com/2017/06/wonder-woman-female-director-highest-grossing-live-action-film-worldwide-1202118522/\">\u003cem>Wonder Woman\u003c/em>\u003c/a>\u003cem>,\u003c/em> the biggest blockbuster of the summer, the second-highest grossing film of the entire year, and the biggest grossing movie for a female director ever. It's worth noting also that \u003ca href=\"https://www.salon.com/2017/09/02/summer-box-office-movies-2017-highest/\">\u003cem>Girl's Trip\u003c/em>\u003c/a> was the tenth most profitable movie of the summer when, by Hollywood standards, it was very much supposed to be a movie for mostly minorities. Traditionally, when female-led movies do well, the movie industry gasps in shock; when male-led ones do poorly, the industry responds the same way for the opposite reasons. In the post-\u003cem>Bridesmaids\u003c/em> landscape, these types of notions are outdated.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Taking a step back and putting all of these factors together leaves the indelible impression that Hollywood is in the midst of a major shift right now, one that increasingly demonstrates the power of women both on and off the screen, one that will no longer put up with double standards based on gender, one that will not stay silent about casting couch abuses and, yes, one in which men like Harvey Weinstein no longer get to be in charge.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/96666/what-harvey-weinsteins-downfall-and-blade-runners-failure-have-in-common","authors":["11242"],"categories":["pop_51"],"tags":["pop_3082","pop_427","pop_3083","pop_3081","pop_254"],"featImg":"pop_96676","label":"pop"},"pop_95779":{"type":"posts","id":"pop_95779","meta":{"index":"posts_1716263798","site":"pop","id":"95779","score":null,"sort":[1503513181000]},"parent":0,"labelTerm":{"site":"pop"},"blocks":[],"publishDate":1503513181,"format":"standard","disqusTitle":"How Did We Get Here? Marky Mark and the History of Hollywood’s Gender Pay Gap","title":"How Did We Get Here? Marky Mark and the History of Hollywood’s Gender Pay Gap","headTitle":"KQED Pop | KQED Arts","content":"\u003cp>This year's \u003ca href=\"https://www.forbes.com/sites/natalierobehmed/2017/08/22/full-list-the-worlds-highest-paid-actors-and-actresses-2017/#17a299f03751\">Forbes figures \u003c/a>are in, and, if you want to be very confused, in 2017 the highest-paid actor in Hollywood was Mark Wahlberg. He made $68 million! The highest paid actress for the same period was Emma Stone, who pulled in $26 million. That's such an enormous discrepancy that, in order to find an actor in the same pay bracket as the Oscar-winning Stone, you have to drop all the way down to the No. 14 and 15 slots on the actor's list (Ryan Gosling's $29 million and Ryan Reynolds' $21 million).\u003c/p>\n\u003cp>Despite many vocal objections from women working in Hollywood in recent years, the gap between the highest earning actors and actresses in America isn't getting better — based on this year's report, it seems to be getting worse. In 2015, according to \u003ca href=\"http://variety.com/2015/film/news/hollywood-gender-pay-gap-inequality-1201636553/\">\u003cem>Variety\u003c/em>\u003c/a>, the highest paid actors combined made $431 million. The top ten actresses combined made almost half that -- $218 million. That year, the gap between top earners Robert Downey Jr. ($80 million) and Jennifer Lawrence ($52 million) was $28 million. The difference between Wahlberg and Stone two years later is a whopping $42 million.\u003c/p>\n\u003cp>While Jennifer Lawrence's essay on wage inequality for Lena Dunham's \u003ca href=\"http://www.lennyletter.com/work/a147/jennifer-lawrence-why-do-i-make-less-than-my-male-costars/\">\u003cem>Lenny\u003c/em>\u003c/a> site did make waves (\"When the Sony hack happened,\" Lawrence wrote, \"I found out how much less I was being paid than the lucky people with d**ks,\") the most visible incident of an actress speaking out about Hollywood's wage inequality was Patricia Arquette at the 2015 Oscars. Having just won the Academy Award for Best Supporting Actress, she used the podium to state unequivocally that it's \"time to have wage equality once and for all, and equal rights for women in the United States of America.” Meryl Streep was famously so pleased someone had finally said it, she \u003ca href=\"http://i.kinja-img.com/gawker-media/image/upload/s--6aC1n-Y9--/c_fit,fl_progressive,q_80,w_636/f6uzvjg9audixafzcb5i.gif\">leapt out of her chair\u003c/a>.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=6wx-Qh4Vczc\u003c/p>\n\u003cp>But on the Oscars red carpet a year later, Arquette told journalists she had \u003ca href=\"https://www.theguardian.com/film/2016/mar/01/patricia-arquette-oscars-equality-speech-hollywood\">lost roles as a result\u003c/a> of her acceptance speech. \"Before I said it, I knew there was going to be some drama,\" she said, \"because it would cost people money.” That fear of pushing too hard and losing work puts women in an impossible position -- even at the highest levels. 2003's \u003cem>Something’s Gotta Give \u003c/em>offers an absurd example. When Jack Nicholson received back-end pay for the movie, and Diane Keaton, who had a larger role in the film, did not, Nicholson wound up trying to right the wrong by \u003ca href=\"http://variety.com/2015/film/news/hollywood-gender-pay-gap-inequality-1201636553/\">sending Keaton part of his check\u003c/a>. Few female stars have co-stars willing to go to such lengths.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Perhaps the most surprising element of this is that, unlike most professions in the world, Hollywood did not start out with the kind of consistently divided financial gender lines that it's currently tolerating. It's true that in 1937, Fred Astaire made $211,666 to Ginger Rogers' $124,770, but consider the fact that, that same year, the top two highest earners were Gary Cooper ($370,214) with Mae West close behind ($323,333). Five years prior, in 1932, the top three earners were actresses. So it would seem that opportunities to get into the same earnings ballpark as men were more viable for actresses 80 years ago than they are today -- which is pretty insane if you think about it. Scarlett Johansson may have \u003ca href=\"http://variety.com/2015/film/news/scarlett-johansson-avengers-salary-chris-evans-chris-hemsworth-1201637789/\">earned the same\u003c/a> as Chris Evans and Chris Hemsworth for \u003cem>The Avengers\u003c/em>, but it was an unusual enough situation to warrant press attention.\u003c/p>\n\u003cp>So how did we get here? It's easy to track where the shift in Hollywood earnings began, thanks to \u003ca href=\"https://en.wikipedia.org/wiki/Top_Ten_Money_Making_Stars_Poll#1950_Poll\">the Top Ten Money Making Stars Poll\u003c/a> -- a unisex list. The results of the very first poll came out in 1932, and not only revealed that the top three earners were female (Marie Dressler, Janet Gaynor and Joan Crawford), but that the list was 50/50 men and women. That trend continued through the 1930s.\u003c/p>\n\u003cp>By 1942, however, the list was dominated by men, with just Betty Grable and Greer Larson scraping into the top ten in the No. 8 and 9 positions. Ten years later, the problem persisted. 1952's list contains only two women -- Doris Day at No. 7 and Susan Hayward at No. 9. By 1957, there wasn't one woman left on the top ten earner's list.\u003c/p>\n\u003cp>Some recovery came in the 1960s. Marlon Brando might have been the first actor to earn $1 million for a movie, for 1962's \u003cem>\u003ca href=\"http://www.imdb.com/title/tt0056264/?ref_=fn_al_tt_2\">Mutiny on the Bounty\u003c/a>, \u003c/em>but it took Elizabeth Taylor less than nine months to catch up, with her salary on \u003ca href=\"http://thefilmexperience.net/blog/2011/3/8/a-history-of-firsts-for-women-in-film.html\">\u003cem>Cleopatra\u003c/em>\u003c/a>. The top ten money makers poll was dominated by men for the entire period, but it was women (Doris Day, Elizabeth Taylor and Julie Andrews) topping the list for all but two years that decade.\u003c/p>\n\u003cp>It was in the 1970s that a major shift happened. That was the decade that women were all but wiped off the highest earners' list, and frankly, women in Hollywood have never recovered. That shift, at that particular time -- the peak of second wave feminism -- is an ironic premonition of where we are now.\u003c/p>\n\u003cfigure id=\"attachment_95782\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-95782 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM-800x529.png\" alt=\"\" width=\"800\" height=\"529\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM-800x529.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM-160x106.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM-768x508.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM-240x159.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM-375x248.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM-520x344.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM.png 822w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">\"Second Wave Feminism - 1960s-1970s\" / YouTube\u003c/figcaption>\u003c/figure>\n\u003cp>Arguments about the gender pay gap are frequently disrupted with suggestions that women are simply choosing lower-paid jobs, working less hours (because of their still-dominant role in caregiving responsibilities) or just not pushing hard enough. What the movie industry is effectively showing us is that none of those factors actually matter. Men and women in Hollywood are doing the same jobs (though meaty roles are\u003ca href=\"https://www.forbes.com/sites/dorothypomerantz/2015/08/05/women-still-ridiculously-underrepresented-in-movies/#5decf9bc30ea\"> harder to come by\u003c/a> for women simply because they're not getting written / greenlit), they have the same agents, the same PR people and the same means to deal with child care as their male counterparts. The reason actresses are making less is very simple: the film industry has a very obvious, very systemic sexism problem.\u003c/p>\n\u003cp>In the end, Hollywood is symbolic of what women face in almost every industry and profession in the United States -- and where you live in the country does make a difference. In 2015, women working in New York City made 89 cents for every male dollar, but in Wyoming that amount dropped to 64 cents. The gender pay gap also significantly increases for women of color.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>This year, the female-led and directed \u003cem>Wonder Woman\u003c/em> grossed $404,008,376 million domestically, making it the \u003ca href=\"https://www.bleedingcool.com/2017/08/22/wonder-woman-highest-grossing-superhero-origin/\">biggest money-maker\u003c/a> in origin superhero movie history. \u003cem>Girls Trip\u003c/em> also proved another \u003ca href=\"https://www.forbes.com/sites/scottmendelson/2017/07/24/box-office-why-girls-trip-became-the-years-first-comedy-smash/#68bc9d456eff\">major winner\u003c/a> at this summer's box office. When given the opportunity, women in movies earn just as much for the industry as the men do -- and it's about time their paychecks reflected that.\u003c/p>\n\n","disqusIdentifier":"95779 https://ww2.kqed.org/pop/?p=95779","disqusUrl":"https://ww2.kqed.org/pop/2017/08/23/how-did-we-get-here-marky-mark-and-the-history-of-hollywoods-gender-pay-gap/","stats":{"hasVideo":true,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":1170,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":14},"modified":1503513181,"excerpt":"Top-paid Hollywood actor Mark Wahlberg earned $42 million more than Emma Stone — an inequity that's symbolic of a wider problem for all women.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Top-paid Hollywood actor Mark Wahlberg earned $42 million more than Emma Stone — an inequity that's symbolic of a wider problem for all women.","title":"How Did We Get Here? Marky Mark and the History of Hollywood’s Gender Pay Gap | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"How Did We Get Here? Marky Mark and the History of Hollywood’s Gender Pay Gap","datePublished":"2017-08-23T11:33:01-07:00","dateModified":"2017-08-23T11:33:01-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"how-did-we-get-here-marky-mark-and-the-history-of-hollywoods-gender-pay-gap","status":"publish","path":"/pop/95779/how-did-we-get-here-marky-mark-and-the-history-of-hollywoods-gender-pay-gap","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>This year's \u003ca href=\"https://www.forbes.com/sites/natalierobehmed/2017/08/22/full-list-the-worlds-highest-paid-actors-and-actresses-2017/#17a299f03751\">Forbes figures \u003c/a>are in, and, if you want to be very confused, in 2017 the highest-paid actor in Hollywood was Mark Wahlberg. He made $68 million! The highest paid actress for the same period was Emma Stone, who pulled in $26 million. That's such an enormous discrepancy that, in order to find an actor in the same pay bracket as the Oscar-winning Stone, you have to drop all the way down to the No. 14 and 15 slots on the actor's list (Ryan Gosling's $29 million and Ryan Reynolds' $21 million).\u003c/p>\n\u003cp>Despite many vocal objections from women working in Hollywood in recent years, the gap between the highest earning actors and actresses in America isn't getting better — based on this year's report, it seems to be getting worse. In 2015, according to \u003ca href=\"http://variety.com/2015/film/news/hollywood-gender-pay-gap-inequality-1201636553/\">\u003cem>Variety\u003c/em>\u003c/a>, the highest paid actors combined made $431 million. The top ten actresses combined made almost half that -- $218 million. That year, the gap between top earners Robert Downey Jr. ($80 million) and Jennifer Lawrence ($52 million) was $28 million. The difference between Wahlberg and Stone two years later is a whopping $42 million.\u003c/p>\n\u003cp>While Jennifer Lawrence's essay on wage inequality for Lena Dunham's \u003ca href=\"http://www.lennyletter.com/work/a147/jennifer-lawrence-why-do-i-make-less-than-my-male-costars/\">\u003cem>Lenny\u003c/em>\u003c/a> site did make waves (\"When the Sony hack happened,\" Lawrence wrote, \"I found out how much less I was being paid than the lucky people with d**ks,\") the most visible incident of an actress speaking out about Hollywood's wage inequality was Patricia Arquette at the 2015 Oscars. Having just won the Academy Award for Best Supporting Actress, she used the podium to state unequivocally that it's \"time to have wage equality once and for all, and equal rights for women in the United States of America.” Meryl Streep was famously so pleased someone had finally said it, she \u003ca href=\"http://i.kinja-img.com/gawker-media/image/upload/s--6aC1n-Y9--/c_fit,fl_progressive,q_80,w_636/f6uzvjg9audixafzcb5i.gif\">leapt out of her chair\u003c/a>.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/6wx-Qh4Vczc'\n title='//www.youtube.com/embed/6wx-Qh4Vczc'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>But on the Oscars red carpet a year later, Arquette told journalists she had \u003ca href=\"https://www.theguardian.com/film/2016/mar/01/patricia-arquette-oscars-equality-speech-hollywood\">lost roles as a result\u003c/a> of her acceptance speech. \"Before I said it, I knew there was going to be some drama,\" she said, \"because it would cost people money.” That fear of pushing too hard and losing work puts women in an impossible position -- even at the highest levels. 2003's \u003cem>Something’s Gotta Give \u003c/em>offers an absurd example. When Jack Nicholson received back-end pay for the movie, and Diane Keaton, who had a larger role in the film, did not, Nicholson wound up trying to right the wrong by \u003ca href=\"http://variety.com/2015/film/news/hollywood-gender-pay-gap-inequality-1201636553/\">sending Keaton part of his check\u003c/a>. Few female stars have co-stars willing to go to such lengths.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Perhaps the most surprising element of this is that, unlike most professions in the world, Hollywood did not start out with the kind of consistently divided financial gender lines that it's currently tolerating. It's true that in 1937, Fred Astaire made $211,666 to Ginger Rogers' $124,770, but consider the fact that, that same year, the top two highest earners were Gary Cooper ($370,214) with Mae West close behind ($323,333). Five years prior, in 1932, the top three earners were actresses. So it would seem that opportunities to get into the same earnings ballpark as men were more viable for actresses 80 years ago than they are today -- which is pretty insane if you think about it. Scarlett Johansson may have \u003ca href=\"http://variety.com/2015/film/news/scarlett-johansson-avengers-salary-chris-evans-chris-hemsworth-1201637789/\">earned the same\u003c/a> as Chris Evans and Chris Hemsworth for \u003cem>The Avengers\u003c/em>, but it was an unusual enough situation to warrant press attention.\u003c/p>\n\u003cp>So how did we get here? It's easy to track where the shift in Hollywood earnings began, thanks to \u003ca href=\"https://en.wikipedia.org/wiki/Top_Ten_Money_Making_Stars_Poll#1950_Poll\">the Top Ten Money Making Stars Poll\u003c/a> -- a unisex list. The results of the very first poll came out in 1932, and not only revealed that the top three earners were female (Marie Dressler, Janet Gaynor and Joan Crawford), but that the list was 50/50 men and women. That trend continued through the 1930s.\u003c/p>\n\u003cp>By 1942, however, the list was dominated by men, with just Betty Grable and Greer Larson scraping into the top ten in the No. 8 and 9 positions. Ten years later, the problem persisted. 1952's list contains only two women -- Doris Day at No. 7 and Susan Hayward at No. 9. By 1957, there wasn't one woman left on the top ten earner's list.\u003c/p>\n\u003cp>Some recovery came in the 1960s. Marlon Brando might have been the first actor to earn $1 million for a movie, for 1962's \u003cem>\u003ca href=\"http://www.imdb.com/title/tt0056264/?ref_=fn_al_tt_2\">Mutiny on the Bounty\u003c/a>, \u003c/em>but it took Elizabeth Taylor less than nine months to catch up, with her salary on \u003ca href=\"http://thefilmexperience.net/blog/2011/3/8/a-history-of-firsts-for-women-in-film.html\">\u003cem>Cleopatra\u003c/em>\u003c/a>. The top ten money makers poll was dominated by men for the entire period, but it was women (Doris Day, Elizabeth Taylor and Julie Andrews) topping the list for all but two years that decade.\u003c/p>\n\u003cp>It was in the 1970s that a major shift happened. That was the decade that women were all but wiped off the highest earners' list, and frankly, women in Hollywood have never recovered. That shift, at that particular time -- the peak of second wave feminism -- is an ironic premonition of where we are now.\u003c/p>\n\u003cfigure id=\"attachment_95782\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg class=\"wp-image-95782 size-medium\" src=\"https://ww2.kqed.org/pop/wp-content/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM-800x529.png\" alt=\"\" width=\"800\" height=\"529\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM-800x529.png 800w, https://ww2.kqed.org/app/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM-160x106.png 160w, https://ww2.kqed.org/app/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM-768x508.png 768w, https://ww2.kqed.org/app/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM-240x159.png 240w, https://ww2.kqed.org/app/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM-375x248.png 375w, https://ww2.kqed.org/app/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM-520x344.png 520w, https://ww2.kqed.org/app/uploads/sites/12/2017/08/Screen-Shot-2017-08-22-at-2.42.11-PM.png 822w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">\"Second Wave Feminism - 1960s-1970s\" / YouTube\u003c/figcaption>\u003c/figure>\n\u003cp>Arguments about the gender pay gap are frequently disrupted with suggestions that women are simply choosing lower-paid jobs, working less hours (because of their still-dominant role in caregiving responsibilities) or just not pushing hard enough. What the movie industry is effectively showing us is that none of those factors actually matter. Men and women in Hollywood are doing the same jobs (though meaty roles are\u003ca href=\"https://www.forbes.com/sites/dorothypomerantz/2015/08/05/women-still-ridiculously-underrepresented-in-movies/#5decf9bc30ea\"> harder to come by\u003c/a> for women simply because they're not getting written / greenlit), they have the same agents, the same PR people and the same means to deal with child care as their male counterparts. The reason actresses are making less is very simple: the film industry has a very obvious, very systemic sexism problem.\u003c/p>\n\u003cp>In the end, Hollywood is symbolic of what women face in almost every industry and profession in the United States -- and where you live in the country does make a difference. In 2015, women working in New York City made 89 cents for every male dollar, but in Wyoming that amount dropped to 64 cents. The gender pay gap also significantly increases for women of color.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>This year, the female-led and directed \u003cem>Wonder Woman\u003c/em> grossed $404,008,376 million domestically, making it the \u003ca href=\"https://www.bleedingcool.com/2017/08/22/wonder-woman-highest-grossing-superhero-origin/\">biggest money-maker\u003c/a> in origin superhero movie history. \u003cem>Girls Trip\u003c/em> also proved another \u003ca href=\"https://www.forbes.com/sites/scottmendelson/2017/07/24/box-office-why-girls-trip-became-the-years-first-comedy-smash/#68bc9d456eff\">major winner\u003c/a> at this summer's box office. When given the opportunity, women in movies earn just as much for the industry as the men do -- and it's about time their paychecks reflected that.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/95779/how-did-we-get-here-marky-mark-and-the-history-of-hollywoods-gender-pay-gap","authors":["11242"],"categories":["pop_51","pop_1041"],"tags":["pop_3043","pop_3039","pop_3041","pop_3040","pop_254","pop_211","pop_3042","pop_1119"],"featImg":"pop_95787","label":"pop"},"pop_57498":{"type":"posts","id":"pop_57498","meta":{"index":"posts_1716263798","site":"pop","id":"57498","score":null,"sort":[1483938212000]},"parent":0,"labelTerm":{"site":"pop"},"blocks":[],"publishDate":1483938212,"format":"standard","disqusTitle":"Watch Meryl Streep Call Out Trump, Defend Foreigners and the Press in Emotional Golden Globes Speech","title":"Watch Meryl Streep Call Out Trump, Defend Foreigners and the Press in Emotional Golden Globes Speech","headTitle":"KQED Pop | KQED Arts","content":"\u003cp>[contextly_sidebar id=\"NuXqN1ubD6beXZS6jNuffjrYFJuB5XA5\"]Let's face it: award shows are 99% boring, thanks to predictable results and\u003ca href=\"https://ww2.kqed.org/pop/2016/02/26/acceptance-speeches-101-how-winners-could-make-the-oscars-way-less-boring/\"> unimaginative, name-dropping acceptance speeches\u003c/a>. But every now and then, a winner gets on stage and sets it on fire with actual ideas.\u003c/p>\n\u003cp>That's exactly what Meryl Streep did tonight at the Golden Globe Awards, while receiving the Cecil B. DeMille Award. Instead of looking back on her brilliant career or remarking on what it feels like to be the most celebrated actress of our time, she instead decided to comment on a performance by someone else, that of \u003ca href=\"http://www.cnn.com/videos/tv/2015/11/26/donald-trump-mocks-reporter-with-disability-berman-sot-ac.cnn\">Donald Trump mocking a disabled reporter\u003c/a>. Streep used that infamous moment as a jumping-off point to discuss the importance of empathy, the arts, diversity, and the free press. The crowd went wild. And \u003ca href=\"https://twitter.com/seanhannity/status/818297924161601537\">some\u003c/a> \u003ca href=\"https://twitter.com/MeghanMcCain/status/818294731742580736\">conservatives\u003c/a> lost it in a different sense on Twitter.\u003c/p>\n\u003cp>Watch what all the fuss is about:\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"//players.brightcove.net/769341148/E1zVmpNYx_default/index.html?videoId=5275076319001\" frameborder=\"0\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Or read the transcript:\u003c/p>\n\u003cblockquote>\u003cp>Please sit down. Thank you. I love you all. You’ll have to forgive me. I’ve lost my voice in screaming and lamentation this weekend. And I have lost my mind sometime earlier this year, so I have to read.\u003c/p>\n\u003cp>Thank you, Hollywood Foreign Press. Just to pick up on what Hugh Laurie said: You and all of us in this room really belong to the most vilified segments in American society right now. Think about it: Hollywood, foreigners and the press.\u003c/p>\n\u003cp>But who are we, and what is Hollywood anyway? It’s just a bunch of people from other places. I was born and raised and educated in the public schools of New Jersey. Viola was born in a sharecropper’s cabin in South Carolina, came up in Central Falls, Rhode Island. Sarah Paulson was born in Florida, raised by a single mom in Brooklyn. Sarah Jessica Parker was one of seven or eight kids in Ohio. Amy Adams was born in Vicenza, Italy. And Natalie Portman was born in Jerusalem.\u003c/p>\n\u003cp>Where are their birth certificates?\u003c/p>\n\u003cp>And the beautiful Ruth Negga was born in Addis Ababa, Ethiopia, raised in London — no, in Ireland I do believe, and she’s here nominated for playing a girl in small-town Virginia. Ryan Gosling, like all of the nicest people, is Canadian. And Dev Patel was born in Kenya, raised in London, and is here playing an Indian raised in Tasmania.\u003c/p>\n\u003cp>So Hollywood is crawling with outsiders and foreigners. And if we kick them all out you’ll have nothing to watch but football and mixed martial arts, which are not the arts.\u003c/p>\n\u003cp>They gave me three seconds to say this, so: An actor’s only job is to enter the lives of people who are different from us, and let you feel what that feels like. And there were many, many, many powerful performances this year that did exactly that. Breathtaking, compassionate work.\u003c/p>\n\u003cp>But there was one performance this year that stunned me. It sank its hooks in my heart. Not because it was good; there was nothing good about it. But it was effective and it did its job. It made its intended audience laugh and show their teeth. It was that moment when the person asking to sit in the most respected seat in our country imitated a disabled reporter. Someone he outranked in privilege, power and the capacity to fight back.\u003c/p>\n\u003cp>It kind of broke my heart when I saw it, and I still can’t get it out of my head, because it wasn’t in a movie. It was real life. And this instinct to humiliate, when it’s modeled by someone in the public platform, by someone powerful, it filters down into everybody’s life, because it kind of gives permission for other people to do the same thing. Disrespect invites disrespect, violence incites violence. And when the powerful use their position to bully others, we all lose.\u003c/p>\n\u003cp>O.K., go on with it. O.K., this brings me to the press. We need the principled press to hold power to account, to call him on the carpet for every outrage. That’s why our founders enshrined the press and its freedoms in the Constitution. So I only ask the famously well-heeled Hollywood Foreign Press and all of us in our community to join me in supporting the Committee to Protect Journalists because we’re gonna need them going forward, and they’ll need us to safeguard the truth.\u003c/p>\n\u003cp>One more thing: Once, when I was standing around on the set one day, whining about something -- you know we were gonna work through supper or the long hours or whatever -- Tommy Lee Jones said to me, “Isn’t it such a privilege, Meryl, just to be an actor?” Yeah, it is, and we have to remind each other of the privilege and the responsibility of the act of empathy. We should all be proud of the work Hollywood honors here tonight.\u003c/p>\n\u003cp>As my friend, the dear departed Princess Leia, said to me once: Take your broken heart, make it into art.\u003c/p>\u003c/blockquote>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","disqusIdentifier":"57498 http://ww2.kqed.org/pop/?p=57498","disqusUrl":"https://ww2.kqed.org/pop/2017/01/08/watch-meryl-streep-call-out-trump-defend-foreigners-and-the-press-in-emotional-golden-globes-speech/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":861,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":19},"modified":1483958193,"excerpt":"\"Disrespect invites disrespect, violence incites violence. And when the powerful use their position to bully others, we all lose.\"","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":""Disrespect invites disrespect, violence incites violence. And when the powerful use their position to bully others, we all lose."","title":"Watch Meryl Streep Call Out Trump, Defend Foreigners and the Press in Emotional Golden Globes Speech | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Watch Meryl Streep Call Out Trump, Defend Foreigners and the Press in Emotional Golden Globes Speech","datePublished":"2017-01-08T21:03:32-08:00","dateModified":"2017-01-09T02:36:33-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"watch-meryl-streep-call-out-trump-defend-foreigners-and-the-press-in-emotional-golden-globes-speech","status":"publish","path":"/pop/57498/watch-meryl-streep-call-out-trump-defend-foreigners-and-the-press-in-emotional-golden-globes-speech","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>Let's face it: award shows are 99% boring, thanks to predictable results and\u003ca href=\"https://ww2.kqed.org/pop/2016/02/26/acceptance-speeches-101-how-winners-could-make-the-oscars-way-less-boring/\"> unimaginative, name-dropping acceptance speeches\u003c/a>. But every now and then, a winner gets on stage and sets it on fire with actual ideas.\u003c/p>\n\u003cp>That's exactly what Meryl Streep did tonight at the Golden Globe Awards, while receiving the Cecil B. DeMille Award. Instead of looking back on her brilliant career or remarking on what it feels like to be the most celebrated actress of our time, she instead decided to comment on a performance by someone else, that of \u003ca href=\"http://www.cnn.com/videos/tv/2015/11/26/donald-trump-mocks-reporter-with-disability-berman-sot-ac.cnn\">Donald Trump mocking a disabled reporter\u003c/a>. Streep used that infamous moment as a jumping-off point to discuss the importance of empathy, the arts, diversity, and the free press. The crowd went wild. And \u003ca href=\"https://twitter.com/seanhannity/status/818297924161601537\">some\u003c/a> \u003ca href=\"https://twitter.com/MeghanMcCain/status/818294731742580736\">conservatives\u003c/a> lost it in a different sense on Twitter.\u003c/p>\n\u003cp>Watch what all the fuss is about:\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe src=\"//players.brightcove.net/769341148/E1zVmpNYx_default/index.html?videoId=5275076319001\" frameborder=\"0\" width=\"100%\" height=\"500\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Or read the transcript:\u003c/p>\n\u003cblockquote>\u003cp>Please sit down. Thank you. I love you all. You’ll have to forgive me. I’ve lost my voice in screaming and lamentation this weekend. And I have lost my mind sometime earlier this year, so I have to read.\u003c/p>\n\u003cp>Thank you, Hollywood Foreign Press. Just to pick up on what Hugh Laurie said: You and all of us in this room really belong to the most vilified segments in American society right now. Think about it: Hollywood, foreigners and the press.\u003c/p>\n\u003cp>But who are we, and what is Hollywood anyway? It’s just a bunch of people from other places. I was born and raised and educated in the public schools of New Jersey. Viola was born in a sharecropper’s cabin in South Carolina, came up in Central Falls, Rhode Island. Sarah Paulson was born in Florida, raised by a single mom in Brooklyn. Sarah Jessica Parker was one of seven or eight kids in Ohio. Amy Adams was born in Vicenza, Italy. And Natalie Portman was born in Jerusalem.\u003c/p>\n\u003cp>Where are their birth certificates?\u003c/p>\n\u003cp>And the beautiful Ruth Negga was born in Addis Ababa, Ethiopia, raised in London — no, in Ireland I do believe, and she’s here nominated for playing a girl in small-town Virginia. Ryan Gosling, like all of the nicest people, is Canadian. And Dev Patel was born in Kenya, raised in London, and is here playing an Indian raised in Tasmania.\u003c/p>\n\u003cp>So Hollywood is crawling with outsiders and foreigners. And if we kick them all out you’ll have nothing to watch but football and mixed martial arts, which are not the arts.\u003c/p>\n\u003cp>They gave me three seconds to say this, so: An actor’s only job is to enter the lives of people who are different from us, and let you feel what that feels like. And there were many, many, many powerful performances this year that did exactly that. Breathtaking, compassionate work.\u003c/p>\n\u003cp>But there was one performance this year that stunned me. It sank its hooks in my heart. Not because it was good; there was nothing good about it. But it was effective and it did its job. It made its intended audience laugh and show their teeth. It was that moment when the person asking to sit in the most respected seat in our country imitated a disabled reporter. Someone he outranked in privilege, power and the capacity to fight back.\u003c/p>\n\u003cp>It kind of broke my heart when I saw it, and I still can’t get it out of my head, because it wasn’t in a movie. It was real life. And this instinct to humiliate, when it’s modeled by someone in the public platform, by someone powerful, it filters down into everybody’s life, because it kind of gives permission for other people to do the same thing. Disrespect invites disrespect, violence incites violence. And when the powerful use their position to bully others, we all lose.\u003c/p>\n\u003cp>O.K., go on with it. O.K., this brings me to the press. We need the principled press to hold power to account, to call him on the carpet for every outrage. That’s why our founders enshrined the press and its freedoms in the Constitution. So I only ask the famously well-heeled Hollywood Foreign Press and all of us in our community to join me in supporting the Committee to Protect Journalists because we’re gonna need them going forward, and they’ll need us to safeguard the truth.\u003c/p>\n\u003cp>One more thing: Once, when I was standing around on the set one day, whining about something -- you know we were gonna work through supper or the long hours or whatever -- Tommy Lee Jones said to me, “Isn’t it such a privilege, Meryl, just to be an actor?” Yeah, it is, and we have to remind each other of the privilege and the responsibility of the act of empathy. We should all be proud of the work Hollywood honors here tonight.\u003c/p>\n\u003cp>As my friend, the dear departed Princess Leia, said to me once: Take your broken heart, make it into art.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/57498/watch-meryl-streep-call-out-trump-defend-foreigners-and-the-press-in-emotional-golden-globes-speech","authors":["27"],"categories":["pop_51"],"tags":["pop_1448","pop_254"],"featImg":"pop_57500","label":"pop"},"pop_1818":{"type":"posts","id":"pop_1818","meta":{"index":"posts_1716263798","site":"pop","id":"1818","score":null,"sort":[1361823269000]},"parent":0,"labelTerm":{"site":"pop"},"blocks":[],"publishDate":1361823269,"format":"aside","disqusTitle":"The Only Oscar Moments Worth Talking About","title":"The Only Oscar Moments Worth Talking About","headTitle":"KQED Pop | KQED Arts","content":"\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/25/the-only-oscar-moments-worth-talking-about/meryl-christ/\" rel=\"attachment wp-att-1819\">\u003cimg class=\"size-full wp-image-1819 aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/meryl-christ.jpg\" alt=\"Meryl Christ\" width=\"500\" height=\"375\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/meryl-christ.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/meryl-christ-400x300.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>The definition of insanity is doing the same thing over and over and expecting different results. So I guess that means I'm kind of nuts because, every year, I think the Oscars won't be super duper boring and they always are, except for those brief rays of light that keep us coming back for more. Here's a rundown of the moments that were able to distract me from my three hour Seth McFarland-related eye-rolling.\u003c/p>\n\u003cp>1. Let's just get the big one out of the way: \u003ca href=\"http://youtu.be/wIkHhaUYTMQ\">THE FALL starring Jennifer Lawrence\u003c/a>. You've probably rewatched that oops! moment at least twice so let's use this space to focus on what we didn't see during the telecast: both Bradley Cooper and Hugh Jackman rushing to her aid. Chivalry lives!\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 245px\">\u003ca href=\"http://dream-big-crazy-dreams.tumblr.com/post/44019227820/hugh-jackman-and-bradley-cooper-running-to-help\">\u003cimg src=\"http://24.media.tumblr.com/d282209faef0f0f96e3904a8033a715b/tumblr_mish3mF4Iz1qzak4wo1_250.gif\" alt=\"\" width=\"245\" height=\"185\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tumblr\u003c/figcaption>\u003c/figure>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 200px\">\u003ca href=\"http://bones-castle.tumblr.com/post/44064543943/jaytraponit-best-gif-ever\">\u003cimg class=\" \" src=\"http://media.tumblr.com/df71bafba6e137d957af5572cc057358/tumblr_inline_misgrlprnR1qz4rgp.gif\" alt=\"\" width=\"200\" height=\"160\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tumblr\u003c/figcaption>\u003c/figure>\n\u003cp>2. How do you solve a problem like Renee Zellweger? We don't see much of her these days (maybe 'cause she's busy \u003ca href=\"http://25.media.tumblr.com/tumblr_m7jzpuczw81qk39rbo1_500.jpg\">shilling lemon sour candy\u003c/a>), but she emerged from the shadows last night to bring awareness to pre-gaming too hard before a work function.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>BEFORE:\u003c/strong>\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003ca href=\"http://lawlschool-adventures.tumblr.com/\">\u003cimg src=\"http://25.media.tumblr.com/c7a4f24a3a22b55e5f6faf91feb8aab1/tumblr_miq0yj3ycm1r63zy0o1_500.gif\" alt=\"\" width=\"500\" height=\"247\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tumblr\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>AFTER:\u003c/strong>\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003ca href=\"http://abs0luteb4stard.tumblr.com/\">\u003cimg src=\"http://25.media.tumblr.com/005620b590d29ee44393c82eabcda091/tumblr_mirh0yIuzg1s0u7vwo2_400.gif\" alt=\"\" width=\"400\" height=\"220\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tumblr\u003c/figcaption>\u003c/figure>\n\u003cp>3. It didn't quite feel like the Oscars until the godmother of celluloid, Meryl Streep, graced the stage. Despite having nothing to do with \u003cem>Lincoln\u003c/em>, Daniel Day Lewis spent quite some time working her into his acceptance speech (\u003ca href=\"http://jezebel.com/5985613/oscar-winners-thank-meryl-streep-more-than-they-thank-god\">apparently winners have a history of thanking her more than that dude upstairs\u003c/a>). But let's rewind a little to when she skipped the whole this-envelope-is-super-hard-to-open bit and just blurted out who won. Did she even read what was inside or just decide who should win on her own? The answer is it doesn't matter. Meryl doesn't abide by rules, she makes them, and rule #1 is she can do whatever she wants.\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 300px\">\u003ca href=\"http://imdavidcohen.tumblr.com/\">\u003cimg src=\"http://media.tumblr.com/86373c7c790b548e832812bfc7d9416d/tumblr_inline_mirxmqNmSm1qz4rgp.gif\" alt=\"\" width=\"300\" height=\"144\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tumblr\u003c/figcaption>\u003c/figure>\n\u003cp>4. Speaking of the trouble with envelopes, a couple people didn't have the easiest time with them.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003ciframe src=\"http://video.vulture.com/video/Mission-Impossible-Envelopes-At/player?layout=compact&read_more=1\" frameborder=\"0\" scrolling=\"no\" width=\"416\" height=\"322\">\u003c/iframe>\u003c/p>\n\u003cp>5. Kristen Stewart's hobble, the latest brick in her I-don't-care-about-fame-or-what-you-think bratitude.\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 225px\">\u003ca href=\"http://movies.yahoo.com/blogs/2013-oscars/oscar-night-most-awkward-moments-083528470.html\">\u003cimg src=\"http://l.yimg.com/dh/ap/default/130224/kstew_limp.gif\" alt=\"\" width=\"225\" height=\"201\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Yahoo!\u003c/figcaption>\u003c/figure>\n\u003cp>6. And last, but certainly not least, Quvenzhané's guns.\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 450px\">\u003ca href=\"http://hollys-world.tumblr.com/\">\u003cimg src=\"http://25.media.tumblr.com/3739c60cf2d84a5efa2aa8a1934619e0/tumblr_mis5ecTNMr1qzalq2o1_500.gif\" alt=\"\" width=\"450\" height=\"240\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tumblr\u003c/figcaption>\u003c/figure>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003ca href=\"http://thoughtsfroma20something.tumblr.com/\">\u003cimg src=\"http://25.media.tumblr.com/8b7b43cf331ebec70bca59ac4badd694/tumblr_misc462bRr1qdn02vo1_400.gif\" alt=\"\" width=\"400\" height=\"223\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tumblr\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n","disqusIdentifier":"1818 http://blogs.kqed.org/pop/?p=1818","disqusUrl":"https://ww2.kqed.org/pop/2013/02/25/the-only-oscar-moments-worth-talking-about/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":367,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":11},"modified":1361925256,"excerpt":"Here's a rundown of the Oscars moments that were amusing distractions from the three hour snooze fest!","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Here's a rundown of the Oscars moments that were amusing distractions from the three hour snooze fest!","title":"The Only Oscar Moments Worth Talking About | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Only Oscar Moments Worth Talking About","datePublished":"2013-02-25T12:14:29-08:00","dateModified":"2013-02-26T16:34:16-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"the-only-oscar-moments-worth-talking-about","status":"publish","path":"/pop/1818/the-only-oscar-moments-worth-talking-about","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://blogs.kqed.org/pop/2013/02/25/the-only-oscar-moments-worth-talking-about/meryl-christ/\" rel=\"attachment wp-att-1819\">\u003cimg class=\"size-full wp-image-1819 aligncenter\" src=\"http://ww2.kqed.org/pop/wp-content/uploads/sites/12/2013/02/meryl-christ.jpg\" alt=\"Meryl Christ\" width=\"500\" height=\"375\" srcset=\"https://ww2.kqed.org/app/uploads/sites/12/2013/02/meryl-christ.jpg 500w, https://ww2.kqed.org/app/uploads/sites/12/2013/02/meryl-christ-400x300.jpg 400w\" sizes=\"(max-width: 500px) 100vw, 500px\">\u003c/a>\u003c/p>\n\u003cp>The definition of insanity is doing the same thing over and over and expecting different results. So I guess that means I'm kind of nuts because, every year, I think the Oscars won't be super duper boring and they always are, except for those brief rays of light that keep us coming back for more. Here's a rundown of the moments that were able to distract me from my three hour Seth McFarland-related eye-rolling.\u003c/p>\n\u003cp>1. Let's just get the big one out of the way: \u003ca href=\"http://youtu.be/wIkHhaUYTMQ\">THE FALL starring Jennifer Lawrence\u003c/a>. You've probably rewatched that oops! moment at least twice so let's use this space to focus on what we didn't see during the telecast: both Bradley Cooper and Hugh Jackman rushing to her aid. Chivalry lives!\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 245px\">\u003ca href=\"http://dream-big-crazy-dreams.tumblr.com/post/44019227820/hugh-jackman-and-bradley-cooper-running-to-help\">\u003cimg src=\"http://24.media.tumblr.com/d282209faef0f0f96e3904a8033a715b/tumblr_mish3mF4Iz1qzak4wo1_250.gif\" alt=\"\" width=\"245\" height=\"185\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tumblr\u003c/figcaption>\u003c/figure>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 200px\">\u003ca href=\"http://bones-castle.tumblr.com/post/44064543943/jaytraponit-best-gif-ever\">\u003cimg class=\" \" src=\"http://media.tumblr.com/df71bafba6e137d957af5572cc057358/tumblr_inline_misgrlprnR1qz4rgp.gif\" alt=\"\" width=\"200\" height=\"160\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tumblr\u003c/figcaption>\u003c/figure>\n\u003cp>2. How do you solve a problem like Renee Zellweger? We don't see much of her these days (maybe 'cause she's busy \u003ca href=\"http://25.media.tumblr.com/tumblr_m7jzpuczw81qk39rbo1_500.jpg\">shilling lemon sour candy\u003c/a>), but she emerged from the shadows last night to bring awareness to pre-gaming too hard before a work function.\u003c/p>\n\u003cp style=\"text-align: center\">\u003cstrong>BEFORE:\u003c/strong>\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 500px\">\u003ca href=\"http://lawlschool-adventures.tumblr.com/\">\u003cimg src=\"http://25.media.tumblr.com/c7a4f24a3a22b55e5f6faf91feb8aab1/tumblr_miq0yj3ycm1r63zy0o1_500.gif\" alt=\"\" width=\"500\" height=\"247\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tumblr\u003c/figcaption>\u003c/figure>\n\u003cp style=\"text-align: center\">\u003cstrong>AFTER:\u003c/strong>\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003ca href=\"http://abs0luteb4stard.tumblr.com/\">\u003cimg src=\"http://25.media.tumblr.com/005620b590d29ee44393c82eabcda091/tumblr_mirh0yIuzg1s0u7vwo2_400.gif\" alt=\"\" width=\"400\" height=\"220\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tumblr\u003c/figcaption>\u003c/figure>\n\u003cp>3. It didn't quite feel like the Oscars until the godmother of celluloid, Meryl Streep, graced the stage. Despite having nothing to do with \u003cem>Lincoln\u003c/em>, Daniel Day Lewis spent quite some time working her into his acceptance speech (\u003ca href=\"http://jezebel.com/5985613/oscar-winners-thank-meryl-streep-more-than-they-thank-god\">apparently winners have a history of thanking her more than that dude upstairs\u003c/a>). But let's rewind a little to when she skipped the whole this-envelope-is-super-hard-to-open bit and just blurted out who won. Did she even read what was inside or just decide who should win on her own? The answer is it doesn't matter. Meryl doesn't abide by rules, she makes them, and rule #1 is she can do whatever she wants.\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 300px\">\u003ca href=\"http://imdavidcohen.tumblr.com/\">\u003cimg src=\"http://media.tumblr.com/86373c7c790b548e832812bfc7d9416d/tumblr_inline_mirxmqNmSm1qz4rgp.gif\" alt=\"\" width=\"300\" height=\"144\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tumblr\u003c/figcaption>\u003c/figure>\n\u003cp>4. Speaking of the trouble with envelopes, a couple people didn't have the easiest time with them.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003ciframe src=\"http://video.vulture.com/video/Mission-Impossible-Envelopes-At/player?layout=compact&read_more=1\" frameborder=\"0\" scrolling=\"no\" width=\"416\" height=\"322\">\u003c/iframe>\u003c/p>\n\u003cp>5. Kristen Stewart's hobble, the latest brick in her I-don't-care-about-fame-or-what-you-think bratitude.\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 225px\">\u003ca href=\"http://movies.yahoo.com/blogs/2013-oscars/oscar-night-most-awkward-moments-083528470.html\">\u003cimg src=\"http://l.yimg.com/dh/ap/default/130224/kstew_limp.gif\" alt=\"\" width=\"225\" height=\"201\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Yahoo!\u003c/figcaption>\u003c/figure>\n\u003cp>6. And last, but certainly not least, Quvenzhané's guns.\u003c/p>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 450px\">\u003ca href=\"http://hollys-world.tumblr.com/\">\u003cimg src=\"http://25.media.tumblr.com/3739c60cf2d84a5efa2aa8a1934619e0/tumblr_mis5ecTNMr1qzalq2o1_500.gif\" alt=\"\" width=\"450\" height=\"240\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tumblr\u003c/figcaption>\u003c/figure>\n\u003cfigure class=\"wp-caption aligncenter\" style=\"max-width: 400px\">\u003ca href=\"http://thoughtsfroma20something.tumblr.com/\">\u003cimg src=\"http://25.media.tumblr.com/8b7b43cf331ebec70bca59ac4badd694/tumblr_misc462bRr1qdn02vo1_400.gif\" alt=\"\" width=\"400\" height=\"223\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Tumblr\u003c/figcaption>\u003c/figure>\n\u003cp> \u003c/p>\n\u003cp>\u003c/p>\n\u003cp> \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/pop/1818/the-only-oscar-moments-worth-talking-about","authors":["27"],"categories":["pop_7","pop_6","pop_51","pop_3"],"tags":["pop_255","pop_47","pop_256","pop_254","pop_211","pop_257"],"featImg":"pop_1831","label":"pop"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. 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On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. 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