Film noir is the perfect movie genre for this time of year. So long as there’s a chill in the air and the nighttime outlasts the day, it’s easy to get lost in noir’s murky side streets and obfuscating shadows.
The annual Noir City Film Festival, running Jan. 24–Feb. 2, couldn’t be more perfectly timed, then.
Screening 24 movies over a 10-day stint at Oakland’s Grand Lake Theatre, this year’s fest promises a close focus on iconic female stars of noir’s heyday. Friday’s opening night is a Marie Windsor double feature: The Narrow Margin (1952) and Hell’s Half Acre (1953). Windsor was the sultriest of the femme fatales of her day, and seeing her saunter across the big screen (as God intended) is going to be a true delight.
Saturday’s matinee is dedicated to Colleen Gray with Kiss of Death (1947) and The Sleeping City (1950). Audrey Totter dominates Sunday, bringing incomparable venom to (the frankly unmissable) Tension (1949), as well as Alias Nick Beal (1949). Monday belongs to Peggie Castle in 99 River Street (1953) and The Long Wait (1954). Tuesday is dedicated to Marsha Hunt in Raw Deal (1948) and the incredibly fun Mary Ryan, Detective (1949). The fest’s second Saturday is all about Rhonda Fleming in Cry Danger (1951) and Inferno (1953).