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She's the associate editor at KQED Arts & Culture. She's the recipient of the 2018 Society of Professional Journalists-Northern California award for arts & culture reporting. In 2021, a retrospective of the 2010s she edited and creative directed, Our Turbulent Decade, received the SPJ-NorCal award for web design. Nastia's work has been published in NPR Music, \u003cem>San Francisco Chronicle\u003c/em>, VICE, Paste Magazine, Bandcamp and SF MoMA Open Space. Previously, she served as music editor at \u003cem>East Bay Express\u003c/em> and online editor at \u003cem>Hi-Fructose Magazine\u003c/em>. She holds a B.A. in comparative literature from UC Berkeley.","avatar":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twitter":"nananastia","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["administrator"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["administrator"]},{"site":"bayareabites","roles":["editor"]},{"site":"podcasts","roles":["editor"]},{"site":"hiphop","roles":["editor"]}],"headData":{"title":"Nastia Voynovskaya | KQED","description":"Associate Editor","ogImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g"},"isLoading":false,"link":"/author/nvoynovskaya"},"djchavez":{"type":"authors","id":"11905","meta":{"index":"authors_1716337520","id":"11905","found":true},"name":"David John Chávez","firstName":"David John","lastName":"Chávez","slug":"djchavez","email":"theatrechavez@gmail.com","display_author_email":false,"staff_mastheads":[],"title":"KQED Contributor","bio":"Based in San José, David is a theater critic and reporter who serves as Executive Chair of the American Theatre Critics/Journalists Association, as well as a regular theater contributor to The Mercury News, San Francisco Chronicle, American Theatre Magazine and KQED, among other publications. He is a two-time juror for the Pulitzer Prize for Drama (’22-’23) and a 2020 fellow of the Eugene O'Neill National Critics Institute.","avatar":"https://secure.gravatar.com/avatar/fabc2bc243ff109345d5c43867bc0b76?s=600&d=blank&r=g","twitter":null,"facebook":"https://www.facebook.com/bydavidjchavez","instagram":"https://www.instagram.com/davidjchavez/","linkedin":null,"sites":[{"site":"arts","roles":["author"]}],"headData":{"title":"David John Chávez | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/fabc2bc243ff109345d5c43867bc0b76?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/fabc2bc243ff109345d5c43867bc0b76?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/djchavez"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13963021":{"type":"posts","id":"arts_13963021","meta":{"index":"posts_1716263798","site":"arts","id":"13963021","score":null,"sort":[1724698849000]},"guestAuthors":[],"slug":"best-plays-musicals-bay-area-fall-2024-guide","title":"The Best Plays and Musicals to See This Fall in the Bay Area","publishDate":1724698849,"format":"standard","headTitle":"The Best Plays and Musicals to See This Fall in the Bay Area | KQED","labelTerm":{},"content":"\u003cp>This past July is officially on record as the hottest California month in decades. And while cooler temperatures will be ushered into the Bay Area soon, theater companies are hoping that local stages continue to stay hot well into the fall.\u003c/p>\n\u003cp>Companies are also gearing up to showcase their most artistic selves while continuing to find creative ways to achieve and maintain financial solvency. Here are 10 terrific shows from Labor Day to Thanksgiving one can start with to help support Bay Area theater companies.\u003c/p>\n\u003cfigure id=\"attachment_13963066\" class=\"wp-caption aligncenter\" style=\"max-width: 690px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/PrivLives.jpg\" alt=\"\" width=\"690\" height=\"400\" class=\"size-full wp-image-13963066\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/PrivLives.jpg 690w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/PrivLives-160x93.jpg 160w\" sizes=\"(max-width: 690px) 100vw, 690px\">\u003cfigcaption class=\"wp-caption-text\">Hugo E. Carbajal and Sarita Ocón take on the roles of Elyot and Amanda in Nöel Coward’s classic ‘Private Lives’ at ACT in San Francisco, directed by KJ Sanchez. \u003ccite>(Artist photos)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.act-sf.org/whats-on/2024-25-season/private-lives/\">Private Lives\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Toni Rembe Theater, San Francisco\u003cbr>\nSept. 12–Oct. 6, 2024\u003c/em>\u003c/p>\n\u003cp>Loathsome couple Elyot and Amanda aren’t looking for a reunion when they embark on a French vacation with new spouses. Yet the pull of their prior passions proves to be too much to resist, and a humor-filled comedy of manners ensues, rich with Noël Coward’s exquisite use of prose. A reunion of sorts from an acclaimed bilingual production of \u003cem>Romeo and Juliet\u003c/em> at Cal Shakes in 2022, multiple cast members now move to American Conservatory Theater’s Toni Rembe Theater to be directed by KJ Sanchez. The play’s original setting of France, meanwhile, is swapped out for Argentina, where an exotic and sensual tango informs Coward’s narrative.\u003c/p>\n\u003cfigure id=\"attachment_13963072\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-1.jpg\" alt=\"\" width=\"1600\" height=\"1200\" class=\"size-full wp-image-13963072\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-1.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-1-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-1-1536x1152.jpg 1536w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">After serving as artistic director of the Peninsula’s Pear Theatre since early 2020, Sinjin Jones is entering his final season helming the company, kicking off the 2024 campaign directing the musical ‘Once on This Island.’ \u003ccite>(Courtesy Sinjin Jones)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.thepear.org/\">Once on This Island\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>The Pear Theatre, Palo Alto\u003cbr>\nSept. 13–Oct. 13, 2024\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The story of a young Black peasant girl and the love she finds with a mixed-race aristocrat in Haiti is the basis for this one-act musical. While the show itself carries a history of consequential productions, its significance as the kickoff for The Pear Theatre season is tinted with an impending loss. Sinjin Jones, who took over as artistic director of the Palo Alto company in early 2020, will leave at the end of the 2025 season. Jones has played a vital role in leading the company through the pandemic, all while revitalizing the 22-year-old theater troupe by promoting diversity and equity in addition to strengthening the company’s educational and community programs.\u003c/p>\n\u003cfigure id=\"attachment_13963071\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-2.jpg\" alt=\"\" width=\"1600\" height=\"1103\" class=\"size-full wp-image-13963071\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-2.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-2-800x552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-2-1020x703.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-2-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-2-768x529.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-2-1536x1059.jpg 1536w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">Marie (Dominique Thorne) observes the wedding dress of Jaja (Somi Kakoma) in the Broadway production of ‘Jaja’s African Hair Braiding,’ heading to Berkeley this fall.\u003cbr> \u003ccite>(Matthew Murphy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.google.com/url?q=https://www.berkeleyrep.org/shows/jaja-s-african-hair-braiding/\">Jaja’s African Hair Braiding\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Berkeley Repertory Theatre, Berkeley\u003cbr>\nNov. 8–Dec. 15, 2024\u003c/em>\u003c/p>\n\u003cp>Playwright Jocelyn Bioh is no stranger to Berkeley Rep, having premiered the musical \u003cem>Goddess\u003c/em> there in 2022. Her next visit to the East Bay is with Broadway’s sleeper hit of last fall, \u003cem>Jaja’s African Hair Braiding\u003c/em>, with Whitney White returning to the director’s chair in this co-production with Arena Stage and Chicago Shakespeare Theater. Bioh’s play is an exercise in joy with serious themes about immigration and access to the American dream, all fused with a scorching Afrobeat soundtrack of the genre’s biggest stars. The play also features one of the coolest stage effects in recent memory throughout the entire show, culminating in some true theater magic at the end.\u003c/p>\n\u003cfigure id=\"attachment_13963070\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-3.jpg\" alt=\"\" width=\"1600\" height=\"1065\" class=\"size-full wp-image-13963070\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-3.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-3-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-3-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-3-1536x1022.jpg 1536w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">TheatreWorks Silicon Valley artistic director Giovanna Sardelli and Pulitzer-finalist playwright Rajiv Joseph have developed a long collaboration over the years. Joseph’s play ‘King James’ kicks of TheatreWorks’s 54th season. \u003ccite>(Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.google.com/url?q=https://theatreworks.org/mainstage/king-james/\">King James\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>TheatreWorks Silicon Valley, Mountain View\u003cbr>\nOct. 9–Nov. 3, 2024\u003c/em>\u003c/p>\n\u003cp>After the rousing success of the United States men’s national basketball team, capped by a thrilling finish and a gold medal, there’s no better time to dive into this story of two friends who enter into an unexpected connection. These men, whose fortunes run through the early, prodigious career of Lebron James, are the creation of Pulitzer-finalist playwright Rajiv Joseph. TheatreWorks’ artistic director Giovanna Sardelli, a frequent collaborator of Joseph, kicks off the company’s 54th season directing this tale of hoops and hopes.\u003c/p>\n\u003cfigure id=\"attachment_13963069\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-4.jpg\" alt=\"\" width=\"1600\" height=\"1035\" class=\"size-full wp-image-13963069\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-4.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-4-800x518.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-4-1020x660.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-4-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-4-768x497.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-4-1536x994.jpg 1536w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">The New Conservatory Theatre Center cast of ‘Ride the Cyclone,’ a show described as ‘weird and wondrous.’\u003cbr> \u003ccite>(New Conservatory Theatre Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://nctcsf.org/\">Ride the Cyclone\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>New Conservatory Theatre Center, San Francisco\u003cbr>\nSept. 20–Oct. 20, 2024\u003c/em>\u003c/p>\n\u003cp>This grizzled and gritty musical follows a Canadian school choir group who perish on the Cyclone roller coaster — but, while in limbo, are offered a chance to return to life via a mechanical fortune teller. The piece has had a bit of a zany history since its 2008 premiere, created by Jacob Richmond and Brooke Maxwell. The musical’s success reached something of a zenith in 2022 – on TikTok, millions of Gen Z users began diving deep into \u003cem>Ride the Cyclone\u003c/em> songs, stories and lore. The musical is dark, but also quite fun, and its regional premiere gives the Bay Area a chance to see what the hype is all about.\u003c/p>\n\u003cfigure id=\"attachment_13963068\" class=\"wp-caption aligncenter\" style=\"max-width: 1020px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-5.jpg\" alt=\"\" width=\"1020\" height=\"679\" class=\"size-full wp-image-13963068\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-5.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-5-768x511.jpg 768w\" sizes=\"(max-width: 1020px) 100vw, 1020px\">\u003cfigcaption class=\"wp-caption-text\">Sara Porkalob, seen here during the Marin Theatre Company production of ‘Dragon Lady’ in November of 2023, weaves a captivating tale of her grandmother’s perilous journey from Manila to the United States. Porkalob’s one-person show makes a return to the Bay Area via Walnut Creek at Center Rep. \u003ccite>(Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.lesherartscenter.org/programs/center-repertory-company\">Dragon Lady\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Center Repertory Company, Walnut Creek\u003cbr>\nOct. 27–Nov. 24, 2024\u003c/em>\u003c/p>\n\u003cp>Seattle’s Sara Porkalob is a piercing, shooting star, tackling the theater world on her own terms, and her trilogy of plays that chronicle the women in her life are produced all over the country. For those who missed her \u003ca href=\"https://www.kqed.org/arts/13938714/powerful-dragon-lady-weaves-tales-of-trauma-karaoke-and-a-very-memorable-matriarch\">critically acclaimed run\u003c/a> in Marin last fall of \u003cem>Dragon Lady\u003c/em>, where she morphs into multiple characters while showcasing her buttery singing voice, a second chance in Walnut Creek is a gift. Presented in association with Marin Theatre Company, Porkalob’s one-person show about her grandmother’s perilous and painful journey from Manila to the United States is a masterclass in how to command a theater space with splash and panache.\u003c/p>\n\u003cfigure id=\"attachment_13963076\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/TonyKushner.jpg\" alt=\"\" width=\"640\" height=\"360\" class=\"size-full wp-image-13963076\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/TonyKushner.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/TonyKushner-160x90.jpg 160w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Tony Kushner’s ‘Angels in America’ gets a reimagined production from the Oakland Theater Project. \u003ccite>(Maury Phillips/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://oaklandtheaterproject.org/angels\">Angels in America, Parts I and II\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Oakland Theater Project at Marin Shakespeare Company\u003cbr>\nSept. 27–Oct. 27, 2024\u003c/em>\u003c/p>\n\u003cp>For this interpretation of one of theater’s greatest achievements, Tony Kushner’s two-part opus \u003cem>Angels in America\u003c/em>, Oakland Theater Project goes on the road to San Rafael at Marin Shakespeare Company’s new indoor space. Kushner is not known for writing pieces that are slim, and over two plays, \u003cem>Angels\u003c/em> easily surpasses seven hours. But what exists within those hours is incredibly powerful, raw and utterly thrilling.\u003c/p>\n\u003cp>There are endless themes within this story about AIDS’ impact on multiple couples in 1985. The Pulitzer and Tony Award-winning play encompasses the taboo of homosexuality in the 1980s, the AIDS crisis that disproportionately impacted gay couples, and the crisis of religious faith, all intersecting with appearances by historical figures. The Bay Area is home to \u003cem>Angels in America\u003c/em> in many ways, from its initial commission at the former Eureka Theatre in San Francisco in 1990 to a hugely consequential production at Berkeley Rep in 2018. (Lisa Ramirez, featured in OTP’s production, also played The Angel in Berkeley that year.)\u003c/p>\n\u003cfigure id=\"attachment_13963077\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-141199711.jpg\" alt=\"\" width=\"1024\" height=\"683\" class=\"size-full wp-image-13963077\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-141199711.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-141199711-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-141199711-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-141199711-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-141199711-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">The Lizzie Borden case is fodder for a new punk musical. \u003ccite>(Bill Greene/The Boston Globe via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://6thstreetplayhouse.com/shows/2024-25/lizzie-the-musical/\">Lizzie: The Musical\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>6th Street Playhouse, Santa Rosa\u003cbr>\nOct. 4–27, 2024\u003c/em>\u003c/p>\n\u003cp>Lizzie Borden was accused of murdering her father and stepmother in 1892. In 1893, she was fully acquitted and lived the rest of her life in the same city the murders took place, Fall River, Massachusetts. And now, in Santa Rosa in 2024, her story is ready to shred at 6th Street Playhouse in the form of the 2009 rock musical. Expect all the components that make for a brutal tale of rage, sex, murder and mystery, plus power chords. \u003c/p>\n\u003cp>As a precursor to the bloody delights of the visceral musical’s sharp rock score, some gentler fare is going down at 6th Street, with the musical \u003cem>\u003ca href=\"https://6thstreetplayhouse.com/shows/2024-25/four-guys-named-jose-and-una-mujer-named-maria/\">4 Guys Named José…and Una Mujer Named María\u003c/a>\u003c/em> opening at the end of August.\u003c/p>\n\u003cfigure id=\"attachment_13963078\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1.jpg\" alt=\"\" width=\"2000\" height=\"1231\" class=\"size-full wp-image-13963078\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1-800x492.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1-1020x628.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1-160x98.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1-768x473.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1-1536x945.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1-1920x1182.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sam Jackson, left, takes on the joyful role of Rosalind, pursuing the love of Orlando, played by Wiley Naman Strasser, in Cal Shakes’s 50th anniversary production of William Shakespeare’s ‘As You Like It’ in Orinda. \u003ccite>(Cal Shakes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://calshakes.org/asyoulikeit/\">As You Like It\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Bruns Amphitheater, Orinda\u003cbr>\nSept. 12–29, 2024\u003c/em>\u003c/p>\n\u003cp>Cal Shakes faced some serious uphill battles to produce their first full production in two years, implementing a fundraising campaign that netted $365,000 — over their stated goal. While the future of the company is still fluid (the fundraiser is only supplementing the budget for this production), the company is firmly focused this 50th anniversary production of William Shakespeare’s classic at their picturesque outdoor space.\u003c/p>\n\u003cp>Elizabeth Carter directs this pastoral comedy with one of Shakespeare’s most beloved female characters, Rosalind, who flees persecution in search of safety and love in the Forest of Arden, with many colorful characters entering her world along the way.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Murakami.jpg\" alt=\"\" width=\"800\" height=\"501\" class=\"aligncenter size-full wp-image-13963079\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Murakami.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Murakami-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Murakami-768x481.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003ch2>‘\u003ca href=\"https://www.zspace.org/murakami\">Murakami: The Strange Library\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Z Space and Word for Word, San Francisco\u003cbr>\nNov. 13–Dec. 8, 2024\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>A library best described as a nightmare is the setting for Haruki Murakami’s short novel \u003cem>The Strange Library\u003c/em>. With a lonely young boy, a mysterious girl and a tortured sheep man, the story is brought to life by Word for Word, a program of Z Space. The program has performed more than 70 stories since 1996, bringing theatrical flair to written word of all types. Lead teaching artist with the Youth Theater Project Lisa Hori-Garcia collaborates with Bay Area actor and designer Keiko Shimosato Carreiro to direct Murakami’s popular children’s story.\u003c/p>\n\n","blocks":[],"excerpt":"From a Noël Coward classic to a surprise TikTok hit, Bay Area stages have something for everyone this fall.","status":"publish","parent":0,"modified":1724696041,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":28,"wordCount":1760},"headData":{"title":"Your Guide to the Best Plays and Musicals to See This Fall | KQED","description":"From a Noël Coward classic to a surprise TikTok hit, Bay Area stages have something for everyone this fall.","ogTitle":"The Best Plays and Musicals to See This Fall in the Bay Area","ogDescription":"","ogImgId":"","twTitle":"The Best Plays and Musicals to See This Fall in the Bay Area","twDescription":"","twImgId":"","socialTitle":"Your Guide to the Best Plays and Musicals to See This Fall %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"The Best Plays and Musicals to See This Fall in the Bay Area","datePublished":"2024-08-26T12:00:49-07:00","dateModified":"2024-08-26T11:14:01-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Fall Guide 2024","sourceUrl":"https://www.kqed.org/arts/tag/fall-guide-2024","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13963021/best-plays-musicals-bay-area-fall-2024-guide","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>This past July is officially on record as the hottest California month in decades. And while cooler temperatures will be ushered into the Bay Area soon, theater companies are hoping that local stages continue to stay hot well into the fall.\u003c/p>\n\u003cp>Companies are also gearing up to showcase their most artistic selves while continuing to find creative ways to achieve and maintain financial solvency. Here are 10 terrific shows from Labor Day to Thanksgiving one can start with to help support Bay Area theater companies.\u003c/p>\n\u003cfigure id=\"attachment_13963066\" class=\"wp-caption aligncenter\" style=\"max-width: 690px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/PrivLives.jpg\" alt=\"\" width=\"690\" height=\"400\" class=\"size-full wp-image-13963066\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/PrivLives.jpg 690w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/PrivLives-160x93.jpg 160w\" sizes=\"(max-width: 690px) 100vw, 690px\">\u003cfigcaption class=\"wp-caption-text\">Hugo E. Carbajal and Sarita Ocón take on the roles of Elyot and Amanda in Nöel Coward’s classic ‘Private Lives’ at ACT in San Francisco, directed by KJ Sanchez. \u003ccite>(Artist photos)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.act-sf.org/whats-on/2024-25-season/private-lives/\">Private Lives\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Toni Rembe Theater, San Francisco\u003cbr>\nSept. 12–Oct. 6, 2024\u003c/em>\u003c/p>\n\u003cp>Loathsome couple Elyot and Amanda aren’t looking for a reunion when they embark on a French vacation with new spouses. Yet the pull of their prior passions proves to be too much to resist, and a humor-filled comedy of manners ensues, rich with Noël Coward’s exquisite use of prose. A reunion of sorts from an acclaimed bilingual production of \u003cem>Romeo and Juliet\u003c/em> at Cal Shakes in 2022, multiple cast members now move to American Conservatory Theater’s Toni Rembe Theater to be directed by KJ Sanchez. The play’s original setting of France, meanwhile, is swapped out for Argentina, where an exotic and sensual tango informs Coward’s narrative.\u003c/p>\n\u003cfigure id=\"attachment_13963072\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-1.jpg\" alt=\"\" width=\"1600\" height=\"1200\" class=\"size-full wp-image-13963072\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-1.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-1-800x600.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-1-1020x765.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-1-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-1-768x576.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-1-1536x1152.jpg 1536w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">After serving as artistic director of the Peninsula’s Pear Theatre since early 2020, Sinjin Jones is entering his final season helming the company, kicking off the 2024 campaign directing the musical ‘Once on This Island.’ \u003ccite>(Courtesy Sinjin Jones)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.thepear.org/\">Once on This Island\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>The Pear Theatre, Palo Alto\u003cbr>\nSept. 13–Oct. 13, 2024\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The story of a young Black peasant girl and the love she finds with a mixed-race aristocrat in Haiti is the basis for this one-act musical. While the show itself carries a history of consequential productions, its significance as the kickoff for The Pear Theatre season is tinted with an impending loss. Sinjin Jones, who took over as artistic director of the Palo Alto company in early 2020, will leave at the end of the 2025 season. Jones has played a vital role in leading the company through the pandemic, all while revitalizing the 22-year-old theater troupe by promoting diversity and equity in addition to strengthening the company’s educational and community programs.\u003c/p>\n\u003cfigure id=\"attachment_13963071\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-2.jpg\" alt=\"\" width=\"1600\" height=\"1103\" class=\"size-full wp-image-13963071\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-2.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-2-800x552.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-2-1020x703.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-2-160x110.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-2-768x529.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-2-1536x1059.jpg 1536w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">Marie (Dominique Thorne) observes the wedding dress of Jaja (Somi Kakoma) in the Broadway production of ‘Jaja’s African Hair Braiding,’ heading to Berkeley this fall.\u003cbr> \u003ccite>(Matthew Murphy)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.google.com/url?q=https://www.berkeleyrep.org/shows/jaja-s-african-hair-braiding/\">Jaja’s African Hair Braiding\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Berkeley Repertory Theatre, Berkeley\u003cbr>\nNov. 8–Dec. 15, 2024\u003c/em>\u003c/p>\n\u003cp>Playwright Jocelyn Bioh is no stranger to Berkeley Rep, having premiered the musical \u003cem>Goddess\u003c/em> there in 2022. Her next visit to the East Bay is with Broadway’s sleeper hit of last fall, \u003cem>Jaja’s African Hair Braiding\u003c/em>, with Whitney White returning to the director’s chair in this co-production with Arena Stage and Chicago Shakespeare Theater. Bioh’s play is an exercise in joy with serious themes about immigration and access to the American dream, all fused with a scorching Afrobeat soundtrack of the genre’s biggest stars. The play also features one of the coolest stage effects in recent memory throughout the entire show, culminating in some true theater magic at the end.\u003c/p>\n\u003cfigure id=\"attachment_13963070\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-3.jpg\" alt=\"\" width=\"1600\" height=\"1065\" class=\"size-full wp-image-13963070\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-3.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-3-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-3-1020x679.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-3-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-3-768x511.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-3-1536x1022.jpg 1536w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">TheatreWorks Silicon Valley artistic director Giovanna Sardelli and Pulitzer-finalist playwright Rajiv Joseph have developed a long collaboration over the years. Joseph’s play ‘King James’ kicks of TheatreWorks’s 54th season. \u003ccite>(Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.google.com/url?q=https://theatreworks.org/mainstage/king-james/\">King James\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>TheatreWorks Silicon Valley, Mountain View\u003cbr>\nOct. 9–Nov. 3, 2024\u003c/em>\u003c/p>\n\u003cp>After the rousing success of the United States men’s national basketball team, capped by a thrilling finish and a gold medal, there’s no better time to dive into this story of two friends who enter into an unexpected connection. These men, whose fortunes run through the early, prodigious career of Lebron James, are the creation of Pulitzer-finalist playwright Rajiv Joseph. TheatreWorks’ artistic director Giovanna Sardelli, a frequent collaborator of Joseph, kicks off the company’s 54th season directing this tale of hoops and hopes.\u003c/p>\n\u003cfigure id=\"attachment_13963069\" class=\"wp-caption aligncenter\" style=\"max-width: 1600px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-4.jpg\" alt=\"\" width=\"1600\" height=\"1035\" class=\"size-full wp-image-13963069\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-4.jpg 1600w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-4-800x518.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-4-1020x660.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-4-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-4-768x497.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-4-1536x994.jpg 1536w\" sizes=\"(max-width: 1600px) 100vw, 1600px\">\u003cfigcaption class=\"wp-caption-text\">The New Conservatory Theatre Center cast of ‘Ride the Cyclone,’ a show described as ‘weird and wondrous.’\u003cbr> \u003ccite>(New Conservatory Theatre Center)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://nctcsf.org/\">Ride the Cyclone\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>New Conservatory Theatre Center, San Francisco\u003cbr>\nSept. 20–Oct. 20, 2024\u003c/em>\u003c/p>\n\u003cp>This grizzled and gritty musical follows a Canadian school choir group who perish on the Cyclone roller coaster — but, while in limbo, are offered a chance to return to life via a mechanical fortune teller. The piece has had a bit of a zany history since its 2008 premiere, created by Jacob Richmond and Brooke Maxwell. The musical’s success reached something of a zenith in 2022 – on TikTok, millions of Gen Z users began diving deep into \u003cem>Ride the Cyclone\u003c/em> songs, stories and lore. The musical is dark, but also quite fun, and its regional premiere gives the Bay Area a chance to see what the hype is all about.\u003c/p>\n\u003cfigure id=\"attachment_13963068\" class=\"wp-caption aligncenter\" style=\"max-width: 1020px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-5.jpg\" alt=\"\" width=\"1020\" height=\"679\" class=\"size-full wp-image-13963068\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-5.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-5-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-5-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/unnamed-5-768x511.jpg 768w\" sizes=\"(max-width: 1020px) 100vw, 1020px\">\u003cfigcaption class=\"wp-caption-text\">Sara Porkalob, seen here during the Marin Theatre Company production of ‘Dragon Lady’ in November of 2023, weaves a captivating tale of her grandmother’s perilous journey from Manila to the United States. Porkalob’s one-person show makes a return to the Bay Area via Walnut Creek at Center Rep. \u003ccite>(Kevin Berne)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://www.lesherartscenter.org/programs/center-repertory-company\">Dragon Lady\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Center Repertory Company, Walnut Creek\u003cbr>\nOct. 27–Nov. 24, 2024\u003c/em>\u003c/p>\n\u003cp>Seattle’s Sara Porkalob is a piercing, shooting star, tackling the theater world on her own terms, and her trilogy of plays that chronicle the women in her life are produced all over the country. For those who missed her \u003ca href=\"https://www.kqed.org/arts/13938714/powerful-dragon-lady-weaves-tales-of-trauma-karaoke-and-a-very-memorable-matriarch\">critically acclaimed run\u003c/a> in Marin last fall of \u003cem>Dragon Lady\u003c/em>, where she morphs into multiple characters while showcasing her buttery singing voice, a second chance in Walnut Creek is a gift. Presented in association with Marin Theatre Company, Porkalob’s one-person show about her grandmother’s perilous and painful journey from Manila to the United States is a masterclass in how to command a theater space with splash and panache.\u003c/p>\n\u003cfigure id=\"attachment_13963076\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/TonyKushner.jpg\" alt=\"\" width=\"640\" height=\"360\" class=\"size-full wp-image-13963076\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/TonyKushner.jpg 640w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/TonyKushner-160x90.jpg 160w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Tony Kushner’s ‘Angels in America’ gets a reimagined production from the Oakland Theater Project. \u003ccite>(Maury Phillips/Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://oaklandtheaterproject.org/angels\">Angels in America, Parts I and II\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Oakland Theater Project at Marin Shakespeare Company\u003cbr>\nSept. 27–Oct. 27, 2024\u003c/em>\u003c/p>\n\u003cp>For this interpretation of one of theater’s greatest achievements, Tony Kushner’s two-part opus \u003cem>Angels in America\u003c/em>, Oakland Theater Project goes on the road to San Rafael at Marin Shakespeare Company’s new indoor space. Kushner is not known for writing pieces that are slim, and over two plays, \u003cem>Angels\u003c/em> easily surpasses seven hours. But what exists within those hours is incredibly powerful, raw and utterly thrilling.\u003c/p>\n\u003cp>There are endless themes within this story about AIDS’ impact on multiple couples in 1985. The Pulitzer and Tony Award-winning play encompasses the taboo of homosexuality in the 1980s, the AIDS crisis that disproportionately impacted gay couples, and the crisis of religious faith, all intersecting with appearances by historical figures. The Bay Area is home to \u003cem>Angels in America\u003c/em> in many ways, from its initial commission at the former Eureka Theatre in San Francisco in 1990 to a hugely consequential production at Berkeley Rep in 2018. (Lisa Ramirez, featured in OTP’s production, also played The Angel in Berkeley that year.)\u003c/p>\n\u003cfigure id=\"attachment_13963077\" class=\"wp-caption aligncenter\" style=\"max-width: 1024px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-141199711.jpg\" alt=\"\" width=\"1024\" height=\"683\" class=\"size-full wp-image-13963077\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-141199711.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-141199711-800x534.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-141199711-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-141199711-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-141199711-768x512.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\">\u003cfigcaption class=\"wp-caption-text\">The Lizzie Borden case is fodder for a new punk musical. \u003ccite>(Bill Greene/The Boston Globe via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://6thstreetplayhouse.com/shows/2024-25/lizzie-the-musical/\">Lizzie: The Musical\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>6th Street Playhouse, Santa Rosa\u003cbr>\nOct. 4–27, 2024\u003c/em>\u003c/p>\n\u003cp>Lizzie Borden was accused of murdering her father and stepmother in 1892. In 1893, she was fully acquitted and lived the rest of her life in the same city the murders took place, Fall River, Massachusetts. And now, in Santa Rosa in 2024, her story is ready to shred at 6th Street Playhouse in the form of the 2009 rock musical. Expect all the components that make for a brutal tale of rage, sex, murder and mystery, plus power chords. \u003c/p>\n\u003cp>As a precursor to the bloody delights of the visceral musical’s sharp rock score, some gentler fare is going down at 6th Street, with the musical \u003cem>\u003ca href=\"https://6thstreetplayhouse.com/shows/2024-25/four-guys-named-jose-and-una-mujer-named-maria/\">4 Guys Named José…and Una Mujer Named María\u003c/a>\u003c/em> opening at the end of August.\u003c/p>\n\u003cfigure id=\"attachment_13963078\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1.jpg\" alt=\"\" width=\"2000\" height=\"1231\" class=\"size-full wp-image-13963078\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1-800x492.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1-1020x628.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1-160x98.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1-768x473.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1-1536x945.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/AsYouLikeIt-1-1920x1182.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Sam Jackson, left, takes on the joyful role of Rosalind, pursuing the love of Orlando, played by Wiley Naman Strasser, in Cal Shakes’s 50th anniversary production of William Shakespeare’s ‘As You Like It’ in Orinda. \u003ccite>(Cal Shakes)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>‘\u003ca href=\"https://calshakes.org/asyoulikeit/\">As You Like It\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Bruns Amphitheater, Orinda\u003cbr>\nSept. 12–29, 2024\u003c/em>\u003c/p>\n\u003cp>Cal Shakes faced some serious uphill battles to produce their first full production in two years, implementing a fundraising campaign that netted $365,000 — over their stated goal. While the future of the company is still fluid (the fundraiser is only supplementing the budget for this production), the company is firmly focused this 50th anniversary production of William Shakespeare’s classic at their picturesque outdoor space.\u003c/p>\n\u003cp>Elizabeth Carter directs this pastoral comedy with one of Shakespeare’s most beloved female characters, Rosalind, who flees persecution in search of safety and love in the Forest of Arden, with many colorful characters entering her world along the way.\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Murakami.jpg\" alt=\"\" width=\"800\" height=\"501\" class=\"aligncenter size-full wp-image-13963079\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Murakami.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Murakami-160x100.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Murakami-768x481.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003ch2>‘\u003ca href=\"https://www.zspace.org/murakami\">Murakami: The Strange Library\u003c/a>’\u003c/h2>\n\u003cp>\u003cem>Z Space and Word for Word, San Francisco\u003cbr>\nNov. 13–Dec. 8, 2024\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>A library best described as a nightmare is the setting for Haruki Murakami’s short novel \u003cem>The Strange Library\u003c/em>. With a lonely young boy, a mysterious girl and a tortured sheep man, the story is brought to life by Word for Word, a program of Z Space. The program has performed more than 70 stories since 1996, bringing theatrical flair to written word of all types. Lead teaching artist with the Youth Theater Project Lisa Hori-Garcia collaborates with Bay Area actor and designer Keiko Shimosato Carreiro to direct Murakami’s popular children’s story.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13963021/best-plays-musicals-bay-area-fall-2024-guide","authors":["11905"],"programs":["arts_140"],"categories":["arts_1","arts_235","arts_967"],"tags":["arts_1238","arts_1237","arts_22281","arts_21781","arts_2323","arts_585","arts_1240"],"featImg":"arts_13963092","label":"source_arts_13963021"},"arts_13962948":{"type":"posts","id":"arts_13962948","meta":{"index":"posts_1716263798","site":"arts","id":"13962948","score":null,"sort":[1724684451000]},"guestAuthors":[],"slug":"fall-2024-san-francisco-oakland-san-jose-bay-area-concert-guide","title":"Must-See Concerts in the Bay Area This Fall","publishDate":1724684451,"format":"aside","headTitle":"Must-See Concerts in the Bay Area This Fall | KQED","labelTerm":{},"content":"\u003cfigure id=\"attachment_13962545\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962545\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_043.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_043.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_043-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_043-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_043-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_043-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_043-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands gather in front of the Twin Peaks Stage as Kaytranada performs at Outside Lands on Sunday, Aug. 11, 2024. He returns to the Bay Area to headline Berkeley’s Greek Theatre on Halloween. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Charli XCX fans may have declared 2024 \u003cem>Brat\u003c/em> summer, but since Bay Area weather stays nice through November — and Charli herself is playing San Francisco in October — the party is continuing well into fall.\u003c/p>\n\u003cp>Even if huge arena concerts aren’t your thing, there are plenty of other worthy shows in the autumn months: Smaller club gigs from up-and-coming acts, free outdoor concerts and a waterfront festival. Read on for must-see shows to add to your concert calendar.\u003c/p>\n\u003cfigure id=\"attachment_13962998\" class=\"wp-caption aligncenter\" style=\"max-width: 2399px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962998\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores.jpg\" alt=\"\" width=\"2399\" height=\"1557\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores.jpg 2399w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores-800x519.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores-1020x662.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores-768x498.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores-1536x997.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores-2048x1329.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores-1920x1246.jpg 1920w\" sizes=\"(max-width: 2399px) 100vw, 2399px\">\u003cfigcaption class=\"wp-caption-text\">The Commodores. \u003ccite>(Courtesy Mare Island Dock of Bay Music Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://dockofbay.com/general-information/\">Dock of the Bay Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 7, 2024\u003cbr>\n12:30-9:30 p.m.\u003cbr>\nMare Island Coal Sheds, Vallejo\u003cbr>\n$120+\u003c/em>\u003c/p>\n\u003cp>The Solano County waterfront, with its mix of natural and industrial terrain, makes for a special setting at Dock of the Bay. The music festival brings together original disco and funk acts like “\u003ca href=\"https://www.youtube.com/watch?v=GTR27qWXGqU\">Boogie Nights\u003c/a>” hitmakers Heatwave, who’ve been sampled by everyone from Michael Jackson to Timbaland and Missy Elliott. They perform alongside The Commodores, who gave us the timeless classic “\u003ca href=\"https://www.youtube.com/watch?v=KzOJaHHlIcQ\">Brick House\u003c/a>;” Average White Band of “\u003ca href=\"https://www.youtube.com/watch?v=3ISLeHByD-I\">Pick Up the Pieces\u003c/a>” fame; and Lenny Williams, the balladeer behind soul classic “\u003ca href=\"https://www.youtube.com/watch?v=QbzkwLWK-Ps\">Cause I Love You\u003c/a>.”\u003c/p>\n\u003cfigure id=\"attachment_13962996\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962996\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">El Alfa (center) performs at Billboard En Vivo Featuring Wisin held at Oasis Wynwood as part of Billboard Latin Music Week on October 3, 2023 in Miami Beach, Florida. \u003ccite>(Christopher Polk/Billboard via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sapcenter.com/events/detail/el-alfa\">El Alfa\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 14, 2024\u003cbr>\n8 p.m.\u003cbr>\nSAP Center, San Jose\u003cbr>\n$92+\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>There’s no question that El Alfa is the king of Dominican dembow. With each \u003ca href=\"https://www.youtube.com/watch?v=j0KT4NTZNQo\">new release\u003c/a>, his raps seem to get more hyperactive, weirder and raunchier, with onomatopoeias and \u003ca href=\"https://www.youtube.com/watch?v=s5yRZOQ3EWI\">double entendres\u003c/a> in the pocket of uptempo, percussion-heavy, tropical beats. There’s a reason why Spanish-speaking artists from all over the Western hemisphere — Cardi B, Kali Uchis, Bad Bunny, Wisin & Yandel and Jowell & Randy — have turned to him to inject their tracks with manic energy. Expect nothing less when he arrives stateside for a headlining show at San Jose’s SAP Center.\u003c/p>\n\u003cfigure id=\"attachment_13962994\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962994\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1864\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-800x583.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-1020x743.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-768x559.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-1536x1118.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-2048x1491.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-1920x1398.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Portugal. The Man. \u003ccite>(Maclay Heriot )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://laylo.com/anotherplanetentertainment/9-20-24\">Portugal. The Man\u003c/a>\u003c/h2>\n\u003cp>\u003cem>With Snacktime\u003cbr>\nSept. 20, 2024\u003cbr>\nCivic Center Plaza, San Francisco\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>Continuing San Francisco’s streak of free concerts this year, Portugal. The Man brings their punchy, groove-laden rock to Civic Center Plaza, just outside of City Hall. The Portland band, best known for 2017’s inescapable “\u003ca href=\"https://www.youtube.com/watch?v=F09POwrBn-M\">Feel It Still\u003c/a>,” are currently touring in support of their catchy, psychedelic 2023 album \u003cem>Chris Black Changed My Life\u003c/em>. Philly brass band Snacktime will get the dance party started with their uptempo jazz funk.\u003c/p>\n\u003cfigure id=\"attachment_10618581\" class=\"wp-caption aligncenter\" style=\"max-width: 1180px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10618581\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/05/SKMain.jpg\" alt=\"\" width=\"1180\" height=\"664\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/05/SKMain.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/05/SKMain-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/05/SKMain-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/05/SKMain-960x540.jpg 960w\" sizes=\"(max-width: 1180px) 100vw, 1180px\">\u003cfigcaption class=\"wp-caption-text\">Sleater-Kinney at the Masonic, May 2, 2015. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Oct. 4-6, 2024\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>With concert tickets more expensive than ever, a free major festival like Hardly Strictly is truly a gift. Alternative rockers \u003ca href=\"https://www.youtube.com/watch?v=vZA_7FtttRY\">Sleater-Kinney\u003c/a> are a huge draw at this year’s family-friendly event, which celebrates bluegrass, country, roots music and eclectic array of other genres in Golden Gate Park. Other standout acts include Nigerian-British electronic pop band \u003ca href=\"https://www.youtube.com/watch?v=AVCTy_Qqn5A\">Ibibio Sound Machine\u003c/a>, Ukrainian folk experimentalists \u003ca href=\"https://www.youtube.com/watch?v=AObDpJ6xQMk\">DakhaBrakha\u003c/a>, original bluesman Bobby Rush and powerhouse soul singer Mavis Staples.\u003c/p>\n\u003cfigure id=\"attachment_13962989\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962989\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599.jpg\" alt=\"Omar Apollo smiles and looks out onto the crowd while holding a microphone and wearing sparkly black pants and a matching top. \" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Omar Apollo performs at Life Is Beautiful on Sept. 23, 2023 in Las Vegas, Nevada. \u003ccite>(Christopher Polk/Billboard via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://apeconcerts.com/events/omar-apollo-241004/\">Omar Apollo\u003c/a>\u003c/h2>\n\u003cp>\u003cem>With Kevin Abstract\u003cbr>\nOct. 4, 2024\u003cbr>\n8 p.m.\u003cbr>\nGreek Theatre, Berkeley\u003cbr>\n$78+\u003c/em>\u003c/p>\n\u003cp>Tender, touching and at times snarky, Omar Apollo’s expansive pop music blends eclectic influences — folk and new wave, R&B and trap — into something shimmeringly beautiful. The singer-songwriter and guitarist’s latest album \u003ca href=\"https://www.youtube.com/watch?v=YTnuRqf5V5Y\">\u003ci>God Said No\u003c/i>\u003c/a> takes us on a ride through desire, pettiness, longing and other complicated emotions that arise during a breakup. Apollo will take the stage at Berkeley’s Greek Theatre with Brockhampton’s Kevin Abstract, another artist pushing queer expression forward.\u003c/p>\n\u003cfigure id=\"attachment_13956732\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956732\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED.jpg\" alt=\"Blonde woman in black with bass guitar holds a small white dog\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Shannon Shaw, vocalist and bass guitarist of Shannon and the Clams, and her dog Spanky-Joe at a park in the greater Los Angeles area on April 25, 2024. \u003ccite>(Jules Hotz for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://thefoxoakland.com/events/shannon-and-the-clams-241019\">Shannon and the Clams\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Oct. 19, 2024\u003cbr>\n8 p.m.\u003cbr>\nFox Theater, Oakland\u003cbr>\n$43+\u003c/em>\u003c/p>\n\u003cp>With \u003ci>The Moon Is in the Wrong Place\u003c/i>, Oakland rockers \u003ca href=\"https://www.youtube.com/watch?v=dvo2yOFb7k0\">Shannon and the Clams\u003c/a> made an album about grief whose exuberance is an affirmation of love and life, written in the aftermath of frontwoman Shannon Shaw’s life-changing loss of her fiance, drummer Joe Haener. While grappling with the tragedy, the band transmuted restlessness, anger, sorrow and confusion into a high-energy blend of garage rock, country and psychedelia that’s made for the stage, especially a gorgeous room like the Fox.\u003c/p>\n\u003cfigure id=\"attachment_13919608\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13919608\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Charli XCX performs at Portola Music Festival in San Francisco on Saturday, Sept. 24, 2022. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://chasecenter.com/events/charli-xcx-and-troye-sivan-20241020\">Charli XCX & Troye Sivan\u003c/a>\u003c/h2>\n\u003cp>\u003cem>With Shygirl\u003cbr>\nOct. 20, 2024\u003cbr>\n7:30 p.m.\u003cbr>\nChase Center, San Francisco\u003cbr>\n$196+\u003c/em>\u003c/p>\n\u003cp>Charli XCX is so hot this year, even Kamala Harris wants to ride her lime-green \u003ci>Brat\u003c/i> train to the White House. The U.K. pop star reconnected with her raver roots for her sixth studio album, and the result is a hedonistic yet profound listen that managed to explode into the mainstream while maintaining a solidly grimy, underground appeal. Shockingly honest tracks like “\u003ca href=\"https://www.youtube.com/watch?v=0q3K6FPzY18\">Girl, so confusing\u003c/a>” — where Charli and Lorde squashed their beef on record while elucidating how misogyny messes with women’s minds — lend the album its emotional depth. At the Chase Center, Charli will whisk fans away into her 4 a.m. fantasy with “One of Your Girls” hitmaker Troye Sivan and fellow club kid Shygirl.\u003c/p>\n\u003cfigure id=\"attachment_13919616\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13919616\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Kaytranada-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Kaytranada-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Kaytranada-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Kaytranada-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Kaytranada-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Kaytranada-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Kaytranada-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.--1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kaytranada performs at Portola Music Festival in San Francisco on Saturday, Sept. 24, 2022. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://thegreekberkeley.com/events/kaytranada-241031\">Kaytranada\u003c/a>\u003c/h2>\n\u003cp>\u003cem>With Channel Tres and Lou Phelps\u003cbr>\nOct. 31, 2024\u003cbr>\n6:30 p.m.\u003cbr>\nGreek Theatre, Berkeley\u003cbr>\n$78+\u003c/em>\u003c/p>\n\u003cp>It’s a shame hip-house only went mainstream for a few years in the mid-’90s — rapping over uptempo club beats just makes sense. Fortunately, Kaytranada and Channel Tres have revived the sound for a new generation. Hot off his new \u003ci>TIMELESS\u003c/i> album (and an extremely lit \u003ca href=\"https://www.kqed.org/arts/13962406/chappell-roan-outside-lands-2024-review-photos-sabrina-carpenter-sturgill-simpson\">Outside Lands\u003c/a> appearance), Kaytranada will spin groove-laden beats that feature some of today’s brightest pop, R&B and rap talents, including \u003ca href=\"https://www.youtube.com/watch?v=vAOzFvVz718\">PinkPantheress\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=kQC0S0VYoio\">Tinashe\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=EqfnKrbMZ5w\">Don Toliver\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=ijP_r0f-Mds\">Lou Phelps\u003c/a>, the latter of whom is opening the show. “Top Down” rapper Channel Tres promises a live set of dance-floor ready anthems. If you’re trying to turn up on Halloween, this is the place to be.\u003c/p>\n\u003cfigure id=\"attachment_13962992\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962992\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153.jpg\" alt=\"A large boy band runs down a stage wearing complementary tweed suits. \" width=\"2000\" height=\"1306\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153-800x522.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153-1020x666.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153-768x502.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153-1536x1003.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153-1920x1254.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dokyeom, Seungkwan and Hoshi of k-pop boy group SEVENTEEN perform during the 12th Circle Chart Music Awards at the KSPO Dome on February 18, 2023 in Seoul, South Korea. \u003ccite>(The Chosunilbo JNS/Imazins via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.theoaklandarena.com/events/detail/seventeen-right-here-world-tour-in-us\">Seventeen\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Nov. 5 and 6, 2024\u003cbr>\n7:30 p.m.\u003cbr>\nOakland Arena, Oakland\u003cbr>\n$119+\u003c/em>\u003c/p>\n\u003cp>K-pop band Seventeen is a powerhouse. The thirteen-member squad is incredibly versatile: They write and produce much of their own music, and choreograph big, epic live performances that have earned them legions of fans from China to the U.S. Sonically, they have range, too: standout tracks include the vibe-y and mystical R&B track “\u003ca href=\"https://www.youtube.com/watch?v=gbLkxltoD9o\">Spell\u003c/a>” and “\u003ca href=\"https://www.youtube.com/watch?v=ThI0pBAbFnk\">Maestro\u003c/a>,” which showcases their hip-hop influence with a futuristic spin. Expect high-energy dance moves and otherworldly visuals two nights in a row at Oakland Arena.\u003c/p>\n\u003cfigure id=\"attachment_13963159\" class=\"wp-caption aligncenter\" style=\"max-width: 2165px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13963159\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag.jpg\" alt=\"\" width=\"2165\" height=\"1443\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag.jpg 2165w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag-1920x1280.jpg 1920w\" sizes=\"(max-width: 2165px) 100vw, 2165px\">\u003cfigcaption class=\"wp-caption-text\">DB.Boutabag in his music video for ‘Loss as Lessons.’ \u003ccite>(DB.Boutabag on YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://thenewparish.com/tm-event/db-boutabag-with-k-flex/\">DB.Boutabag\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Nov. 8, 2024\u003cbr>\n8 p.m.\u003cbr>\nThe New Parish, Oakland\u003cbr>\n$30+\u003c/em>\u003c/p>\n\u003cp>The Bay has produced plenty of hip-hop greats, but some of the hottest young rappers out of Northern California currently hail from Stockton and Sacramento. South Sac’s \u003ca href=\"https://www.youtube.com/watch?v=krbGYUEBIFA\">DB.Boutabag\u003c/a> is one of the leaders of that Central Valley scene, and his deadpan punchlines, gems of wisdom and ruthless roasts of his rivals have attracted an avid fan base that raps along bar for bar at his shows, from Salt Lake City to Boise to Oakland.\u003c/p>\n\u003cfigure id=\"attachment_13962991\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962991\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298.jpg\" alt=\"\" width=\"2000\" height=\"1504\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298-800x602.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298-1020x767.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298-768x578.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298-1536x1155.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298-1920x1444.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Latto performs onstage during Hot 107.9 Birthday Bash 2024 at State Farm Arena on June 22, 2024 in Atlanta, Georgia. \u003ccite>(Prince Williams/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://apeconcerts.com/events/latto-241129/\">Latto\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Nov. 29, 2024\u003c/em>\u003cbr>\n\u003cem>7:30 p.m.\u003c/em>\u003cbr>\n\u003cem>Bill Graham Civic Auditorium, San Francisco\u003c/em>\u003cbr>\n\u003cem>$83+\u003c/em>\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>When it comes to Gen Z rappers dominating the charts, Atlanta’s Latto is definitely on the short list. After 2022’s roller disco-ready “\u003ca href=\"https://www.youtube.com/watch?v=T8GpG8C0YzA\">Big Energy\u003c/a>,” she followed up with 2023’s thrillingly aggressive diss track “\u003ca href=\"https://www.youtube.com/watch?v=-WtNCR3EDS4\">Put It On the Floor\u003c/a>” and this year’s “\u003ca href=\"https://www.youtube.com/watch?v=skTA4ZkRlyQ\">Sunday Service\u003c/a>,” a cocky and laid-back cruising anthem that got a remix from hot girl-in-chief Megan Thee Stallion and fellow rising star Flo Milli. Yes, she puts her sex appeal out there, and behind her provocative image is a careful attention to craft in the booth and on the stage.\u003c/p>\n\n","blocks":[],"excerpt":"Charli XCX, SEVENTEEN, Kaytranada and Omar Apollo are on our list of artists not to miss. ","status":"publish","parent":0,"modified":1724449046,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":26,"wordCount":1567},"headData":{"title":"Must-See Concerts in the Bay Area This Fall | KQED","description":"Charli XCX, SEVENTEEN, Kaytranada and Omar Apollo are on our list of artists not to miss. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Must-See Concerts in the Bay Area This Fall","datePublished":"2024-08-26T08:00:51-07:00","dateModified":"2024-08-23T14:37:26-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Fall Guide 2024","sourceUrl":"https://www.kqed.org/arts/tag/fall-guide-2024","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13962948/fall-2024-san-francisco-oakland-san-jose-bay-area-concert-guide","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13962545\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962545\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_043.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_043.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_043-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_043-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_043-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_043-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/240811_OutsideLands__EG_043-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Thousands gather in front of the Twin Peaks Stage as Kaytranada performs at Outside Lands on Sunday, Aug. 11, 2024. He returns to the Bay Area to headline Berkeley’s Greek Theatre on Halloween. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Charli XCX fans may have declared 2024 \u003cem>Brat\u003c/em> summer, but since Bay Area weather stays nice through November — and Charli herself is playing San Francisco in October — the party is continuing well into fall.\u003c/p>\n\u003cp>Even if huge arena concerts aren’t your thing, there are plenty of other worthy shows in the autumn months: Smaller club gigs from up-and-coming acts, free outdoor concerts and a waterfront festival. Read on for must-see shows to add to your concert calendar.\u003c/p>\n\u003cfigure id=\"attachment_13962998\" class=\"wp-caption aligncenter\" style=\"max-width: 2399px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962998\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores.jpg\" alt=\"\" width=\"2399\" height=\"1557\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores.jpg 2399w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores-800x519.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores-1020x662.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores-768x498.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores-1536x997.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores-2048x1329.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/commodores-1920x1246.jpg 1920w\" sizes=\"(max-width: 2399px) 100vw, 2399px\">\u003cfigcaption class=\"wp-caption-text\">The Commodores. \u003ccite>(Courtesy Mare Island Dock of Bay Music Festival)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://dockofbay.com/general-information/\">Dock of the Bay Festival\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 7, 2024\u003cbr>\n12:30-9:30 p.m.\u003cbr>\nMare Island Coal Sheds, Vallejo\u003cbr>\n$120+\u003c/em>\u003c/p>\n\u003cp>The Solano County waterfront, with its mix of natural and industrial terrain, makes for a special setting at Dock of the Bay. The music festival brings together original disco and funk acts like “\u003ca href=\"https://www.youtube.com/watch?v=GTR27qWXGqU\">Boogie Nights\u003c/a>” hitmakers Heatwave, who’ve been sampled by everyone from Michael Jackson to Timbaland and Missy Elliott. They perform alongside The Commodores, who gave us the timeless classic “\u003ca href=\"https://www.youtube.com/watch?v=KzOJaHHlIcQ\">Brick House\u003c/a>;” Average White Band of “\u003ca href=\"https://www.youtube.com/watch?v=3ISLeHByD-I\">Pick Up the Pieces\u003c/a>” fame; and Lenny Williams, the balladeer behind soul classic “\u003ca href=\"https://www.youtube.com/watch?v=QbzkwLWK-Ps\">Cause I Love You\u003c/a>.”\u003c/p>\n\u003cfigure id=\"attachment_13962996\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962996\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347.jpg\" alt=\"\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1704957347-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">El Alfa (center) performs at Billboard En Vivo Featuring Wisin held at Oasis Wynwood as part of Billboard Latin Music Week on October 3, 2023 in Miami Beach, Florida. \u003ccite>(Christopher Polk/Billboard via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.sapcenter.com/events/detail/el-alfa\">El Alfa\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Sept. 14, 2024\u003cbr>\n8 p.m.\u003cbr>\nSAP Center, San Jose\u003cbr>\n$92+\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>There’s no question that El Alfa is the king of Dominican dembow. With each \u003ca href=\"https://www.youtube.com/watch?v=j0KT4NTZNQo\">new release\u003c/a>, his raps seem to get more hyperactive, weirder and raunchier, with onomatopoeias and \u003ca href=\"https://www.youtube.com/watch?v=s5yRZOQ3EWI\">double entendres\u003c/a> in the pocket of uptempo, percussion-heavy, tropical beats. There’s a reason why Spanish-speaking artists from all over the Western hemisphere — Cardi B, Kali Uchis, Bad Bunny, Wisin & Yandel and Jowell & Randy — have turned to him to inject their tracks with manic energy. Expect nothing less when he arrives stateside for a headlining show at San Jose’s SAP Center.\u003c/p>\n\u003cfigure id=\"attachment_13962994\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962994\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1864\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-scaled.jpg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-800x583.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-1020x743.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-160x117.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-768x559.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-1536x1118.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-2048x1491.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/231211_PTM_Press_Selects_TIFF_CREDIT_maclay-heriot_1484_000007600007-1920x1398.jpg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Portugal. The Man. \u003ccite>(Maclay Heriot )\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://laylo.com/anotherplanetentertainment/9-20-24\">Portugal. The Man\u003c/a>\u003c/h2>\n\u003cp>\u003cem>With Snacktime\u003cbr>\nSept. 20, 2024\u003cbr>\nCivic Center Plaza, San Francisco\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>Continuing San Francisco’s streak of free concerts this year, Portugal. The Man brings their punchy, groove-laden rock to Civic Center Plaza, just outside of City Hall. The Portland band, best known for 2017’s inescapable “\u003ca href=\"https://www.youtube.com/watch?v=F09POwrBn-M\">Feel It Still\u003c/a>,” are currently touring in support of their catchy, psychedelic 2023 album \u003cem>Chris Black Changed My Life\u003c/em>. Philly brass band Snacktime will get the dance party started with their uptempo jazz funk.\u003c/p>\n\u003cfigure id=\"attachment_10618581\" class=\"wp-caption aligncenter\" style=\"max-width: 1180px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10618581\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/05/SKMain.jpg\" alt=\"\" width=\"1180\" height=\"664\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2015/05/SKMain.jpg 1180w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/05/SKMain-400x225.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/05/SKMain-800x450.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2015/05/SKMain-960x540.jpg 960w\" sizes=\"(max-width: 1180px) 100vw, 1180px\">\u003cfigcaption class=\"wp-caption-text\">Sleater-Kinney at the Masonic, May 2, 2015. \u003ccite>(Gabe Meline/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Oct. 4-6, 2024\u003cbr>\nGolden Gate Park, San Francisco\u003cbr>\nFree\u003c/em>\u003c/p>\n\u003cp>With concert tickets more expensive than ever, a free major festival like Hardly Strictly is truly a gift. Alternative rockers \u003ca href=\"https://www.youtube.com/watch?v=vZA_7FtttRY\">Sleater-Kinney\u003c/a> are a huge draw at this year’s family-friendly event, which celebrates bluegrass, country, roots music and eclectic array of other genres in Golden Gate Park. Other standout acts include Nigerian-British electronic pop band \u003ca href=\"https://www.youtube.com/watch?v=AVCTy_Qqn5A\">Ibibio Sound Machine\u003c/a>, Ukrainian folk experimentalists \u003ca href=\"https://www.youtube.com/watch?v=AObDpJ6xQMk\">DakhaBrakha\u003c/a>, original bluesman Bobby Rush and powerhouse soul singer Mavis Staples.\u003c/p>\n\u003cfigure id=\"attachment_13962989\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962989\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599.jpg\" alt=\"Omar Apollo smiles and looks out onto the crowd while holding a microphone and wearing sparkly black pants and a matching top. \" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1685867599-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Omar Apollo performs at Life Is Beautiful on Sept. 23, 2023 in Las Vegas, Nevada. \u003ccite>(Christopher Polk/Billboard via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://apeconcerts.com/events/omar-apollo-241004/\">Omar Apollo\u003c/a>\u003c/h2>\n\u003cp>\u003cem>With Kevin Abstract\u003cbr>\nOct. 4, 2024\u003cbr>\n8 p.m.\u003cbr>\nGreek Theatre, Berkeley\u003cbr>\n$78+\u003c/em>\u003c/p>\n\u003cp>Tender, touching and at times snarky, Omar Apollo’s expansive pop music blends eclectic influences — folk and new wave, R&B and trap — into something shimmeringly beautiful. The singer-songwriter and guitarist’s latest album \u003ca href=\"https://www.youtube.com/watch?v=YTnuRqf5V5Y\">\u003ci>God Said No\u003c/i>\u003c/a> takes us on a ride through desire, pettiness, longing and other complicated emotions that arise during a breakup. Apollo will take the stage at Berkeley’s Greek Theatre with Brockhampton’s Kevin Abstract, another artist pushing queer expression forward.\u003c/p>\n\u003cfigure id=\"attachment_13956732\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13956732\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED.jpg\" alt=\"Blonde woman in black with bass guitar holds a small white dog\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2024_04_SHANNON_SHAW_00207-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Shannon Shaw, vocalist and bass guitarist of Shannon and the Clams, and her dog Spanky-Joe at a park in the greater Los Angeles area on April 25, 2024. \u003ccite>(Jules Hotz for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://thefoxoakland.com/events/shannon-and-the-clams-241019\">Shannon and the Clams\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Oct. 19, 2024\u003cbr>\n8 p.m.\u003cbr>\nFox Theater, Oakland\u003cbr>\n$43+\u003c/em>\u003c/p>\n\u003cp>With \u003ci>The Moon Is in the Wrong Place\u003c/i>, Oakland rockers \u003ca href=\"https://www.youtube.com/watch?v=dvo2yOFb7k0\">Shannon and the Clams\u003c/a> made an album about grief whose exuberance is an affirmation of love and life, written in the aftermath of frontwoman Shannon Shaw’s life-changing loss of her fiance, drummer Joe Haener. While grappling with the tragedy, the band transmuted restlessness, anger, sorrow and confusion into a high-energy blend of garage rock, country and psychedelia that’s made for the stage, especially a gorgeous room like the Fox.\u003c/p>\n\u003cfigure id=\"attachment_13919608\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13919608\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Charli-XCX-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-004-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Charli XCX performs at Portola Music Festival in San Francisco on Saturday, Sept. 24, 2022. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://chasecenter.com/events/charli-xcx-and-troye-sivan-20241020\">Charli XCX & Troye Sivan\u003c/a>\u003c/h2>\n\u003cp>\u003cem>With Shygirl\u003cbr>\nOct. 20, 2024\u003cbr>\n7:30 p.m.\u003cbr>\nChase Center, San Francisco\u003cbr>\n$196+\u003c/em>\u003c/p>\n\u003cp>Charli XCX is so hot this year, even Kamala Harris wants to ride her lime-green \u003ci>Brat\u003c/i> train to the White House. The U.K. pop star reconnected with her raver roots for her sixth studio album, and the result is a hedonistic yet profound listen that managed to explode into the mainstream while maintaining a solidly grimy, underground appeal. Shockingly honest tracks like “\u003ca href=\"https://www.youtube.com/watch?v=0q3K6FPzY18\">Girl, so confusing\u003c/a>” — where Charli and Lorde squashed their beef on record while elucidating how misogyny messes with women’s minds — lend the album its emotional depth. At the Chase Center, Charli will whisk fans away into her 4 a.m. fantasy with “One of Your Girls” hitmaker Troye Sivan and fellow club kid Shygirl.\u003c/p>\n\u003cfigure id=\"attachment_13919616\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13919616\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Kaytranada-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Kaytranada-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.-.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Kaytranada-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.--800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Kaytranada-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.--1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Kaytranada-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.--160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Kaytranada-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.--768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2022/09/Kaytranada-performs-at-Portola-Music-Festival-in-San-Francisco-on-Saturday-Sept.-24-2022.--1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Kaytranada performs at Portola Music Festival in San Francisco on Saturday, Sept. 24, 2022. \u003ccite>(Estefany Gonzalez for KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://thegreekberkeley.com/events/kaytranada-241031\">Kaytranada\u003c/a>\u003c/h2>\n\u003cp>\u003cem>With Channel Tres and Lou Phelps\u003cbr>\nOct. 31, 2024\u003cbr>\n6:30 p.m.\u003cbr>\nGreek Theatre, Berkeley\u003cbr>\n$78+\u003c/em>\u003c/p>\n\u003cp>It’s a shame hip-house only went mainstream for a few years in the mid-’90s — rapping over uptempo club beats just makes sense. Fortunately, Kaytranada and Channel Tres have revived the sound for a new generation. Hot off his new \u003ci>TIMELESS\u003c/i> album (and an extremely lit \u003ca href=\"https://www.kqed.org/arts/13962406/chappell-roan-outside-lands-2024-review-photos-sabrina-carpenter-sturgill-simpson\">Outside Lands\u003c/a> appearance), Kaytranada will spin groove-laden beats that feature some of today’s brightest pop, R&B and rap talents, including \u003ca href=\"https://www.youtube.com/watch?v=vAOzFvVz718\">PinkPantheress\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=kQC0S0VYoio\">Tinashe\u003c/a>, \u003ca href=\"https://www.youtube.com/watch?v=EqfnKrbMZ5w\">Don Toliver\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=ijP_r0f-Mds\">Lou Phelps\u003c/a>, the latter of whom is opening the show. “Top Down” rapper Channel Tres promises a live set of dance-floor ready anthems. If you’re trying to turn up on Halloween, this is the place to be.\u003c/p>\n\u003cfigure id=\"attachment_13962992\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962992\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153.jpg\" alt=\"A large boy band runs down a stage wearing complementary tweed suits. \" width=\"2000\" height=\"1306\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153-800x522.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153-1020x666.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153-160x104.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153-768x502.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153-1536x1003.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-1487414153-1920x1254.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Dokyeom, Seungkwan and Hoshi of k-pop boy group SEVENTEEN perform during the 12th Circle Chart Music Awards at the KSPO Dome on February 18, 2023 in Seoul, South Korea. \u003ccite>(The Chosunilbo JNS/Imazins via Getty Images)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://www.theoaklandarena.com/events/detail/seventeen-right-here-world-tour-in-us\">Seventeen\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Nov. 5 and 6, 2024\u003cbr>\n7:30 p.m.\u003cbr>\nOakland Arena, Oakland\u003cbr>\n$119+\u003c/em>\u003c/p>\n\u003cp>K-pop band Seventeen is a powerhouse. The thirteen-member squad is incredibly versatile: They write and produce much of their own music, and choreograph big, epic live performances that have earned them legions of fans from China to the U.S. Sonically, they have range, too: standout tracks include the vibe-y and mystical R&B track “\u003ca href=\"https://www.youtube.com/watch?v=gbLkxltoD9o\">Spell\u003c/a>” and “\u003ca href=\"https://www.youtube.com/watch?v=ThI0pBAbFnk\">Maestro\u003c/a>,” which showcases their hip-hop influence with a futuristic spin. Expect high-energy dance moves and otherworldly visuals two nights in a row at Oakland Arena.\u003c/p>\n\u003cfigure id=\"attachment_13963159\" class=\"wp-caption aligncenter\" style=\"max-width: 2165px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13963159\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag.jpg\" alt=\"\" width=\"2165\" height=\"1443\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag.jpg 2165w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/dbboutabag-1920x1280.jpg 1920w\" sizes=\"(max-width: 2165px) 100vw, 2165px\">\u003cfigcaption class=\"wp-caption-text\">DB.Boutabag in his music video for ‘Loss as Lessons.’ \u003ccite>(DB.Boutabag on YouTube)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://thenewparish.com/tm-event/db-boutabag-with-k-flex/\">DB.Boutabag\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Nov. 8, 2024\u003cbr>\n8 p.m.\u003cbr>\nThe New Parish, Oakland\u003cbr>\n$30+\u003c/em>\u003c/p>\n\u003cp>The Bay has produced plenty of hip-hop greats, but some of the hottest young rappers out of Northern California currently hail from Stockton and Sacramento. South Sac’s \u003ca href=\"https://www.youtube.com/watch?v=krbGYUEBIFA\">DB.Boutabag\u003c/a> is one of the leaders of that Central Valley scene, and his deadpan punchlines, gems of wisdom and ruthless roasts of his rivals have attracted an avid fan base that raps along bar for bar at his shows, from Salt Lake City to Boise to Oakland.\u003c/p>\n\u003cfigure id=\"attachment_13962991\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962991\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298.jpg\" alt=\"\" width=\"2000\" height=\"1504\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298-800x602.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298-1020x767.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298-160x120.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298-768x578.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298-1536x1155.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/GettyImages-2158815298-1920x1444.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Latto performs onstage during Hot 107.9 Birthday Bash 2024 at State Farm Arena on June 22, 2024 in Atlanta, Georgia. \u003ccite>(Prince Williams/WireImage)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003ch2>\u003ca href=\"https://apeconcerts.com/events/latto-241129/\">Latto\u003c/a>\u003c/h2>\n\u003cp>\u003cem>Nov. 29, 2024\u003c/em>\u003cbr>\n\u003cem>7:30 p.m.\u003c/em>\u003cbr>\n\u003cem>Bill Graham Civic Auditorium, San Francisco\u003c/em>\u003cbr>\n\u003cem>$83+\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>When it comes to Gen Z rappers dominating the charts, Atlanta’s Latto is definitely on the short list. After 2022’s roller disco-ready “\u003ca href=\"https://www.youtube.com/watch?v=T8GpG8C0YzA\">Big Energy\u003c/a>,” she followed up with 2023’s thrillingly aggressive diss track “\u003ca href=\"https://www.youtube.com/watch?v=-WtNCR3EDS4\">Put It On the Floor\u003c/a>” and this year’s “\u003ca href=\"https://www.youtube.com/watch?v=skTA4ZkRlyQ\">Sunday Service\u003c/a>,” a cocky and laid-back cruising anthem that got a remix from hot girl-in-chief Megan Thee Stallion and fellow rising star Flo Milli. Yes, she puts her sex appeal out there, and behind her provocative image is a careful attention to craft in the booth and on the stage.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13962948/fall-2024-san-francisco-oakland-san-jose-bay-area-concert-guide","authors":["11387"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_22281","arts_10278","arts_585"],"featImg":"arts_13962545","label":"source_arts_13962948"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. Plus, KQED’s Bianca Taylor brings you the local KQED news you need to know.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Consider-This-Podcast-Tile-703x703-1.jpg","imageAlt":"Consider This from NPR and KQED","officialWebsiteLink":"/podcasts/considerthis","meta":{"site":"news","source":"kqed","order":"7"},"link":"/podcasts/considerthis","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1503226625?mt=2&at=11l79Y&ct=nprdirectory","npr":"https://rpb3r.app.goo.gl/coronavirusdaily","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM1NS9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/3Z6JdCS2d0eFEpXHKI6WqH"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":"8"},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png","officialWebsiteLink":"http://freakonomics.com/","airtime":"SUN 1am-2am, SAT 3pm-4pm","meta":{"site":"radio","source":"WNYC"},"link":"/radio/program/freakonomics-radio","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519","tuneIn":"https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/","rss":"https://feeds.feedburner.com/freakonomicsradio"}},"fresh-air":{"id":"fresh-air","title":"Fresh Air","info":"Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. 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