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In 2017, Marisol won an Emmy Award for her work on the televised documentary, \u003cem>City Rising\u003c/em>, examining California's affordable housing crisis and the historical roots of gentrification.","avatar":"https://secure.gravatar.com/avatar/6c3db46a1cabb5e1fe9a365b5f4e681e?s=600&d=blank&r=g","twitter":"marisolreports","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["author","edit_others_posts"]}],"headData":{"title":"Marisol Medina-Cadena | KQED","description":"Producer, Rightnowish Podcast","ogImgSrc":"https://secure.gravatar.com/avatar/6c3db46a1cabb5e1fe9a365b5f4e681e?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/6c3db46a1cabb5e1fe9a365b5f4e681e?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/mmedina"},"achazaro":{"type":"authors","id":"11748","meta":{"index":"authors_1716337520","id":"11748","found":true},"name":"Alan Chazaro","firstName":"Alan","lastName":"Chazaro","slug":"achazaro","email":"agchazaro@gmail.com","display_author_email":true,"staff_mastheads":["arts"],"title":"Food Writer and Reporter","bio":"Alan Chazaro is the author of \u003cem>This Is Not a Frank Ocean Cover Album\u003c/em> (Black Lawrence Press, 2019), \u003cem>Piñata Theory\u003c/em> (Black Lawrence Press, 2020), and \u003cem>Notes from the Eastern Span of the Bay Bridge\u003c/em> (Ghost City Press, 2021). He is a graduate of June Jordan’s Poetry for the People program at UC Berkeley and a former Lawrence Ferlinghetti Fellow at the University of San Francisco. He writes about sports, food, art, music, education, and culture while repping the Bay on \u003ca href=\"https://twitter.com/alan_chazaro\">Twitter\u003c/a> and \u003ca href=\"https://www.instagram.com/alan_chazaro/?hl=en\">Instagram\u003c/a> at @alan_chazaro.","avatar":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g","twitter":"alan_chazaro","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]}],"headData":{"title":"Alan Chazaro | KQED","description":"Food Writer and Reporter","ogImgSrc":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/achazaro"},"omayeda":{"type":"authors","id":"11872","meta":{"index":"authors_1716337520","id":"11872","found":true},"name":"Olivia Cruz Mayeda","firstName":"Olivia Cruz","lastName":"Mayeda","slug":"omayeda","email":"omayeda@kqed.org","display_author_email":false,"staff_mastheads":["arts"],"title":"Reporter","bio":"Olivia Cruz Mayeda is a journalist covering style, culture and reparations in the Bay Area, a place that has been home to her family for over 100 years. Her writing has also appeared in the \u003cem>San Francisco Chronicle\u003c/em> and \u003cem>El Tecolote\u003c/em>.","avatar":"https://secure.gravatar.com/avatar/a8c0baa30219ce1071a9474f4c14141f?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]}],"headData":{"title":"Olivia Cruz Mayeda | KQED","description":"Reporter","ogImgSrc":"https://secure.gravatar.com/avatar/a8c0baa30219ce1071a9474f4c14141f?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/a8c0baa30219ce1071a9474f4c14141f?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/omayeda"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13962355":{"type":"posts","id":"arts_13962355","meta":{"index":"posts_1716263798","site":"arts","id":"13962355","score":null,"sort":[1723231030000]},"guestAuthors":[],"slug":"habibi-palestinian-ceramics-keffiyeh-reems-port-of-mokha-campbell","title":"Meet the Palestinian Artist Making Keffiyeh-Inspired Ceramics for Bay Area Restaurants","publishDate":1723231030,"format":"standard","headTitle":"Meet the Palestinian Artist Making Keffiyeh-Inspired Ceramics for Bay Area Restaurants | KQED","labelTerm":{},"content":"\u003cp>Even while she dreamed of numbers at her job in corporate tech, Nadia Elgan would fawn over elegant hand-poured ceramics. On her honeymoon in Cuba, she made her husband take her to all the local pottery studios they passed. And after her daughter was born, something in her succumbed to that desire to make something with her hands. Her first time at the wheel while on a ceramics studio date night sealed the deal: It was love at first touch.\u003c/p>\n\u003cfigure id=\"attachment_13962376\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13962376\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-1020x1530.jpg\" alt=\"A ceramicist in a pink jumpsuit poses for a portrait while looking down at a large pink bowl.\" width=\"640\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-scaled.jpg 1707w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Palestinian Filipina ceramicist Nadia Elgan left a career in corporate tech to start her own ceramics studio. \u003ccite>(Céline Steen, courtesy of Habibi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Now throwing at her own studio, \u003ca href=\"https://habibiceramics.com/\">Habibi Ceramics\u003c/a>, the Campbell-based Palestinian Filipina ceramicist — “Pali-Pina” as she describes herself — has designed cups and plates for popular Bay Area restaurants and cafes like \u003ca href=\"https://www.instagram.com/reemscalifornia/\">Reem’s\u003c/a> and \u003ca href=\"https://www.thecaffeoak.com/\">the Caffè by Mr. Espresso\u003c/a>.\u003c/p>\n\u003cp>Lately, Elgan’s art has turned toward Gaza.\u003c/p>\n\u003cp>In June, she released her \u003ca href=\"https://www.instagram.com/p/C78ongDuU6o/\">Falastin series\u003c/a> at West Coast Craft’s summer crafts market. The \u003ca href=\"https://habibiceramics.com/products/keffiyeh-cup\">cups\u003c/a> and plates are polka-dotted in a black-and-white pattern reminiscent of a keffiyeh scarf, one of the most visible displays of Palestinian resistance. In an era dominated by mass production, she throws each piece by hand, imbuing it with a sense of place and purpose.\u003c/p>\n\u003cp>The keffiyeh-inspired Falastin collection is now available for purchase via \u003ca href=\"https://habibiceramics.com/products/keffiyeh-cup\">Habibi Ceramics’ website\u003c/a> and at superstar chef Reem Assil’s \u003ca href=\"https://www.reemscalifornia.com/\">two San Francisco restaurants\u003c/a>, on Mission Street and in the Ferry Building, with proceeds going toward the \u003ca href=\"https://www.mecaforpeace.org/\">Middle East Children’s Alliance\u003c/a>’s Gaza relief fund. In addition, Elgan will soon kick off a new series of Palestine-focused collaborations with Arab American chefs and artists, who will sell those pieces exclusively through their own storefronts. The initial set of cups for Assil, for instance, will display a \u003ca href=\"https://www.metmuseum.org/perspectives/articles/2024/07/tatreez-in-time\">Tatreez pattern\u003c/a>, a kind of Palestinian embroidery. That collection will be available later this fall at both Reem’s outposts. It will also include plates and a mezze bowl for zeit and zataar — a smaller version of a prior Habibi dish that \u003ca href=\"https://nymag.com/strategist/article/reem-assil-favorite-things.html\">caught Assil’s eye\u003c/a>.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Elgan’s fall collection — which she’s calling the Habibi Passion Drops — will be co-curated by Antonio Diaz, the editor of \u003ca href=\"https://lifeandthyme.com/\">Life & Thyme magazine\u003c/a>, who helped connect the ceramicist with interested chefs. She’s also planning to include collaborations with coffee wizard \u003ca href=\"https://www.kqed.org/forum/2010101863628/dave-eggers-explores-the-american-dream-through-the-intricacies-of-coffee\">Mokhtar Alkhanshali\u003c/a> (of \u003ca href=\"https://www.instagram.com/portofmokha/?hl=en\">Port of Mokha\u003c/a>) and chef Fadi Kattan, who wrote \u003ci>Bethlehem: A Celebration of Palestinian Food\u003c/i>.\u003c/p>\n\u003cp>Since its June 8 release, the Falastin collection has already \u003ca href=\"https://www.instagram.com/p/C9gfnUfpJTb/?hl=en&img_index=1\">raised $29,000\u003c/a>, via the fundraising platform \u003ca href=\"https://www.instagram.com/_stillwerise/?hl=en\">Still We Rise\u003c/a>, to benefit organizations directly helping families in Palestine. Beyond that, Elgan’s biggest hope is for the Palestinian-inspired ceramics to inspire solidarity in joy, resistance in color, and celebration. “That’s really the heart of the collection,” she says. “To celebrate those traditions and create those connections.”\u003c/p>\n\u003cfigure id=\"attachment_13962379\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13962379\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups-1020x1360.jpg\" alt=\"Coffee cups with a black-and-white checked pattern, placed on top of a keffiyeh scarf with a similar design.\" width=\"640\" height=\"853\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Elgan drew inspiration from the keffiyeh scarf, a visible symbol of Palestinian resistance. \u003ccite>(Céline Steen, courtesy of Habibi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The timing of these releases is not lost on anyone who has watched the ongoing crisis in Palestine unfold. As the Israeli military offensive in the region continues, spreading into Lebanon and Jordan, the Palestinian death toll has reached nearly 40,000 with at least 15,000 children dead, according to \u003ca href=\"https://www.aljazeera.com/news/longform/2023/10/9/israel-hamas-war-in-maps-and-charts-live-tracker\">Gazan health officials\u003c/a>. That impact has been felt hard by the Bay’s diasporic Arabic communities.\u003c/p>\n\u003cp>Elgan herself grew up in Amman, Jordan; her family is from Jenin, in the West Bank. For her, these ceramics have been the way she’s found to express her sense of solidarity — and to share a side of Palestinian culture that’s too often overlooked.\u003c/p>\n\u003cp>“My art is my highest form of expression,” Elgan says. “I really want to highlight the joy Palestinians have when they host family and friends and connect around food.”\u003c/p>\n\u003cp>She understands that joy and has built a life around sharing it. Born in Southern California, she moved back to Los Angeles from Jordan when she was 13 years old. Eventually, she got a degree in international development from UC Berkeley before working at nonprofits and tech companies. In 2018, she took that first ceramics class and, shortly after, made a deal with Los Gatos’s \u003ca href=\"https://blossomhillcrafts.com/index.html#/\">Blossom Hill Crafts\u003c/a> to do side work in exchange for free studio time. It would be two or three in the morning when she’d finally leave the ceramics studio each night, losing track of time as she learned about glazing, throwing and the intricacies of wabi-sabi — the Japanese philosophy celebrating the beauty of imperfections.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">[aside postID='arts_13931303,arts_13954260,arts_13952460']\u003c/span>Then, during the pandemic, her restaurant collabs went major. The team at Campbell’s upscale \u003ca href=\"https://www.orchardcitykitchen.com/\">Orchard City Kitchen\u003c/a> had gorgeous cocktails that inspired Elgan; she pitched the team on cups that would represent the cocktails themselves. Their love of her designs gave her a surge of energy and inspiration. She’s since placed work at Berkeley’s \u003ca href=\"https://www.elaichico.com/\">Elaichi Co.\u003c/a>, Oaxaca’s \u003ca href=\"https://www.instagram.com/el_parian_atelier/\">El Parian Atelier\u003c/a> and many more, with North Beach’s \u003ca href=\"https://www.cassavasf.com/\">Cassava\u003c/a> soon to join the ranks. Even Madewell and Anthropologie are customers.\u003c/p>\n\u003cp>Mokhtar’s Alkhanshali says there’s no one like Elgan in the scene. “Nadia’s work not only honors the past but also pushes the boundaries of traditional pottery, making her a standout in her field,” he says.\u003c/p>\n\u003cp>The ongoing hardships for her community haven’t daunted Elgan’s success, nor her optimism. When she was growing up in Jordan, her sitti (grandmother) would look out the window and call for her home in Palestine. This vivid memory of her family looking so happy, so at peace, continues to guide her work.\u003c/p>\n\u003cp>“To be Palestinian means to be in a constant state of grief,” Elgan says. “It’s not just about property and land. Palestine is a part of our soul. The events since October 7 have been shattering. There’s a responsibility to preserve our culture and share our story.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Customers can order pieces from the Falastin collection \u003c/i>\u003ci>directly through the\u003c/i> \u003ci>Habibi\u003c/i>\u003ci> Ceramics \u003ca href=\"https://habibiceramics.com/\">website\u003c/a> or at participating restaurants.\u003c/i>\u003c/p>\n\n","blocks":[],"excerpt":"Habibi Ceramics’ Nadia Elgan is collaborating with Arab American culinary stars like Reem’s and Port of Mokha.","status":"publish","parent":0,"modified":1723237953,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":18,"wordCount":1071},"headData":{"title":"Meet the Palestinian Artist Making Keffiyeh-Inspired Ceramics for Bay Area Restaurants | KQED","description":"Habibi Ceramics’ Nadia Elgan is collaborating with Arab American culinary stars like Reem’s and Port of Mokha.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Meet the Palestinian Artist Making Keffiyeh-Inspired Ceramics for Bay Area Restaurants","datePublished":"2024-08-09T12:17:10-07:00","dateModified":"2024-08-09T14:12:33-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"source":"Food","sourceUrl":"https://www.kqed.org/food","sticky":false,"nprByline":"Paolo Bicchieri","nprStoryId":"kqed-13962355","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13962355/habibi-palestinian-ceramics-keffiyeh-reems-port-of-mokha-campbell","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Even while she dreamed of numbers at her job in corporate tech, Nadia Elgan would fawn over elegant hand-poured ceramics. On her honeymoon in Cuba, she made her husband take her to all the local pottery studios they passed. And after her daughter was born, something in her succumbed to that desire to make something with her hands. Her first time at the wheel while on a ceramics studio date night sealed the deal: It was love at first touch.\u003c/p>\n\u003cfigure id=\"attachment_13962376\" class=\"wp-caption alignright\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13962376\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-1020x1530.jpg\" alt=\"A ceramicist in a pink jumpsuit poses for a portrait while looking down at a large pink bowl.\" width=\"640\" height=\"960\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-1020x1530.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-800x1200.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-160x240.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-768x1152.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-1024x1536.jpg 1024w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-1365x2048.jpg 1365w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/nadia-elgan-portrait-scaled.jpg 1707w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Palestinian Filipina ceramicist Nadia Elgan left a career in corporate tech to start her own ceramics studio. \u003ccite>(Céline Steen, courtesy of Habibi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Now throwing at her own studio, \u003ca href=\"https://habibiceramics.com/\">Habibi Ceramics\u003c/a>, the Campbell-based Palestinian Filipina ceramicist — “Pali-Pina” as she describes herself — has designed cups and plates for popular Bay Area restaurants and cafes like \u003ca href=\"https://www.instagram.com/reemscalifornia/\">Reem’s\u003c/a> and \u003ca href=\"https://www.thecaffeoak.com/\">the Caffè by Mr. Espresso\u003c/a>.\u003c/p>\n\u003cp>Lately, Elgan’s art has turned toward Gaza.\u003c/p>\n\u003cp>In June, she released her \u003ca href=\"https://www.instagram.com/p/C78ongDuU6o/\">Falastin series\u003c/a> at West Coast Craft’s summer crafts market. The \u003ca href=\"https://habibiceramics.com/products/keffiyeh-cup\">cups\u003c/a> and plates are polka-dotted in a black-and-white pattern reminiscent of a keffiyeh scarf, one of the most visible displays of Palestinian resistance. In an era dominated by mass production, she throws each piece by hand, imbuing it with a sense of place and purpose.\u003c/p>\n\u003cp>The keffiyeh-inspired Falastin collection is now available for purchase via \u003ca href=\"https://habibiceramics.com/products/keffiyeh-cup\">Habibi Ceramics’ website\u003c/a> and at superstar chef Reem Assil’s \u003ca href=\"https://www.reemscalifornia.com/\">two San Francisco restaurants\u003c/a>, on Mission Street and in the Ferry Building, with proceeds going toward the \u003ca href=\"https://www.mecaforpeace.org/\">Middle East Children’s Alliance\u003c/a>’s Gaza relief fund. In addition, Elgan will soon kick off a new series of Palestine-focused collaborations with Arab American chefs and artists, who will sell those pieces exclusively through their own storefronts. The initial set of cups for Assil, for instance, will display a \u003ca href=\"https://www.metmuseum.org/perspectives/articles/2024/07/tatreez-in-time\">Tatreez pattern\u003c/a>, a kind of Palestinian embroidery. That collection will be available later this fall at both Reem’s outposts. It will also include plates and a mezze bowl for zeit and zataar — a smaller version of a prior Habibi dish that \u003ca href=\"https://nymag.com/strategist/article/reem-assil-favorite-things.html\">caught Assil’s eye\u003c/a>.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Elgan’s fall collection — which she’s calling the Habibi Passion Drops — will be co-curated by Antonio Diaz, the editor of \u003ca href=\"https://lifeandthyme.com/\">Life & Thyme magazine\u003c/a>, who helped connect the ceramicist with interested chefs. She’s also planning to include collaborations with coffee wizard \u003ca href=\"https://www.kqed.org/forum/2010101863628/dave-eggers-explores-the-american-dream-through-the-intricacies-of-coffee\">Mokhtar Alkhanshali\u003c/a> (of \u003ca href=\"https://www.instagram.com/portofmokha/?hl=en\">Port of Mokha\u003c/a>) and chef Fadi Kattan, who wrote \u003ci>Bethlehem: A Celebration of Palestinian Food\u003c/i>.\u003c/p>\n\u003cp>Since its June 8 release, the Falastin collection has already \u003ca href=\"https://www.instagram.com/p/C9gfnUfpJTb/?hl=en&img_index=1\">raised $29,000\u003c/a>, via the fundraising platform \u003ca href=\"https://www.instagram.com/_stillwerise/?hl=en\">Still We Rise\u003c/a>, to benefit organizations directly helping families in Palestine. Beyond that, Elgan’s biggest hope is for the Palestinian-inspired ceramics to inspire solidarity in joy, resistance in color, and celebration. “That’s really the heart of the collection,” she says. “To celebrate those traditions and create those connections.”\u003c/p>\n\u003cfigure id=\"attachment_13962379\" class=\"wp-caption alignleft\" style=\"max-width: 640px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-13962379\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups-1020x1360.jpg\" alt=\"Coffee cups with a black-and-white checked pattern, placed on top of a keffiyeh scarf with a similar design.\" width=\"640\" height=\"853\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups-1536x2048.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/keffiyeh-cups.jpg 1920w\" sizes=\"(max-width: 640px) 100vw, 640px\">\u003cfigcaption class=\"wp-caption-text\">Elgan drew inspiration from the keffiyeh scarf, a visible symbol of Palestinian resistance. \u003ccite>(Céline Steen, courtesy of Habibi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The timing of these releases is not lost on anyone who has watched the ongoing crisis in Palestine unfold. As the Israeli military offensive in the region continues, spreading into Lebanon and Jordan, the Palestinian death toll has reached nearly 40,000 with at least 15,000 children dead, according to \u003ca href=\"https://www.aljazeera.com/news/longform/2023/10/9/israel-hamas-war-in-maps-and-charts-live-tracker\">Gazan health officials\u003c/a>. That impact has been felt hard by the Bay’s diasporic Arabic communities.\u003c/p>\n\u003cp>Elgan herself grew up in Amman, Jordan; her family is from Jenin, in the West Bank. For her, these ceramics have been the way she’s found to express her sense of solidarity — and to share a side of Palestinian culture that’s too often overlooked.\u003c/p>\n\u003cp>“My art is my highest form of expression,” Elgan says. “I really want to highlight the joy Palestinians have when they host family and friends and connect around food.”\u003c/p>\n\u003cp>She understands that joy and has built a life around sharing it. Born in Southern California, she moved back to Los Angeles from Jordan when she was 13 years old. Eventually, she got a degree in international development from UC Berkeley before working at nonprofits and tech companies. In 2018, she took that first ceramics class and, shortly after, made a deal with Los Gatos’s \u003ca href=\"https://blossomhillcrafts.com/index.html#/\">Blossom Hill Crafts\u003c/a> to do side work in exchange for free studio time. It would be two or three in the morning when she’d finally leave the ceramics studio each night, losing track of time as she learned about glazing, throwing and the intricacies of wabi-sabi — the Japanese philosophy celebrating the beauty of imperfections.\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13931303,arts_13954260,arts_13952460","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>Then, during the pandemic, her restaurant collabs went major. The team at Campbell’s upscale \u003ca href=\"https://www.orchardcitykitchen.com/\">Orchard City Kitchen\u003c/a> had gorgeous cocktails that inspired Elgan; she pitched the team on cups that would represent the cocktails themselves. Their love of her designs gave her a surge of energy and inspiration. She’s since placed work at Berkeley’s \u003ca href=\"https://www.elaichico.com/\">Elaichi Co.\u003c/a>, Oaxaca’s \u003ca href=\"https://www.instagram.com/el_parian_atelier/\">El Parian Atelier\u003c/a> and many more, with North Beach’s \u003ca href=\"https://www.cassavasf.com/\">Cassava\u003c/a> soon to join the ranks. Even Madewell and Anthropologie are customers.\u003c/p>\n\u003cp>Mokhtar’s Alkhanshali says there’s no one like Elgan in the scene. “Nadia’s work not only honors the past but also pushes the boundaries of traditional pottery, making her a standout in her field,” he says.\u003c/p>\n\u003cp>The ongoing hardships for her community haven’t daunted Elgan’s success, nor her optimism. When she was growing up in Jordan, her sitti (grandmother) would look out the window and call for her home in Palestine. This vivid memory of her family looking so happy, so at peace, continues to guide her work.\u003c/p>\n\u003cp>“To be Palestinian means to be in a constant state of grief,” Elgan says. “It’s not just about property and land. Palestine is a part of our soul. The events since October 7 have been shattering. There’s a responsibility to preserve our culture and share our story.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003ci>Customers can order pieces from the Falastin collection \u003c/i>\u003ci>directly through the\u003c/i> \u003ci>Habibi\u003c/i>\u003ci> Ceramics \u003ca href=\"https://habibiceramics.com/\">website\u003c/a> or at participating restaurants.\u003c/i>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13962355/habibi-palestinian-ceramics-keffiyeh-reems-port-of-mokha-campbell","authors":["byline_arts_13962355"],"categories":["arts_1","arts_12276","arts_70"],"tags":["arts_22257","arts_20950","arts_10278","arts_1297","arts_8838","arts_21682","arts_22154","arts_12480"],"featImg":"arts_13962375","label":"source_arts_13962355"},"arts_13961479":{"type":"posts","id":"arts_13961479","meta":{"index":"posts_1716263798","site":"arts","id":"13961479","score":null,"sort":[1721850802000]},"guestAuthors":[],"slug":"equipto-family-not-a-group-gaza-fundraiser-human-concern-international","title":"Equipto to Headline an SF Fundraiser for Humanitarian Aid in Gaza","publishDate":1721850802,"format":"standard","headTitle":"Equipto to Headline an SF Fundraiser for Humanitarian Aid in Gaza | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.instagram.com/everybodylovezmike/\">\u003cspan style=\"font-weight: 400\">Mike Evans Jr.\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — a local comedian, actor and member of the San Francisco artist collective \u003c/span>\u003ca href=\"https://www.kqed.org/arts/13910221/family-not-a-group-san-francisco-rap\">\u003cspan style=\"font-weight: 400\">Family Not A Group\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — was first introduced to Palestinian culture as an 11-year-old growing up in Vallejo. His neighbors, a Palestinian American family, would often invite him over to parties, and that’s where he began to appreciate their traditions and history.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For many Bay Area youth, that kind of exposure to diverse experiences can instill a certain openness towards others in the world: a sense of interconnected struggle which, as Evans Jr. puts it, often results in a “we’re not all free until we’re all free” ethos. [aside postid='news_11996920,news_11997141,news_11988170']\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With \u003c/span>\u003ca href=\"https://abcnews.go.com/International/wireStory/latest-israeli-strikes-southern-gaza-palestinian-death-toll-112159613\">\u003cspan style=\"font-weight: 400\">a reported death toll of over 39,000 Palestinians\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> in Gaza, Evans Jr. — along with many other \u003c/span>\u003ca href=\"https://www.kqed.org/news/11984203/pro-palestinian-protests-sweep-california-college-campuses-amid-israel-hamas-war\">\u003cspan style=\"font-weight: 400\">Bay Area artists, activists and students\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — has found ways to continue his advocacy.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On Sunday, July 28, Mike and his longtime friend Maya Y. will be co-hosting a group of local rappers, DJs, comedians, poets and community members for a Free Palestine Fundraiser at \u003c/span>\u003ca href=\"https://www.instagram.com/heyneighborcafe/?hl=en\">\u003cspan style=\"font-weight: 400\">Hey Neighbor Cafe\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> in San Francisco. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">All proceeds from the event will go directly to Human Concern International, which provides food, resources, aid and education to families in Gaza. Performances will include poetry from \u003c/span>\u003ca href=\"https://www.instagram.com/atayqueen/\">\u003cspan style=\"font-weight: 400\">Sarah O’ Neal\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and music by Afterthought, \u003c/span>\u003ca href=\"https://www.instagram.com/_friscobaby/?hl=en\">\u003cspan style=\"font-weight: 400\">Frisco Baby\u003c/span>\u003c/a>, \u003cspan style=\"font-weight: 400\">Palestinian American MC \u003c/span>\u003ca href=\"https://www.instagram.com/ishaq.ie/?hl=en\">\u003cspan style=\"font-weight: 400\">Ishaq\u003c/span>\u003c/a> and \u003cspan style=\"font-weight: 400\">DJs Jenset and Baghead\u003c/span>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Perhaps most notably, \u003c/span>\u003ca href=\"https://www.instagram.com/equipto_415/?hl=en\">\u003cspan style=\"font-weight: 400\">Equipto\u003c/span>\u003c/a> \u003cspan style=\"font-weight: 400\">will headline the grassroots event. The Japanese Colombian San Francisco lyricist is known for \u003ca href=\"https://www.kqed.org/arts/11630270/how-equiptos-hip-hop-helped-reshape-bay-area-activism\">his political activism: In 2016, he was as a member of the Frisco 5\u003c/a>, which organized a 17-day hunger strike to protest the police killings of Alex Nieto, Mario Woods and other community members.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13950872\" class=\"wp-caption aligncenter\" style=\"max-width: 576px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13950872\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/img_6475_720.png\" alt=\"Rapper and political activist Equipto sits in front of a mural dedicated to Mario Woods, who was killed by SFPD in 2015.\" width=\"576\" height=\"720\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/img_6475_720.png 576w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/img_6475_720-160x200.png 160w\" sizes=\"(max-width: 576px) 100vw, 576px\">\u003cfigcaption class=\"wp-caption-text\">Rapper and political activist Equipto sits in front of a mural dedicated to Mario Woods, who was killed by SFPD in 2015. \u003ccite>(Stephen Flynn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13950855/underground-rap-playa-sht-political-joints-equipto-has-bars\">\u003cspan style=\"font-weight: 400\">Equipto’s legacy in Bay Area music and activism runs deep\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. Evans Jr. credits the veteran MC with supporting him early in his comedic career, dating back to 2015. Like Equipto, Evans Jr. — whose political consciousness expanded at San Francisco State University — is cognizant of how art and media should offer more than simply entertainment. It should be impactful, and it should provoke discourse.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Until there’s not a genocide going on, people need to see it and hear about it. Business as usual is dangerous,” says Evans Jr.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13936838\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13936838\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED.jpg\" alt=\"A person wearing a baseball cap holds a basketball covered in signatures.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mike Evans Jr. and Afterthought in San Francisco on Oct. 19, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">The event has been months in the making. Last November, after releasing the web series and album \u003c/span>\u003ca href=\"https://www.kqed.org/arts/13937068/rent-check-mike-evans-jr-family-not-group-san-francisco\">\u003ci>\u003cspan style=\"font-weight: 400\">Rent Check\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">, Evans Jr. was approached by Maya Y., whose family is from Lebanon near the Gaza border, to co-facilitate the artist-centered fundraiser for Palestinians. Evans Jr., who grew up in both Vallejo and SF, enthusiastically agreed and tapped into the vast panoply of artists and activists he has cultivated over a lifetime.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In true Bay Area fashion, the artists are all donating their time, and Hey Neighbor Cafe is donating its space. \u003c/span>\u003cspan style=\"font-weight: 400\">“The artist community in the Bay Area throws down for Palestine,” Evans Jr. says. “Richmond was the first city [in the country] to pass a resolution on the side of Palestine. I know a lot of Oakland people who are down, too. The Bay is a small pocket, but we’re very strong in the fight.”\u003c/span>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Free Palestine Fundraiser will take place July 28, 5\u003cspan style=\"font-weight: 400\">–\u003c/span>9 p.m., at Hey Neighbor Cafe (\u003cspan style=\"font-weight: 400\">2 Burrows St., San Francisco). \u003ca href=\"https://posh.vip/e/free-palestine-fundraiser-show\">Tickets available here\u003c/a>.\u003c/span>\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Artists from Family Not a Group will also perform at the July 28 benefit concert at Hey Neighbor Cafe. ","status":"publish","parent":0,"modified":1726700980,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":13,"wordCount":606},"headData":{"title":"Equipto to Headline an SF Fundraiser for Humanitarian Aid in Gaza | KQED","description":"Artists from Family Not a Group will also perform at the July 28 benefit concert at Hey Neighbor Cafe. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Equipto to Headline an SF Fundraiser for Humanitarian Aid in Gaza","datePublished":"2024-07-24T12:53:22-07:00","dateModified":"2024-09-18T16:09:40-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13961479","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13961479/equipto-family-not-a-group-gaza-fundraiser-human-concern-international","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.instagram.com/everybodylovezmike/\">\u003cspan style=\"font-weight: 400\">Mike Evans Jr.\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — a local comedian, actor and member of the San Francisco artist collective \u003c/span>\u003ca href=\"https://www.kqed.org/arts/13910221/family-not-a-group-san-francisco-rap\">\u003cspan style=\"font-weight: 400\">Family Not A Group\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — was first introduced to Palestinian culture as an 11-year-old growing up in Vallejo. His neighbors, a Palestinian American family, would often invite him over to parties, and that’s where he began to appreciate their traditions and history.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For many Bay Area youth, that kind of exposure to diverse experiences can instill a certain openness towards others in the world: a sense of interconnected struggle which, as Evans Jr. puts it, often results in a “we’re not all free until we’re all free” ethos. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"news_11996920,news_11997141,news_11988170","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">With \u003c/span>\u003ca href=\"https://abcnews.go.com/International/wireStory/latest-israeli-strikes-southern-gaza-palestinian-death-toll-112159613\">\u003cspan style=\"font-weight: 400\">a reported death toll of over 39,000 Palestinians\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> in Gaza, Evans Jr. — along with many other \u003c/span>\u003ca href=\"https://www.kqed.org/news/11984203/pro-palestinian-protests-sweep-california-college-campuses-amid-israel-hamas-war\">\u003cspan style=\"font-weight: 400\">Bay Area artists, activists and students\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> — has found ways to continue his advocacy.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On Sunday, July 28, Mike and his longtime friend Maya Y. will be co-hosting a group of local rappers, DJs, comedians, poets and community members for a Free Palestine Fundraiser at \u003c/span>\u003ca href=\"https://www.instagram.com/heyneighborcafe/?hl=en\">\u003cspan style=\"font-weight: 400\">Hey Neighbor Cafe\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> in San Francisco. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">All proceeds from the event will go directly to Human Concern International, which provides food, resources, aid and education to families in Gaza. Performances will include poetry from \u003c/span>\u003ca href=\"https://www.instagram.com/atayqueen/\">\u003cspan style=\"font-weight: 400\">Sarah O’ Neal\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and music by Afterthought, \u003c/span>\u003ca href=\"https://www.instagram.com/_friscobaby/?hl=en\">\u003cspan style=\"font-weight: 400\">Frisco Baby\u003c/span>\u003c/a>, \u003cspan style=\"font-weight: 400\">Palestinian American MC \u003c/span>\u003ca href=\"https://www.instagram.com/ishaq.ie/?hl=en\">\u003cspan style=\"font-weight: 400\">Ishaq\u003c/span>\u003c/a> and \u003cspan style=\"font-weight: 400\">DJs Jenset and Baghead\u003c/span>\u003cspan style=\"font-weight: 400\">.\u003c/span>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Perhaps most notably, \u003c/span>\u003ca href=\"https://www.instagram.com/equipto_415/?hl=en\">\u003cspan style=\"font-weight: 400\">Equipto\u003c/span>\u003c/a> \u003cspan style=\"font-weight: 400\">will headline the grassroots event. The Japanese Colombian San Francisco lyricist is known for \u003ca href=\"https://www.kqed.org/arts/11630270/how-equiptos-hip-hop-helped-reshape-bay-area-activism\">his political activism: In 2016, he was as a member of the Frisco 5\u003c/a>, which organized a 17-day hunger strike to protest the police killings of Alex Nieto, Mario Woods and other community members.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13950872\" class=\"wp-caption aligncenter\" style=\"max-width: 576px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13950872\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/img_6475_720.png\" alt=\"Rapper and political activist Equipto sits in front of a mural dedicated to Mario Woods, who was killed by SFPD in 2015.\" width=\"576\" height=\"720\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/img_6475_720.png 576w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/01/img_6475_720-160x200.png 160w\" sizes=\"(max-width: 576px) 100vw, 576px\">\u003cfigcaption class=\"wp-caption-text\">Rapper and political activist Equipto sits in front of a mural dedicated to Mario Woods, who was killed by SFPD in 2015. \u003ccite>(Stephen Flynn)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13950855/underground-rap-playa-sht-political-joints-equipto-has-bars\">\u003cspan style=\"font-weight: 400\">Equipto’s legacy in Bay Area music and activism runs deep\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">. Evans Jr. credits the veteran MC with supporting him early in his comedic career, dating back to 2015. Like Equipto, Evans Jr. — whose political consciousness expanded at San Francisco State University — is cognizant of how art and media should offer more than simply entertainment. It should be impactful, and it should provoke discourse.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">“Until there’s not a genocide going on, people need to see it and hear about it. Business as usual is dangerous,” says Evans Jr.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13936838\" class=\"wp-caption aligncenter\" style=\"max-width: 2000px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13936838\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED.jpg\" alt=\"A person wearing a baseball cap holds a basketball covered in signatures.\" width=\"2000\" height=\"1333\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED.jpg 2000w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2023/10/231019-RentCheck-012-BL-KQED-1920x1280.jpg 1920w\" sizes=\"(max-width: 2000px) 100vw, 2000px\">\u003cfigcaption class=\"wp-caption-text\">Mike Evans Jr. and Afterthought in San Francisco on Oct. 19, 2023. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">The event has been months in the making. Last November, after releasing the web series and album \u003c/span>\u003ca href=\"https://www.kqed.org/arts/13937068/rent-check-mike-evans-jr-family-not-group-san-francisco\">\u003ci>\u003cspan style=\"font-weight: 400\">Rent Check\u003c/span>\u003c/i>\u003c/a>\u003cspan style=\"font-weight: 400\">, Evans Jr. was approached by Maya Y., whose family is from Lebanon near the Gaza border, to co-facilitate the artist-centered fundraiser for Palestinians. Evans Jr., who grew up in both Vallejo and SF, enthusiastically agreed and tapped into the vast panoply of artists and activists he has cultivated over a lifetime.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">In true Bay Area fashion, the artists are all donating their time, and Hey Neighbor Cafe is donating its space. \u003c/span>\u003cspan style=\"font-weight: 400\">“The artist community in the Bay Area throws down for Palestine,” Evans Jr. says. “Richmond was the first city [in the country] to pass a resolution on the side of Palestine. I know a lot of Oakland people who are down, too. The Bay is a small pocket, but we’re very strong in the fight.”\u003c/span>\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The Free Palestine Fundraiser will take place July 28, 5\u003cspan style=\"font-weight: 400\">–\u003c/span>9 p.m., at Hey Neighbor Cafe (\u003cspan style=\"font-weight: 400\">2 Burrows St., San Francisco). \u003ca href=\"https://posh.vip/e/free-palestine-fundraiser-show\">Tickets available here\u003c/a>.\u003c/span>\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13961479/equipto-family-not-a-group-gaza-fundraiser-human-concern-international","authors":["11748"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_21889","arts_21930","arts_10278","arts_8838","arts_21682","arts_1146","arts_585"],"featImg":"arts_11641882","label":"arts_140"},"arts_13959254":{"type":"posts","id":"arts_13959254","meta":{"index":"posts_1716263798","site":"arts","id":"13959254","score":null,"sort":[1717624969000]},"guestAuthors":[],"slug":"at-the-contemporary-jewish-museum-a-protest-and-an-opening","title":"At the Contemporary Jewish Museum, a Protest and an Opening","publishDate":1717624969,"format":"standard","headTitle":"At the Contemporary Jewish Museum, a Protest and an Opening | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>San Francisco’s \u003ca href=\"https://www.thecjm.org/\">Contemporary Jewish Museum\u003c/a> (CJM) promises to be well attended on Thursday night. During the museum’s free June 6 opening reception of the group show \u003ca href=\"https://www.thecjm.org/programs/1354\">\u003ci>California Jewish Open\u003c/i>\u003c/a>, activists from \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSeOWWGnFBIJXA3fxzPTQF37Z4UiZ_zLn1AD2D9EHBqMy_scOw/viewform?fbclid=PAZXh0bgNhZW0CMTEAAabyFGLy6wMPDWZS96NC18Ebm1z98u1v0aTc-oRtiG1KCRfFd6LsMH4o4Qc_aem_AXYWPGw-BlJ4J8Yh-wfiJvZR-WJi-j8qvnp3ROR33hRwt6swvv-7O3X8a5bl0Sa5LEpzJF0E-KpC-6UWWeaCO_YB\">California Jewish Artists for Palestine\u003c/a> and \u003ca href=\"https://www.jewishvoiceforpeace.org/\">Jewish Voice for Peace\u003c/a> will hold a demonstration outside, drawing attention to Israel’s ongoing bombardment of Gaza.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.instagram.com/p/C7m40XvyYc9/?hl=en\">protest\u003c/a> includes live music, performances, poster-making and speakers from Bay Area Artists Against Genocide, who were at the center of a \u003ca href=\"https://www.kqed.org/arts/13953653/ybca-ceo-resigns-after-pro-palestinian-protest-and-boycott\">recent boycott of Yerba Buena Center for the Arts\u003c/a>. \u003ca href=\"https://www.kqed.org/arts/13956575/sfmoma-workers-open-letter-palestinians-gaza-pacbi\">Pro-Palestinian workers from the San Francisco Museum of Modern Art\u003c/a> will also participate.\u003c/p>\n\u003cp>[aside postid='arts_13955613']“This family-friendly action led by local Jewish artists has been organized to pressure the Contemporary Jewish Museum to disclose funding sources, divest from Israeli apartheid and focus attention on the genocide of Palestinians,” reads a statement from California Jewish Artists for Palestine.\u003c/p>\n\u003cp>“No one will be blocked from entering the museum or the exhibition, nor are any of the artists in the exhibition being targeted,” the artists added.\u003c/p>\n\u003cp>The \u003ci>California Jewish Open\u003c/i> is a juried exhibition of nearly 50 artists centered around the theme of connection, the result of an open call for submissions from Jewish artists across the state. The works chosen for \u003cem>California Jewish Open\u003c/em> by guest curator Elissa Strauss reflect a variety of artistic approaches and political viewpoints, some of which are sympathetic to Israel. From members of California Jewish Artists for Palestine, Strauss selected five works which had pro-Palestinian, anti-war themes.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In April, however, California Jewish Artists for Palestine \u003ca href=\"https://www.kqed.org/arts/13955613/pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit\">withdrew their work from the show\u003c/a> in an act of protest. (Another artist, Liat Berdugo, withdrew her piece — which is also critical of Israel — out of concern for how her work would be contextualized.)\u003c/p>\n\u003cfigure id=\"attachment_13955611\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955611\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg\" alt='A print that says \"No one is free in apartheid. Free Palestine. Solidarity is essential.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A piece artist Kate Laster withdrew from the ‘California Jewish Open’ at the Contemporary Jewish Museum. ‘Solidarity is Essential,’ 11″ x 17″, collagraph on paper, 2023. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The coalition of artists sent CJM leaders several demands, one of which was to divest from Israeli government funding sources and “pro-Israel philanthropic organizations, funders and board members.” Later, the artists asked the museum to join the \u003ca href=\"https://bdsmovement.net/pacbi\">Palestinian Campaign for the Academic and Cultural Boycott of Israel\u003c/a> (PACBI). PACBI calls for international institutions to refrain from collaborating with Israeli institutions until the country ends its siege and occupation of Gaza and the West Bank.\u003c/p>\n\u003cp>[aside postid='arts_13956575']Museum leaders told artists that they couldn’t meet this demand, nor give artists full control over the wall text that would be displayed next to their works. In a \u003ca href=\"https://www.kqed.org/arts/13955613/pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit\">previous interview with KQED\u003c/a>, Senior Curator Heidi Rabben said she respects the artists’ decision to pull out of the show, but denied that the CJM had censored anyone.\u003c/p>\n\u003cp>The museum decided to leave blank spaces for each withdrawn work in \u003ci>California Jewish Open\u003c/i> to symbolize the artists’ missing perspectives.\u003c/p>\n\u003cfigure id=\"attachment_13955608\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955608\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg\" alt='A spray painted background with brown, black and purple, overlaid with white letters that say \"CA Jewish Artists for Palestine.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The California Jewish Artists for Palestine logo by Kate Laster. 8″ x 8″, papercut and spray paint on paper, 2024. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, in their \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSeOWWGnFBIJXA3fxzPTQF37Z4UiZ_zLn1AD2D9EHBqMy_scOw/viewform?fbclid=PAZXh0bgNhZW0CMTEAAabyFGLy6wMPDWZS96NC18Ebm1z98u1v0aTc-oRtiG1KCRfFd6LsMH4o4Qc_aem_AXYWPGw-BlJ4J8Yh-wfiJvZR-WJi-j8qvnp3ROR33hRwt6swvv-7O3X8a5bl0Sa5LEpzJF0E-KpC-6UWWeaCO_YB\">May 10 open letter\u003c/a>, California Jewish Artists for Palestine urged the public to refocus on Palestinians in Gaza, over \u003ca href=\"https://www.npr.org/2024/05/28/g-s1-1361/rafah-gaza-israel\">36,000 of whom\u003c/a> have been killed by Israeli forces since Oct. 7, according to the health ministry in Gaza. Eighty-five percent of Gaza’s population has been displaced, and the United Nations has warned that 1.1 million people are facing catastrophic levels of hunger.\u003c/p>\n\u003cp>The California Jewish Artists for Palestine and Jewish Voice for Peace will begin their \u003ca href=\"https://www.instagram.com/p/C7m40XvyYc9/?hl=en\">protest outside the Contemporary Jewish Museum\u003c/a> at 5:30 p.m. on June 6.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>The Contemporary Jewish Museum’s \u003ca href=\"https://www.thecjm.org/programs/1354\">opening for ‘California Jewish Open’\u003c/a> takes place June 6, 6:30-8:30 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was updated to accurately reflect the California Jewish Artists for Palestine’s initial demands of the Contemporary Jewish Museum. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Pro-Palestinian Jewish artists will gather outside a reception for the California Jewish Open group show. ","status":"publish","parent":0,"modified":1717710856,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":675},"headData":{"title":"At the Contemporary Jewish Museum, a Protest and an Opening | KQED","description":"Pro-Palestinian Jewish artists will gather outside a reception for the California Jewish Open group show. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"At the Contemporary Jewish Museum, a Protest and an Opening","datePublished":"2024-06-05T15:02:49-07:00","dateModified":"2024-06-06T14:54:16-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13959254","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13959254/at-the-contemporary-jewish-museum-a-protest-and-an-opening","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>San Francisco’s \u003ca href=\"https://www.thecjm.org/\">Contemporary Jewish Museum\u003c/a> (CJM) promises to be well attended on Thursday night. During the museum’s free June 6 opening reception of the group show \u003ca href=\"https://www.thecjm.org/programs/1354\">\u003ci>California Jewish Open\u003c/i>\u003c/a>, activists from \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSeOWWGnFBIJXA3fxzPTQF37Z4UiZ_zLn1AD2D9EHBqMy_scOw/viewform?fbclid=PAZXh0bgNhZW0CMTEAAabyFGLy6wMPDWZS96NC18Ebm1z98u1v0aTc-oRtiG1KCRfFd6LsMH4o4Qc_aem_AXYWPGw-BlJ4J8Yh-wfiJvZR-WJi-j8qvnp3ROR33hRwt6swvv-7O3X8a5bl0Sa5LEpzJF0E-KpC-6UWWeaCO_YB\">California Jewish Artists for Palestine\u003c/a> and \u003ca href=\"https://www.jewishvoiceforpeace.org/\">Jewish Voice for Peace\u003c/a> will hold a demonstration outside, drawing attention to Israel’s ongoing bombardment of Gaza.\u003c/p>\n\u003cp>The \u003ca href=\"https://www.instagram.com/p/C7m40XvyYc9/?hl=en\">protest\u003c/a> includes live music, performances, poster-making and speakers from Bay Area Artists Against Genocide, who were at the center of a \u003ca href=\"https://www.kqed.org/arts/13953653/ybca-ceo-resigns-after-pro-palestinian-protest-and-boycott\">recent boycott of Yerba Buena Center for the Arts\u003c/a>. \u003ca href=\"https://www.kqed.org/arts/13956575/sfmoma-workers-open-letter-palestinians-gaza-pacbi\">Pro-Palestinian workers from the San Francisco Museum of Modern Art\u003c/a> will also participate.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955613","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“This family-friendly action led by local Jewish artists has been organized to pressure the Contemporary Jewish Museum to disclose funding sources, divest from Israeli apartheid and focus attention on the genocide of Palestinians,” reads a statement from California Jewish Artists for Palestine.\u003c/p>\n\u003cp>“No one will be blocked from entering the museum or the exhibition, nor are any of the artists in the exhibition being targeted,” the artists added.\u003c/p>\n\u003cp>The \u003ci>California Jewish Open\u003c/i> is a juried exhibition of nearly 50 artists centered around the theme of connection, the result of an open call for submissions from Jewish artists across the state. The works chosen for \u003cem>California Jewish Open\u003c/em> by guest curator Elissa Strauss reflect a variety of artistic approaches and political viewpoints, some of which are sympathetic to Israel. From members of California Jewish Artists for Palestine, Strauss selected five works which had pro-Palestinian, anti-war themes.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In April, however, California Jewish Artists for Palestine \u003ca href=\"https://www.kqed.org/arts/13955613/pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit\">withdrew their work from the show\u003c/a> in an act of protest. (Another artist, Liat Berdugo, withdrew her piece — which is also critical of Israel — out of concern for how her work would be contextualized.)\u003c/p>\n\u003cfigure id=\"attachment_13955611\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955611\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg\" alt='A print that says \"No one is free in apartheid. Free Palestine. Solidarity is essential.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">A piece artist Kate Laster withdrew from the ‘California Jewish Open’ at the Contemporary Jewish Museum. ‘Solidarity is Essential,’ 11″ x 17″, collagraph on paper, 2023. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The coalition of artists sent CJM leaders several demands, one of which was to divest from Israeli government funding sources and “pro-Israel philanthropic organizations, funders and board members.” Later, the artists asked the museum to join the \u003ca href=\"https://bdsmovement.net/pacbi\">Palestinian Campaign for the Academic and Cultural Boycott of Israel\u003c/a> (PACBI). PACBI calls for international institutions to refrain from collaborating with Israeli institutions until the country ends its siege and occupation of Gaza and the West Bank.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13956575","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Museum leaders told artists that they couldn’t meet this demand, nor give artists full control over the wall text that would be displayed next to their works. In a \u003ca href=\"https://www.kqed.org/arts/13955613/pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit\">previous interview with KQED\u003c/a>, Senior Curator Heidi Rabben said she respects the artists’ decision to pull out of the show, but denied that the CJM had censored anyone.\u003c/p>\n\u003cp>The museum decided to leave blank spaces for each withdrawn work in \u003ci>California Jewish Open\u003c/i> to symbolize the artists’ missing perspectives.\u003c/p>\n\u003cfigure id=\"attachment_13955608\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955608\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg\" alt='A spray painted background with brown, black and purple, overlaid with white letters that say \"CA Jewish Artists for Palestine.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">The California Jewish Artists for Palestine logo by Kate Laster. 8″ x 8″, papercut and spray paint on paper, 2024. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Meanwhile, in their \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSeOWWGnFBIJXA3fxzPTQF37Z4UiZ_zLn1AD2D9EHBqMy_scOw/viewform?fbclid=PAZXh0bgNhZW0CMTEAAabyFGLy6wMPDWZS96NC18Ebm1z98u1v0aTc-oRtiG1KCRfFd6LsMH4o4Qc_aem_AXYWPGw-BlJ4J8Yh-wfiJvZR-WJi-j8qvnp3ROR33hRwt6swvv-7O3X8a5bl0Sa5LEpzJF0E-KpC-6UWWeaCO_YB\">May 10 open letter\u003c/a>, California Jewish Artists for Palestine urged the public to refocus on Palestinians in Gaza, over \u003ca href=\"https://www.npr.org/2024/05/28/g-s1-1361/rafah-gaza-israel\">36,000 of whom\u003c/a> have been killed by Israeli forces since Oct. 7, according to the health ministry in Gaza. Eighty-five percent of Gaza’s population has been displaced, and the United Nations has warned that 1.1 million people are facing catastrophic levels of hunger.\u003c/p>\n\u003cp>The California Jewish Artists for Palestine and Jewish Voice for Peace will begin their \u003ca href=\"https://www.instagram.com/p/C7m40XvyYc9/?hl=en\">protest outside the Contemporary Jewish Museum\u003c/a> at 5:30 p.m. on June 6.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>The Contemporary Jewish Museum’s \u003ca href=\"https://www.thecjm.org/programs/1354\">opening for ‘California Jewish Open’\u003c/a> takes place June 6, 6:30-8:30 p.m.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was updated to accurately reflect the California Jewish Artists for Palestine’s initial demands of the Contemporary Jewish Museum. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13959254/at-the-contemporary-jewish-museum-a-protest-and-an-opening","authors":["11387"],"categories":["arts_1","arts_235"],"tags":["arts_1787","arts_10278","arts_8838"],"featImg":"arts_13959255","label":"arts"},"arts_13957889":{"type":"posts","id":"arts_13957889","meta":{"index":"posts_1716263798","site":"arts","id":"13957889","score":null,"sort":[1715797354000]},"parent":0,"labelTerm":{},"blocks":[],"publishDate":1715797354,"format":"standard","title":"An Oakland Potluck and Group Show for Humanitarian Efforts in Gaza","headTitle":"An Oakland Potluck and Group Show for Humanitarian Efforts in Gaza | KQED","content":"\u003cp>Artists and food industry figures, including chef Reem Assil, artist Jeffrey Cheung and local eatery Tacos Oscar, will come together this Saturday at Clay Clubhouse in Oakland’s Dimond District to raise money for Palestinian humanitarian efforts.\u003c/p>\n\u003cp>“We want to make sure Palestine is recognized for all the beauty and art it brings to the world, even as people are trying to erase it,” said co-organizer Sam Sundos.\u003c/p>\n\u003cp>[aside postID='arts_13928345']As the number of people killed in Gaza in the ongoing Israeli military offensive reaches over 35,0000, fundraiser organizers \u003ca href=\"https://www.kqed.org/arts/13928345/mishmish-vegan-palestinian-pop-up\">Michelle Nazzal\u003c/a>, an Oakland chef, and \u003ca href=\"https://www.instagram.com/sabri/?hl=en\">Sundos\u003c/a>, a Brooklyn artist, say they wanted to bring together other chefs and artists who’ve been vocal about it. To honor those folks, they’ve named the event “Aswat,” which means “voices” in Arabic.\u003c/p>\n\u003cp>“Seeing people really educating themselves about what’s happening in Palestine and speaking up — it really means a lot,” Nazzal said. “And we really wanted to keep the focus on Palestinians, who are trying to figure out how to leave or stay there and build a life.”\u003c/p>\n\u003cp>The fundraiser takes the form of a group show and a community potluck. All proceeds from art sales will go to \u003ca href=\"https://docs.google.com/document/u/0/d/19BVbPh9eNmzfqJGM2qeG2UhNLyPIHtLURZnZSA7vkR0/mobilebasic\">Gaza Mutual Aid Solidarity\u003c/a>, a volunteer mutual aid group which helps families in Gaza to meet basic needs, says Sundos. Nazzal and Sundos have framed the event as a “micro-fundraiser,” and hope to inspire others in the community to follow suit.\u003c/p>\n\u003cfigure id=\"attachment_13957901\" class=\"wp-caption aligncenter\" style=\"max-width: 481px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/000379840017_720.jpg\" alt=\"\" width=\"481\" height=\"622\" class=\"size-full wp-image-13957901\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/000379840017_720.jpg 481w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/000379840017_720-160x207.jpg 160w\" sizes=\"(max-width: 481px) 100vw, 481px\">\u003cfigcaption class=\"wp-caption-text\">San Sundos, one of the organizers of ‘Aswat.’ \u003ccite>(Farah Alimi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The mutual aid fund we’re contributing to is working directly with people in Gaza,” Nazzal said. “A micro-fundraiser means it’s more grassroots — it means the community coming together to raise whatever money they can.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>In an effort to make supporting Palestine more accessible, the duo asked the artists to price their work between $100 and $300.\u003c/p>\n\u003cp>“I think it lowers the barrier of entry,” Sundos said. “We’re opening the doors for anyone who wants to come in.”\u003c/p>\n\u003cp>[aside postID='arts_13956017']Sundos, who’s traveling from New York to the Bay for the event, will lead a workshop on traditional Palestinian embroidery called tatreez for Saturday’s event, and is selling one of his embroidery pieces in the show. Nazzal, who runs the Palestinian food pop-up in Oakland Mishmish, will give a talk about food sovereignty and will make stuffed grape leaves, hummus and labna made from cashews for the potluck.\u003c/p>\n\u003cp>Nazzal and Sundos both have deep family history in the Palestinian region. Pro-Israeli forces expelled Sundos’ family from Palestine in 1948, alongside \u003ca href=\"https://www.pbs.org/newshour/world/palestinians-mark-the-nakba-the-original-catastrophe-of-mass-expulsion\">700,000 other Palestinians\u003c/a>, he says. Rallying their community around their shared culture and shedding light on the ongoing atrocities are the central themes of “Aswat.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The connections I’ve made through fundraising actions for families in Gaza have been super heartwarming, especially with artists and chefs who already have a hard time scraping by,” Sundos said.\u003c/p>\n\n","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":529,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":13},"modified":1715798516,"excerpt":"Chefs and artists come together for a mutual aid 'micro-fundraiser' at Clay Clubhouse.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Chefs and artists come together for a mutual aid 'micro-fundraiser' at Clay Clubhouse.","title":"An Oakland Potluck and Group Show for Humanitarian Efforts in Gaza | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"An Oakland Potluck and Group Show for Humanitarian Efforts in Gaza","datePublished":"2024-05-15T11:22:34-07:00","dateModified":"2024-05-15T11:41:56-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"oakland-potluck-art-show-gaza-fundraiser","status":"publish","sourceUrl":"https://www.kqed.org/food","templateType":"standard","excludeFromSiteSearch":"Include","featuredImageType":"standard","sticky":false,"source":"Food","articleAge":"0","nprStoryId":"kqed-13957889","path":"/arts/13957889/oakland-potluck-art-show-gaza-fundraiser","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Artists and food industry figures, including chef Reem Assil, artist Jeffrey Cheung and local eatery Tacos Oscar, will come together this Saturday at Clay Clubhouse in Oakland’s Dimond District to raise money for Palestinian humanitarian efforts.\u003c/p>\n\u003cp>“We want to make sure Palestine is recognized for all the beauty and art it brings to the world, even as people are trying to erase it,” said co-organizer Sam Sundos.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13928345","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>As the number of people killed in Gaza in the ongoing Israeli military offensive reaches over 35,0000, fundraiser organizers \u003ca href=\"https://www.kqed.org/arts/13928345/mishmish-vegan-palestinian-pop-up\">Michelle Nazzal\u003c/a>, an Oakland chef, and \u003ca href=\"https://www.instagram.com/sabri/?hl=en\">Sundos\u003c/a>, a Brooklyn artist, say they wanted to bring together other chefs and artists who’ve been vocal about it. To honor those folks, they’ve named the event “Aswat,” which means “voices” in Arabic.\u003c/p>\n\u003cp>“Seeing people really educating themselves about what’s happening in Palestine and speaking up — it really means a lot,” Nazzal said. “And we really wanted to keep the focus on Palestinians, who are trying to figure out how to leave or stay there and build a life.”\u003c/p>\n\u003cp>The fundraiser takes the form of a group show and a community potluck. All proceeds from art sales will go to \u003ca href=\"https://docs.google.com/document/u/0/d/19BVbPh9eNmzfqJGM2qeG2UhNLyPIHtLURZnZSA7vkR0/mobilebasic\">Gaza Mutual Aid Solidarity\u003c/a>, a volunteer mutual aid group which helps families in Gaza to meet basic needs, says Sundos. Nazzal and Sundos have framed the event as a “micro-fundraiser,” and hope to inspire others in the community to follow suit.\u003c/p>\n\u003cfigure id=\"attachment_13957901\" class=\"wp-caption aligncenter\" style=\"max-width: 481px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/000379840017_720.jpg\" alt=\"\" width=\"481\" height=\"622\" class=\"size-full wp-image-13957901\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/000379840017_720.jpg 481w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/05/000379840017_720-160x207.jpg 160w\" sizes=\"(max-width: 481px) 100vw, 481px\">\u003cfigcaption class=\"wp-caption-text\">San Sundos, one of the organizers of ‘Aswat.’ \u003ccite>(Farah Alimi)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>“The mutual aid fund we’re contributing to is working directly with people in Gaza,” Nazzal said. “A micro-fundraiser means it’s more grassroots — it means the community coming together to raise whatever money they can.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>In an effort to make supporting Palestine more accessible, the duo asked the artists to price their work between $100 and $300.\u003c/p>\n\u003cp>“I think it lowers the barrier of entry,” Sundos said. “We’re opening the doors for anyone who wants to come in.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13956017","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Sundos, who’s traveling from New York to the Bay for the event, will lead a workshop on traditional Palestinian embroidery called tatreez for Saturday’s event, and is selling one of his embroidery pieces in the show. Nazzal, who runs the Palestinian food pop-up in Oakland Mishmish, will give a talk about food sovereignty and will make stuffed grape leaves, hummus and labna made from cashews for the potluck.\u003c/p>\n\u003cp>Nazzal and Sundos both have deep family history in the Palestinian region. Pro-Israeli forces expelled Sundos’ family from Palestine in 1948, alongside \u003ca href=\"https://www.pbs.org/newshour/world/palestinians-mark-the-nakba-the-original-catastrophe-of-mass-expulsion\">700,000 other Palestinians\u003c/a>, he says. Rallying their community around their shared culture and shedding light on the ongoing atrocities are the central themes of “Aswat.”\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“The connections I’ve made through fundraising actions for families in Gaza have been super heartwarming, especially with artists and chefs who already have a hard time scraping by,” Sundos said.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13957889/oakland-potluck-art-show-gaza-fundraiser","authors":["11872"],"programs":["arts_140"],"categories":["arts_1","arts_12276","arts_70"],"tags":["arts_1297","arts_22153","arts_8838","arts_22155","arts_22154","arts_585"],"featImg":"arts_13957891","label":"source_arts_13957889"},"arts_13956575":{"type":"posts","id":"arts_13956575","meta":{"index":"posts_1716263798","site":"arts","id":"13956575","score":null,"sort":[1713983603000]},"parent":0,"labelTerm":{"site":"arts"},"blocks":[],"publishDate":1713983603,"format":"standard","title":"SFMOMA Workers Urge the Museum to Support Palestinians in an Open Letter","headTitle":"SFMOMA Workers Urge the Museum to Support Palestinians in an Open Letter | KQED","content":"\u003cp>On Wednesday morning, a group of workers at the San Francisco Museum of Modern Art (SFMOMA) published \u003ca href=\"https://dearsfmoma.com/\">an open letter\u003c/a> to museum leadership, urging them to take a public stance in solidarity with Palestinians and join a boycott of Israeli institutions.\u003c/p>\n\u003cp>“We write as San Francisco Museum of Modern Art employees, in the absence of any statement from our institution’s leadership, to affirm our solidarity with the Palestinian people as they confront decades of violent oppression and apartheid and to condemn Israel’s devastating and ongoing siege of Gaza,” opens the letter addressed to Director Chris Bedford, the board of trustees and the executive committee.\u003c/p>\n\u003cp>The letter cites SFMOMA’s previous statements on diversity, equity and inclusion; in 2021, the museum published a statement that reads “museums and cultural organizations are not (and shout not be) neutral.” Arguing that SFMOMA leadership’s silence on the humanitarian crisis in Gaza undermines their stated values, the employees wrote, “We believe the museum is losing credibility and relevance as a result.”\u003c/p>\n\u003cp>The letter asks SFMOMA to adopt four commitments: give a platform to Palestinian voices in commissions, collaborations and exhibitions, and vow not to censor pro-Palestinian work; create space for internal dialogue; call for an immediate and permanent ceasefire; and join the \u003ca href=\"https://bdsmovement.net/pacbi\">Palestinian Campaign for the Academic and Cultural Boycott of Israel\u003c/a> (PACBI).\u003c/p>\n\u003cp>PACBI is part of the Boycott, Divestment, Sanctions movement, which calls for a boycott of Israeli institutions until its government ends its siege and occupation of Gaza and the West Bank, gives equal rights to ethnically Palestinian citizens of Israel and allows Palestinian refugees to return to their homelands. The SFMOMA workers’ letter underscores that PACBI is not a boycott of individuals based on their identity, and that the workers also stand against antisemitism.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>KQED spoke with an SFMOMA worker who contributed to the letter, who asked that their name be withheld out of retaliation concerns. “We have been seeing unprecedented levels of censorship and cancellation across the art world,” the employee said. “We’ve seen shows of Palestinian artists canceled. We’ve seen shows and talks and panels of those supporting Palestinian resistance canceled. This quashes the opportunity for public to hear a diversity of perspectives, and I think it’s the duty of cultural workers to question why that is happening and then push back against it.”\u003c/p>\n\u003cp>SFMOMA’s director of communications did not respond to KQED’s requests for comment as of publication time.\u003c/p>\n\u003cp>SFMOMA workers are joining an international wave of artists and arts workers protesting in solidarity with Palestinians. In New York, Museum of Modern Art workers sent a similar letter to their leadership in February, as did those at the Met and the Brooklyn Museum. [aside postid='arts_13955613,arts_13954119']\u003c/p>\n\u003cp>Earlier this month, a block away from SFMOMA at the Contemporary Jewish Museum, a group of \u003ca href=\"https://www.kqed.org/arts/13955613/pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit\">pro-Palestinian Jewish artists pulled out of a group exhibition\u003c/a> in protest after museum leaders declined to join PACBI and meet other demands. Yerba Buena Center for the Arts, across the street from SFMOMA, has been \u003ca href=\"https://www.kqed.org/arts/13954119/an-embattled-ybca-to-reopen-amid-censorship-accusations-ceos-resignation\">embroiled in censorship accusations\u003c/a> ever since the museum shut down for a month following a \u003ca href=\"https://www.kqed.org/arts/13952460/artists-deface-work-ybca-pro-palestine-protest\">February pro-Palestinian demonstration\u003c/a>, during which artists added protest messages to their exhibited works.\u003c/p>\n\u003cp>While most large arts institutions in the Bay Area and nationwide have been hesitant to make statements on the humanitarian crisis Gaza, several smaller organizations have \u003ca href=\"https://docs.google.com/document/d/1VZAto1GFIWTYvyrxsXymfvQpmADtHAH_RwsSc5JXNk4/edit\">vowed to join PACBI\u003c/a>, including experimental music venue The Lab and art space Galería de la Raza in San Francisco, and drag festival Oaklash and art center Eastside Arts Alliance in Oakland.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As of publication time, nearly 200 people have signed the SFMOMA workers’ letter, including artists, museum patrons and 50 current employees.\u003c/p>\n\n","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":642,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":13},"modified":1714494975,"excerpt":"The letter calls on the museum to join an academic and cultural boycott of Israeli institutions. ","headData":{"twImgId":"","twTitle":"","socialTitle":"SFMOMA Workers Urge Museum to Support Palestinians in Letter %%page%% %%sep%% KQED","ogTitle":"","ogImgId":"","twDescription":"","description":"The letter calls on the museum to join an academic and cultural boycott of Israeli institutions. ","title":"SFMOMA Workers Urge Museum to Support Palestinians in Letter | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"SFMOMA Workers Urge the Museum to Support Palestinians in an Open Letter","datePublished":"2024-04-24T11:33:23-07:00","dateModified":"2024-04-30T09:36:15-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"sfmoma-workers-open-letter-palestinians-gaza-pacbi","status":"publish","templateType":"standard","excludeFromSiteSearch":"Include","featuredImageType":"standard","sticky":false,"articleAge":"0","nprStoryId":"kqed-13956575","path":"/arts/13956575/sfmoma-workers-open-letter-palestinians-gaza-pacbi","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>On Wednesday morning, a group of workers at the San Francisco Museum of Modern Art (SFMOMA) published \u003ca href=\"https://dearsfmoma.com/\">an open letter\u003c/a> to museum leadership, urging them to take a public stance in solidarity with Palestinians and join a boycott of Israeli institutions.\u003c/p>\n\u003cp>“We write as San Francisco Museum of Modern Art employees, in the absence of any statement from our institution’s leadership, to affirm our solidarity with the Palestinian people as they confront decades of violent oppression and apartheid and to condemn Israel’s devastating and ongoing siege of Gaza,” opens the letter addressed to Director Chris Bedford, the board of trustees and the executive committee.\u003c/p>\n\u003cp>The letter cites SFMOMA’s previous statements on diversity, equity and inclusion; in 2021, the museum published a statement that reads “museums and cultural organizations are not (and shout not be) neutral.” Arguing that SFMOMA leadership’s silence on the humanitarian crisis in Gaza undermines their stated values, the employees wrote, “We believe the museum is losing credibility and relevance as a result.”\u003c/p>\n\u003cp>The letter asks SFMOMA to adopt four commitments: give a platform to Palestinian voices in commissions, collaborations and exhibitions, and vow not to censor pro-Palestinian work; create space for internal dialogue; call for an immediate and permanent ceasefire; and join the \u003ca href=\"https://bdsmovement.net/pacbi\">Palestinian Campaign for the Academic and Cultural Boycott of Israel\u003c/a> (PACBI).\u003c/p>\n\u003cp>PACBI is part of the Boycott, Divestment, Sanctions movement, which calls for a boycott of Israeli institutions until its government ends its siege and occupation of Gaza and the West Bank, gives equal rights to ethnically Palestinian citizens of Israel and allows Palestinian refugees to return to their homelands. The SFMOMA workers’ letter underscores that PACBI is not a boycott of individuals based on their identity, and that the workers also stand against antisemitism.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>KQED spoke with an SFMOMA worker who contributed to the letter, who asked that their name be withheld out of retaliation concerns. “We have been seeing unprecedented levels of censorship and cancellation across the art world,” the employee said. “We’ve seen shows of Palestinian artists canceled. We’ve seen shows and talks and panels of those supporting Palestinian resistance canceled. This quashes the opportunity for public to hear a diversity of perspectives, and I think it’s the duty of cultural workers to question why that is happening and then push back against it.”\u003c/p>\n\u003cp>SFMOMA’s director of communications did not respond to KQED’s requests for comment as of publication time.\u003c/p>\n\u003cp>SFMOMA workers are joining an international wave of artists and arts workers protesting in solidarity with Palestinians. In New York, Museum of Modern Art workers sent a similar letter to their leadership in February, as did those at the Met and the Brooklyn Museum. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13955613,arts_13954119","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Earlier this month, a block away from SFMOMA at the Contemporary Jewish Museum, a group of \u003ca href=\"https://www.kqed.org/arts/13955613/pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit\">pro-Palestinian Jewish artists pulled out of a group exhibition\u003c/a> in protest after museum leaders declined to join PACBI and meet other demands. Yerba Buena Center for the Arts, across the street from SFMOMA, has been \u003ca href=\"https://www.kqed.org/arts/13954119/an-embattled-ybca-to-reopen-amid-censorship-accusations-ceos-resignation\">embroiled in censorship accusations\u003c/a> ever since the museum shut down for a month following a \u003ca href=\"https://www.kqed.org/arts/13952460/artists-deface-work-ybca-pro-palestine-protest\">February pro-Palestinian demonstration\u003c/a>, during which artists added protest messages to their exhibited works.\u003c/p>\n\u003cp>While most large arts institutions in the Bay Area and nationwide have been hesitant to make statements on the humanitarian crisis Gaza, several smaller organizations have \u003ca href=\"https://docs.google.com/document/d/1VZAto1GFIWTYvyrxsXymfvQpmADtHAH_RwsSc5JXNk4/edit\">vowed to join PACBI\u003c/a>, including experimental music venue The Lab and art space Galería de la Raza in San Francisco, and drag festival Oaklash and art center Eastside Arts Alliance in Oakland.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As of publication time, nearly 200 people have signed the SFMOMA workers’ letter, including artists, museum patrons and 50 current employees.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13956575/sfmoma-workers-open-letter-palestinians-gaza-pacbi","authors":["11387"],"categories":["arts_1","arts_235","arts_70"],"tags":["arts_10342","arts_10278","arts_10422","arts_8838","arts_1381"],"featImg":"arts_13956649","label":"arts"},"arts_13955613":{"type":"posts","id":"arts_13955613","meta":{"index":"posts_1716263798","site":"arts","id":"13955613","score":null,"sort":[1712622682000]},"guestAuthors":[],"slug":"pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit","title":"Pro-Palestinian Jewish Artists Withdraw from Contemporary Jewish Museum Exhibit","publishDate":1712622682,"format":"audio","headTitle":"Pro-Palestinian Jewish Artists Withdraw from Contemporary Jewish Museum Exhibit | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>A group of artists who call themselves California Jewish Artists for Palestine have withdrawn their work from a group exhibition opening June 6 at San Francisco’s Contemporary Jewish Museum (CJM).\u003c/p>\n\u003cp>The artists’ decision came after disagreements with CJM leadership over sources of museum funding, as well as how their art would be contextualized in the exhibit \u003ca href=\"https://www.thecjm.org/upcoming_exhibitions\">\u003ci>California Jewish Open\u003c/i>\u003c/a>. The exhibition will now include a blank wall to symbolize the absence of the artists’ perspectives. Their action follows an international wave of pro-Palestinian protests at museums, including one where artists modified their own works at San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13954119/an-embattled-ybca-to-reopen-amid-censorship-accusations-ceos-resignation\">Yerba Buena Center for the Arts\u003c/a>, located directly across the street from CJM. [aside postid='arts_13952460,arts_13954119']\u003c/p>\n\u003cp>During the open call for \u003cem>California Jewish Open \u003c/em>late last year, Jewish artists Micah Bazant, Jules Cowan, Rebekah Erev, Rebecca Maria Goldschmidt, Steph Kudisch, Kate Laster, Ava Sayaka Rosen, Sophia Sobko, Arielle Tonkin and Irina Zadov submitted works with pro-Palestinian messages. They expected to be rejected. Instead, guest curator Elissa Strauss chose five of their works for the show, which centers on the theme of connection.\u003c/p>\n\u003cp>The California Jewish Artists for Palestine sent CJM leaders several demands, one of which was to divest from Israeli government funding sources and “pro-Israel philanthropic organizations, funders and board members.” Later, they called on CJM to join the Palestinian Academic and Cultural Boycott of Israel (PACBI), which aims to discourage international institutions from collaborating with Israeli institutions. PACBI is part of the \u003ca href=\"https://bdsmovement.net/what-is-bds\">Boycott, Divestment, Sanctions movement\u003c/a>, which calls for a boycott of Israel until it ends its occupation of Gaza and the West Bank, gives equal rights to ethnically Palestinian citizens of Israel and allows Palestinian refugees to return to their homelands.\u003c/p>\n\u003cp>In an interview with KQED, Sobko said it would be hypocritical for the museum to feature art criticizing Israel’s bombardment of Gaza “while receiving funding that directly … facilitates the material oppression that we’re trying to raise awareness to stop.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Sobko added, “I wish for some ethical clarity and backbone and courage.”\u003c/p>\n\u003cfigure id=\"attachment_13955608\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955608\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg\" alt='A spray painted background with brown, black and purple, overlaid with white letters that say \"CA Jewish Artists for Palestine.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Kate Laster. ‘CA Jewish Artists for Palestine,’ 8″ x 8″, papercut and spray paint on paper, 2024 \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The photo piece that Sobko withdrew, \u003ci>The Four Mitzvot of the Queer Soviet Jewish Diaspora\u003c/i>, is a collaboration with Zadov and Aravah Berman-Mirkin under the name Krivoy Kolectiv. It features Ukrainian head scarves embroidered with four mitzvahs, or commandments, including one for a free Palestine.\u003c/p>\n\u003cp>CJM’s interim Executive Director Kerry King told artists it would not join PACBI. In a \u003ca href=\"https://bdsmovement.net/what-is-bds\">press release issued April 5\u003c/a>, the California Jewish Artists for Palestine raised the fact that CJM has previously received funding from the Israeli government. (King said CJM hasn’t received funding from the Consulate General of Israel or other Israeli organizations since 2021.)\u003c/p>\n\u003cp>Additionally, another museum funder, the Helen Diller Family Foundation, has been \u003ca href=\"https://forward.com/news/411355/revealed-canary-mission-blacklist-is-secretly-bankrolled-by-major-jewish/\">accused of funneling money into Canary Mission\u003c/a>, an organization known for doxxing anti-Zionist students and professors.\u003c/p>\n\u003cp>King said many of CJM’s donors have a variety of philanthropic projects that are out of CJM’s control. “We have donors who support the arts and support having a Jewish museum in San Francisco,” she told KQED. Because of these donors, added King, “We are able to do what we do. We’re able to continue to operate and have our doors open.”\u003c/p>\n\u003cfigure id=\"attachment_13955610\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955610\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening.jpeg\" alt=\"A photo of people looking into the distance while waving colorful flags.\" width=\"1100\" height=\"733\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening.jpeg 1100w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-768x512.jpeg 768w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Ava Sayaka Rosen, Arielle Tonkin and collaborators. ‘Morocco to the Bay: A diasporic Prayerformance.’ \u003ccite>(M Fields. Albany, California, 2023.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Another point of contention between California Jewish Artists for Palestine and museum leaders arose around the wall text that would have accompanied their artworks. Senior Curator Heidi Rabben told KQED that CJM was open to artists using the phrase “anti-Zionist” to describe their political stance, but the parties disagreed on how to contextualize the term, which means different things to different people.\u003c/p>\n\u003cp>In their list of demands, the artists wanted full control over wall text and the right to modify or withdraw their works at any time, which the museum refused. Rabben and King said they disagree with the artists’ characterization of this as censorship in their press release.\u003c/p>\n\u003cp>“We simply asked that they define what they meant in using [‘anti-Zionist’] and include that as well in the statement so that it was very clear,” Rabben said, noting that she respects the artists’ decision to withdraw their work. “What they meant by it, as we understood their work to be about, was not questioning the right of Israel to exist, but to say that they were envisioning Jewish futures outside of nationalism.”\u003c/p>\n\u003cp>Sobko said abstract debates about terminology distract from the real-life suffering of Palestinians.\u003c/p>\n\u003cp>“Zionism [is enacted] as a Jewish ethno-nation state. And then that creates an apartheid system against Palestinians,” Sobko said. “To me, anti-Zionism is … a refusal to create hierarchies of people within militarized nation states, in this case being Jewish supremacy. But I’m also against it on Turtle Island in the United States just as much.”\u003c/p>\n\u003cp>“This is about our Jewishness bringing us here, ethically, to stand up and say, ‘This is unacceptable,’” said fellow collective member Kate Laster, who withdrew a print reading, “No one is free in apartheid. Free Palestine. Solidarity is essential.”\u003c/p>\n\u003cp>“None of our consent can be manufactured to conflate any justification for apartheid, or genocide [of Palestinians],” Laster added.\u003c/p>\n\u003cfigure id=\"attachment_13955611\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955611\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg\" alt='A print that says \"No one is free in apartheid. Free Palestine. Solidarity is essential.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Kate Laster. ‘Solidarity is Essential,’ 11″ x 17″, collagraph on paper, 2023. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Another artist, Liat Berdugo, separately withdrew from \u003ci>California Jewish Open\u003c/i>, concerned that the exhibit wouldn’t sufficiently address what she describes as the Israeli government weaponizing Jewish grief after the Oct. 7 Hamas attacks to justify the killings and displacement of Palestinians. She said the language in CJM’s contract made her uneasy about whether the message of her work would be lost.\u003c/p>\n\u003cp>The multimedia work Berdugo withdrew, \u003ca href=\"https://www.liatberdugo.com/work/trees\">\u003ci>Seeing It For the Trees\u003c/i>\u003c/a>, examines an Israeli organization that plants trees under the guise of environmentalism. “But really a lot of it is greenwashing,” she said. “Planting forests over the ruins of Palestinian villages strategically to camouflage them … to claim lands that were Palestinian and make them public parks, which then are subject to different legal jurisdictions, and deny the right of return.”\u003c/p>\n\u003cp>The decision to withdraw from the show was difficult for Berdugo, because she specifically wanted a Jewish audience to see her piece. “I think these conversations are necessarily messy,” she said. “Is there a way to have these conversations not on the surface, but on a tectonic level, that identifies structures and systems?”\u003c/p>\n\u003cp>The California Jewish Artists for Palestine are in the early stages of organizing their own exhibition, and say they invite artists, Contemporary Jewish Museum staff and other creative professionals to join them.\u003c/p>\n\u003cp>Sobko describes the collective’s goals with a hopeful vision.\u003c/p>\n\u003cp>“[We’re] putting our energy toward creating something new, visible-izing our perspectives toward drawing that attention to Israeli settler colonialism, apartheid and, obviously, Palestinian resistance and resilience.”\u003c/p>\n\u003chr>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>\u003cem>This story was updated to accurately reflect the California Jewish Artists for Palestine’s initial demands of the Contemporary Jewish Museum. \u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"The artists called for the museum to join the Palestinian Academic and Cultural Boycott of Israel, which leadership refused. ","status":"publish","parent":0,"modified":1717710878,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":26,"wordCount":1261},"headData":{"title":"Pro-Palestinian Artists Pull Out of Contemporary Jewish Museum | KQED","description":"The artists called for the museum to join the Palestinian Academic and Cultural Boycott of Israel, which leadership refused. ","ogTitle":"Pro-Palestinian Jewish Artists Withdraw from Contemporary Jewish Museum Exhibit","ogDescription":"","ogImgId":"","twTitle":"Pro-Palestinian Jewish Artists Pull Out of Contemporary Jewish Museum","twDescription":"","twImgId":"","socialTitle":"Pro-Palestinian Artists Pull Out of Contemporary Jewish Museum %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Pro-Palestinian Jewish Artists Withdraw from Contemporary Jewish Museum Exhibit","datePublished":"2024-04-08T17:31:22-07:00","dateModified":"2024-06-06T14:54:38-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-4[…]f-aaef00f5a073/e7ab8198-9bf5-4e33-a279-b15301022e24/audio.mp3","sticky":false,"templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13955613/pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>A group of artists who call themselves California Jewish Artists for Palestine have withdrawn their work from a group exhibition opening June 6 at San Francisco’s Contemporary Jewish Museum (CJM).\u003c/p>\n\u003cp>The artists’ decision came after disagreements with CJM leadership over sources of museum funding, as well as how their art would be contextualized in the exhibit \u003ca href=\"https://www.thecjm.org/upcoming_exhibitions\">\u003ci>California Jewish Open\u003c/i>\u003c/a>. The exhibition will now include a blank wall to symbolize the absence of the artists’ perspectives. Their action follows an international wave of pro-Palestinian protests at museums, including one where artists modified their own works at San Francisco’s \u003ca href=\"https://www.kqed.org/arts/13954119/an-embattled-ybca-to-reopen-amid-censorship-accusations-ceos-resignation\">Yerba Buena Center for the Arts\u003c/a>, located directly across the street from CJM. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13952460,arts_13954119","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>During the open call for \u003cem>California Jewish Open \u003c/em>late last year, Jewish artists Micah Bazant, Jules Cowan, Rebekah Erev, Rebecca Maria Goldschmidt, Steph Kudisch, Kate Laster, Ava Sayaka Rosen, Sophia Sobko, Arielle Tonkin and Irina Zadov submitted works with pro-Palestinian messages. They expected to be rejected. Instead, guest curator Elissa Strauss chose five of their works for the show, which centers on the theme of connection.\u003c/p>\n\u003cp>The California Jewish Artists for Palestine sent CJM leaders several demands, one of which was to divest from Israeli government funding sources and “pro-Israel philanthropic organizations, funders and board members.” Later, they called on CJM to join the Palestinian Academic and Cultural Boycott of Israel (PACBI), which aims to discourage international institutions from collaborating with Israeli institutions. PACBI is part of the \u003ca href=\"https://bdsmovement.net/what-is-bds\">Boycott, Divestment, Sanctions movement\u003c/a>, which calls for a boycott of Israel until it ends its occupation of Gaza and the West Bank, gives equal rights to ethnically Palestinian citizens of Israel and allows Palestinian refugees to return to their homelands.\u003c/p>\n\u003cp>In an interview with KQED, Sobko said it would be hypocritical for the museum to feature art criticizing Israel’s bombardment of Gaza “while receiving funding that directly … facilitates the material oppression that we’re trying to raise awareness to stop.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sobko added, “I wish for some ethical clarity and backbone and courage.”\u003c/p>\n\u003cfigure id=\"attachment_13955608\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955608\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg\" alt='A spray painted background with brown, black and purple, overlaid with white letters that say \"CA Jewish Artists for Palestine.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/3-Kate-Laster-CA-Jewish-Artists-for-Palestine-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Kate Laster. ‘CA Jewish Artists for Palestine,’ 8″ x 8″, papercut and spray paint on paper, 2024 \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The photo piece that Sobko withdrew, \u003ci>The Four Mitzvot of the Queer Soviet Jewish Diaspora\u003c/i>, is a collaboration with Zadov and Aravah Berman-Mirkin under the name Krivoy Kolectiv. It features Ukrainian head scarves embroidered with four mitzvahs, or commandments, including one for a free Palestine.\u003c/p>\n\u003cp>CJM’s interim Executive Director Kerry King told artists it would not join PACBI. In a \u003ca href=\"https://bdsmovement.net/what-is-bds\">press release issued April 5\u003c/a>, the California Jewish Artists for Palestine raised the fact that CJM has previously received funding from the Israeli government. (King said CJM hasn’t received funding from the Consulate General of Israel or other Israeli organizations since 2021.)\u003c/p>\n\u003cp>Additionally, another museum funder, the Helen Diller Family Foundation, has been \u003ca href=\"https://forward.com/news/411355/revealed-canary-mission-blacklist-is-secretly-bankrolled-by-major-jewish/\">accused of funneling money into Canary Mission\u003c/a>, an organization known for doxxing anti-Zionist students and professors.\u003c/p>\n\u003cp>King said many of CJM’s donors have a variety of philanthropic projects that are out of CJM’s control. “We have donors who support the arts and support having a Jewish museum in San Francisco,” she told KQED. Because of these donors, added King, “We are able to do what we do. We’re able to continue to operate and have our doors open.”\u003c/p>\n\u003cfigure id=\"attachment_13955610\" class=\"wp-caption aligncenter\" style=\"max-width: 1100px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955610\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening.jpeg\" alt=\"A photo of people looking into the distance while waving colorful flags.\" width=\"1100\" height=\"733\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening.jpeg 1100w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-800x533.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-1020x680.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-160x107.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/1.-Ava-Sayaka-Rosen-Arielle-Tonkin-and-collaborators.-Morocco-to-the-Bay-opening-768x512.jpeg 768w\" sizes=\"(max-width: 1100px) 100vw, 1100px\">\u003cfigcaption class=\"wp-caption-text\">Ava Sayaka Rosen, Arielle Tonkin and collaborators. ‘Morocco to the Bay: A diasporic Prayerformance.’ \u003ccite>(M Fields. Albany, California, 2023.)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Another point of contention between California Jewish Artists for Palestine and museum leaders arose around the wall text that would have accompanied their artworks. Senior Curator Heidi Rabben told KQED that CJM was open to artists using the phrase “anti-Zionist” to describe their political stance, but the parties disagreed on how to contextualize the term, which means different things to different people.\u003c/p>\n\u003cp>In their list of demands, the artists wanted full control over wall text and the right to modify or withdraw their works at any time, which the museum refused. Rabben and King said they disagree with the artists’ characterization of this as censorship in their press release.\u003c/p>\n\u003cp>“We simply asked that they define what they meant in using [‘anti-Zionist’] and include that as well in the statement so that it was very clear,” Rabben said, noting that she respects the artists’ decision to withdraw their work. “What they meant by it, as we understood their work to be about, was not questioning the right of Israel to exist, but to say that they were envisioning Jewish futures outside of nationalism.”\u003c/p>\n\u003cp>Sobko said abstract debates about terminology distract from the real-life suffering of Palestinians.\u003c/p>\n\u003cp>“Zionism [is enacted] as a Jewish ethno-nation state. And then that creates an apartheid system against Palestinians,” Sobko said. “To me, anti-Zionism is … a refusal to create hierarchies of people within militarized nation states, in this case being Jewish supremacy. But I’m also against it on Turtle Island in the United States just as much.”\u003c/p>\n\u003cp>“This is about our Jewishness bringing us here, ethically, to stand up and say, ‘This is unacceptable,’” said fellow collective member Kate Laster, who withdrew a print reading, “No one is free in apartheid. Free Palestine. Solidarity is essential.”\u003c/p>\n\u003cp>“None of our consent can be manufactured to conflate any justification for apartheid, or genocide [of Palestinians],” Laster added.\u003c/p>\n\u003cfigure id=\"attachment_13955611\" class=\"wp-caption aligncenter\" style=\"max-width: 2560px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13955611\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg\" alt='A print that says \"No one is free in apartheid. Free Palestine. Solidarity is essential.\"' width=\"2560\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-scaled.jpeg 2560w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-800x800.jpeg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1020x1020.jpeg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-160x160.jpeg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-768x768.jpeg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1536x1536.jpeg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-2048x2048.jpeg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/2.-Kate-Laster-Solidarity-is-Essential-1920x1920.jpeg 1920w\" sizes=\"(max-width: 2560px) 100vw, 2560px\">\u003cfigcaption class=\"wp-caption-text\">Kate Laster. ‘Solidarity is Essential,’ 11″ x 17″, collagraph on paper, 2023. \u003ccite>(Courtesy of the artist)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Another artist, Liat Berdugo, separately withdrew from \u003ci>California Jewish Open\u003c/i>, concerned that the exhibit wouldn’t sufficiently address what she describes as the Israeli government weaponizing Jewish grief after the Oct. 7 Hamas attacks to justify the killings and displacement of Palestinians. She said the language in CJM’s contract made her uneasy about whether the message of her work would be lost.\u003c/p>\n\u003cp>The multimedia work Berdugo withdrew, \u003ca href=\"https://www.liatberdugo.com/work/trees\">\u003ci>Seeing It For the Trees\u003c/i>\u003c/a>, examines an Israeli organization that plants trees under the guise of environmentalism. “But really a lot of it is greenwashing,” she said. “Planting forests over the ruins of Palestinian villages strategically to camouflage them … to claim lands that were Palestinian and make them public parks, which then are subject to different legal jurisdictions, and deny the right of return.”\u003c/p>\n\u003cp>The decision to withdraw from the show was difficult for Berdugo, because she specifically wanted a Jewish audience to see her piece. “I think these conversations are necessarily messy,” she said. “Is there a way to have these conversations not on the surface, but on a tectonic level, that identifies structures and systems?”\u003c/p>\n\u003cp>The California Jewish Artists for Palestine are in the early stages of organizing their own exhibition, and say they invite artists, Contemporary Jewish Museum staff and other creative professionals to join them.\u003c/p>\n\u003cp>Sobko describes the collective’s goals with a hopeful vision.\u003c/p>\n\u003cp>“[We’re] putting our energy toward creating something new, visible-izing our perspectives toward drawing that attention to Israeli settler colonialism, apartheid and, obviously, Palestinian resistance and resilience.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003cem>This story was updated to accurately reflect the California Jewish Artists for Palestine’s initial demands of the Contemporary Jewish Museum. \u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955613/pro-palestinian-jewish-artists-withdraw-from-contemporary-jewish-museum-exhibit","authors":["11387"],"categories":["arts_1","arts_235"],"tags":["arts_1787","arts_10342","arts_10278","arts_8838","arts_1146"],"featImg":"arts_13955612","label":"arts"},"arts_13955463":{"type":"posts","id":"arts_13955463","meta":{"index":"posts_1716263798","site":"arts","id":"13955463","score":null,"sort":[1712269964000]},"parent":0,"labelTerm":{"site":"arts","term":140},"blocks":[],"publishDate":1712269964,"format":"standard","title":"Indigenous Artists Sell Work to Benefit Emergency Assistance Efforts in Gaza","headTitle":"Indigenous Artists Sell Work to Benefit Emergency Assistance Efforts in Gaza | KQED","content":"\u003cp>Printmakers, protest photographers and jewelry makers will sell work this Sunday at an art show with proceeds going to the Middle East Children’s Alliance.\u003c/p>\n\u003cp>Oakland photographer Ashley Salaz and artist Nicole Gervacio say that the show, \u003cem>\u003ca href=\"https://www.instagram.com/p/C5HTmhvvJt2/?hl=en\">Artists Rising: Oakland to Palestine\u003c/a>\u003c/em>, is grounded in Indigenous artistry and solidarity with Palestine. Salaz, who is of the Coharie Tribe in North Carolina and works for local Indigenous-led organization Sogorea Te’, says there are overwhelming commonalities in the experiences of Native folks and the Palestinian people.\u003c/p>\n\u003cp>[aside postID='arts_13939726']“Palestinians have been in solidarity with us — the Native people of Turtle Island — for a very long time,” she said. “Israel cutting off food sources and cutting down the olive trees — the same was done to our ancestors here, with the mass slaughtering of buffalo and other resources that our people needed to survive.”\u003c/p>\n\u003cp>In the past few months, Salaz has photographed local demonstrations and sold her own beadwork to raise awareness and money for pro-Palestinian organizations.\u003c/p>\n\u003cp>“I do think that artists are the driving force sometimes behind getting people involved and getting people to care, especially nowadays with social media,” Salaz said. “I think art is revolutionary.”\u003c/p>\n\u003cfigure id=\"attachment_13955482\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/saman_qadir3.jpg\" alt=\"\" width=\"1920\" height=\"1556\" class=\"size-full wp-image-13955482\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/saman_qadir3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/saman_qadir3-800x648.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/saman_qadir3-1020x827.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/saman_qadir3-160x130.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/saman_qadir3-768x622.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/saman_qadir3-1536x1245.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Photos by Saman Qadir, like the one above, will be on display in Oakland on April 7. \u003ccite>(Saman Qadir)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Among those selling their work on Sunday is Saman Qadir, an East Bay photojournalist who has photographed an estimated 35 protests, from the Bay Area to Washington D.C. and Texas.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Since October 7, I’ve been going to every single action in the Bay Area to document the movement,” Qadir said. “It’s the first time in my life that I’ve seen this many people from all different backgrounds together.”\u003c/p>\n\u003cp>[aside postID='arts_13940325']One four of the photos Qadir is selling on Sunday is an image of women — Palestinian and Ohlone — embracing at a demonstration at an Ohlone shellmound in January. \u003c/p>\n\u003cp>“It was incredibly heartening and so potent,” she said.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Artists Rising: Oakland to Palestine’ takes place on Sunday, April 7, at 510 Firehouse (815 Alice St., Oakland). \u003ca href=\"https://www.instagram.com/p/C5HTmhvvJt2/?hl=en\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":376,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":12},"modified":1712272862,"excerpt":"'Artists Rising: Oakland to Palestine' offers prints, zines and protest photography to benefit the Middle East Children’s Alliance.\r\n","headData":{"twImgId":"","twTitle":"","socialTitle":"‘Oakland to Palestine:’ Indigenous Artists Sell Work to Benefit Assistance Efforts in Gaza %%page%% %%sep%% KQED","ogTitle":"","ogImgId":"","twDescription":"","description":"'Artists Rising: Oakland to Palestine' offers prints, zines and protest photography to benefit the Middle East Children’s Alliance.\r\n","title":"‘Oakland to Palestine:’ Indigenous Artists Sell Work to Benefit Assistance Efforts in Gaza | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Indigenous Artists Sell Work to Benefit Emergency Assistance Efforts in Gaza","datePublished":"2024-04-04T15:32:44-07:00","dateModified":"2024-04-04T16:21:02-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"indigenous-artists-oakland-to-palestine","status":"publish","templateType":"standard","excludeFromSiteSearch":"Include","featuredImageType":"standard","sticky":false,"articleAge":"0","path":"/arts/13955463/indigenous-artists-oakland-to-palestine","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Printmakers, protest photographers and jewelry makers will sell work this Sunday at an art show with proceeds going to the Middle East Children’s Alliance.\u003c/p>\n\u003cp>Oakland photographer Ashley Salaz and artist Nicole Gervacio say that the show, \u003cem>\u003ca href=\"https://www.instagram.com/p/C5HTmhvvJt2/?hl=en\">Artists Rising: Oakland to Palestine\u003c/a>\u003c/em>, is grounded in Indigenous artistry and solidarity with Palestine. Salaz, who is of the Coharie Tribe in North Carolina and works for local Indigenous-led organization Sogorea Te’, says there are overwhelming commonalities in the experiences of Native folks and the Palestinian people.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13939726","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“Palestinians have been in solidarity with us — the Native people of Turtle Island — for a very long time,” she said. “Israel cutting off food sources and cutting down the olive trees — the same was done to our ancestors here, with the mass slaughtering of buffalo and other resources that our people needed to survive.”\u003c/p>\n\u003cp>In the past few months, Salaz has photographed local demonstrations and sold her own beadwork to raise awareness and money for pro-Palestinian organizations.\u003c/p>\n\u003cp>“I do think that artists are the driving force sometimes behind getting people involved and getting people to care, especially nowadays with social media,” Salaz said. “I think art is revolutionary.”\u003c/p>\n\u003cfigure id=\"attachment_13955482\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/saman_qadir3.jpg\" alt=\"\" width=\"1920\" height=\"1556\" class=\"size-full wp-image-13955482\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/saman_qadir3.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/saman_qadir3-800x648.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/saman_qadir3-1020x827.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/saman_qadir3-160x130.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/saman_qadir3-768x622.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/04/saman_qadir3-1536x1245.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Photos by Saman Qadir, like the one above, will be on display in Oakland on April 7. \u003ccite>(Saman Qadir)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Among those selling their work on Sunday is Saman Qadir, an East Bay photojournalist who has photographed an estimated 35 protests, from the Bay Area to Washington D.C. and Texas.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Since October 7, I’ve been going to every single action in the Bay Area to document the movement,” Qadir said. “It’s the first time in my life that I’ve seen this many people from all different backgrounds together.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13940325","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>One four of the photos Qadir is selling on Sunday is an image of women — Palestinian and Ohlone — embracing at a demonstration at an Ohlone shellmound in January. \u003c/p>\n\u003cp>“It was incredibly heartening and so potent,” she said.\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Artists Rising: Oakland to Palestine’ takes place on Sunday, April 7, at 510 Firehouse (815 Alice St., Oakland). \u003ca href=\"https://www.instagram.com/p/C5HTmhvvJt2/?hl=en\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13955463/indigenous-artists-oakland-to-palestine","authors":["11872"],"programs":["arts_140"],"categories":["arts_1","arts_70"],"tags":["arts_8838","arts_21682","arts_5375","arts_585"],"featImg":"arts_13955485","label":"arts_140"},"arts_13954119":{"type":"posts","id":"arts_13954119","meta":{"index":"posts_1716263798","site":"arts","id":"13954119","score":null,"sort":[1710452420000]},"parent":0,"labelTerm":{"site":"arts"},"blocks":[],"publishDate":1710452420,"format":"standard","title":"An Embattled YBCA to Reopen Amid Censorship Accusations, CEO’s Resignation","headTitle":"An Embattled YBCA to Reopen Amid Censorship Accusations, CEO’s Resignation | KQED","content":"\u003cp>After \u003ca href=\"https://www.kqed.org/arts/13953032/ybca-pro-palestinian-artist-protest-censorship-allegations-boycott\">closing its galleries\u003c/a> for a month, following a Feb. 15 protest where artists modified their own artworks with pro-Palestinian messages, \u003ca href=\"https://www.kqed.org/arts/tag/ybca\">Yerba Buena Center for the Arts (YBCA)\u003c/a> made the \u003ca href=\"https://ybca.org/ban9-exhibition-reopening-announcement/\">unexpected announcement\u003c/a> Wednesday night that it will reopen its \u003ci>Bay Area Now 9\u003c/i> exhibition with the altered artworks intact — accompanied by disclaimers that they represent the artists’ views, not YBCA’s — starting Friday, March 15. [aside label='More YBCA Coverage' postid='arts_13953653,arts_13953032,arts_13952460']\u003c/p>\n\u003cp>“We invite members of our community to join us in engaging with the exhibition, considering the significance of the alterations and participating in thoughtful reflection and discourse,” reads the statement from the embattled art center’s board of directors.\u003c/p>\n\u003cp>YBCA, which receives city funding, has faced accusations of censorship from artists, \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSdLNnUvnx74rLWZKIJaHUsMt4qOogFrBZ2OIeUjKjM2gblk6Q/viewform\">its own staff\u003c/a> and San Francisco Supervisor Hillary Ronen, who last week called for an April hearing about the prolonged closure.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13953653/ybca-ceo-resigns-after-pro-palestinian-protest-and-boycott\">Interim CEO Sarah Fenske Bahat resigned\u003c/a> on March 3 as a result of the fallout, citing “antisemitic backlash” in a letter to the board of directors. The board has not yet hired a new chief executive. (Bahat and Board Chair Renuka Kher did not accept KQED’s request for an interview.)\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13952460/artists-deface-work-ybca-pro-palestine-protest\">At the Feb. 15 protest\u003c/a>, activists unfurled a Palestinian flag from a balcony overlooking the main gallery and made speeches while eight artists modified their own works in the \u003ci>Bay Area Now 9\u003c/i> exhibit, painting and draping signs with messages like “Ceasefire Now!” and “Viva Palestina.”\u003c/p>\n\u003cfigure id=\"attachment_13952457\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952457\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-17-BL_qut.jpg\" alt=\"an overhead view of a museum gallery full of artworks, with a Palestinian flag hanging to the right\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-17-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-17-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-17-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-17-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-17-BL_qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-17-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Demonstrators calling for a ceasefire in Gaza alter art during protest at the show Bay Area Now at Yerba Buena Center for the Arts in San Francisco on Feb. 15, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The protest occurred in response to YBCA preventing artist Lukaza Branfman-Verissimo from including the phrase “Free Palestine” in a museum marquee above Branfman-Verissimo’s outdoor mural; YBCA also rejected Jeff Cheung’s design for an outdoor piece that exclusively used the colors of the Palestinian flag (in the final work, a small grouping of red, green and black figures appear in a rainbow-colored display).\u003c/p>\n\u003cp>The eight protesting artists — who now call themselves \u003ca href=\"https://www.instagram.com/b.a.a.a.g/\">Bay Area Artists Against Genocide, or B.A.A.A.G.\u003c/a> — have presented a list of demands for YBCA. It includes a call to join the \u003ca href=\"https://bdsmovement.net/pacbi/cultural-boycott-guidelines\">Palestinian Campaign for the Academic and Cultural Boycott of Israel\u003c/a> (PACBI), which aims to prevent international institutions from collaborating with Israeli institutions as part of the Boycott, Divestment, Sanctions (BDS) movement.\u003c/p>\n\u003cp>The artists also called for a removal of “Zionist board members and funders.” In several subsequent statements, Fenske Bahat and YBCA’s board called the artists’ demands hateful and divisive — a charge the artists have denied.\u003c/p>\n\u003cp>“We’re fighting for the right to speak against genocide because we believe in love,” said artist Paz G. “That’s what this is about.”\u003c/p>\n\u003cfigure id=\"attachment_13952453\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952453\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-05-BL_qut.jpg\" alt=\"A sculpture of a boat is covered in a drape of white and red, with notecards surrounding on the wooden floor below\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-05-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-05-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-05-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-05-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-05-BL_qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-05-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Art by champoy is altered during a protest calling for a ceasefire in Gaza at the show Bay Area Now at Yerba Buena Center for the Arts in San Francisco on Feb. 15, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>YBCA’s reopening announcement drew mixed emotions from B.A.A.A.G. artists, who want YBCA’s board to create an advisory committee of artists so that the institution’s policies can better reflect the community. B.A.A.A.G. artists also say they were in talks about meeting with Fenske Bahat before she resigned, and that they have not yet met with the board.\u003c/p>\n\u003cp>“While we are excited, in a way, for the community to see the show … we are also wanting to make sure that we continue to pressure and hold YBCA accountable for the other demands that we have on our list,” said Branfman-Verissimo.\u003c/p>\n\u003cp>Artist Sholeh Asgary took issue with YBCA’s reopening statement, which refers to “the Israel–Hamas war.” Asgary and other artists and activists refer to Israel’s military offensive in Gaza — which has killed over 30,000 Palestinians and displaced 2.2 million more, many of whom are women and children, according to Gaza’s Ministry of Health — not as a war, but as a genocide. “Our cultural narrative is very important right now and always has been,” she said.\u003c/p>\n\u003cfigure id=\"attachment_13952464\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952464\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-29-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-29-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-29-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-29-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-29-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-29-BL_qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-29-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Demonstrators chant during a protest calling for a ceasefire in Gaza at the show Bay Area Now at Yerba Buena Center for the Arts in San Francisco on Feb. 15, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Before YBCA resumes its regular Wednesday–Sunday hours starting March 15, B.A.A.A.G. artists have invited the public to a March 14 event outside of YBCA from 5:30–8:30 p.m. Artists will screen print event-goers’ tote bags and T-shirts with designs by Cheung and Branfman-Verissimo, and project short films by Palestinian filmmakers onto the building in a program curated by Asgary and Dena Al-Adeeb. Films include Mona Hatoum’s \u003ci>So Much I Want to Say\u003c/i> and Jackie Reem Salloum’s \u003ci>Planet of the Arabs\u003c/i>.\u003c/p>\n\u003cp>“We’re taking back the outside of YBCA in an attempt to create a space for connection and care,” Paz G said. “We’re providing something that YBCA can’t do.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">[ad fullwidth]\u003c/p>\n\u003cp>\u003c/p>\n","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":918,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":16},"modified":1710463555,"excerpt":"YBCA's galleries have been closed for a month following a pro-Palestinian protest by exhibiting artists.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"YBCA's galleries have been closed for a month following a pro-Palestinian protest by exhibiting artists.","title":"An Embattled YBCA to Reopen Amid Censorship Accusations, CEO’s Resignation | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"An Embattled YBCA to Reopen Amid Censorship Accusations, CEO’s Resignation","datePublished":"2024-03-14T14:40:20-07:00","dateModified":"2024-03-14T17:45:55-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"guestAuthors":[],"slug":"an-embattled-ybca-to-reopen-amid-censorship-accusations-ceos-resignation","status":"publish","templateType":"standard","excludeFromSiteSearch":"Include","featuredImageType":"standard","sticky":false,"articleAge":"0","path":"/arts/13954119/an-embattled-ybca-to-reopen-amid-censorship-accusations-ceos-resignation","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>After \u003ca href=\"https://www.kqed.org/arts/13953032/ybca-pro-palestinian-artist-protest-censorship-allegations-boycott\">closing its galleries\u003c/a> for a month, following a Feb. 15 protest where artists modified their own artworks with pro-Palestinian messages, \u003ca href=\"https://www.kqed.org/arts/tag/ybca\">Yerba Buena Center for the Arts (YBCA)\u003c/a> made the \u003ca href=\"https://ybca.org/ban9-exhibition-reopening-announcement/\">unexpected announcement\u003c/a> Wednesday night that it will reopen its \u003ci>Bay Area Now 9\u003c/i> exhibition with the altered artworks intact — accompanied by disclaimers that they represent the artists’ views, not YBCA’s — starting Friday, March 15. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"label":"More YBCA Coverage ","postid":"arts_13953653,arts_13953032,arts_13952460"},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“We invite members of our community to join us in engaging with the exhibition, considering the significance of the alterations and participating in thoughtful reflection and discourse,” reads the statement from the embattled art center’s board of directors.\u003c/p>\n\u003cp>YBCA, which receives city funding, has faced accusations of censorship from artists, \u003ca href=\"https://docs.google.com/forms/d/e/1FAIpQLSdLNnUvnx74rLWZKIJaHUsMt4qOogFrBZ2OIeUjKjM2gblk6Q/viewform\">its own staff\u003c/a> and San Francisco Supervisor Hillary Ronen, who last week called for an April hearing about the prolonged closure.\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13953653/ybca-ceo-resigns-after-pro-palestinian-protest-and-boycott\">Interim CEO Sarah Fenske Bahat resigned\u003c/a> on March 3 as a result of the fallout, citing “antisemitic backlash” in a letter to the board of directors. The board has not yet hired a new chief executive. (Bahat and Board Chair Renuka Kher did not accept KQED’s request for an interview.)\u003c/p>\n\u003cp>\u003ca href=\"https://www.kqed.org/arts/13952460/artists-deface-work-ybca-pro-palestine-protest\">At the Feb. 15 protest\u003c/a>, activists unfurled a Palestinian flag from a balcony overlooking the main gallery and made speeches while eight artists modified their own works in the \u003ci>Bay Area Now 9\u003c/i> exhibit, painting and draping signs with messages like “Ceasefire Now!” and “Viva Palestina.”\u003c/p>\n\u003cfigure id=\"attachment_13952457\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952457\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-17-BL_qut.jpg\" alt=\"an overhead view of a museum gallery full of artworks, with a Palestinian flag hanging to the right\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-17-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-17-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-17-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-17-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-17-BL_qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-17-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Demonstrators calling for a ceasefire in Gaza alter art during protest at the show Bay Area Now at Yerba Buena Center for the Arts in San Francisco on Feb. 15, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The protest occurred in response to YBCA preventing artist Lukaza Branfman-Verissimo from including the phrase “Free Palestine” in a museum marquee above Branfman-Verissimo’s outdoor mural; YBCA also rejected Jeff Cheung’s design for an outdoor piece that exclusively used the colors of the Palestinian flag (in the final work, a small grouping of red, green and black figures appear in a rainbow-colored display).\u003c/p>\n\u003cp>The eight protesting artists — who now call themselves \u003ca href=\"https://www.instagram.com/b.a.a.a.g/\">Bay Area Artists Against Genocide, or B.A.A.A.G.\u003c/a> — have presented a list of demands for YBCA. It includes a call to join the \u003ca href=\"https://bdsmovement.net/pacbi/cultural-boycott-guidelines\">Palestinian Campaign for the Academic and Cultural Boycott of Israel\u003c/a> (PACBI), which aims to prevent international institutions from collaborating with Israeli institutions as part of the Boycott, Divestment, Sanctions (BDS) movement.\u003c/p>\n\u003cp>The artists also called for a removal of “Zionist board members and funders.” In several subsequent statements, Fenske Bahat and YBCA’s board called the artists’ demands hateful and divisive — a charge the artists have denied.\u003c/p>\n\u003cp>“We’re fighting for the right to speak against genocide because we believe in love,” said artist Paz G. “That’s what this is about.”\u003c/p>\n\u003cfigure id=\"attachment_13952453\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952453\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-05-BL_qut.jpg\" alt=\"A sculpture of a boat is covered in a drape of white and red, with notecards surrounding on the wooden floor below\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-05-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-05-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-05-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-05-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-05-BL_qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-05-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Art by champoy is altered during a protest calling for a ceasefire in Gaza at the show Bay Area Now at Yerba Buena Center for the Arts in San Francisco on Feb. 15, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>YBCA’s reopening announcement drew mixed emotions from B.A.A.A.G. artists, who want YBCA’s board to create an advisory committee of artists so that the institution’s policies can better reflect the community. B.A.A.A.G. artists also say they were in talks about meeting with Fenske Bahat before she resigned, and that they have not yet met with the board.\u003c/p>\n\u003cp>“While we are excited, in a way, for the community to see the show … we are also wanting to make sure that we continue to pressure and hold YBCA accountable for the other demands that we have on our list,” said Branfman-Verissimo.\u003c/p>\n\u003cp>Artist Sholeh Asgary took issue with YBCA’s reopening statement, which refers to “the Israel–Hamas war.” Asgary and other artists and activists refer to Israel’s military offensive in Gaza — which has killed over 30,000 Palestinians and displaced 2.2 million more, many of whom are women and children, according to Gaza’s Ministry of Health — not as a war, but as a genocide. “Our cultural narrative is very important right now and always has been,” she said.\u003c/p>\n\u003cfigure id=\"attachment_13952464\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13952464\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-29-BL_qut.jpg\" alt=\"\" width=\"1920\" height=\"1280\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-29-BL_qut.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-29-BL_qut-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-29-BL_qut-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-29-BL_qut-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-29-BL_qut-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/02/240215-YBCAGazaProtest-29-BL_qut-1536x1024.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">Demonstrators chant during a protest calling for a ceasefire in Gaza at the show Bay Area Now at Yerba Buena Center for the Arts in San Francisco on Feb. 15, 2024. \u003ccite>(Beth LaBerge/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>Before YBCA resumes its regular Wednesday–Sunday hours starting March 15, B.A.A.A.G. artists have invited the public to a March 14 event outside of YBCA from 5:30–8:30 p.m. Artists will screen print event-goers’ tote bags and T-shirts with designs by Cheung and Branfman-Verissimo, and project short films by Palestinian filmmakers onto the building in a program curated by Asgary and Dena Al-Adeeb. Films include Mona Hatoum’s \u003ci>So Much I Want to Say\u003c/i> and Jackie Reem Salloum’s \u003ci>Planet of the Arabs\u003c/i>.\u003c/p>\n\u003cp>“We’re taking back the outside of YBCA in an attempt to create a space for connection and care,” Paz G said. “We’re providing something that YBCA can’t do.”\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-12127869\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-800x78.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13954119/an-embattled-ybca-to-reopen-amid-censorship-accusations-ceos-resignation","authors":["11387"],"categories":["arts_1","arts_235","arts_70"],"tags":["arts_10278","arts_10422","arts_8838","arts_1146","arts_1040"],"featImg":"arts_13953036","label":"arts"},"arts_13954260":{"type":"posts","id":"arts_13954260","meta":{"index":"posts_1716263798","site":"arts","id":"13954260","score":null,"sort":[1710437845000]},"guestAuthors":[],"slug":"editing-mamas-for-a-free-palestine-safety-doesnt-come-from-bombs","title":"Mamas for a Free Palestine: Safety Doesn't Come From Bombs","publishDate":1710437845,"format":"audio","headTitle":"Mamas for a Free Palestine: Safety Doesn’t Come From Bombs | KQED","labelTerm":{"term":8720,"site":"arts"},"content":"\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Hello dear reader, thanks for lending me your attention. These last six months, our world has borne witness to the ongoing violence in Gaza, where Israel has been accused of “engaging in genocidal acts against the Palestinian people in Gaza,” according to a\u003c/span>\u003ca href=\"https://www.icj-cij.org/sites/default/files/case-related/192/192-20231228-app-01-00-en.pdf\"> \u003cspan style=\"font-weight: 400\">case\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> filed by South Africa in the UN’s International Court of Justice.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">My colleagues have reported on this siege and the ways it is impacting our communities here in the Bay Area (\u003c/span>\u003ca href=\"https://www.kqed.org/arts/13953653/ybca-ceo-resigns-after-pro-palestinian-protest-and-boycott\">\u003cspan style=\"font-weight: 400\">here\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.kqed.org/news/11976415/gaza-is-a-queer-issue-for-bay-area-lgbtq-artists\"> \u003cspan style=\"font-weight: 400\">here\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> to name a few). So as not to belabor their work, I want to direct your attention to a collective of \u003c/span>\u003ca href=\"https://www.nbcbayarea.com/news/local/san-francisco/gaza-cease-fire-protest-sf/3459082/\">\u003cspan style=\"font-weight: 400\">dissenters \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">who haven’t been covered much in the media. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This collective, Mamas for a Free Palestine, is made up of mothers across the Bay Area who say they are fed up with business as usual. While they are a relatively new group, these mothers are not new to activism and political organizing.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13953768\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13953768 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-800x533.jpg\" alt='Nine people face the camera, hold signs with the words \"genocide\" and \"cease fire\" and look at a person holding a microphone. ' width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Protesters at Senator Padilla’s office in San Francisco, CA \u003ccite>(Photo courtesy of Jen Rocha)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">In December 2023 and February 2024, Mamas for a Free Palestine organized alongside\u003c/span>\u003ca href=\"https://www.instagram.com/eastbay4ceasefirenow/\"> \u003cspan style=\"font-weight: 400\">Eastbay for Ceasefire Now\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> to rally rank and file workers across various unions and social justice organizations like\u003c/span>\u003ca href=\"https://www.araborganizing.org/\"> \u003cspan style=\"font-weight: 400\">Arab Resource & Organizing Center\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> (AROC), \u003c/span>\u003ca href=\"https://www.jewishvoiceforpeace.org/\">\u003cspan style=\"font-weight: 400\">Jewish Voice for Peace \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">(JVP)\u003c/span>\u003cspan style=\"font-weight: 400\">, and\u003c/span>\u003ca href=\"https://podersf.org/\"> \u003cspan style=\"font-weight: 400\">People Organizing to Demand Environmental and Economic Rights\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> (PODER)\u003c/span>\u003cspan style=\"font-weight: 400\"> to demand that elected officials declare a permanent ceasefire in Gaza and end usage of U.S. dollars for Israel’s military.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13953767\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13953767 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-800x533.jpg\" alt=\"Posters with names and photographs of children killed in Gaza sit on the steps outside of Senator Padilla's office in San Francisco, CA\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Posters with names and photographs of children killed in Gaza sit on the steps outside of Senator Padilla’s office in San Francisco, CA \u003ccite>(Photo courtesy of Jen Rocha)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">They say they want elected officials to support humanitarian aid for Gaza immediately and fund community needs like healthcare and affordable housing.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">If you’ve stayed this long, I hope you will stay longer to listen to our episode and hear the voices of mamas calling for a future that centers caring, not bombing.\u003c/span>\u003c/p>\n\u003cp>\u003cem>Editor’s note: This episode has been edited in accordance with KQED’s editorial guidelines and Code of Ethics.\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC7438431403\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003cb>Marisol Medina-Cadena, host: \u003c/b>\u003cspan style=\"font-weight: 400\">As of this recording, we are about five months into the bombardment of Gaza, including the targeting of hospitals, schools and libraries. The world has seen the results: Massive displacement, death, and starvation. And nearly 100 journalists killed. That being said, I don’t want to use this precious time that I have your attention, to spotlight human-made calamities, that I’m sure you are aware of. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Instead, I want to direct your attention to a collective of people who are using their voices\u003c/span> \u003cspan style=\"font-weight: 400\">to bring attention to what’s happening in Gaza, and to bear witness to the humanity of the Palestinian people whose homes and bodies are under siege. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On this episode of Rightnowish, we’ll visit a local protest organized by a group of Bay Area mothers and learn why this wasn’t your average protest.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Crowd singing] \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m Marisol Medina-Cadena. Stay with us.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena: \u003c/b>\u003cspan style=\"font-weight: 400\">Back in December of 2023, I heard about a collective called “Mamas for a Free Palestine”. They don’t have an online presence so I decided to go to one of their actions in San Francisco’s Financial District to learn more\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Crowd sings a call and response song: “Not in our name/ Not in our name/ Stop the genocide/ Stop the genocide…” ]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena: \u003c/b>\u003cspan style=\"font-weight: 400\">Walking up Montgomery Street I followed chanting to 333 Bush Street— the SF office of Senator Alex Padilla. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Prior to the action, Mamas for a Free Palestine along with a larger coalition called East Bay For Ceasefire Now sent a letter to Senator Padilla expressing their grief over the loss of life and urging him to call for an immediate ceasefire.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Crowd sings,“We breathe together, Stop the occupation” ]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Since they say they weren’t given a chance to dialogue with the senator, they staged an action at his office both inside the lobby and on the outdoor public steps. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Inside, I saw religious leaders of Jewish, Catholic, and Muslim faith wearing their clerical attire. They stood behind the rest of the protesters who were either sitting in wheelchairs or sitting directly on the floor. The lobby staff looked nervous but respectful of the protest. Individuals who worked inside the building awkwardly moseyed in trying not to step on protestors while getting to the elevator. Some looked empathetic, concerned, curious. Others looked aggravated. I saw someone push a protestor as they walked by.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">After 40 minutes of speeches, singing, and call and response chants, the organizers informed everyone that the inside action would end and folks should join the outside rally. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I followed them out.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Gayla King, speaking to the crowd:\u003c/b>\u003cspan style=\"font-weight: 400\"> I now want to introduce our healer in our community, Angela Angel, who will share the grief ritual that we are about to… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Outside, the energy shifted from indignation to sobering reverence. A grief ritual was now unfolding \u003c/span>\u003c/p>\n\u003cp>\u003cb>Angela Angel, speaking to the crowd: \u003c/b>\u003cspan style=\"font-weight: 400\">And so today we do this to honor all of these families. We do this to mourn with them. We know that with our fight also comes with tenderness and honoring the sacred.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Three people dressed in all black carefully dipped their palms into buckets of red paint and pressed their handprints on the sidewalk altar, for all to see. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Meanwhile, the speaker read from a list of names of the thousands of Palestinian children killed so far in Gaza. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Angela Angel, speaking to the crowd: \u003c/b>\u003cspan style=\"font-weight: 400\">Yasmine Ramez Abdel Razzaq El Masry, a newborn, Aisha Jihad Jalal Shaheen, a newborn… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena: \u003c/b>\u003cspan style=\"font-weight: 400\">According to a recent UNICEF report, the death toll is now over 11,000 children.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To the left of me, a woman and her young son were holding flowers, waiting in line to lay them down on the sidewalk altar. The mom started to cry and her child looked up at her with a look I recognized in my younger self… It’s a look of shock and fear that the adults in your life are capable of suffering. I surmised that because as a young kid, my parents took me to rallies and vigils. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This made me reflect on how some kids of color aren’t spared the harshness of this country. Our parents tell us about colonialism, police violence, and deportations because they have no choice. They’re trying to protect us. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Angela Angel, speaking to the crowd: \u003c/b>\u003cspan style=\"font-weight: 400\">We also want to pray for protection, not only for ourselves right now, as we do this work and dissent, we also want to pray for the protection, continued protection of Palestine. And so put those in your prayers right now and stay close to the earth, let the earth source you for this fight. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Another organizer reads more names of martyred children. The crowd responds in spanish by saying “presente,” meaning “here.”] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> As the long list of dead children’s names comes to a close, different organizers get on the mic to make their call to action heard. I then notice some folks gathering over a table of warm empanadas and hot chai. I make my way over and learn that it’s the People’s Kitchen Collective who are providing this free food. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">At this point, I’m still itching to speak with an organizer one on one. I found someone with ‘East Bay for Ceasefire Now’ which is the larger coalition behind all this. Here’s Isa Flores-Jones explaining her message to Senator Padilla:\u003c/span>\u003c/p>\n\u003cp>\u003cb>Isa Flores Jones: \u003c/b>\u003cspan style=\"font-weight: 400\">We’re out here to say not in our names, not with our tax dollars. We don’t consent to that. We want our senators, our California senators to stand with their constituents and say, not one dime more\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">. [car horn honks in support]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Isa Flores Jones:\u003c/b>\u003cspan style=\"font-weight: 400\"> Everybody is just out here as rank and file workers, as baristas, as housekeepers, as the folks who who are working in the city and across the East Bay to just call on Senator Padilla to please stop funding this genocide, to put an end to the U.S. tax dollars that are flowing to to these deaths instead of to critical services that we need so badly in the Bay and across California. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We feel as if our concerns are just not not being heard and that the senator just doesn’t doesn’t fully understand the extent to which his constituents are impacted seeing every single day the thousands and thousands of men, women and children who are being killed in Gaza and that we stand against it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> From the stage, I hear one of the Mamas speak to the crowd. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Mamas for a Free Palestine Organizer, speaking to the crowd:\u003c/b>\u003cspan style=\"font-weight: 400\"> The Palestinian people of his constituency here in the state are devastated \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[car horn honking in support] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">by the loss and destruction \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[supporters honking car horns] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">in their homeland. And with the overwhelming majority of people around the globe who know that this continued attacks and atrocities will not make the world safe. They will not make the world safer. They may, for a brief moment, make someone more comfortable thinking that safety comes like this. But it does never come from bombs. It never comes in this way. And so we are here to say spend that money on life. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[crowd cheers]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> Spend that money on the Palestinian people in reclaiming their land! \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[crowd cheers]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> The olive trees. The birds! The rivers! \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[crowd cheers]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Isa then introduces me to another organizer who can speak to more of my questions. Gayla King is part of Mamas for a Free Palestine, and I asked her if there was a precedent for moms, at least in the Bay Area or California, protesting around militarism abroad:\u003c/span>\u003c/p>\n\u003cp>\u003cb>Gayla King:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yes, absolutely. I think I’m definitely here following a lineage of mamas, of women, of feminine energy and power that have been leading these movements throughout time, throughout um, throughout the globe. There’s been a huge um anti militarization movement led by women that has been connecting different struggles across, across the continent.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For me, I am a daughter of an immigrant from the Philippines. But my mother was actually born in the Philippines during the time of World War II, when the U.S. was bombing her hometown, aimed at Japanese occupation but harming community, harming people, harming her family. And many of us have this lineage, right, of how a U.S. war machine impacts the homelands of our ancestors, of our people, bringing us here in very much the same way as what’s happening in Palestine, with Israel being backed by the United States and harming the people, killing the people, dropping the bombs.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And it’s the mothers. It’s the mothers that are resisting. It’s the mothers that are holding the grief, that are trying to protect their children, that are trying to protect their community. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Mamas for a Free Palestine, while we’re a relatively new kind of collective of coming together post-October 7th but many of us have been involved in many movements for decades. And so I think we really just wanted to have a space where we could show up as mamas in our full holistic self to be able to grieve together, to heal together, to feed each other and to really be fierce in our resistance and in our deep solidarity for Palestine. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> What kind of questions is your kid asking you about this moment?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Gayla King:\u003c/b>\u003cspan style=\"font-weight: 400\"> I have two young boys, 11 and 14, and they’re trying to understand. We have family, friends who are Palestinian that they’ve spent time with, and they know. They’ve heard the stories of what it’s been like for our friends growing up in the West Bank and so they’re really struggling with understanding how this can happen. Like, you know, why, why are we supporting this? Why is the U.S. government supporting this? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And they also have really, you know, close friends that are of Jewish faith and that they’re trying to grapple with this issue and understanding how the state of Israel, you know, is claiming to be a space for Jewish people but the Jewish friends they know and love don’t believe in bombs and don’t believe in what’s happening. So they’re asking a lot of questions and they’re grieving, too, because they are hearing and seeing of what’s happening.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Have they said anything like if their teachers are holding space for them or for their emotions? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Gayla King: \u003c/b>\u003cspan style=\"font-weight: 400\">It doesn’t sound like it’s being held in the space that my 11 year old is in, at least not by the teachers. My 14 year old, who is in high school, he’s had a few teachers that have both done a teach-in on Palestine and that he’s also seen at some of the actions. So that’s been really important to him to see other adults who care about this issue taking a stand and bringing it into the school. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Gayla King:\u003c/b>\u003cspan style=\"font-weight: 400\"> There are such beautiful spaces that we’re creating together that our children can very much be a part of because our children can hold so much with us. They can hold the grief. And they can, we’re singing together. We’re eating together. We’re taking care of each other. And that’s what we also know is important for this movement to survive and to be sustained is that it has to be done centering our children and our families so that we can be in it for the long haul, yeah.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena: \u003c/b>\u003cspan style=\"font-weight: 400\">Gayla told me the Mamas plan to keep organizing till a permanent ceasefire is reached. So, on Presidents Day, they and other groups showed up again. This time at the plaza outside of Senator Laphonza Butler’s SF office to ask her to call for a ceasefire and the divestment of the 14 billion aid package Congress approved for Israel’s military. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And beyond banners and signs, the organizers brought a banquet table and set up chairs around it, essentially saying, ‘since you won’t invite us to the table to discuss, we brought our own table to host you.’ \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Later that night, Senator Butler was moderating a book talk at the Commonwealth Club in San Francisco. The talk was on the politics of adoption and reproductive justice. So, the mama’s showed up there too, to call attention to what they see as the hypocrisy of the Democratic establishment championing the right to choose yet staying quiet when it comes to safety for pregnant women and kids in Gaza. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Fifty of the mamas bought tickets to the event and attended. Halfway through the program they staged what they call a “rolling interruption” whereby a group of them stood up and sang a song adapted from a Palestinian poem. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Then one by one staggering their interruptions, the mamas declared why they felt as mothers obligated to speak up and demand Senator Butler to call for a ceasefire as well as an end to U.S. military aid to Israel.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">After each mama made their verbal provocation, they were escorted out the venue. From the stage, Senator Butler acknowledged that protest is a part of democracy and that there’s room for expression and differing opinions, but she did not call for a ceasefire. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Hedieh Matinrad:\u003c/b>\u003cspan style=\"font-weight: 400\"> My name is Hedieh Matinrad. It’s spelled… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Two weeks after the action, I spoke on the phone with one of the Mamas to get her reflections on the evening that Senator Butler spoke.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Hedieh Matinrad:\u003c/b>\u003cspan style=\"font-weight: 400\"> And certainly ya know, she said that her heart goes out too, for all lives lost. And that is great and not enough. We were being so clear that the first step is to stop the bombs from dropping, for a ceasefire to happen. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena: \u003c/b>\u003cspan style=\"font-weight: 400\"> There could be a lot of emotions, a lot of adrenaline, a lot of… I don’t know. I’m wondering, like, what was running in your head, like, moments, seconds, minutes before you raised your voice? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Hedieh Matinrad: \u003c/b>\u003cspan style=\"font-weight: 400\">This has been going on, this massacre in Gaza for many months. My baby was born a month before the offense began, and now he’s six months old.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A lot of my work as a palliative care doctor where I care for people with serious illness, like cancer a lot of times, is to help alleviate their suffering. And I think it really shakes me to my core, the unnecessary manufactured suffering that Palestinians in Gaza of all ages, everybody is being forced to live through. And I just, I see it as part of my mission in life, to be speaking out against this unnecessary suffering. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Because Palestinian children deserve to live. Just like my child deserves to live. \u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena: \u003c/b>\u003cspan style=\"font-weight: 400\">Caring for the collective good of children and families is what brought these mothers together. Their protests are intended to disrupt business as usual by reminding everyone not to get comfortable with the devastation happening… because they say, their love knows no borders.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Big big thank you to the organizers who trusted me and spoke to me for this episode. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It was produced and hosted by me, Marisol Medina-Cadena. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Patiently edited by Chris Hambrick and Jen Chien.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Expertly engineered by Christopher Beale and Brendan Willard.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Lovingly supported by Rightnowish team members Sheree Bishop and Pendarvis Harshaw. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Additional support provided by Katie Sprenger, Cesar Saldaña, Ugur Dursun and Holly Kernan.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You’ve been listening to Rightnowish, a KQED Production.\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>[ad fullwidth]=\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n","blocks":[],"excerpt":"The Mamas for a Free Palestine collective is joining in the call for a permanent ceasefire in Gaza.","status":"publish","parent":0,"modified":1726875410,"stats":{"hasAudio":true,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":82,"wordCount":3207},"headData":{"title":"Mamas for a Free Palestine: Safety Doesn't Come From Bombs | KQED","description":"The Mamas for a Free Palestine collective is made up of mothers across the Bay Area who say they are fed up with business as usual. While they are a relatively new group, these mothers are not new to activism and political organizing. With their children in tow, they are joining with other social justice organizations to demand that elected officials declare a permanent ceasefire in Gaza, as well as end the use of U.S. public funds for Israel's military.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","socialDescription":"The Mamas for a Free Palestine collective is made up of mothers across the Bay Area who say they are fed up with business as usual. While they are a relatively new group, these mothers are not new to activism and political organizing. With their children in tow, they are joining with other social justice organizations to demand that elected officials declare a permanent ceasefire in Gaza, as well as end the use of U.S. public funds for Israel's military.","schema":{"@context":"http://schema.org","@type":"Article","headline":"Mamas for a Free Palestine: Safety Doesn't Come From Bombs","datePublished":"2024-03-14T10:37:25-07:00","dateModified":"2024-09-20T16:36:50-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://www.podtrac.com/pts/redirect.mp3/chrt.fm/track/G6C7C3/traffic.megaphone.fm/KQINC7438431403.mp3?updated=1711157763","sticky":false,"excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13954260/editing-mamas-for-a-free-palestine-safety-doesnt-come-from-bombs","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"#episode-transcript\">\u003ci>View the full episode transcript.\u003c/i>\u003c/a>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Hello dear reader, thanks for lending me your attention. These last six months, our world has borne witness to the ongoing violence in Gaza, where Israel has been accused of “engaging in genocidal acts against the Palestinian people in Gaza,” according to a\u003c/span>\u003ca href=\"https://www.icj-cij.org/sites/default/files/case-related/192/192-20231228-app-01-00-en.pdf\"> \u003cspan style=\"font-weight: 400\">case\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> filed by South Africa in the UN’s International Court of Justice.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">My colleagues have reported on this siege and the ways it is impacting our communities here in the Bay Area (\u003c/span>\u003ca href=\"https://www.kqed.org/arts/13953653/ybca-ceo-resigns-after-pro-palestinian-protest-and-boycott\">\u003cspan style=\"font-weight: 400\">here\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> and\u003c/span>\u003ca href=\"https://www.kqed.org/news/11976415/gaza-is-a-queer-issue-for-bay-area-lgbtq-artists\"> \u003cspan style=\"font-weight: 400\">here\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> to name a few). So as not to belabor their work, I want to direct your attention to a collective of \u003c/span>\u003ca href=\"https://www.nbcbayarea.com/news/local/san-francisco/gaza-cease-fire-protest-sf/3459082/\">\u003cspan style=\"font-weight: 400\">dissenters \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">who haven’t been covered much in the media. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This collective, Mamas for a Free Palestine, is made up of mothers across the Bay Area who say they are fed up with business as usual. While they are a relatively new group, these mothers are not new to activism and political organizing.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13953768\" class=\"wp-caption aligncenter\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13953768 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-800x533.jpg\" alt='Nine people face the camera, hold signs with the words \"genocide\" and \"cease fire\" and look at a person holding a microphone. ' width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-093-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Protesters at Senator Padilla’s office in San Francisco, CA \u003ccite>(Photo courtesy of Jen Rocha)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">In December 2023 and February 2024, Mamas for a Free Palestine organized alongside\u003c/span>\u003ca href=\"https://www.instagram.com/eastbay4ceasefirenow/\"> \u003cspan style=\"font-weight: 400\">Eastbay for Ceasefire Now\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> to rally rank and file workers across various unions and social justice organizations like\u003c/span>\u003ca href=\"https://www.araborganizing.org/\"> \u003cspan style=\"font-weight: 400\">Arab Resource & Organizing Center\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> (AROC), \u003c/span>\u003ca href=\"https://www.jewishvoiceforpeace.org/\">\u003cspan style=\"font-weight: 400\">Jewish Voice for Peace \u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\">(JVP)\u003c/span>\u003cspan style=\"font-weight: 400\">, and\u003c/span>\u003ca href=\"https://podersf.org/\"> \u003cspan style=\"font-weight: 400\">People Organizing to Demand Environmental and Economic Rights\u003c/span>\u003c/a>\u003cspan style=\"font-weight: 400\"> (PODER)\u003c/span>\u003cspan style=\"font-weight: 400\"> to demand that elected officials declare a permanent ceasefire in Gaza and end usage of U.S. dollars for Israel’s military.\u003c/span>\u003c/p>\n\u003cfigure id=\"attachment_13953767\" class=\"wp-caption alignnone\" style=\"max-width: 800px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"wp-image-13953767 size-medium\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-800x533.jpg\" alt=\"Posters with names and photographs of children killed in Gaza sit on the steps outside of Senator Padilla's office in San Francisco, CA\" width=\"800\" height=\"533\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-800x533.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-1020x680.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-768x512.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-1536x1024.jpg 1536w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-2048x1365.jpg 2048w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/03/Padilla-Ceasefire-sit-in-12_12_23-073-1920x1280.jpg 1920w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003cfigcaption class=\"wp-caption-text\">Posters with names and photographs of children killed in Gaza sit on the steps outside of Senator Padilla’s office in San Francisco, CA \u003ccite>(Photo courtesy of Jen Rocha)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cspan style=\"font-weight: 400\">They say they want elected officials to support humanitarian aid for Gaza immediately and fund community needs like healthcare and affordable housing.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">If you’ve stayed this long, I hope you will stay longer to listen to our episode and hear the voices of mamas calling for a future that centers caring, not bombing.\u003c/span>\u003c/p>\n\u003cp>\u003cem>Editor’s note: This episode has been edited in accordance with KQED’s editorial guidelines and Code of Ethics.\u003c/em>\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe loading=\"lazy\" frameborder=\"0\" height=\"200\" scrolling=\"no\" src=\"https://playlist.megaphone.fm/?e=KQINC7438431403\" width=\"100%\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003ch2 id=\"episode-transcript\">Episode Transcript\u003c/h2>\n\u003cp>\u003cb>Marisol Medina-Cadena, host: \u003c/b>\u003cspan style=\"font-weight: 400\">As of this recording, we are about five months into the bombardment of Gaza, including the targeting of hospitals, schools and libraries. The world has seen the results: Massive displacement, death, and starvation. And nearly 100 journalists killed. That being said, I don’t want to use this precious time that I have your attention, to spotlight human-made calamities, that I’m sure you are aware of. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Instead, I want to direct your attention to a collective of people who are using their voices\u003c/span> \u003cspan style=\"font-weight: 400\">to bring attention to what’s happening in Gaza, and to bear witness to the humanity of the Palestinian people whose homes and bodies are under siege. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">On this episode of Rightnowish, we’ll visit a local protest organized by a group of Bay Area mothers and learn why this wasn’t your average protest.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Crowd singing] \u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena: \u003c/b>\u003cspan style=\"font-weight: 400\">I’m Marisol Medina-Cadena. Stay with us.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena: \u003c/b>\u003cspan style=\"font-weight: 400\">Back in December of 2023, I heard about a collective called “Mamas for a Free Palestine”. They don’t have an online presence so I decided to go to one of their actions in San Francisco’s Financial District to learn more\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Crowd sings a call and response song: “Not in our name/ Not in our name/ Stop the genocide/ Stop the genocide…” ]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena: \u003c/b>\u003cspan style=\"font-weight: 400\">Walking up Montgomery Street I followed chanting to 333 Bush Street— the SF office of Senator Alex Padilla. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Prior to the action, Mamas for a Free Palestine along with a larger coalition called East Bay For Ceasefire Now sent a letter to Senator Padilla expressing their grief over the loss of life and urging him to call for an immediate ceasefire.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Crowd sings,“We breathe together, Stop the occupation” ]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Since they say they weren’t given a chance to dialogue with the senator, they staged an action at his office both inside the lobby and on the outdoor public steps. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Inside, I saw religious leaders of Jewish, Catholic, and Muslim faith wearing their clerical attire. They stood behind the rest of the protesters who were either sitting in wheelchairs or sitting directly on the floor. The lobby staff looked nervous but respectful of the protest. Individuals who worked inside the building awkwardly moseyed in trying not to step on protestors while getting to the elevator. Some looked empathetic, concerned, curious. Others looked aggravated. I saw someone push a protestor as they walked by.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">After 40 minutes of speeches, singing, and call and response chants, the organizers informed everyone that the inside action would end and folks should join the outside rally. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">I followed them out.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Gayla King, speaking to the crowd:\u003c/b>\u003cspan style=\"font-weight: 400\"> I now want to introduce our healer in our community, Angela Angel, who will share the grief ritual that we are about to… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Outside, the energy shifted from indignation to sobering reverence. A grief ritual was now unfolding \u003c/span>\u003c/p>\n\u003cp>\u003cb>Angela Angel, speaking to the crowd: \u003c/b>\u003cspan style=\"font-weight: 400\">And so today we do this to honor all of these families. We do this to mourn with them. We know that with our fight also comes with tenderness and honoring the sacred.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Three people dressed in all black carefully dipped their palms into buckets of red paint and pressed their handprints on the sidewalk altar, for all to see. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Meanwhile, the speaker read from a list of names of the thousands of Palestinian children killed so far in Gaza. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Angela Angel, speaking to the crowd: \u003c/b>\u003cspan style=\"font-weight: 400\">Yasmine Ramez Abdel Razzaq El Masry, a newborn, Aisha Jihad Jalal Shaheen, a newborn… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena: \u003c/b>\u003cspan style=\"font-weight: 400\">According to a recent UNICEF report, the death toll is now over 11,000 children.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">To the left of me, a woman and her young son were holding flowers, waiting in line to lay them down on the sidewalk altar. The mom started to cry and her child looked up at her with a look I recognized in my younger self… It’s a look of shock and fear that the adults in your life are capable of suffering. I surmised that because as a young kid, my parents took me to rallies and vigils. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">This made me reflect on how some kids of color aren’t spared the harshness of this country. Our parents tell us about colonialism, police violence, and deportations because they have no choice. They’re trying to protect us. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Angela Angel, speaking to the crowd: \u003c/b>\u003cspan style=\"font-weight: 400\">We also want to pray for protection, not only for ourselves right now, as we do this work and dissent, we also want to pray for the protection, continued protection of Palestine. And so put those in your prayers right now and stay close to the earth, let the earth source you for this fight. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Another organizer reads more names of martyred children. The crowd responds in spanish by saying “presente,” meaning “here.”] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> As the long list of dead children’s names comes to a close, different organizers get on the mic to make their call to action heard. I then notice some folks gathering over a table of warm empanadas and hot chai. I make my way over and learn that it’s the People’s Kitchen Collective who are providing this free food. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">At this point, I’m still itching to speak with an organizer one on one. I found someone with ‘East Bay for Ceasefire Now’ which is the larger coalition behind all this. Here’s Isa Flores-Jones explaining her message to Senator Padilla:\u003c/span>\u003c/p>\n\u003cp>\u003cb>Isa Flores Jones: \u003c/b>\u003cspan style=\"font-weight: 400\">We’re out here to say not in our names, not with our tax dollars. We don’t consent to that. We want our senators, our California senators to stand with their constituents and say, not one dime more\u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">. [car horn honks in support]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Isa Flores Jones:\u003c/b>\u003cspan style=\"font-weight: 400\"> Everybody is just out here as rank and file workers, as baristas, as housekeepers, as the folks who who are working in the city and across the East Bay to just call on Senator Padilla to please stop funding this genocide, to put an end to the U.S. tax dollars that are flowing to to these deaths instead of to critical services that we need so badly in the Bay and across California. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">We feel as if our concerns are just not not being heard and that the senator just doesn’t doesn’t fully understand the extent to which his constituents are impacted seeing every single day the thousands and thousands of men, women and children who are being killed in Gaza and that we stand against it. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> From the stage, I hear one of the Mamas speak to the crowd. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Mamas for a Free Palestine Organizer, speaking to the crowd:\u003c/b>\u003cspan style=\"font-weight: 400\"> The Palestinian people of his constituency here in the state are devastated \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[car horn honking in support] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">by the loss and destruction \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[supporters honking car horns] \u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\">in their homeland. And with the overwhelming majority of people around the globe who know that this continued attacks and atrocities will not make the world safe. They will not make the world safer. They may, for a brief moment, make someone more comfortable thinking that safety comes like this. But it does never come from bombs. It never comes in this way. And so we are here to say spend that money on life. \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[crowd cheers]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> Spend that money on the Palestinian people in reclaiming their land! \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[crowd cheers]\u003c/span>\u003c/i>\u003cspan style=\"font-weight: 400\"> The olive trees. The birds! The rivers! \u003c/span>\u003ci>\u003cspan style=\"font-weight: 400\">[crowd cheers]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Isa then introduces me to another organizer who can speak to more of my questions. Gayla King is part of Mamas for a Free Palestine, and I asked her if there was a precedent for moms, at least in the Bay Area or California, protesting around militarism abroad:\u003c/span>\u003c/p>\n\u003cp>\u003cb>Gayla King:\u003c/b>\u003cspan style=\"font-weight: 400\"> Yes, absolutely. I think I’m definitely here following a lineage of mamas, of women, of feminine energy and power that have been leading these movements throughout time, throughout um, throughout the globe. There’s been a huge um anti militarization movement led by women that has been connecting different struggles across, across the continent.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">For me, I am a daughter of an immigrant from the Philippines. But my mother was actually born in the Philippines during the time of World War II, when the U.S. was bombing her hometown, aimed at Japanese occupation but harming community, harming people, harming her family. And many of us have this lineage, right, of how a U.S. war machine impacts the homelands of our ancestors, of our people, bringing us here in very much the same way as what’s happening in Palestine, with Israel being backed by the United States and harming the people, killing the people, dropping the bombs.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And it’s the mothers. It’s the mothers that are resisting. It’s the mothers that are holding the grief, that are trying to protect their children, that are trying to protect their community. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">The Mamas for a Free Palestine, while we’re a relatively new kind of collective of coming together post-October 7th but many of us have been involved in many movements for decades. And so I think we really just wanted to have a space where we could show up as mamas in our full holistic self to be able to grieve together, to heal together, to feed each other and to really be fierce in our resistance and in our deep solidarity for Palestine. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> What kind of questions is your kid asking you about this moment?\u003c/span>\u003c/p>\n\u003cp>\u003cb>Gayla King:\u003c/b>\u003cspan style=\"font-weight: 400\"> I have two young boys, 11 and 14, and they’re trying to understand. We have family, friends who are Palestinian that they’ve spent time with, and they know. They’ve heard the stories of what it’s been like for our friends growing up in the West Bank and so they’re really struggling with understanding how this can happen. Like, you know, why, why are we supporting this? Why is the U.S. government supporting this? \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And they also have really, you know, close friends that are of Jewish faith and that they’re trying to grapple with this issue and understanding how the state of Israel, you know, is claiming to be a space for Jewish people but the Jewish friends they know and love don’t believe in bombs and don’t believe in what’s happening. So they’re asking a lot of questions and they’re grieving, too, because they are hearing and seeing of what’s happening.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Have they said anything like if their teachers are holding space for them or for their emotions? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Gayla King: \u003c/b>\u003cspan style=\"font-weight: 400\">It doesn’t sound like it’s being held in the space that my 11 year old is in, at least not by the teachers. My 14 year old, who is in high school, he’s had a few teachers that have both done a teach-in on Palestine and that he’s also seen at some of the actions. So that’s been really important to him to see other adults who care about this issue taking a stand and bringing it into the school. \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Gayla King:\u003c/b>\u003cspan style=\"font-weight: 400\"> There are such beautiful spaces that we’re creating together that our children can very much be a part of because our children can hold so much with us. They can hold the grief. And they can, we’re singing together. We’re eating together. We’re taking care of each other. And that’s what we also know is important for this movement to survive and to be sustained is that it has to be done centering our children and our families so that we can be in it for the long haul, yeah.\u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena: \u003c/b>\u003cspan style=\"font-weight: 400\">Gayla told me the Mamas plan to keep organizing till a permanent ceasefire is reached. So, on Presidents Day, they and other groups showed up again. This time at the plaza outside of Senator Laphonza Butler’s SF office to ask her to call for a ceasefire and the divestment of the 14 billion aid package Congress approved for Israel’s military. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">And beyond banners and signs, the organizers brought a banquet table and set up chairs around it, essentially saying, ‘since you won’t invite us to the table to discuss, we brought our own table to host you.’ \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Later that night, Senator Butler was moderating a book talk at the Commonwealth Club in San Francisco. The talk was on the politics of adoption and reproductive justice. So, the mama’s showed up there too, to call attention to what they see as the hypocrisy of the Democratic establishment championing the right to choose yet staying quiet when it comes to safety for pregnant women and kids in Gaza. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Fifty of the mamas bought tickets to the event and attended. Halfway through the program they staged what they call a “rolling interruption” whereby a group of them stood up and sang a song adapted from a Palestinian poem. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Then one by one staggering their interruptions, the mamas declared why they felt as mothers obligated to speak up and demand Senator Butler to call for a ceasefire as well as an end to U.S. military aid to Israel.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">After each mama made their verbal provocation, they were escorted out the venue. From the stage, Senator Butler acknowledged that protest is a part of democracy and that there’s room for expression and differing opinions, but she did not call for a ceasefire. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Hedieh Matinrad:\u003c/b>\u003cspan style=\"font-weight: 400\"> My name is Hedieh Matinrad. It’s spelled… \u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena:\u003c/b>\u003cspan style=\"font-weight: 400\"> Two weeks after the action, I spoke on the phone with one of the Mamas to get her reflections on the evening that Senator Butler spoke.\u003c/span>\u003c/p>\n\u003cp>\u003cb>Hedieh Matinrad:\u003c/b>\u003cspan style=\"font-weight: 400\"> And certainly ya know, she said that her heart goes out too, for all lives lost. And that is great and not enough. We were being so clear that the first step is to stop the bombs from dropping, for a ceasefire to happen. \u003c/span>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena: \u003c/b>\u003cspan style=\"font-weight: 400\"> There could be a lot of emotions, a lot of adrenaline, a lot of… I don’t know. I’m wondering, like, what was running in your head, like, moments, seconds, minutes before you raised your voice? \u003c/span>\u003c/p>\n\u003cp>\u003cb>Hedieh Matinrad: \u003c/b>\u003cspan style=\"font-weight: 400\">This has been going on, this massacre in Gaza for many months. My baby was born a month before the offense began, and now he’s six months old.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">A lot of my work as a palliative care doctor where I care for people with serious illness, like cancer a lot of times, is to help alleviate their suffering. And I think it really shakes me to my core, the unnecessary manufactured suffering that Palestinians in Gaza of all ages, everybody is being forced to live through. And I just, I see it as part of my mission in life, to be speaking out against this unnecessary suffering. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Because Palestinian children deserve to live. Just like my child deserves to live. \u003c/span>\u003cspan style=\"font-weight: 400\"> \u003c/span>\u003c/p>\n\u003cp>\u003ci>\u003cspan style=\"font-weight: 400\">[Music]\u003c/span>\u003c/i>\u003c/p>\n\u003cp>\u003cb>Marisol Medina-Cadena: \u003c/b>\u003cspan style=\"font-weight: 400\">Caring for the collective good of children and families is what brought these mothers together. Their protests are intended to disrupt business as usual by reminding everyone not to get comfortable with the devastation happening… because they say, their love knows no borders.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Big big thank you to the organizers who trusted me and spoke to me for this episode. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">It was produced and hosted by me, Marisol Medina-Cadena. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Patiently edited by Chris Hambrick and Jen Chien.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Expertly engineered by Christopher Beale and Brendan Willard.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Lovingly supported by Rightnowish team members Sheree Bishop and Pendarvis Harshaw. \u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">Additional support provided by Katie Sprenger, Cesar Saldaña, Ugur Dursun and Holly Kernan.\u003c/span>\u003c/p>\n\u003cp>\u003cspan style=\"font-weight: 400\">You’ve been listening to Rightnowish, a KQED Production.\u003c/span>\u003c/p>\n\u003cp>\u003cimg loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-12127869\" src=\"https://ww2.kqed.org/app/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg\" alt=\"\" width=\"800\" height=\"78\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-400x39.jpg 400w, https://cdn.kqed.org/wp-content/uploads/sites/2/2016/09/Q.Logo_.Break_-768x75.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\">\u003c/p>\n\u003cp>\u003cstrong>\u003cem>Rightnowish is an arts and culture podcast produced at KQED. Listen to it wherever you get your podcasts or click the play button at the top of this page and subscribe to the show on \u003ca href=\"https://www.npr.org/podcasts/721590300/rightnowish\">NPR One\u003c/a>, \u003ca href=\"https://open.spotify.com/show/7kEJuafTzTVan7B78ttz1I\">Spotify\u003c/a>, \u003ca href=\"https://podcasts.apple.com/us/podcast/rightnowish/id1482187648\">Apple Podcasts\u003c/a>, \u003ca href=\"https://tunein.com/podcasts/Arts--Culture-Podcasts/Rightnowish-p1258245/\">TuneIn\u003c/a>, \u003ca href=\"https://www.stitcher.com/podcast/kqed/rightnowish\">Stitcher\u003c/a> or wherever you get your podcasts. \u003c/em>\u003c/strong>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>=\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13954260/editing-mamas-for-a-free-palestine-safety-doesnt-come-from-bombs","authors":["11528"],"programs":["arts_8720"],"categories":["arts_1","arts_21759"],"tags":["arts_8838","arts_22001","arts_21682","arts_5264","arts_1756"],"featImg":"arts_13953765","label":"arts_8720"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. 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Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. Michel Martin hosts on the weekends.","airtime":"MON-FRI 1pm-2pm, 4:30pm-6:30pm\u003cbr />SAT-SUN 5pm-6pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/All-Things-Considered-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/all-things-considered/","meta":{"site":"news","source":"npr"},"link":"/radio/program/all-things-considered"},"american-suburb-podcast":{"id":"american-suburb-podcast","title":"American Suburb: The Podcast","tagline":"The flip side of gentrification, told through one town","info":"Gentrification is changing cities across America, forcing people from neighborhoods they have long called home. Call them the displaced. Now those priced out of the Bay Area are looking for a better life in an unlikely place. American Suburb follows this migration to one California town along the Delta, 45 miles from San Francisco. But is this once sleepy suburb ready for them?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/American-Suburb-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/news/series/american-suburb-podcast","meta":{"site":"news","source":"kqed","order":"13"},"link":"/news/series/american-suburb-podcast/","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=1287748328","tuneIn":"https://tunein.com/radio/American-Suburb-p1086805/","rss":"https://ww2.kqed.org/news/series/american-suburb-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkMzMDExODgxNjA5"}},"baycurious":{"id":"baycurious","title":"Bay Curious","tagline":"Exploring the Bay Area, one question at a time","info":"KQED’s new podcast, Bay Curious, gets to the bottom of the mysteries — both profound and peculiar — that give the Bay Area its unique identity. And we’ll do it with your help! You ask the questions. You decide what Bay Curious investigates. And you join us on the journey to find the answers.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Bay-Curious-Podcast-Tile-703x703-1.jpg","imageAlt":"\"KQED Bay Curious","officialWebsiteLink":"/news/series/baycurious","meta":{"site":"news","source":"kqed","order":"4"},"link":"/podcasts/baycurious","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/bay-curious/id1172473406","npr":"https://www.npr.org/podcasts/500557090/bay-curious","rss":"https://ww2.kqed.org/news/category/bay-curious-podcast/feed/podcast","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvbmV3cy9jYXRlZ29yeS9iYXktY3VyaW91cy1wb2RjYXN0L2ZlZWQvcG9kY2FzdA","stitcher":"https://www.stitcher.com/podcast/kqed/bay-curious","spotify":"https://open.spotify.com/show/6O76IdmhixfijmhTZLIJ8k"}},"bbc-world-service":{"id":"bbc-world-service","title":"BBC World Service","info":"The day's top stories from BBC News compiled twice daily in the week, once at weekends.","airtime":"MON-FRI 9pm-10pm, TUE-FRI 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/BBC-World-Service-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.bbc.co.uk/sounds/play/live:bbc_world_service","meta":{"site":"news","source":"BBC World Service"},"link":"/radio/program/bbc-world-service","subscribe":{"apple":"https://itunes.apple.com/us/podcast/global-news-podcast/id135067274?mt=2","tuneIn":"https://tunein.com/radio/BBC-World-Service-p455581/","rss":"https://podcasts.files.bbci.co.uk/p02nq0gn.rss"}},"code-switch-life-kit":{"id":"code-switch-life-kit","title":"Code Switch / Life Kit","info":"\u003cem>Code Switch\u003c/em>, which listeners will hear in the first part of the hour, has fearless and much-needed conversations about race. Hosted by journalists of color, the show tackles the subject of race head-on, exploring how it impacts every part of society — from politics and pop culture to history, sports and more.\u003cbr />\u003cbr />\u003cem>Life Kit\u003c/em>, which will be in the second part of the hour, guides you through spaces and feelings no one prepares you for — from finances to mental health, from workplace microaggressions to imposter syndrome, from relationships to parenting. The show features experts with real world experience and shares their knowledge. Because everyone needs a little help being human.\u003cbr />\u003cbr />\u003ca href=\"https://www.npr.org/podcasts/510312/codeswitch\">\u003cem>Code Switch\u003c/em> offical site and podcast\u003c/a>\u003cbr />\u003ca href=\"https://www.npr.org/lifekit\">\u003cem>Life Kit\u003c/em> offical site and podcast\u003c/a>\u003cbr />","airtime":"SUN 9pm-10pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Code-Switch-Life-Kit-Podcast-Tile-360x360-1.jpg","meta":{"site":"radio","source":"npr"},"link":"/radio/program/code-switch-life-kit","subscribe":{"apple":"https://podcasts.apple.com/podcast/1112190608?mt=2&at=11l79Y&ct=nprdirectory","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93d3cubnByLm9yZy9yc3MvcG9kY2FzdC5waHA_aWQ9NTEwMzEy","spotify":"https://open.spotify.com/show/3bExJ9JQpkwNhoHvaIIuyV","rss":"https://feeds.npr.org/510312/podcast.xml"}},"commonwealth-club":{"id":"commonwealth-club","title":"Commonwealth Club of California Podcast","info":"The Commonwealth Club of California is the nation's oldest and largest public affairs forum. As a non-partisan forum, The Club brings to the public airwaves diverse viewpoints on important topics. The Club's weekly radio broadcast - the oldest in the U.S., dating back to 1924 - is carried across the nation on public radio stations and is now podcasting. Our website archive features audio of our recent programs, as well as selected speeches from our long and distinguished history. This podcast feed is usually updated twice a week and is always un-edited.","airtime":"THU 10pm, FRI 1am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Commonwealth-Club-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.commonwealthclub.org/podcasts","meta":{"site":"news","source":"Commonwealth Club of California"},"link":"/radio/program/commonwealth-club","subscribe":{"apple":"https://itunes.apple.com/us/podcast/commonwealth-club-of-california-podcast/id976334034?mt=2","google":"https://podcasts.google.com/feed/aHR0cDovL3d3dy5jb21tb253ZWFsdGhjbHViLm9yZy9hdWRpby9wb2RjYXN0L3dlZWtseS54bWw","tuneIn":"https://tunein.com/radio/Commonwealth-Club-of-California-p1060/"}},"considerthis":{"id":"considerthis","title":"Consider This","tagline":"Make sense of the day","info":"Make sense of the day. Every weekday afternoon, Consider This helps you consider the major stories of the day in less than 15 minutes, featuring the reporting and storytelling resources of NPR. Plus, KQED’s Bianca Taylor brings you the local KQED news you need to know.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Consider-This-Podcast-Tile-703x703-1.jpg","imageAlt":"Consider This from NPR and KQED","officialWebsiteLink":"/podcasts/considerthis","meta":{"site":"news","source":"kqed","order":"7"},"link":"/podcasts/considerthis","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1503226625?mt=2&at=11l79Y&ct=nprdirectory","npr":"https://rpb3r.app.goo.gl/coronavirusdaily","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM1NS9wb2RjYXN0LnhtbA","spotify":"https://open.spotify.com/show/3Z6JdCS2d0eFEpXHKI6WqH"}},"forum":{"id":"forum","title":"Forum","tagline":"The conversation starts here","info":"KQED’s live call-in program discussing local, state, national and international issues, as well as in-depth interviews.","airtime":"MON-FRI 9am-11am, 10pm-11pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Forum-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED Forum with Mina Kim and Alexis Madrigal","officialWebsiteLink":"/forum","meta":{"site":"news","source":"kqed","order":"8"},"link":"/forum","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/kqeds-forum/id73329719","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM5NTU3MzgxNjMz","npr":"https://www.npr.org/podcasts/432307980/forum","stitcher":"https://www.stitcher.com/podcast/kqedfm-kqeds-forum-podcast","rss":"https://feeds.megaphone.fm/KQINC9557381633"}},"freakonomics-radio":{"id":"freakonomics-radio","title":"Freakonomics Radio","info":"Freakonomics Radio is a one-hour award-winning podcast and public-radio project hosted by Stephen Dubner, with co-author Steve Levitt as a regular guest. It is produced in partnership with WNYC.","imageSrc":"https://ww2.kqed.org/news/wp-content/uploads/sites/10/2018/05/freakonomicsRadio.png","officialWebsiteLink":"http://freakonomics.com/","airtime":"SUN 1am-2am, SAT 3pm-4pm","meta":{"site":"radio","source":"WNYC"},"link":"/radio/program/freakonomics-radio","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/us/podcast/freakonomics-radio/id354668519","tuneIn":"https://tunein.com/podcasts/WNYC-Podcasts/Freakonomics-Radio-p272293/","rss":"https://feeds.feedburner.com/freakonomicsradio"}},"fresh-air":{"id":"fresh-air","title":"Fresh Air","info":"Hosted by Terry Gross, \u003cem>Fresh Air from WHYY\u003c/em> is the Peabody Award-winning weekday magazine of contemporary arts and issues. One of public radio's most popular programs, Fresh Air features intimate conversations with today's biggest luminaries.","airtime":"MON-FRI 7pm-8pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Fresh-Air-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/fresh-air/","meta":{"site":"radio","source":"npr"},"link":"/radio/program/fresh-air","subscribe":{"npr":"https://rpb3r.app.goo.gl/4s8b","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=214089682&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/Fresh-Air-p17/","rss":"https://feeds.npr.org/381444908/podcast.xml"}},"here-and-now":{"id":"here-and-now","title":"Here & Now","info":"A live production of NPR and WBUR Boston, in collaboration with stations across the country, Here & Now reflects the fluid world of news as it's happening in the middle of the day, with timely, in-depth news, interviews and conversation. Hosted by Robin Young, Jeremy Hobson and Tonya Mosley.","airtime":"MON-THU 11am-12pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Here-And-Now-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"http://www.wbur.org/hereandnow","meta":{"site":"news","source":"npr"},"link":"/radio/program/here-and-now","subsdcribe":{"apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?mt=2&id=426698661","tuneIn":"https://tunein.com/radio/Here--Now-p211/","rss":"https://feeds.npr.org/510051/podcast.xml"}},"how-i-built-this":{"id":"how-i-built-this","title":"How I Built This with Guy Raz","info":"Guy Raz dives into the stories behind some of the world's best known companies. 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You can also visit the MindShift website for episodes and supplemental blog posts or tweet us \u003ca href=\"https://twitter.com/MindShiftKQED\">@MindShiftKQED\u003c/a> or visit us at \u003ca href=\"/mindshift\">MindShift.KQED.org\u003c/a>","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Mindshift-Podcast-Tile-703x703-1.jpg","imageAlt":"KQED MindShift: How We Will Learn","officialWebsiteLink":"/mindshift/","meta":{"site":"news","source":"kqed","order":"2"},"link":"/podcasts/mindshift","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/mindshift-podcast/id1078765985","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5tZWdhcGhvbmUuZm0vS1FJTkM1NzY0NjAwNDI5","npr":"https://www.npr.org/podcasts/464615685/mind-shift-podcast","stitcher":"https://www.stitcher.com/podcast/kqed/stories-teachers-share","spotify":"https://open.spotify.com/show/0MxSpNYZKNprFLCl7eEtyx"}},"morning-edition":{"id":"morning-edition","title":"Morning Edition","info":"\u003cem>Morning Edition\u003c/em> takes listeners around the country and the world with multi-faceted stories and commentaries every weekday. 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