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Before becoming KQED Science’s Multimedia Producer, she was a producer for Climate Watch. Molly has also reported for NPR, KALW and High Country News, and has produced audio stories for The Encyclopedia of Life and the Oakland Museum of California. She was a fellow with the Middlebury Fellowships in Environmental Journalism and a journalist-in-residence at the National Evolutionary Synthesis Center. Molly has a degree in Ancient Greek from Oberlin College and is a co-founder of the record label True Panther Sounds.","avatar":"https://secure.gravatar.com/avatar/a6abd3b949a89fe5109fa9917631d0b6?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"news","roles":["subscriber"]},{"site":"stateofhealth","roles":["subscriber"]},{"site":"science","roles":["subscriber"]},{"site":"quest","roles":["edit_users","subscriber"]}],"headData":{"title":"Molly Samuel | KQED","description":null,"ogImgSrc":"https://secure.gravatar.com/avatar/a6abd3b949a89fe5109fa9917631d0b6?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/a6abd3b949a89fe5109fa9917631d0b6?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/mollysamuel"},"danbrekke":{"type":"authors","id":"222","meta":{"index":"authors_1716337520","id":"222","found":true},"name":"Dan Brekke","firstName":"Dan","lastName":"Brekke","slug":"danbrekke","email":"dbrekke@kqed.org","display_author_email":true,"staff_mastheads":["news","science"],"title":"KQED Editor and Reporter","bio":"Dan Brekke is a reporter and editor for KQED News, responsible for coverage of topics ranging from California water issues to the Bay Area's transportation challenges. In a newsroom career that began in Chicago in 1972, Dan has worked for \u003cem>The San Francisco Examiner,\u003c/em> Wired and TechTV and has been published in The New York Times, The New York Times Magazine, Business 2.0, Salon and elsewhere.\r\n\r\nSince joining KQED in 2007, Dan has reported, edited and produced both radio and online features and breaking news pieces. He has shared as both editor and reporter in four Society of Professional Journalists Norcal Excellence in Journalism awards and one Edward R. Murrow regional award. He was chosen for a spring 2017 residency at the Mesa Refuge to advance his research on California salmon.\r\n\r\nEmail Dan at: \u003ca href=\"mailto:dbrekke@kqed.org\">dbrekke@kqed.org\u003c/a>\r\n\r\n\u003cstrong>Twitter:\u003c/strong> \u003ca href=\"https://twitter.com/danbrekke\" rel=\"noopener noreferrer\">twitter.com/danbrekke\u003c/a>\r\n\u003cstrong>Facebook:\u003c/strong> \u003ca href=\"https://www.facebook.com/danbrekke\" rel=\"noopener noreferrer\">www.facebook.com/danbrekke\u003c/a>\r\n\u003cstrong>LinkedIn:\u003c/strong> \u003ca href=\"https://www.linkedin.com/in/danbrekke\" rel=\"noopener noreferrer\">www.linkedin.com/in/danbrekke\u003c/a>","avatar":"https://secure.gravatar.com/avatar/c8126230345efca3f7aa89b1a402be45?s=600&d=mm&r=g","twitter":"danbrekke","facebook":null,"instagram":"https://www.instagram.com/dan.brekke/","linkedin":"https://www.linkedin.com/in/danbrekke/","sites":[{"site":"news","roles":["administrator","create_posts"]},{"site":"stateofhealth","roles":["editor"]},{"site":"science","roles":["editor"]},{"site":"quest","roles":["contributor"]},{"site":"food","roles":["contributor"]},{"site":"forum","roles":["contributor"]},{"site":"liveblog","roles":["editor"]}],"headData":{"title":"Dan Brekke | KQED","description":"KQED Editor and Reporter","ogImgSrc":"https://secure.gravatar.com/avatar/c8126230345efca3f7aa89b1a402be45?s=600&d=mm&r=g","twImgSrc":"https://secure.gravatar.com/avatar/c8126230345efca3f7aa89b1a402be45?s=600&d=mm&r=g"},"isLoading":false,"link":"/author/danbrekke"},"ninathorsen":{"type":"authors","id":"246","meta":{"index":"authors_1716337520","id":"246","found":true},"name":"Nina Thorsen","firstName":"Nina","lastName":"Thorsen","slug":"ninathorsen","email":"nthorsen@kqed.org","display_author_email":false,"staff_mastheads":["news"],"title":"Producer, Radio","bio":"\u003cspan style=\"color: #000000;\">Nina Thorsen is a KQED radio producer, and frequently reports on sports and culture. \u003c/span>\u003cspan style=\"color: #000000;\">She co-created and produced KQED's \u003cem>Pacific Time, \u003c/em> a weekly radio program on Asian and Asian American issues that aired from 2000 to 2007. Before coming to KQED, Thorsen was the deputy foreign editor for \u003cem>Marketplace, \u003c/em>and in her home state of Minnesota, worked for \u003cem>A Prairie Home Companion\u003c/em> and for Public Radio International. \u003c/span>","avatar":"https://secure.gravatar.com/avatar/e13dc7282cec33c15d973ebb56d57ead?s=600&d=blank&r=g","twitter":"NinaKQED","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"news","roles":["editor"]},{"site":"podcasts","roles":["editor"]}],"headData":{"title":"Nina Thorsen | KQED","description":"Producer, Radio","ogImgSrc":"https://secure.gravatar.com/avatar/e13dc7282cec33c15d973ebb56d57ead?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/e13dc7282cec33c15d973ebb56d57ead?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ninathorsen"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"news_125089":{"type":"posts","id":"news_125089","meta":{"index":"posts_1716263798","site":"news","id":"125089","score":null,"sort":[1391383671000]},"parent":0,"labelTerm":{"site":"news","term":6944},"blocks":[],"publishDate":1391383671,"format":"aside","disqusTitle":"Philip Seymour Hoffman's Bay Area Cameo: the A's, Art Howe and 'Moneyball'","title":"Philip Seymour Hoffman's Bay Area Cameo: the A's, Art Howe and 'Moneyball'","headTitle":"News Fix | KQED News","content":"\u003cfigure id=\"attachment_125090\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/125651302.jpg\">\u003cimg class=\"size-medium wp-image-125090\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/125651302-640x473.jpg\" alt=\"Actor Philip Seymour Hoffman, who died Sunday at the age of 46, is shown at Oakland's Paramount Theatre in September 2011 for the premiere of the film "Moneyball." Hoffman portrayed former Oakland A's Manager Art Howe in the film. (Michael Buckner/Getty Images)\" width=\"640\" height=\"473\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Actor Philip Seymour Hoffman, who died Sunday at the age of 46, is shown at Oakland's Paramount Theatre in September 2011 for the premiere of the film \"Moneyball.\" Hoffman portrayed former Oakland A's Manager Art Howe in the film. (Michael Buckner/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>Since I don't see nearly as many movies as a modern human being is expected to, I can't say I know the Philip Seymour Hoffman canon too well. But given what I saw him in — \"The Big Lebowski,\" \"Almost Famous,\" \"State and Main,\" \"The Talented Mr. Ripley\" and especially \"Capote\" — I think my opinion comported with what I perceive to be the general view: The guy could act. On that basis, and considering his age, 46, hearing about \u003ca href=\"http://www.nytimes.com/2014/02/03/movies/philip-seymour-hoffman-actor-dies-at-46.html?hp\" target=\"_blank\">his death earlier today\u003c/a> was, and is, stunning.\u003c/p>\n\u003cp>[contextly_sidebar id=\"a53eb99b85630e70d02b2531e489dac6\"]\u003c/p>\n\u003cp>Hoffman had one role in recent years with a prominent Bay Area tie, playing former Oakland A's Manager Art Howe in \"\u003ca href=\"http://www.imdb.com/title/tt1210166/?ref_=nm_flmg_act_10\" target=\"_blank\">Moneyball\u003c/a>.\" I don't think it rated as one of Hoffman's career highlights.\u003c/p>\n\u003cp>For as much as I like the A's and the \"Moneyball\" story — both the Michael Lewis book about the non-traditional views of A's General Manager Billy Beane and the way those views have so often come to entertaining life on the field — the Art Howe in the movie felt more than a little off. Hoffman's portrayal was competent enough. But we were seeing the depiction of someone who we, as followers of the local nine, felt we had sort of gotten to know. The guy we had watched on the dugout steps, heard on the radio and read about in the paper year after year in the late Nineties and early Oughts didn't seem like the humorless, narrow-minded, shackled-to-baseball-tradition jerk we were seeing on screen.\u003c/p>\n\u003cp>Howe complained bitterly about the portrayal. (See \"\u003ca href=\"http://ww2.kqed.org/news/2011/09/28/art-howe-rip-moneyball-and-billy-beane-listen-to-knbr-appearance/\" target=\"_blank\">Art Howe Rips 'Moneyball' and Billy Beane\u003c/a>,\" a post colleague Jon Brooks wrote soon after the movie came out in 2011.) But among those Howe didn't blame was the actor who played him.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Howe is still talking about the movie — but now to express shock at Hoffman's sudden passing. \u003ca href=\"http://www.tmz.com/2014/02/02/philip-seymore-hoffman-art-howe-moneyball-forgive/#ixzz2sD1qQQF6\" target=\"_blank\">He told TMZ today\u003c/a> that he never held the portrayal against Hoffman:\u003c/p>\n\u003cblockquote>\u003cp>Howe says he was \"in shock\" when he learned PSH had passed away Sunday ... explaining, \"We never got to meet. I remember reading an article where he said he wanted to meet me and apologize for how he portrayed me. Now we're never going to have that chance.\"\u003c/p>\n\u003cp>Howe says he was very unhappy with the way he was portrayed in the flick -- but says he points the finger at the producers and the writers ... not PSH.\u003c/p>\n\u003cp>\"Even though I didn't agree with the way I was portrayed, I didn't blame him -- he was just playing the part he was given,\" Howe says.\u003c/p>\u003c/blockquote>\n\u003cp>KQED News colleague Nina Thorsen was one of thousands of people who volunteered to be an extra when \"Moneyball\" filmed its climactic scene — the A's winning their 20th straight game in 2002 — during a series of late-night shoots at the Coliseum in 2010.\u003c/p>\n\u003cp>When the news about Hoffman's passing broke this morning, Nina wrote:\u003c/p>\n\u003cblockquote>\u003cp>I think every one of the thousands of us who were \"Moneyball\" extras got at least a smile and a wave, and some of my friends who had slightly bigger extra roles said he'd make a point of coming over to sit down and talk with them.\u003c/p>\u003c/blockquote>\n\u003cp>Here's Hoffman as Howe in \"Moneyball,\" followed by the latest version of the Associated Press obituary on Philip Seymour Hoffman:\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/SdCNcN-NFXA\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003cstrong>Jake Coyle and Tom Hays\u003c/strong>\u003c/p>\n\u003cp>Associated Press\u003c/p>\n\u003cp>NEW YORK — Philip Seymour Hoffman, who won the Oscar for best actor in 2006 for his portrayal of writer Truman Capote and created a gallery of other vivid characters, many of them slovenly and somewhat dissipated, was found dead Sunday in his apartment with what officials said was a needle in his arm. He was 46.\u003c/p>\n\u003cp>Two law enforcement officials, who spoke to The Associated Press on condition of anonymity because they were not authorized to talk about the evidence, said the actor apparently died of a drug overdose. Glassine envelopes containing what was believed to be heroin were found with him, they said.\u003c/p>\n\u003cp>Hoffman — no matinee idol, with his lumpy build and limp blond hair — made his career mostly as a character actor, and was one of the most prolific in the business, plying his craft with a rumpled naturalism that also made him one of the most admired performers of his generation.\u003c/p>\n\u003cp>The stage-trained actor was nominated for Academy Awards four times in all: for \"Capote,\" ''The Master,\" ''Doubt\" and \"Charlie Wilson's War.\" He also received three Tony nominations for his work on Broadway, which included an acclaimed turn as the weary and defeated Willy Loman in \"Death of a Salesman.\"\u003c/p>\n\u003cp>Hoffman spoke candidly over the years about past struggles with drug addiction. After 23 years sober, he admitted in interviews last year to falling off the wagon and developing a heroin problem that led to a stint in rehab.\u003c/p>\n\u003cp>Tributes poured in from other Hollywood figures.\u003c/p>\n\u003cp>\"One of the greatest actors of a generation and a sweet, funny & humble man,\" actor Ricky Gervais tweeted. Director Spike Lee said on Twitter: \"Damn, We Lost Another Great Artist.\"\u003c/p>\n\u003cp>And Kevin Costner said in an AP interview: \"Philip was a very important actor and really takes his place among the real great actors. It's a shame. Who knows what he would have been able to do? But we're left with the legacy of the work he's done and it all speaks for itself.\"\u003c/p>\n\u003cp>\"No words for this. He was too great and we're too shattered,\" said Mike Nichols, who directed Hoffman in \"Charlie Wilson's War\" and \"Death of a Salesman.\"\u003c/p>\n\u003cp>The law enforcement officials said Hoffman's body was discovered in a bathroom at his Greenwich Village apartment by a friend who made the 911 call and his assistant.\u003c/p>\n\u003cp>Late Sunday, a police crime-scene van was parked out front, and technicians carrying brown paper bags went in and out. Police kept a growing crowd of onlookers back. A single red daisy had been placed in front of the lobby door.\u003c/p>\n\u003cp>Hoffman's family called the news \"tragic and sudden.\" Hoffman is survived by his partner of 15 years, Mimi O'Donnell, and their three children.\u003c/p>\n\u003cp>\"We are devastated by the loss of our beloved Phil and appreciate the outpouring of love and support we have received from everyone,\" the family said in a statement.\u003c/p>\n\u003cp>In one of his earliest screen roles, he played a spoiled prep school student in \"Scent of a Woman\" in 1992. One of his breakthroughs came as a gay member of a porno film crew in \"Boogie Nights,\" one of several movies directed by Paul Thomas Anderson that he would eventually appear in.\u003c/p>\n\u003cp>He often played comic, slightly off-kilter characters in movies like \"Along Came Polly,\" ''The Big Lebowski\" and \"Almost Famous.\"\u003c/p>\n\u003cp>More recently, he was Plutarch Heavensbee in \"The Hunger Games: Catching Fire\" and was reprising that role in the two-part sequel, \"The Hunger Games: Mockingjay,\" which is in the works. And in \"Moneyball,\" he played Art Howe, the grumpy manager of the Oakland Athletics who resisted new thinking about baseball talent.\u003c/p>\n\u003cp>Just weeks ago, Showtime announced Hoffman would star in \"Happyish,\" a new comedy series about a middle-aged man's pursuit of happiness.\u003c/p>\n\u003cp>He was nominated for the 2013 Academy Award for best supporting actor for his role in \"The Master\" as the charismatic leader of a religious movement. The film, inspired in part by the life of Scientology founder L. Ron Hubbard, reunited the actor with Anderson.\u003c/p>\n\u003cp>He also received a 2009 best-supporting nomination for \"Doubt,\" as a priest who comes under suspicion because of his relationship with a boy, and another best-supporting nomination as a CIA officer in \"Charlie Wilson's War.\"\u003c/p>\n\u003cp>Born in 1967 in Fairport, N.Y., Hoffman was interested in acting from an early age, mesmerized at 12 by a local production of Arthur Miller's \"All My Sons.\" He studied theater as a teenager with the New York State Summer School of the Arts and the Circle in the Square Theatre. He then majored in drama at New York University.\u003c/p>\n\u003cp>In his Oscar acceptance speech for \"Capote,\" he thanked his mother for raising him and his three siblings alone, and for taking him to his first play. Hoffman's parents divorced when he was 9.\u003c/p>\n\u003cp>He could seemingly take on any role, large or small, loathsome or sympathetic, and appeared to be utterly lacking in vanity.\u003c/p>\n\u003cp>On Broadway, in addition to starring as Willy Loman, he played Jamie in \"Long Day's Journey Into Night\" and both leads in \"True West.\" All three performances were Tony-nominated.\u003c/p>\n\u003cp>His 2012 performance in \"Death of a Salesman\" was praised as \"heartbreaking\" by AP theater critic Mark Kennedy.\u003c/p>\n\u003cp>\"Hoffman is only 44, but he nevertheless sags in his brokenness like a man closer to retirement age, lugging about his sample cases filled with his self-denial and disillusionment,\" Kennedy wrote. \"His fraying connection to reality is pronounced in this production, with Hoffman quick to anger and a hard edge emerging from his babbling.\"\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Two films starring Hoffman premiered last month at the Sundance Film Festival: the espionage thriller \"A Most Wanted Man\" and \"God's Pocket.\"\u003c/p>\n\n","disqusIdentifier":"125089 http://ww2.kqed.org/news/?p=125089","disqusUrl":"https://ww2.kqed.org/news/2014/02/02/philip-seymour-hoffmans-bay-area-cameo-the-as-art-howe-and-moneyball/","stats":{"hasVideo":true,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":1598,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":43},"modified":1391463829,"excerpt":"Acclaimed actor dies at age 46, leaving behind a legacy that included one controversial baseball role. ","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Acclaimed actor dies at age 46, leaving behind a legacy that included one controversial baseball role. ","title":"Philip Seymour Hoffman's Bay Area Cameo: the A's, Art Howe and 'Moneyball' | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Philip Seymour Hoffman's Bay Area Cameo: the A's, Art Howe and 'Moneyball'","datePublished":"2014-02-02T15:27:51-08:00","dateModified":"2014-02-03T13:43:49-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"guestAuthors":[],"slug":"philip-seymour-hoffmans-bay-area-cameo-the-as-art-howe-and-moneyball","status":"publish","customPermalink":"2014/02/02/philip-seymour-hoffman-art-howe-moneyball-role/","path":"/news/125089/philip-seymour-hoffmans-bay-area-cameo-the-as-art-howe-and-moneyball","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_125090\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/125651302.jpg\">\u003cimg class=\"size-medium wp-image-125090\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/02/125651302-640x473.jpg\" alt=\"Actor Philip Seymour Hoffman, who died Sunday at the age of 46, is shown at Oakland's Paramount Theatre in September 2011 for the premiere of the film "Moneyball." Hoffman portrayed former Oakland A's Manager Art Howe in the film. (Michael Buckner/Getty Images)\" width=\"640\" height=\"473\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Actor Philip Seymour Hoffman, who died Sunday at the age of 46, is shown at Oakland's Paramount Theatre in September 2011 for the premiere of the film \"Moneyball.\" Hoffman portrayed former Oakland A's Manager Art Howe in the film. (Michael Buckner/Getty Images)\u003c/figcaption>\u003c/figure>\n\u003cp>Since I don't see nearly as many movies as a modern human being is expected to, I can't say I know the Philip Seymour Hoffman canon too well. But given what I saw him in — \"The Big Lebowski,\" \"Almost Famous,\" \"State and Main,\" \"The Talented Mr. Ripley\" and especially \"Capote\" — I think my opinion comported with what I perceive to be the general view: The guy could act. On that basis, and considering his age, 46, hearing about \u003ca href=\"http://www.nytimes.com/2014/02/03/movies/philip-seymour-hoffman-actor-dies-at-46.html?hp\" target=\"_blank\">his death earlier today\u003c/a> was, and is, stunning.\u003c/p>\n\u003cp>\u003c/p>\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003cp>Hoffman had one role in recent years with a prominent Bay Area tie, playing former Oakland A's Manager Art Howe in \"\u003ca href=\"http://www.imdb.com/title/tt1210166/?ref_=nm_flmg_act_10\" target=\"_blank\">Moneyball\u003c/a>.\" I don't think it rated as one of Hoffman's career highlights.\u003c/p>\n\u003cp>For as much as I like the A's and the \"Moneyball\" story — both the Michael Lewis book about the non-traditional views of A's General Manager Billy Beane and the way those views have so often come to entertaining life on the field — the Art Howe in the movie felt more than a little off. Hoffman's portrayal was competent enough. But we were seeing the depiction of someone who we, as followers of the local nine, felt we had sort of gotten to know. The guy we had watched on the dugout steps, heard on the radio and read about in the paper year after year in the late Nineties and early Oughts didn't seem like the humorless, narrow-minded, shackled-to-baseball-tradition jerk we were seeing on screen.\u003c/p>\n\u003cp>Howe complained bitterly about the portrayal. (See \"\u003ca href=\"http://ww2.kqed.org/news/2011/09/28/art-howe-rip-moneyball-and-billy-beane-listen-to-knbr-appearance/\" target=\"_blank\">Art Howe Rips 'Moneyball' and Billy Beane\u003c/a>,\" a post colleague Jon Brooks wrote soon after the movie came out in 2011.) But among those Howe didn't blame was the actor who played him.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Howe is still talking about the movie — but now to express shock at Hoffman's sudden passing. \u003ca href=\"http://www.tmz.com/2014/02/02/philip-seymore-hoffman-art-howe-moneyball-forgive/#ixzz2sD1qQQF6\" target=\"_blank\">He told TMZ today\u003c/a> that he never held the portrayal against Hoffman:\u003c/p>\n\u003cblockquote>\u003cp>Howe says he was \"in shock\" when he learned PSH had passed away Sunday ... explaining, \"We never got to meet. I remember reading an article where he said he wanted to meet me and apologize for how he portrayed me. Now we're never going to have that chance.\"\u003c/p>\n\u003cp>Howe says he was very unhappy with the way he was portrayed in the flick -- but says he points the finger at the producers and the writers ... not PSH.\u003c/p>\n\u003cp>\"Even though I didn't agree with the way I was portrayed, I didn't blame him -- he was just playing the part he was given,\" Howe says.\u003c/p>\u003c/blockquote>\n\u003cp>KQED News colleague Nina Thorsen was one of thousands of people who volunteered to be an extra when \"Moneyball\" filmed its climactic scene — the A's winning their 20th straight game in 2002 — during a series of late-night shoots at the Coliseum in 2010.\u003c/p>\n\u003cp>When the news about Hoffman's passing broke this morning, Nina wrote:\u003c/p>\n\u003cblockquote>\u003cp>I think every one of the thousands of us who were \"Moneyball\" extras got at least a smile and a wave, and some of my friends who had slightly bigger extra roles said he'd make a point of coming over to sit down and talk with them.\u003c/p>\u003c/blockquote>\n\u003cp>Here's Hoffman as Howe in \"Moneyball,\" followed by the latest version of the Associated Press obituary on Philip Seymour Hoffman:\u003c/p>\n\u003cdiv class=\"single-video\">\u003ciframe src=\"//www.youtube.com/embed/SdCNcN-NFXA\" frameborder=\"0\" width=\"560\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003cstrong>Jake Coyle and Tom Hays\u003c/strong>\u003c/p>\n\u003cp>Associated Press\u003c/p>\n\u003cp>NEW YORK — Philip Seymour Hoffman, who won the Oscar for best actor in 2006 for his portrayal of writer Truman Capote and created a gallery of other vivid characters, many of them slovenly and somewhat dissipated, was found dead Sunday in his apartment with what officials said was a needle in his arm. He was 46.\u003c/p>\n\u003cp>Two law enforcement officials, who spoke to The Associated Press on condition of anonymity because they were not authorized to talk about the evidence, said the actor apparently died of a drug overdose. Glassine envelopes containing what was believed to be heroin were found with him, they said.\u003c/p>\n\u003cp>Hoffman — no matinee idol, with his lumpy build and limp blond hair — made his career mostly as a character actor, and was one of the most prolific in the business, plying his craft with a rumpled naturalism that also made him one of the most admired performers of his generation.\u003c/p>\n\u003cp>The stage-trained actor was nominated for Academy Awards four times in all: for \"Capote,\" ''The Master,\" ''Doubt\" and \"Charlie Wilson's War.\" He also received three Tony nominations for his work on Broadway, which included an acclaimed turn as the weary and defeated Willy Loman in \"Death of a Salesman.\"\u003c/p>\n\u003cp>Hoffman spoke candidly over the years about past struggles with drug addiction. After 23 years sober, he admitted in interviews last year to falling off the wagon and developing a heroin problem that led to a stint in rehab.\u003c/p>\n\u003cp>Tributes poured in from other Hollywood figures.\u003c/p>\n\u003cp>\"One of the greatest actors of a generation and a sweet, funny & humble man,\" actor Ricky Gervais tweeted. Director Spike Lee said on Twitter: \"Damn, We Lost Another Great Artist.\"\u003c/p>\n\u003cp>And Kevin Costner said in an AP interview: \"Philip was a very important actor and really takes his place among the real great actors. It's a shame. Who knows what he would have been able to do? But we're left with the legacy of the work he's done and it all speaks for itself.\"\u003c/p>\n\u003cp>\"No words for this. He was too great and we're too shattered,\" said Mike Nichols, who directed Hoffman in \"Charlie Wilson's War\" and \"Death of a Salesman.\"\u003c/p>\n\u003cp>The law enforcement officials said Hoffman's body was discovered in a bathroom at his Greenwich Village apartment by a friend who made the 911 call and his assistant.\u003c/p>\n\u003cp>Late Sunday, a police crime-scene van was parked out front, and technicians carrying brown paper bags went in and out. Police kept a growing crowd of onlookers back. A single red daisy had been placed in front of the lobby door.\u003c/p>\n\u003cp>Hoffman's family called the news \"tragic and sudden.\" Hoffman is survived by his partner of 15 years, Mimi O'Donnell, and their three children.\u003c/p>\n\u003cp>\"We are devastated by the loss of our beloved Phil and appreciate the outpouring of love and support we have received from everyone,\" the family said in a statement.\u003c/p>\n\u003cp>In one of his earliest screen roles, he played a spoiled prep school student in \"Scent of a Woman\" in 1992. One of his breakthroughs came as a gay member of a porno film crew in \"Boogie Nights,\" one of several movies directed by Paul Thomas Anderson that he would eventually appear in.\u003c/p>\n\u003cp>He often played comic, slightly off-kilter characters in movies like \"Along Came Polly,\" ''The Big Lebowski\" and \"Almost Famous.\"\u003c/p>\n\u003cp>More recently, he was Plutarch Heavensbee in \"The Hunger Games: Catching Fire\" and was reprising that role in the two-part sequel, \"The Hunger Games: Mockingjay,\" which is in the works. And in \"Moneyball,\" he played Art Howe, the grumpy manager of the Oakland Athletics who resisted new thinking about baseball talent.\u003c/p>\n\u003cp>Just weeks ago, Showtime announced Hoffman would star in \"Happyish,\" a new comedy series about a middle-aged man's pursuit of happiness.\u003c/p>\n\u003cp>He was nominated for the 2013 Academy Award for best supporting actor for his role in \"The Master\" as the charismatic leader of a religious movement. The film, inspired in part by the life of Scientology founder L. Ron Hubbard, reunited the actor with Anderson.\u003c/p>\n\u003cp>He also received a 2009 best-supporting nomination for \"Doubt,\" as a priest who comes under suspicion because of his relationship with a boy, and another best-supporting nomination as a CIA officer in \"Charlie Wilson's War.\"\u003c/p>\n\u003cp>Born in 1967 in Fairport, N.Y., Hoffman was interested in acting from an early age, mesmerized at 12 by a local production of Arthur Miller's \"All My Sons.\" He studied theater as a teenager with the New York State Summer School of the Arts and the Circle in the Square Theatre. He then majored in drama at New York University.\u003c/p>\n\u003cp>In his Oscar acceptance speech for \"Capote,\" he thanked his mother for raising him and his three siblings alone, and for taking him to his first play. Hoffman's parents divorced when he was 9.\u003c/p>\n\u003cp>He could seemingly take on any role, large or small, loathsome or sympathetic, and appeared to be utterly lacking in vanity.\u003c/p>\n\u003cp>On Broadway, in addition to starring as Willy Loman, he played Jamie in \"Long Day's Journey Into Night\" and both leads in \"True West.\" All three performances were Tony-nominated.\u003c/p>\n\u003cp>His 2012 performance in \"Death of a Salesman\" was praised as \"heartbreaking\" by AP theater critic Mark Kennedy.\u003c/p>\n\u003cp>\"Hoffman is only 44, but he nevertheless sags in his brokenness like a man closer to retirement age, lugging about his sample cases filled with his self-denial and disillusionment,\" Kennedy wrote. \"His fraying connection to reality is pronounced in this production, with Hoffman quick to anger and a hard edge emerging from his babbling.\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Two films starring Hoffman premiered last month at the Sundance Film Festival: the espionage thriller \"A Most Wanted Man\" and \"God's Pocket.\"\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/125089/philip-seymour-hoffmans-bay-area-cameo-the-as-art-howe-and-moneyball","authors":["222"],"programs":["news_6944"],"categories":["news_223"],"tags":["news_1544","news_18","news_161","news_17596","news_5651"],"featImg":"news_125090","label":"news_6944"},"news_121744":{"type":"posts","id":"news_121744","meta":{"index":"posts_1716263798","site":"news","id":"121744","score":null,"sort":[1388073645000]},"guestAuthors":[],"slug":"the-kqed-blog-posts-that-just-wont-go-away","title":"The KQED Blog Posts That Just Won't Go Away","publishDate":1388073645,"format":"aside","headTitle":"The KQED Blog Posts That Just Won’t Go Away | KQED","labelTerm":{"term":6944,"site":"news"},"content":"\u003cp>Pardon us, please, while we engage in some end of the year navel-gazing. It’s the season of the list, when we reflect on the Top 10 whatevers and the year’s most interesting something-or-others. These articles are great, because hey, it \u003cem>is\u003c/em> nice to pause and look back at the year and also because we are in the midst of some typically dreadfully slow news weeks, and we have to get something new up on the site.\u003c/p>\n\u003cp>So, to get in the spirit of things, here are the top six articles posted on KQED.org that won’t go away. The stories that, despite all the new and exciting things we’re writing, still draw more traffic than just about anything else we post.\u003c/p>\n\u003cp>Why do people keep visiting them? We don’t always know exactly. But here, I’ll drive some more traffic to them now.\u003c/p>\n\u003cp>\u003cstrong>1. \u003ca href=\"http://blogs.kqed.org/mindshift/2011/03/21-things-that-will-be-obsolete-by-2020/\">21 Things That Will Be Obsolete by 2020\u003c/a>\u003c/strong>\u003c/p>\n\u003cp style=\"padding-left: 30px\">We might as well start this list with a list. This article was published in 2011 on \u003ca href=\"http://blogs.kqed.org/mindshift/\">Mindshift\u003c/a>, KQED’s blog about the future of education. It got picked up by \u003ca href=\"http://www.stumbleupon.com/\">StumbleUpon\u003c/a>, and from there, Mindshift editor Tina Barseghian said, “It went nuts.”\u003c/p>\n\u003cfigure id=\"attachment_121787\" class=\"wp-caption alignright\" style=\"max-width: 294px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/12/desk.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-121787 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/12/desk.jpg\" alt=\"(Corey Leopold/Flickr) http://www.flickr.com/photos/cleopold73/2906486794/\" width=\"294\" height=\"198\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">(\u003ca href=\"http://www.flickr.com/photos/cleopold73/2906486794/\">Corey Leopold/Flickr\u003c/a>)\u003c/figcaption>\u003c/figure>\n\u003cp style=\"padding-left: 30px\">Why such lasting popularity? Tina thinks it taps into people’s fascination with the future. “Will desks really be obsolete in just six years? Computers and homework? Some of this seems unlikely,” she told me.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp style=\"padding-left: 30px\">But on the other hand, who doesn’t want to imagine a world in which rote busywork and standardized tests are things of the past?\u003c/p>\n\u003cp style=\"padding-left: 30px\">When I mentioned this article to a colleague, another online producer, she said she imagined the post itself would eventually become obsolete — in 2021.\u003c/p>\n\u003cp>\u003cstrong>2.\u003c/strong> \u003cstrong>\u003ca href=\"http://ww2.kqed.org/news/2011/09/28/art-howe-rip-moneyball-and-billy-beane-listen-to-knbr-appearance/\">Art Howe Rips ‘Moneyball’ and Billy Beane; Listen to KNBR Appearance \u003c/a>\u003c/strong>\u003c/p>\n\u003cp style=\"padding-left: 30px\">“It shows a real person criticizing his portrayal in a major Hollywood film. That’s somewhat unusual, especially for a relatively unknown person like Art Howe,” Jon Brooks, the article’s author, told me in an email.\u003c/p>\n\u003cp style=\"padding-left: 30px\">Brooks said this article, posted here on News Fix in 2011, benefited from good old search results. He said Google ranked it very high on searches for “Billy Beane;” it got traffic surges when Moneyball was released in theaters and again when it came out on DVD. In fact, it still gets small traffic surges when Beane is in the news, for instance this past fall when the A’s headed for the post-season.\u003c/p>\n\u003cp>\u003cstrong>3. \u003c/strong>and \u003cstrong>4. \u003ca href=\"http://blogs.kqed.org/bayareabites/2010/01/28/creamy-chicken-and-rice-casserole/\">Creamy Chicken and Rice Casserole\u003c/a>\u003c/strong> and \u003ca href=\"http://blogs.kqed.org/bayareabites/2011/04/28/vegan-almond-milk-ice-cream-3-recipes/\">\u003cstrong>Vegan Almond Milk Ice Cream: 3 Recipes\u003c/strong>\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_121794\" class=\"wp-caption alignright\" style=\"max-width: 270px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/12/lick-smacking-almond-milk-ice-cream.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-121794 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/12/lick-smacking-almond-milk-ice-cream.jpg\" alt=\"(Denise Santoro Lincoln/KQED)\" width=\"270\" height=\"203\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">(Denise Santoro Lincoln/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp style=\"padding-left: 30px\">Wendy Goodfriend, editor of \u003ca href=\"http://blogs.kqed.org/bayareabites/\">Bay Area Bites\u003c/a>, said certain food articles get seasonal bumps; \u003ca title=\"Permanent Link to Cranberry & Rosemary White “Christmas” Sangria\" href=\"http://blogs.kqed.org/bayareabites/2012/12/21/cranberry-rosemary-white-christmas-sangria/\" rel=\"bookmark\">Cranberry & Rosemary White “Christmas” Sangria\u003c/a>, published last year, has recently revived itself. But these two, published in 2010 and 2011, respectively, really seem to transcend any kind of seasonality. Vegan almond milk is in BAB’s top 10 this week, in the middle of winter.\u003c/p>\n\u003cp style=\"padding-left: 30px\">Wendy said the long tail is pretty much how food blogging works. “I write posts that try to be local. But the reality is, people in Oklahoma are looking for creamy chicken and rice casserole.” No matter what food policy topics or new recipes or interesting restaurants she’s featuring on the blog, there are creamy chicken and vegan almond milk, dominating the field. “I’m never going to be able to live up to this again,” she told me. (“This” being creamy chicken.)\u003c/p>\n\u003cp>\u003cstrong>5 \u003c/strong>and\u003cstrong> 6. \u003ca href=\"http://science.kqed.org/quest/2010/11/02/5-diy-tricks-to-squash-bed-bugs/\">\u003cstrong> 5 DIY Tricks to Squash Bed Bugs\u003c/strong>\u003c/a> \u003c/strong>and\u003cstrong> \u003ca href=\"http://science.kqed.org/quest/2011/07/20/why-killer-whales-don%E2%80%99t-eat-people-where-science-and-legend-meet/\">Why Killer Whales Don’t Eat People: Where Science and Legend Meet\u003c/a>\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_121805\" class=\"wp-caption alignright\" style=\"max-width: 310px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/12/killerwhale.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-121805 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/12/killerwhale.jpg\" alt=\"(Chase Dekker/Flickr) http://www.flickr.com/photos/chasewaynedekker/9316712757/\" width=\"310\" height=\"192\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">(\u003ca href=\"http://www.flickr.com/photos/chasewaynedekker/9316712757/\">Chase Dekker/Flickr\u003c/a>)\u003c/figcaption>\u003c/figure>\n\u003cp style=\"padding-left: 30px\">These two both appear on the \u003ca href=\"http://science.kqed.org/quest/\">Quest site\u003c/a>, a project of KQED Science, where I work. Published in 2010 and 2011, respectively, one or the other is almost always up there on our list of most-viewed stories. And what I love about that, is that they get to the heart of a universal concern: “Where do I fall on the food chain?”\u003c/p>\n\u003cp style=\"padding-left: 30px\">It’s nice to know why a killer whale probably isn’t going to eat me, but how do I get rid of the bed bugs that are looking for a few chomps?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I’d like to draw a lesson from these, KQED’s most successful posts. Here it is: people like to read about food, the future and whether or not we’ll be eaten. You’ll probably notice that there is something missing from this list of interests. And you’re right, but KQED just doesn’t produce that many stories about sex.\u003c/p>\n\n","blocks":[],"excerpt":"As we cover BART strikes, Google bus protests and big fires, here's what people really want to read. ","status":"publish","parent":0,"modified":1721101550,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":10,"wordCount":812},"headData":{"title":"The KQED Blog Posts That Just Won't Go Away | KQED","description":"As we cover BART strikes, Google bus protests and big fires, here's what people really want to read. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"The KQED Blog Posts That Just Won't Go Away","datePublished":"2013-12-26T08:00:45-08:00","dateModified":"2024-07-15T20:45:50-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"sticky":false,"customPermalink":"2013/12/23/kqed-posts-that-just-wont-go-away/","path":"/news/121744/the-kqed-blog-posts-that-just-wont-go-away","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Pardon us, please, while we engage in some end of the year navel-gazing. It’s the season of the list, when we reflect on the Top 10 whatevers and the year’s most interesting something-or-others. These articles are great, because hey, it \u003cem>is\u003c/em> nice to pause and look back at the year and also because we are in the midst of some typically dreadfully slow news weeks, and we have to get something new up on the site.\u003c/p>\n\u003cp>So, to get in the spirit of things, here are the top six articles posted on KQED.org that won’t go away. The stories that, despite all the new and exciting things we’re writing, still draw more traffic than just about anything else we post.\u003c/p>\n\u003cp>Why do people keep visiting them? We don’t always know exactly. But here, I’ll drive some more traffic to them now.\u003c/p>\n\u003cp>\u003cstrong>1. \u003ca href=\"http://blogs.kqed.org/mindshift/2011/03/21-things-that-will-be-obsolete-by-2020/\">21 Things That Will Be Obsolete by 2020\u003c/a>\u003c/strong>\u003c/p>\n\u003cp style=\"padding-left: 30px\">We might as well start this list with a list. This article was published in 2011 on \u003ca href=\"http://blogs.kqed.org/mindshift/\">Mindshift\u003c/a>, KQED’s blog about the future of education. It got picked up by \u003ca href=\"http://www.stumbleupon.com/\">StumbleUpon\u003c/a>, and from there, Mindshift editor Tina Barseghian said, “It went nuts.”\u003c/p>\n\u003cfigure id=\"attachment_121787\" class=\"wp-caption alignright\" style=\"max-width: 294px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/12/desk.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-121787 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/12/desk.jpg\" alt=\"(Corey Leopold/Flickr) http://www.flickr.com/photos/cleopold73/2906486794/\" width=\"294\" height=\"198\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">(\u003ca href=\"http://www.flickr.com/photos/cleopold73/2906486794/\">Corey Leopold/Flickr\u003c/a>)\u003c/figcaption>\u003c/figure>\n\u003cp style=\"padding-left: 30px\">Why such lasting popularity? Tina thinks it taps into people’s fascination with the future. “Will desks really be obsolete in just six years? Computers and homework? Some of this seems unlikely,” she told me.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp style=\"padding-left: 30px\">But on the other hand, who doesn’t want to imagine a world in which rote busywork and standardized tests are things of the past?\u003c/p>\n\u003cp style=\"padding-left: 30px\">When I mentioned this article to a colleague, another online producer, she said she imagined the post itself would eventually become obsolete — in 2021.\u003c/p>\n\u003cp>\u003cstrong>2.\u003c/strong> \u003cstrong>\u003ca href=\"http://ww2.kqed.org/news/2011/09/28/art-howe-rip-moneyball-and-billy-beane-listen-to-knbr-appearance/\">Art Howe Rips ‘Moneyball’ and Billy Beane; Listen to KNBR Appearance \u003c/a>\u003c/strong>\u003c/p>\n\u003cp style=\"padding-left: 30px\">“It shows a real person criticizing his portrayal in a major Hollywood film. That’s somewhat unusual, especially for a relatively unknown person like Art Howe,” Jon Brooks, the article’s author, told me in an email.\u003c/p>\n\u003cp style=\"padding-left: 30px\">Brooks said this article, posted here on News Fix in 2011, benefited from good old search results. He said Google ranked it very high on searches for “Billy Beane;” it got traffic surges when Moneyball was released in theaters and again when it came out on DVD. In fact, it still gets small traffic surges when Beane is in the news, for instance this past fall when the A’s headed for the post-season.\u003c/p>\n\u003cp>\u003cstrong>3. \u003c/strong>and \u003cstrong>4. \u003ca href=\"http://blogs.kqed.org/bayareabites/2010/01/28/creamy-chicken-and-rice-casserole/\">Creamy Chicken and Rice Casserole\u003c/a>\u003c/strong> and \u003ca href=\"http://blogs.kqed.org/bayareabites/2011/04/28/vegan-almond-milk-ice-cream-3-recipes/\">\u003cstrong>Vegan Almond Milk Ice Cream: 3 Recipes\u003c/strong>\u003c/a>\u003c/p>\n\u003cfigure id=\"attachment_121794\" class=\"wp-caption alignright\" style=\"max-width: 270px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/12/lick-smacking-almond-milk-ice-cream.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-121794 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/12/lick-smacking-almond-milk-ice-cream.jpg\" alt=\"(Denise Santoro Lincoln/KQED)\" width=\"270\" height=\"203\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">(Denise Santoro Lincoln/KQED)\u003c/figcaption>\u003c/figure>\n\u003cp style=\"padding-left: 30px\">Wendy Goodfriend, editor of \u003ca href=\"http://blogs.kqed.org/bayareabites/\">Bay Area Bites\u003c/a>, said certain food articles get seasonal bumps; \u003ca title=\"Permanent Link to Cranberry & Rosemary White “Christmas” Sangria\" href=\"http://blogs.kqed.org/bayareabites/2012/12/21/cranberry-rosemary-white-christmas-sangria/\" rel=\"bookmark\">Cranberry & Rosemary White “Christmas” Sangria\u003c/a>, published last year, has recently revived itself. But these two, published in 2010 and 2011, respectively, really seem to transcend any kind of seasonality. Vegan almond milk is in BAB’s top 10 this week, in the middle of winter.\u003c/p>\n\u003cp style=\"padding-left: 30px\">Wendy said the long tail is pretty much how food blogging works. “I write posts that try to be local. But the reality is, people in Oklahoma are looking for creamy chicken and rice casserole.” No matter what food policy topics or new recipes or interesting restaurants she’s featuring on the blog, there are creamy chicken and vegan almond milk, dominating the field. “I’m never going to be able to live up to this again,” she told me. (“This” being creamy chicken.)\u003c/p>\n\u003cp>\u003cstrong>5 \u003c/strong>and\u003cstrong> 6. \u003ca href=\"http://science.kqed.org/quest/2010/11/02/5-diy-tricks-to-squash-bed-bugs/\">\u003cstrong> 5 DIY Tricks to Squash Bed Bugs\u003c/strong>\u003c/a> \u003c/strong>and\u003cstrong> \u003ca href=\"http://science.kqed.org/quest/2011/07/20/why-killer-whales-don%E2%80%99t-eat-people-where-science-and-legend-meet/\">Why Killer Whales Don’t Eat People: Where Science and Legend Meet\u003c/a>\u003c/strong>\u003c/p>\n\u003cfigure id=\"attachment_121805\" class=\"wp-caption alignright\" style=\"max-width: 310px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/12/killerwhale.jpg\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\" wp-image-121805 \" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2013/12/killerwhale.jpg\" alt=\"(Chase Dekker/Flickr) http://www.flickr.com/photos/chasewaynedekker/9316712757/\" width=\"310\" height=\"192\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">(\u003ca href=\"http://www.flickr.com/photos/chasewaynedekker/9316712757/\">Chase Dekker/Flickr\u003c/a>)\u003c/figcaption>\u003c/figure>\n\u003cp style=\"padding-left: 30px\">These two both appear on the \u003ca href=\"http://science.kqed.org/quest/\">Quest site\u003c/a>, a project of KQED Science, where I work. Published in 2010 and 2011, respectively, one or the other is almost always up there on our list of most-viewed stories. And what I love about that, is that they get to the heart of a universal concern: “Where do I fall on the food chain?”\u003c/p>\n\u003cp style=\"padding-left: 30px\">It’s nice to know why a killer whale probably isn’t going to eat me, but how do I get rid of the bed bugs that are looking for a few chomps?\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>I’d like to draw a lesson from these, KQED’s most successful posts. Here it is: people like to read about food, the future and whether or not we’ll be eaten. You’ll probably notice that there is something missing from this list of interests. And you’re right, but KQED just doesn’t produce that many stories about sex.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/121744/the-kqed-blog-posts-that-just-wont-go-away","authors":["200"],"programs":["news_6944"],"categories":["news_8"],"tags":["news_1545","news_9","news_205","news_1544","news_3187","news_841"],"featImg":"news_121805","label":"news_6944"},"news_54302":{"type":"posts","id":"news_54302","meta":{"index":"posts_1716263798","site":"news","id":"54302","score":null,"sort":[1327440248000]},"parent":0,"labelTerm":{"site":"news","term":6944},"blocks":[],"publishDate":1327440248,"format":"aside","disqusTitle":"I Was an Extra on the Set of \u003ci>Moneyball\u003c/i>","title":"I Was an Extra on the Set of \u003ci>Moneyball\u003c/i>","headTitle":"News Fix | KQED News","content":"\u003cfigure id=\"attachment_54358\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/01/moneyballSM.jpg\">\u003cimg class=\"size-medium wp-image-54358\" title=\"moneyballSM\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/01/moneyballSM-300x179.jpg\" alt=\"\" width=\"300\" height=\"179\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Jon Brooks/KQED\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Moneyball\u003c/em>, the film about Oakland A’s general manager Billy Beane and the team’s historic 20-game winning streak of 2002, was \u003ca href=\"http://www.washingtonpost.com/lifestyle/style/the-list-of-84th-annual-academy-award-nominations/2012/01/24/gIQAU3nUNQ_story.html?tid=pm_lifestyle_pop\">nominated\u003c/a> today for six Academy Awards, including Best Picture, Best Actor (Brad Pitt as Beane), and Best Adapted Screenplay (Steven Zaillian and Aaron Sorkin; story by Stan Chervin, from Berkeley author Michael Lewis’s nonfiction book).\u003c/p>\n\u003cp>Like many die-hard A’s fans, I was an unpaid extra on \u003cem>Moneyball\u003c/em> when scenes were shot at the Oakland Coliseum in July and August of 2010. In fact, since I was actually at most of the games that were being re-created, I like to think that I'm a tiny pixel or two in both the background of the 2002 historical footage \u003cstrong>and\u003c/strong> in the 2010 recreations.\u003c/p>\n\u003cp>I turned up for the shoot dressed in the most historically authentic fan gear I owned, including my Scott Hatteberg player T-shirt. I had even removed the “Holy Toledo!” embroidered patch from my Oakland jersey – it commemorates beloved A’s broadcaster Bill King, who died in 2005, but was very much alive in 2002. Excerpts of King’s broadcasts are heard in the film, including his comment on the 20-game winning streak, “Just. Plain. Crazy!”\u003c/p>\n\u003cp>The filmmakers also went to great lengths to return the 2010 Coliseum to the way it looked in 2002. In \u003ca href=\"http://www.youtube.com/watch?v=EP1h8B_g8uo&feature=related\">this TV news story\u003c/a>, crews change the logos on the outfield walls and remove the tarps on the third deck that were added several years after the film takes place. During my night on the set, I was impressed by the scoreboard, which was updated before each shot with out-of-town scores as they actually would have appeared. (We were all made a bit wistful at the sight of MON, the erstwhile Montreal Expos' abbreviation, on the National League side of the board.)\u003c/p>\n\u003cp>My group of extras was reenacting the scene in Game 20 of the A’s' historic winning streak, in which the actor Stephen Bishop, as outfielder David Justice, chases a flyball into the corner. Because of the layout of the Coliseum, we had to stand up in order to peer into that nook of the field to see if he caught the ball, make appropriately disappointed faces and gestures when he didn’t, and sit down again. After about four takes, the assistant director came over to us and said, “Um, crowd? You don’t need to look \u003cem>that\u003c/em> disappointed, your team is still winning.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>However, my on-set experiences pale next to those of my friend Joe, who \u003ca href=\"http://www.athleticsnation.com/2010/8/5/1607657/billy-beane-brad-pitt-optimistprime\">described for the Athletics Nation blog\u003c/a> how he arrived at the shoot as an unpaid extra and left as a superstar’s body double. SB Nation’s baseball writer Rob Neyer also did a \u003ca href=\"http://mlb.sbnation.com/2012/1/18/2697216/live-blogging-moneyball\">brilliant not-live blog\u003c/a> of the DVD that picks out many of the inside-baseball details.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In addition to the Coliseum, there’s another iconic feature of Oakland that “Moneyball” production designers seem to have fallen in love with. In the film, Brad Pitt, as Billy Beane, spends a lot of time in his car, and his route home from the ballpark seems to take him by the Port of Oakland – the port’s cargo cranes are seen behind him in several scenes. There’s \u003ca href=\"http://articles.sfgate.com/2008-06-25/entertainment/17163538_1_cranes-lucas-walkers\">an apocryphal story\u003c/a> that the cranes inspired the AT-AT walking attack machines in \u003cem>Star Wars: The Empire Strikes Back\u003c/em>. George Lucas says it’s not true, but it might have been a subconscious impression on the part of a designer. \u003cem>The Empire Strikes Back\u003c/em> only got Oscars for sound and visual effects. Will “Moneyball” do better? As the Billy Beane character says in the film, if you don’t win the last game of the season, nobody cares.\u003c/p>\n\n","disqusIdentifier":"54302 http://ww2.kqed.org/news/?p=54302","disqusUrl":"https://ww2.kqed.org/news/2012/01/24/an-as-fan-recalls-being-an-extra-on-set-of-moneyball/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":676,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":9},"modified":1327462676,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Moneyball, the film about Oakland A’s general manager Billy Beane and the team’s historic 20-game winning streak of 2002, was nominated today for six Academy Awards, including Best Picture, Best Actor (Brad Pitt as Beane), and Best Adapted Screenplay (Steven Zaillian and Aaron Sorkin; story by Stan Chervin, from Berkeley author Michael Lewis’s nonfiction book).","title":"I Was an Extra on the Set of \u003ci>Moneyball\u003c/i> | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"I Was an Extra on the Set of \u003ci>Moneyball\u003c/i>","datePublished":"2012-01-24T13:24:08-08:00","dateModified":"2012-01-24T19:37:56-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"guestAuthors":[],"slug":"an-as-fan-recalls-being-an-extra-on-set-of-moneyball","status":"publish","path":"/news/54302/an-as-fan-recalls-being-an-extra-on-set-of-moneyball","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_54358\" class=\"wp-caption alignleft\" style=\"max-width: 300px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/01/moneyballSM.jpg\">\u003cimg class=\"size-medium wp-image-54358\" title=\"moneyballSM\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2012/01/moneyballSM-300x179.jpg\" alt=\"\" width=\"300\" height=\"179\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Jon Brooks/KQED\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cem>Moneyball\u003c/em>, the film about Oakland A’s general manager Billy Beane and the team’s historic 20-game winning streak of 2002, was \u003ca href=\"http://www.washingtonpost.com/lifestyle/style/the-list-of-84th-annual-academy-award-nominations/2012/01/24/gIQAU3nUNQ_story.html?tid=pm_lifestyle_pop\">nominated\u003c/a> today for six Academy Awards, including Best Picture, Best Actor (Brad Pitt as Beane), and Best Adapted Screenplay (Steven Zaillian and Aaron Sorkin; story by Stan Chervin, from Berkeley author Michael Lewis’s nonfiction book).\u003c/p>\n\u003cp>Like many die-hard A’s fans, I was an unpaid extra on \u003cem>Moneyball\u003c/em> when scenes were shot at the Oakland Coliseum in July and August of 2010. In fact, since I was actually at most of the games that were being re-created, I like to think that I'm a tiny pixel or two in both the background of the 2002 historical footage \u003cstrong>and\u003c/strong> in the 2010 recreations.\u003c/p>\n\u003cp>I turned up for the shoot dressed in the most historically authentic fan gear I owned, including my Scott Hatteberg player T-shirt. I had even removed the “Holy Toledo!” embroidered patch from my Oakland jersey – it commemorates beloved A’s broadcaster Bill King, who died in 2005, but was very much alive in 2002. Excerpts of King’s broadcasts are heard in the film, including his comment on the 20-game winning streak, “Just. Plain. Crazy!”\u003c/p>\n\u003cp>The filmmakers also went to great lengths to return the 2010 Coliseum to the way it looked in 2002. In \u003ca href=\"http://www.youtube.com/watch?v=EP1h8B_g8uo&feature=related\">this TV news story\u003c/a>, crews change the logos on the outfield walls and remove the tarps on the third deck that were added several years after the film takes place. During my night on the set, I was impressed by the scoreboard, which was updated before each shot with out-of-town scores as they actually would have appeared. (We were all made a bit wistful at the sight of MON, the erstwhile Montreal Expos' abbreviation, on the National League side of the board.)\u003c/p>\n\u003cp>My group of extras was reenacting the scene in Game 20 of the A’s' historic winning streak, in which the actor Stephen Bishop, as outfielder David Justice, chases a flyball into the corner. Because of the layout of the Coliseum, we had to stand up in order to peer into that nook of the field to see if he caught the ball, make appropriately disappointed faces and gestures when he didn’t, and sit down again. After about four takes, the assistant director came over to us and said, “Um, crowd? You don’t need to look \u003cem>that\u003c/em> disappointed, your team is still winning.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>However, my on-set experiences pale next to those of my friend Joe, who \u003ca href=\"http://www.athleticsnation.com/2010/8/5/1607657/billy-beane-brad-pitt-optimistprime\">described for the Athletics Nation blog\u003c/a> how he arrived at the shoot as an unpaid extra and left as a superstar’s body double. SB Nation’s baseball writer Rob Neyer also did a \u003ca href=\"http://mlb.sbnation.com/2012/1/18/2697216/live-blogging-moneyball\">brilliant not-live blog\u003c/a> of the DVD that picks out many of the inside-baseball details.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>In addition to the Coliseum, there’s another iconic feature of Oakland that “Moneyball” production designers seem to have fallen in love with. In the film, Brad Pitt, as Billy Beane, spends a lot of time in his car, and his route home from the ballpark seems to take him by the Port of Oakland – the port’s cargo cranes are seen behind him in several scenes. There’s \u003ca href=\"http://articles.sfgate.com/2008-06-25/entertainment/17163538_1_cranes-lucas-walkers\">an apocryphal story\u003c/a> that the cranes inspired the AT-AT walking attack machines in \u003cem>Star Wars: The Empire Strikes Back\u003c/em>. George Lucas says it’s not true, but it might have been a subconscious impression on the part of a designer. \u003cem>The Empire Strikes Back\u003c/em> only got Oscars for sound and visual effects. Will “Moneyball” do better? As the Billy Beane character says in the film, if you don’t win the last game of the season, nobody cares.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/54302/an-as-fan-recalls-being-an-extra-on-set-of-moneyball","authors":["246"],"programs":["news_6944"],"categories":["news_223","news_10"],"tags":["news_917","news_1544","news_18"],"label":"news_6944"},"news_41255":{"type":"posts","id":"news_41255","meta":{"index":"posts_1716263798","site":"news","id":"41255","score":null,"sort":[1317251348000]},"parent":0,"labelTerm":{"site":"news","term":6944},"blocks":[],"publishDate":1317251348,"format":"aside","disqusTitle":"Art Howe Rips 'Moneyball' and Billy Beane","title":"Art Howe Rips 'Moneyball' and Billy Beane","headTitle":"News Fix | KQED News","content":"\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM2.jpg\">\u003cimg class=\"alignright size-medium wp-image-41265\" title=\"moneyballSM\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM2-300x179.jpg\" alt=\"\" width=\"300\" height=\"179\">\u003c/a>Former A's manager Art Howe has been on the offensive over his portrayal in the film \u003cem>Moneyball\u003c/em>, based on the book of the same name.\u003c/p>\n\u003cp>If you've seen the film, you know that Howe, portrayed by Philip Seymour Hoffman, is depicted as intransigent about accepting the cutting-edge statistical theories of GM Billy Beane and his assistant. The name of that character was changed at the request of Beane's real-life second, Paul DePodesta, during the 2002 season the film covers. But not so for Howe. The film also depicts the former manager as preoccupied with his contract, and suggests that Beane frequently went behind Howe's back in coaching players during that 103-win year.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/09/27/moneyball-producer-rachael-horovitz-answers-6-questions/\">Moneyball producer Rachael Horovitz answers 7 questions\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/09/20/at-the-moneyball-premiere/\">Report from the Moneyball Oakland premiere\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2012/01/24/an-as-fan-recalls-being-an-extra-on-set-of-moneyball/\">An A's fan recalls being an extra on the set\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Howe went on KNBR yesterday to discuss the matter with Gary Radnich and Larry Krueger. In the interview, Howe complains about several scenes in the movie that never happened in real-life. When Radnich makes the point that Moneyball is, after all, a movie, Howe says:\u003c/p>\n\u003cp>\"I understand that, but they didn't have to malign my character the way they did. The thing that really concerns me, Gary, is all the millions of people that will be watching that movie who really don't know Art Howe, and this is the impression they're going to have of me.\"\u003c/p>\n\u003cp>\"Where do you think that came from?\" Radnich asks, \"if you don't know Michael Lewis, the author. It had to come from Billy, did it not?\"\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>\"That's the way it kind of looks. I don't know for sure, but I wouldn't be surprised.\"\u003c/p>\n\u003cp>Later on, Howe says he would expect an apology from Beane if he ever ran into him, and that \"he knows who I am and what I did for the organization for seven years...He knows there was a lot of injustice done here, and I would hope he'd be man enough to step up and call me and say, 'Hey Art, I'm really sorry about this.'\" Howe said he didn't expect that to happen, however. He also said Beane once apologized to him in private for the way Beane treated him.\u003c/p>\n\u003cp>\u003ca href=\"http://www.knbr.com/portals/3/podcasts/garyradnich/092711arthurhowe.mp3\">\u003cstrong>Listen here\u003c/strong>\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.mercurynews.com/athletics/ci_18992953\">Beane fired back\u003c/a>, briefly, yesterday, telling the Bay Area News Group, \"I was wondering who was going to be the first guy to think I produced, wrote or directed this movie. Now I have my answer. (Howe's) comments are completely misguided.\"\u003c/p>\n\u003cp>More criticism from Howe...\u003c/p>\n\u003cp>From \u003ca href=\"http://sports.yahoo.com/mlb/blog/big_league_stew/post/Art-Howe-isn-t-happy-about-his-portrayal-in-Mon?urn=mlb-wp20913\">Big League Stew's blog\u003c/a> on Yahoo! Sports last Sunday:\u003c/p>\n\u003cblockquote>\u003cp>Here's Howe on SiriusXM's Mad Dog Radio:\u003c/p>\n\u003cp>\"Considering the book wasn't real favorable to me to start with I figured it would be something like this but to be honest with you it is very disappointing to know that you spent seven years in an organization and gave your heart and soul to it and helped them go to the postseason your last three years there and win over 100 games your last two seasons and this is the way evidently your boss [Beane] feels about you.\u003c/p>\n\u003cp>\"They never called me to get my slant on things as far as the movie was concerned. So, I mean, it's coming from someone. I don't know who it is but maybe it is Hollywood to make it sell, I guess. I don't know. It's disappointing. I spent my whole career trying to build a good reputation and I think I did that but this movie certainly doesn't help it. And it is definitely unfair and untrue. If you ask any player that ever played for me they would say that they never saw this side of me, ever. \"\u003c/p>\n\u003cp>And what about his portrayal in the book?\u003c/p>\n\u003cp>\"[Lewis] came in my office for about 10 minutes one day and that's all the time he spent with me. And put yourself in my position. He's asking me about my boss. Now, what can you say? [laughs] He ran some things by me and I verified some things and gave my slant to different things but they never got into the book, my slants.\"\u003c/p>\u003c/blockquote>\n\u003cp>Here's a \u003ca href=\"http://blog.chron.com/ultimateastros/2011/09/28/art-howe-livid-over-his-portrayal-in-moneyball/\">long interview Howe did\u003c/a> with a Houston Chronicle blog in which he takes issue with a number of things in the film:\u003c/p>\n\u003cblockquote>\u003cp>Was the contract an issue? I know that was a big thing in the movie and almost how they introduced you in the movie.\u003c/p>\n\u003cp>A: That was fictitious. They didn’t do their homework as far as the movie was concerned because I was on a two-year contract through 2003. I had another year after that. My agent always took care of my contract; I never negotiated with Billy, especially not in the hallway of the clubhouse. Never happened.\u003c/p>\n\u003cp>Do you feel that this (movie and book) affects your name in baseball circles?\u003c/p>\n\u003cp>A: It certainly doesn’t help it the way I was portrayed. I think the book hurt me and now the movie. I want people who don’t know Art Howe – that’s the problem with the movie – I’ve spent my whole career trying to build a good reputation and be a good baseball man and someone who people like to play for and all of the above. Then in two hours, people who don’t know me – and Brad Pitt’s a big name, people are going to see his movies – and all these people across the country are going to go in and get this perception of me that’s totally unfair and untruthful. So I’m very upset.\u003c/p>\u003c/blockquote>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>And quotes from an interview with the Chronicle yesterday:\u003c/p>\n\u003cul>\n\u003cli>\"They couldn't have demeaned me more. It's disgusting. I'm hurt by it. My reputation is altered by it. People who don't know me are going to think that's the real Art Howe.\"\u003c/li>\n\u003cli>\"I wish they'd communicated with me,\" Howe said of the filmmakers.\u003c/li>\n\u003cli>\"I don't know how you can get away with saying it's a true movie. I like how in the movie, it's Billy Beane who's the one who tells Mike Magnante he's being released, and he tells Magnante, 'Thank you so much for everything, Mike.' Give me a break. I'm the one who had to tell Magnante, and he was less than a week away from getting his full pension. I like Mike, I tried hard to get him those days, I told them to put him on the DL to get him the time; it wouldn't have cost them anything.\"\u003c/li>\n\u003c/ul>\n\n","disqusIdentifier":"41255 http://ww2.kqed.org/news/?p=41255","disqusUrl":"https://ww2.kqed.org/news/2011/09/28/art-howe-rip-moneyball-and-billy-beane-listen-to-knbr-appearance/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":1136,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":24},"modified":1418097055,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Former A's manager Art Howe has been on the offensive over his portrayal in the film Moneyball, based on the book of the same name. If you've seen the film, you know that Howe, portrayed by Philip Seymour Hoffman, is depicted as intransigent about accepting the cutting-edge statistical theories of GM Billy Beane and his","title":"Art Howe Rips 'Moneyball' and Billy Beane | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Art Howe Rips 'Moneyball' and Billy Beane","datePublished":"2011-09-28T16:09:08-07:00","dateModified":"2014-12-08T19:50:55-08:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"guestAuthors":[],"slug":"art-howe-rip-moneyball-and-billy-beane-listen-to-knbr-appearance","status":"publish","path":"/news/41255/art-howe-rip-moneyball-and-billy-beane-listen-to-knbr-appearance","audioUrl":"http://www.knbr.com/portals/3/podcasts/garyradnich/092711arthurhowe.mp3","audioDuration":null,"audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM2.jpg\">\u003cimg class=\"alignright size-medium wp-image-41265\" title=\"moneyballSM\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM2-300x179.jpg\" alt=\"\" width=\"300\" height=\"179\">\u003c/a>Former A's manager Art Howe has been on the offensive over his portrayal in the film \u003cem>Moneyball\u003c/em>, based on the book of the same name.\u003c/p>\n\u003cp>If you've seen the film, you know that Howe, portrayed by Philip Seymour Hoffman, is depicted as intransigent about accepting the cutting-edge statistical theories of GM Billy Beane and his assistant. The name of that character was changed at the request of Beane's real-life second, Paul DePodesta, during the 2002 season the film covers. But not so for Howe. The film also depicts the former manager as preoccupied with his contract, and suggests that Beane frequently went behind Howe's back in coaching players during that 103-win year.\u003c/p>\n\u003caside class=\"pullquote alignleft\">\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/09/27/moneyball-producer-rachael-horovitz-answers-6-questions/\">Moneyball producer Rachael Horovitz answers 7 questions\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/09/20/at-the-moneyball-premiere/\">Report from the Moneyball Oakland premiere\u003c/a>\u003c/li>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2012/01/24/an-as-fan-recalls-being-an-extra-on-set-of-moneyball/\">An A's fan recalls being an extra on the set\u003c/a>\u003c/li>\n\u003c/ul>\n\u003c/aside>\n\u003cp>Howe went on KNBR yesterday to discuss the matter with Gary Radnich and Larry Krueger. In the interview, Howe complains about several scenes in the movie that never happened in real-life. When Radnich makes the point that Moneyball is, after all, a movie, Howe says:\u003c/p>\n\u003cp>\"I understand that, but they didn't have to malign my character the way they did. The thing that really concerns me, Gary, is all the millions of people that will be watching that movie who really don't know Art Howe, and this is the impression they're going to have of me.\"\u003c/p>\n\u003cp>\"Where do you think that came from?\" Radnich asks, \"if you don't know Michael Lewis, the author. It had to come from Billy, did it not?\"\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>\"That's the way it kind of looks. I don't know for sure, but I wouldn't be surprised.\"\u003c/p>\n\u003cp>Later on, Howe says he would expect an apology from Beane if he ever ran into him, and that \"he knows who I am and what I did for the organization for seven years...He knows there was a lot of injustice done here, and I would hope he'd be man enough to step up and call me and say, 'Hey Art, I'm really sorry about this.'\" Howe said he didn't expect that to happen, however. He also said Beane once apologized to him in private for the way Beane treated him.\u003c/p>\n\u003cp>\u003ca href=\"http://www.knbr.com/portals/3/podcasts/garyradnich/092711arthurhowe.mp3\">\u003cstrong>Listen here\u003c/strong>\u003c/a>.\u003c/p>\n\u003cp>\u003ca href=\"http://www.mercurynews.com/athletics/ci_18992953\">Beane fired back\u003c/a>, briefly, yesterday, telling the Bay Area News Group, \"I was wondering who was going to be the first guy to think I produced, wrote or directed this movie. Now I have my answer. (Howe's) comments are completely misguided.\"\u003c/p>\n\u003cp>More criticism from Howe...\u003c/p>\n\u003cp>From \u003ca href=\"http://sports.yahoo.com/mlb/blog/big_league_stew/post/Art-Howe-isn-t-happy-about-his-portrayal-in-Mon?urn=mlb-wp20913\">Big League Stew's blog\u003c/a> on Yahoo! Sports last Sunday:\u003c/p>\n\u003cblockquote>\u003cp>Here's Howe on SiriusXM's Mad Dog Radio:\u003c/p>\n\u003cp>\"Considering the book wasn't real favorable to me to start with I figured it would be something like this but to be honest with you it is very disappointing to know that you spent seven years in an organization and gave your heart and soul to it and helped them go to the postseason your last three years there and win over 100 games your last two seasons and this is the way evidently your boss [Beane] feels about you.\u003c/p>\n\u003cp>\"They never called me to get my slant on things as far as the movie was concerned. So, I mean, it's coming from someone. I don't know who it is but maybe it is Hollywood to make it sell, I guess. I don't know. It's disappointing. I spent my whole career trying to build a good reputation and I think I did that but this movie certainly doesn't help it. And it is definitely unfair and untrue. If you ask any player that ever played for me they would say that they never saw this side of me, ever. \"\u003c/p>\n\u003cp>And what about his portrayal in the book?\u003c/p>\n\u003cp>\"[Lewis] came in my office for about 10 minutes one day and that's all the time he spent with me. And put yourself in my position. He's asking me about my boss. Now, what can you say? [laughs] He ran some things by me and I verified some things and gave my slant to different things but they never got into the book, my slants.\"\u003c/p>\u003c/blockquote>\n\u003cp>Here's a \u003ca href=\"http://blog.chron.com/ultimateastros/2011/09/28/art-howe-livid-over-his-portrayal-in-moneyball/\">long interview Howe did\u003c/a> with a Houston Chronicle blog in which he takes issue with a number of things in the film:\u003c/p>\n\u003cblockquote>\u003cp>Was the contract an issue? I know that was a big thing in the movie and almost how they introduced you in the movie.\u003c/p>\n\u003cp>A: That was fictitious. They didn’t do their homework as far as the movie was concerned because I was on a two-year contract through 2003. I had another year after that. My agent always took care of my contract; I never negotiated with Billy, especially not in the hallway of the clubhouse. Never happened.\u003c/p>\n\u003cp>Do you feel that this (movie and book) affects your name in baseball circles?\u003c/p>\n\u003cp>A: It certainly doesn’t help it the way I was portrayed. I think the book hurt me and now the movie. I want people who don’t know Art Howe – that’s the problem with the movie – I’ve spent my whole career trying to build a good reputation and be a good baseball man and someone who people like to play for and all of the above. Then in two hours, people who don’t know me – and Brad Pitt’s a big name, people are going to see his movies – and all these people across the country are going to go in and get this perception of me that’s totally unfair and untruthful. So I’m very upset.\u003c/p>\u003c/blockquote>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>And quotes from an interview with the Chronicle yesterday:\u003c/p>\n\u003cul>\n\u003cli>\"They couldn't have demeaned me more. It's disgusting. I'm hurt by it. My reputation is altered by it. People who don't know me are going to think that's the real Art Howe.\"\u003c/li>\n\u003cli>\"I wish they'd communicated with me,\" Howe said of the filmmakers.\u003c/li>\n\u003cli>\"I don't know how you can get away with saying it's a true movie. I like how in the movie, it's Billy Beane who's the one who tells Mike Magnante he's being released, and he tells Magnante, 'Thank you so much for everything, Mike.' Give me a break. I'm the one who had to tell Magnante, and he was less than a week away from getting his full pension. I like Mike, I tried hard to get him those days, I told them to put him on the DL to get him the time; it wouldn't have cost them anything.\"\u003c/li>\n\u003c/ul>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/41255/art-howe-rip-moneyball-and-billy-beane-listen-to-knbr-appearance","authors":["80"],"programs":["news_6944"],"categories":["news_223","news_10"],"tags":["news_1545","news_1544","news_18"],"label":"news_6944"},"news_41008":{"type":"posts","id":"news_41008","meta":{"index":"posts_1716263798","site":"news","id":"41008","score":null,"sort":[1317146787000]},"parent":0,"labelTerm":{"site":"news","term":6944},"blocks":[],"publishDate":1317146787,"format":"aside","disqusTitle":"Moneyball Producer Rachael Horovitz Answers 7 Questions","title":"Moneyball Producer Rachael Horovitz Answers 7 Questions","headTitle":"News Fix | KQED News","content":"\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM1.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM1-300x179.jpg\" alt=\"\" title=\"moneyballSM\" width=\"300\" height=\"179\" class=\"alignleft size-medium wp-image-41070\">\u003c/a>Last weekend, \u003cem>Moneyball\u003c/em>, adapted from Michael Lewis' book about Oakland A's GM Billy Beane's early adoption of statistical analysis, was \u003ca href=\"http://movies.yahoo.com/mv/boxoffice/\">No. 2 at the box office\u003c/a>, surpassed only by the re-release of \u003cem>The Lion King\u003c/em>. The film also has a \u003ca href=\"http://www.rottentomatoes.com/m/moneyball/\">94% rating on Rotten Tomatoes\u003c/a>, the \u003ca href=\"http://www.rottentomatoes.com/m/moneyball/\">fifth-best rated movie\u003c/a> on the entire site.\u003c/p>\n\u003cp>Last week I interviewed \u003ca href=\"http://www.imdb.com/name/nm0395267/\">Rachael Horovitz\u003c/a>, the \u003cem>Moneyball\u003c/em> producer who was on the project from the start. Below is an edited transcript. (Disclaimer: We knew each other in grade school. But that was before her movie career was in full swing.) \u003c/p>\n\u003cblockquote>\n\u003cp>\u003cstrong>Talk about your role on the movie...\u003c/strong>\u003c/p>\n\u003cp>The project originated with me. I had been a studio executive for a long time and I quit to make my own movies. When you're an executive, you have one boss, one buyer, and if that guy doesn't want to do your idea, you can't go anywhere else. So there were movies that I didn't get to make that I really wanted to.\u003c/p>\n\u003cp>So I quit and had a two-week vacation, and this book was one of the books I read during that time. It totally jump-started my producing career. I thought this is exactly the kind of movie I want to make, and I'll just keep pounding the pavement until I can get someone to back me. \u003c/p>\n\u003cp>Sony loved the pitch. They were fans of the book but they hadn't considered it as a movie until we started talking. Warner Bros also responded but I ended up with Sony. The thing about the project that's been so extraordinary -- everyone who's gotten involved has fallen in love with it, and we're all very different people.\u003c/p>\n\u003cp>I'm going to be thinking about it for a long time, what is it that all of these very different people love about the story. Everyone I know who has read the book has fallen in love with it. And everyone who read it to get involved with the film felt very personally connected to it. \u003c!--more-->\u003c/p>\n\u003cp>\u003cstrong>At first blush, when you read the book, you might not necessarily detect a narrative you can extrapolate that would play on-screen. Tell me what you saw in the book that could translate into a compelling movie...\u003c/strong>\u003c/p>\n\u003cp>I saw first of all a real movie character in Billy Beane, and that to me is almost always where it starts when I'm looking at a movie -- do you want to spend two hours with this person? I felt that his predicament was extremely human and relatable. None of us on the filmmaking side has worked in baseball, but we all completely related to the predicament. Scenes like Billy trying to decide whether to go to Stanford or to the Mets, I saw those in movie images. \u003c/p>\n\u003cp>\u003cstrong>It's been reported that the \u003ca href=\"http://blogs.indiewire.com/womenandhollywood/archives/2011/09/23/moneyball_producer_rachael_horovitz_a_lesson_in_perseverance/#\">film took a long time to bring to the screen\u003c/a>. Why is that?\u003c/strong>\u003c/p>\n\u003cp>Good screenwriting looks easy, but it is damn hard. I've worked on two kinds of movies over the years –- movies that are total auteur, like from [directors] Alexander Payne or Wes Anderson, and ones that are quote, \"within the system.\" A Wes Anderson story, for instance, always starts in Wes' brain. The types of films that are made from within the system, there are committees, and they usually doesn't have a filmmaker from Day 1. \u003c/p>\n\u003cp>I would often watch my father [playwright Israel Horovitz] get hired onto movies, and they were harder to write than movies or plays that started in his head, because there were other people who had a vote. \u003c/p>\n\u003cp>But the reason that this particular book was difficult to adapt is because you want to somehow recreate the experience of reading the book, which goes in and out of time, explanation of \u003ca href=\"http://en.wikipedia.org/wiki/Sabermetrics\">sabermetrics\u003c/a>, and a lot of the historical context. It was a harder script to get down than most. \u003c/p>\n\u003cp>\u003cstrong>Did you get to work with Billy Beane?\u003c/strong>\u003c/p>\n\u003cp>We worked with him throughout the process. The whole A's organization was supportive of getting the details right. As far as the facts of Billy's life, he was always available for us to ask questions. \u003c/p>\n\u003cp>\u003cstrong>Why was \u003ca href=\"http://articles.latimes.com/2011/sep/20/sports/la-sp-plaschke-20110921\">Paul DePodesta's name and character changed\u003c/a>? \u003c/strong>\u003c/p>\n\u003cp>He opted to do that so we respectfully changed his name. I can't tell you exactly why; there's a \u003ca href=\"http://sports.yahoo.com/mlb/news?slug=ti-depodestamoneyball080510\">nice interview with him online\u003c/a> where he talks about it. I never met him so I don't know first-hand. I think everybody should have the right to do that. \u003c/p>\n\u003cp>\u003cstrong>How did having an esteemed playwright for a father influence you? \u003c/strong>\u003c/p>\n\u003cp>Too much. It 's something I'm very aware of now, thinking how did I end up in the movie business. Being a parent, I just see the ways you influence your kids without being aware. Growing up in my house, it was all about movies and plays and that was the emphasis. \u003c/p>\n\u003cp>\u003cstrong>So do you have regrets that you wound up in the movie business?\u003c/strong>\u003c/p>\n\u003cp>If I could start over I'd go to medical school. But that's just being in your 40s. ..\n\u003c/p>\u003c/blockquote>\n\u003cp>You can watch \u003ca href=\"http://movies.yahoo.com/movie/1810166670/info\">clips from Moneyball\u003c/a> at Yahoo! Movies.\u003c/p>\n\u003cp>Related:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/09/20/at-the-moneyball-premiere/\">At the Moneyball Premiere...\u003c/a> (News Fix)\u003c/li>\n\u003c/ul>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","disqusIdentifier":"41008 http://ww2.kqed.org/news/?p=41008","disqusUrl":"https://ww2.kqed.org/news/2011/09/27/moneyball-producer-rachael-horovitz-answers-6-questions/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":880,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":25},"modified":1317150993,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Last weekend, Moneyball, adapted from Michael Lewis' book about Oakland A's GM Billy Beane's early adoption of statistical analysis, was No. 2 at the box office, surpassed only by the re-release of The Lion King. The film also has a 94% rating on Rotten Tomatoes, the fifth-best rated movie on the entire site. Last week","title":"Moneyball Producer Rachael Horovitz Answers 7 Questions | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"Moneyball Producer Rachael Horovitz Answers 7 Questions","datePublished":"2011-09-27T11:06:27-07:00","dateModified":"2011-09-27T12:16:33-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"guestAuthors":[],"slug":"moneyball-producer-rachael-horovitz-answers-6-questions","status":"publish","path":"/news/41008/moneyball-producer-rachael-horovitz-answers-6-questions","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM1.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM1-300x179.jpg\" alt=\"\" title=\"moneyballSM\" width=\"300\" height=\"179\" class=\"alignleft size-medium wp-image-41070\">\u003c/a>Last weekend, \u003cem>Moneyball\u003c/em>, adapted from Michael Lewis' book about Oakland A's GM Billy Beane's early adoption of statistical analysis, was \u003ca href=\"http://movies.yahoo.com/mv/boxoffice/\">No. 2 at the box office\u003c/a>, surpassed only by the re-release of \u003cem>The Lion King\u003c/em>. The film also has a \u003ca href=\"http://www.rottentomatoes.com/m/moneyball/\">94% rating on Rotten Tomatoes\u003c/a>, the \u003ca href=\"http://www.rottentomatoes.com/m/moneyball/\">fifth-best rated movie\u003c/a> on the entire site.\u003c/p>\n\u003cp>Last week I interviewed \u003ca href=\"http://www.imdb.com/name/nm0395267/\">Rachael Horovitz\u003c/a>, the \u003cem>Moneyball\u003c/em> producer who was on the project from the start. Below is an edited transcript. (Disclaimer: We knew each other in grade school. But that was before her movie career was in full swing.) \u003c/p>\n\u003cblockquote>\n\u003cp>\u003cstrong>Talk about your role on the movie...\u003c/strong>\u003c/p>\n\u003cp>The project originated with me. I had been a studio executive for a long time and I quit to make my own movies. When you're an executive, you have one boss, one buyer, and if that guy doesn't want to do your idea, you can't go anywhere else. So there were movies that I didn't get to make that I really wanted to.\u003c/p>\n\u003cp>So I quit and had a two-week vacation, and this book was one of the books I read during that time. It totally jump-started my producing career. I thought this is exactly the kind of movie I want to make, and I'll just keep pounding the pavement until I can get someone to back me. \u003c/p>\n\u003cp>Sony loved the pitch. They were fans of the book but they hadn't considered it as a movie until we started talking. Warner Bros also responded but I ended up with Sony. The thing about the project that's been so extraordinary -- everyone who's gotten involved has fallen in love with it, and we're all very different people.\u003c/p>\n\u003cp>I'm going to be thinking about it for a long time, what is it that all of these very different people love about the story. Everyone I know who has read the book has fallen in love with it. And everyone who read it to get involved with the film felt very personally connected to it. \u003c!--more-->\u003c/p>\n\u003cp>\u003cstrong>At first blush, when you read the book, you might not necessarily detect a narrative you can extrapolate that would play on-screen. Tell me what you saw in the book that could translate into a compelling movie...\u003c/strong>\u003c/p>\n\u003cp>I saw first of all a real movie character in Billy Beane, and that to me is almost always where it starts when I'm looking at a movie -- do you want to spend two hours with this person? I felt that his predicament was extremely human and relatable. None of us on the filmmaking side has worked in baseball, but we all completely related to the predicament. Scenes like Billy trying to decide whether to go to Stanford or to the Mets, I saw those in movie images. \u003c/p>\n\u003cp>\u003cstrong>It's been reported that the \u003ca href=\"http://blogs.indiewire.com/womenandhollywood/archives/2011/09/23/moneyball_producer_rachael_horovitz_a_lesson_in_perseverance/#\">film took a long time to bring to the screen\u003c/a>. Why is that?\u003c/strong>\u003c/p>\n\u003cp>Good screenwriting looks easy, but it is damn hard. I've worked on two kinds of movies over the years –- movies that are total auteur, like from [directors] Alexander Payne or Wes Anderson, and ones that are quote, \"within the system.\" A Wes Anderson story, for instance, always starts in Wes' brain. The types of films that are made from within the system, there are committees, and they usually doesn't have a filmmaker from Day 1. \u003c/p>\n\u003cp>I would often watch my father [playwright Israel Horovitz] get hired onto movies, and they were harder to write than movies or plays that started in his head, because there were other people who had a vote. \u003c/p>\n\u003cp>But the reason that this particular book was difficult to adapt is because you want to somehow recreate the experience of reading the book, which goes in and out of time, explanation of \u003ca href=\"http://en.wikipedia.org/wiki/Sabermetrics\">sabermetrics\u003c/a>, and a lot of the historical context. It was a harder script to get down than most. \u003c/p>\n\u003cp>\u003cstrong>Did you get to work with Billy Beane?\u003c/strong>\u003c/p>\n\u003cp>We worked with him throughout the process. The whole A's organization was supportive of getting the details right. As far as the facts of Billy's life, he was always available for us to ask questions. \u003c/p>\n\u003cp>\u003cstrong>Why was \u003ca href=\"http://articles.latimes.com/2011/sep/20/sports/la-sp-plaschke-20110921\">Paul DePodesta's name and character changed\u003c/a>? \u003c/strong>\u003c/p>\n\u003cp>He opted to do that so we respectfully changed his name. I can't tell you exactly why; there's a \u003ca href=\"http://sports.yahoo.com/mlb/news?slug=ti-depodestamoneyball080510\">nice interview with him online\u003c/a> where he talks about it. I never met him so I don't know first-hand. I think everybody should have the right to do that. \u003c/p>\n\u003cp>\u003cstrong>How did having an esteemed playwright for a father influence you? \u003c/strong>\u003c/p>\n\u003cp>Too much. It 's something I'm very aware of now, thinking how did I end up in the movie business. Being a parent, I just see the ways you influence your kids without being aware. Growing up in my house, it was all about movies and plays and that was the emphasis. \u003c/p>\n\u003cp>\u003cstrong>So do you have regrets that you wound up in the movie business?\u003c/strong>\u003c/p>\n\u003cp>If I could start over I'd go to medical school. But that's just being in your 40s. ..\n\u003c/p>\u003c/blockquote>\n\u003cp>You can watch \u003ca href=\"http://movies.yahoo.com/movie/1810166670/info\">clips from Moneyball\u003c/a> at Yahoo! Movies.\u003c/p>\n\u003cp>Related:\u003c/p>\n\u003cul>\n\u003cli>\u003ca href=\"http://ww2.kqed.org/news/2011/09/20/at-the-moneyball-premiere/\">At the Moneyball Premiere...\u003c/a> (News Fix)\u003c/li>\n\u003c/ul>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/41008/moneyball-producer-rachael-horovitz-answers-6-questions","authors":["80"],"programs":["news_6944"],"categories":["news_223","news_10"],"tags":["news_1545","news_1544","news_18","news_1894"],"label":"news_6944"},"news_40380":{"type":"posts","id":"news_40380","meta":{"index":"posts_1716263798","site":"news","id":"40380","score":null,"sort":[1316553702000]},"parent":0,"labelTerm":{"site":"news","term":6944},"blocks":[],"publishDate":1316553702,"format":"aside","disqusTitle":"At the Moneyball Premiere...","title":"At the Moneyball Premiere...","headTitle":"News Fix | KQED News","content":"\u003cp>\u003cem>Tout\u003c/em>-Oakland turned out at the Paramount Theater last night for the premiere of \u003cem>Moneyball\u003c/em>. Or at least \u003cem>à demi \u003c/em> Oakland. I was there too and pegged the audience as part local, part Hollywood. \u003c/p>\n\u003cp>Donations from Listeners Like You did not pay for my ticket; I scored a seat from one of the film's producers, the sister of a childhood friend. Others I talked to enjoyed similar degrees-of-separation status: \"I'm here because my daughter and Michael Lewis' daughter go to school together,\" one guy told me, citing the author of the movie's source material.\u003c/p>\n\u003cfigure id=\"attachment_40434\" class=\"wp-caption alignleft\" style=\"max-width: 326px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM.jpg\" alt=\"\" title=\"moneyballSM\" width=\"326\" height=\"195\" class=\"size-full wp-image-40434\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Jon Brooks/KQED\u003c/figcaption>\u003c/figure>\n\u003cp>Some hard-cores did, however, represent. \"I'm an A's season-ticket holder and have been since 1988 and couldn't miss the chance to see the world premiere of a movie about Oakland in Oakland,\" Cathy Connelly of Alameda shouted into my mic, in order to be heard amid an absolute crush of premiere-goers. How much were the tickets? \"$100 dollars.\" Did you read the book? \"Yes I did, my whole family did.\" Are you a big Billy Beane fan? \"I am a big Billy Beane fan.\" \"How about Brad Pitt? \"Not as much Brad Pitt.\"\u003c/p>\n\u003cp>\"I read the book when it came out,\" said one free-cocktail-sipper, a twenty-something female. \"And that's what made me fall in love with the team. Hatteberg, Bradford, all those big names, all those great human-interest stories, it had me sucked in.\" \u003c/p>\n\u003cp>\"I'd like to comment on John Fisher,\" interrupted a guy with something very much on his mind. \"He should be ashamed of himself.\" Fisher is the A's co-owner, and the \u003ca href=\"http://www.ktvu.com/news/27109618/detail.html\">team wants to move to San Jose\u003c/a>. \"Keep the A's in Oakland,\" was my interviewee's message. \"If any city in America could use a baseball team, it's Oakland. Get over your ego. This is not about money.\" (Dude it is, I thought. It's even the \u003cem>name\u003c/em> of the movie.) \u003c!--more-->\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Other folks didn't exactly know the team from A's to Z. \"I'm here because my boyfriend works for them,\" said one woman. \"I don't know anything about baseball. I didn't read the book.\" Your boyfriend works for the team and you don't know anything about baseball? \"We just started dating.\" Okay. Good luck with that. \u003c/p>\n\u003cp>The house was about 80 percent capacity, a lot better than the A's are doing at O.co, or \u003ca href=\"http://ww2.kqed.org/news/2011/04/29/new-oakland-stadium-name-overstock-com-coliseum-met-with-rampant-disrespect/\">whatever they're calling it\u003c/a>. My seat was sandwiched between two groups from L.A. The woman to my left worked for the lab that processed the movie print, and a trio of guys to my right discussed someone involved in the optioning of the book. \"She called him and said, 'can you explain Moneyball to me,'\" one of them recounted to mirthless insider laughter. \u003c/p>\n\u003cp>The on-stage introductions were next, in ascending order of star power: my ticket benefactor, the producer Rachael Horovitz, followed by Michael Lewis, Philip Seymour Hoffman, an extremely slimmed down Jonah Hill (still bankable now sans tummy?) and....\u003cem>Brad Pitt\u003c/em>! Waves of handsome swept over the audience. \"Hey, he's actually better-looking in person!\" I thought from my third-row seat. And it's true. He really is. \u003c/p>\n\u003cp>The film was good. Some funny stuff, and you really want those A's to win. The crowd ate it up, though the politics of the moment occasionally did intrude. Shouts of discontent about the possible A's exodus emerged seemingly at random from the dark. And when Billy Beane/Brad Pitt remarked on-screen that the A's stadium was a \"dump,\" someone loudly booed. \u003c/p>\n\u003cp>The lights went up to big applause. I turned around in my seat and who did I see just two rows behind me? The man himself: Billy Beane. He had been introduced pre-movie as someone who \"didn't want to be here.\" But honestly he looked as happy as, say, a November 2010 Brian Sabean. I thought about pointing at him and shouting, \"Hey Brad Pitt!\" but I didn't feel like a punch in the nose with a BART ride home ahead of me.\u003c/p>\n\u003cp>Plus I like Billy Beane. \u003cem>Moneyball\u003c/em> the concept is literally counter-intuitive. The book and film tell the tale of how the A's general manager, a failed baseball player despite can't-miss raves from the scouts, turns his own wrenching experience into a successful numbers-based approach to finding deficiencies in the baseball marketplace, thus allowing his low-payroll team to compete with the likes of the Yankees. But it's also counter-intuitive from a \u003cem>narrative\u003c/em> standpoint -- a story where the beancounters are the heroes and the go-with-your-guts guys -- the \"intangibles\" crowd -- are the benighted boobs. Plotwise, it's as if a flunked Jedi warrior shows up at Yoda's doorstep saying, \"the Force doesn't work, and I've got the stats to prove it.\" \u003c/p>\n\u003cp>Would you -- do you -- root for that character? Another way of putting it: One might say that Billy Beane and his ilk are the people who brought you the romance of the spreadsheet. They're the guys who view the base-on-balls as a majestic act of rationality, rather than a missed opportunity to blast one 600 feet. \u003cem>Field of Dreams\u003c/em> becomes \u003cem>Field of Reams (of Data)\u003c/em>...\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Some may never forgive him for that. But he got big applause last night in Oakland, on-screen and off. \u003c/p>\n\n","disqusIdentifier":"40380 http://ww2.kqed.org/news/?p=40380","disqusUrl":"https://ww2.kqed.org/news/2011/09/20/at-the-moneyball-premiere/","stats":{"hasVideo":false,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":923,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":15},"modified":1316647629,"excerpt":"Tout-Oakland turned out at the Paramount Theater last night for the premiere of Moneyball. Or at least à demi Oakland. I was there too and pegged the audience as part local, part Hollywood.\r\n\r\nDonations from Listeners Like You did not pay for my ticket; I scored a seat from one of the film's producers, the sister of a childhood friend. Others I talked to enjoyed similar degrees-of-separation status: \"I'm here because my daughter and Michael Lewis' daughter go to school together,\" one guy told me, citing the author of the movie's source material.","headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Tout-Oakland turned out at the Paramount Theater last night for the premiere of Moneyball. Or at least à demi Oakland. I was there too and pegged the audience as part local, part Hollywood.\r\n\r\nDonations from Listeners Like You did not pay for my ticket; I scored a seat from one of the film's producers, the sister of a childhood friend. Others I talked to enjoyed similar degrees-of-separation status: "I'm here because my daughter and Michael Lewis' daughter go to school together," one guy told me, citing the author of the movie's source material.","title":"At the Moneyball Premiere... | KQED","ogDescription":"","schema":{"@context":"http://schema.org","@type":"NewsArticle","headline":"At the Moneyball Premiere...","datePublished":"2011-09-20T14:21:42-07:00","dateModified":"2011-09-21T16:27:09-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png","isAccessibleForFree":"True","publisher":{"@type":"NewsMediaOrganization","@id":"https://www.kqed.org/#organization","name":"KQED","url":"https://www.kqed.org","logo":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}}},"guestAuthors":[],"slug":"at-the-moneyball-premiere","status":"publish","path":"/news/40380/at-the-moneyball-premiere","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cem>Tout\u003c/em>-Oakland turned out at the Paramount Theater last night for the premiere of \u003cem>Moneyball\u003c/em>. Or at least \u003cem>à demi \u003c/em> Oakland. I was there too and pegged the audience as part local, part Hollywood. \u003c/p>\n\u003cp>Donations from Listeners Like You did not pay for my ticket; I scored a seat from one of the film's producers, the sister of a childhood friend. Others I talked to enjoyed similar degrees-of-separation status: \"I'm here because my daughter and Michael Lewis' daughter go to school together,\" one guy told me, citing the author of the movie's source material.\u003c/p>\n\u003cfigure id=\"attachment_40434\" class=\"wp-caption alignleft\" style=\"max-width: 326px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM.jpg\">\u003cimg src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2011/09/moneyballSM.jpg\" alt=\"\" title=\"moneyballSM\" width=\"326\" height=\"195\" class=\"size-full wp-image-40434\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">Photo: Jon Brooks/KQED\u003c/figcaption>\u003c/figure>\n\u003cp>Some hard-cores did, however, represent. \"I'm an A's season-ticket holder and have been since 1988 and couldn't miss the chance to see the world premiere of a movie about Oakland in Oakland,\" Cathy Connelly of Alameda shouted into my mic, in order to be heard amid an absolute crush of premiere-goers. How much were the tickets? \"$100 dollars.\" Did you read the book? \"Yes I did, my whole family did.\" Are you a big Billy Beane fan? \"I am a big Billy Beane fan.\" \"How about Brad Pitt? \"Not as much Brad Pitt.\"\u003c/p>\n\u003cp>\"I read the book when it came out,\" said one free-cocktail-sipper, a twenty-something female. \"And that's what made me fall in love with the team. Hatteberg, Bradford, all those big names, all those great human-interest stories, it had me sucked in.\" \u003c/p>\n\u003cp>\"I'd like to comment on John Fisher,\" interrupted a guy with something very much on his mind. \"He should be ashamed of himself.\" Fisher is the A's co-owner, and the \u003ca href=\"http://www.ktvu.com/news/27109618/detail.html\">team wants to move to San Jose\u003c/a>. \"Keep the A's in Oakland,\" was my interviewee's message. \"If any city in America could use a baseball team, it's Oakland. Get over your ego. This is not about money.\" (Dude it is, I thought. It's even the \u003cem>name\u003c/em> of the movie.) \u003c!--more-->\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Other folks didn't exactly know the team from A's to Z. \"I'm here because my boyfriend works for them,\" said one woman. \"I don't know anything about baseball. I didn't read the book.\" Your boyfriend works for the team and you don't know anything about baseball? \"We just started dating.\" Okay. Good luck with that. \u003c/p>\n\u003cp>The house was about 80 percent capacity, a lot better than the A's are doing at O.co, or \u003ca href=\"http://ww2.kqed.org/news/2011/04/29/new-oakland-stadium-name-overstock-com-coliseum-met-with-rampant-disrespect/\">whatever they're calling it\u003c/a>. My seat was sandwiched between two groups from L.A. The woman to my left worked for the lab that processed the movie print, and a trio of guys to my right discussed someone involved in the optioning of the book. \"She called him and said, 'can you explain Moneyball to me,'\" one of them recounted to mirthless insider laughter. \u003c/p>\n\u003cp>The on-stage introductions were next, in ascending order of star power: my ticket benefactor, the producer Rachael Horovitz, followed by Michael Lewis, Philip Seymour Hoffman, an extremely slimmed down Jonah Hill (still bankable now sans tummy?) and....\u003cem>Brad Pitt\u003c/em>! Waves of handsome swept over the audience. \"Hey, he's actually better-looking in person!\" I thought from my third-row seat. And it's true. He really is. \u003c/p>\n\u003cp>The film was good. Some funny stuff, and you really want those A's to win. The crowd ate it up, though the politics of the moment occasionally did intrude. Shouts of discontent about the possible A's exodus emerged seemingly at random from the dark. And when Billy Beane/Brad Pitt remarked on-screen that the A's stadium was a \"dump,\" someone loudly booed. \u003c/p>\n\u003cp>The lights went up to big applause. I turned around in my seat and who did I see just two rows behind me? The man himself: Billy Beane. He had been introduced pre-movie as someone who \"didn't want to be here.\" But honestly he looked as happy as, say, a November 2010 Brian Sabean. I thought about pointing at him and shouting, \"Hey Brad Pitt!\" but I didn't feel like a punch in the nose with a BART ride home ahead of me.\u003c/p>\n\u003cp>Plus I like Billy Beane. \u003cem>Moneyball\u003c/em> the concept is literally counter-intuitive. The book and film tell the tale of how the A's general manager, a failed baseball player despite can't-miss raves from the scouts, turns his own wrenching experience into a successful numbers-based approach to finding deficiencies in the baseball marketplace, thus allowing his low-payroll team to compete with the likes of the Yankees. But it's also counter-intuitive from a \u003cem>narrative\u003c/em> standpoint -- a story where the beancounters are the heroes and the go-with-your-guts guys -- the \"intangibles\" crowd -- are the benighted boobs. Plotwise, it's as if a flunked Jedi warrior shows up at Yoda's doorstep saying, \"the Force doesn't work, and I've got the stats to prove it.\" \u003c/p>\n\u003cp>Would you -- do you -- root for that character? Another way of putting it: One might say that Billy Beane and his ilk are the people who brought you the romance of the spreadsheet. They're the guys who view the base-on-balls as a majestic act of rationality, rather than a missed opportunity to blast one 600 feet. \u003cem>Field of Dreams\u003c/em> becomes \u003cem>Field of Reams (of Data)\u003c/em>...\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Some may never forgive him for that. But he got big applause last night in Oakland, on-screen and off. \u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/news/40380/at-the-moneyball-premiere","authors":["80"],"programs":["news_6944"],"categories":["news_223","news_10"],"tags":["news_1544","news_18"],"label":"news_6944"},"news_31192":{"type":"posts","id":"news_31192","meta":{"index":"posts_1716263798","site":"news","id":"31192","score":null,"sort":[1308257327000]},"parent":0,"labelTerm":{"site":"news","term":6944},"blocks":[],"publishDate":1308257327,"format":"aside","disqusTitle":"Watch the New \"Moneyball Trailer\"","title":"Watch the New \"Moneyball Trailer\"","headTitle":"News Fix | KQED News","content":"\u003cp>Finally, the chance to wallow in nostalgia that A's fans, suffering through a horrendous season, have been waiting for: Moneyball! Yay!\u003c/p>\n\u003cp>Who plays who at \u003ca>IMDB\u003c/a>.\u003c/p>\n\u003cp>\u003ciframe width=\"480\" height=\"303\" src=\"http://www.youtube.com/embed/-4QPVo0UIzc\" frameborder=\"0\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","disqusIdentifier":"31192 http://ww2.kqed.org/news/?p=31192","disqusUrl":"https://ww2.kqed.org/news/2011/06/16/watch-the-new-moneyball-trailer/","stats":{"hasVideo":true,"hasChartOrMap":false,"hasAudio":false,"hasPolis":false,"wordCount":29,"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"iframeSrcs":[],"paragraphCount":5},"modified":1308257881,"excerpt":null,"headData":{"twImgId":"","twTitle":"","ogTitle":"","ogImgId":"","twDescription":"","description":"Finally, the chance to wallow in nostalgia that A's fans, suffering through a horrendous season, have been waiting for: Moneyball! Yay! 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