A Passing: Oakland's Morrie Turner, Creator of 'Wee Pals' Comic Strip
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"content": "\u003cfigure id=\"attachment_124682\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/01/TURNER-2-obit-superJumbo-e1391020178646.jpg\">\u003cimg class=\"size-medium wp-image-124682\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/01/TURNER-2-obit-superJumbo-640x203.jpg\" alt='\"Wee Pals\" was written and drawn by Oakland native Morrie Turner, who died at age 90 last weekend. (Morrie Turner via Cartoon Art Museum, San Francisco)' width=\"640\" height=\"203\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\"Wee Pals\" was written and drawn by Oakland native Morrie Turner, who died at age 90 last weekend. (Morrie Turner via Cartoon Art Museum, San Francisco)\u003c/figcaption>\u003c/figure>\n\u003cp>One of my many cultural blind spots: the funny papers. Once upon a time I read them as avidly as anyone. Then probably somewhere in the Reagan years, or Bush or Clinton or Bush II years, I lost the thread and my reading narrowed from a wide range of childhood and teenage favorites, like \"Dick Tracy\" and \"Peanuts\" and \"Pogo\" and \"Mark Trail\" and \"The Family Circus\" (comics don't need to be good to be classic; some you read because they're consistently lame) to \"Calvin and Hobbes,\" \"Life in Hell\" and maybe some \u003ca href=\"http://www.npr.org/2013/05/29/187079888/looking-ahead-to-the-future-of-cartoons-and-creativity\" target=\"_blank\">Lynda Barry \u003c/a> and \u003ca href=\"http://rozchast.com/\" target=\"_blank\">Roz Chast \u003c/a>stuff.\u003c/p>\n\u003cp>Now, my habit is down to the occasional glance at \"Doonesbury\" and comics substitutes like \"The Colbert Report,\" which is essentially the comics taken to manic, steroid-infused, 3-D (or at least 2-D) heights and performed live (or nearly live) on a screen near you every evening.\u003c/p>\n\u003cp>Long ago, I guess, I had encountered \"Wee Pals,\" a strip that focused in a direct, honest but non-confrontational way on racial issues. I wasn't a fan of the strip — again, a comment on me and my tastes, not the quality of \"Wee Pals\" — and I never delved into what was behind it. And one of the things I missed was an interesting piece of local history.\u003c/p>\n\u003cp>The creator of the strip, which began to get a national following in the late 1960s, was Oakland artist Morrie Turner, who died over the weekend in Sacramento at the age of 90. The San Francisco Chronicle's Peter Hartlaub wrote a nice remembrance of Turner on Sunday — \u003ca href=\"http://blog.sfgate.com/thebigevent/2014/01/27/rip-morrie-turner-comic-strip-artist-mentor-and-pride-of-oakland/\" target=\"_blank\">RIP Morrie Turner: Comic strip artist, mentor and pride of Oakland\u003c/a>. Hartlaub (who also wrote \u003ca href=\"http://www.sfgate.com/default/article/Morrie-Turner-pioneering-Wee-Pals-cartoonist-5183290.php\" target=\"_blank\">a full obituary on Turner\u003c/a>) said in part:\u003c/p>\n\u003cblockquote>\u003cp>We had been hearing for more than a year that Turner’s health was failing, but it seemed hard to believe. The Berkeley High graduate and longtime Oakland resident continued to draw his strip, even as local institutions including the San Francisco Library, Cartoon Art Museum and Children Fairyland honored his career in recent years. When Turner was with a crowd, he was more enthusiastic than most public figures half his age.\u003c/p>\n\u003cp>Nationally, Turner will likely be remembered as the first African-American cartoonist to draw a nationally syndicated strip, bringing humorous and honest racial dialogue into newspapers. (His “Soul Corner” on the right side of the strip often celebrated black heroes.)\u003c/p>\n\u003cp>Locally, I think artists and fans viewed him as more than that. After Charles Schulz died in 2000, Turner embraced his role as an elder statesman of Bay Area comic strip artists. He was a generous and gracious presence at WonderCon and other events, and younger talents were eager to absorb his wisdom. His work also generated pride in Oakland, where Turner’s strip reflected the city in a nuanced way that residents could understand.\u003c/p>\u003c/blockquote>\n\u003cp>\u003ca href=\"http://www.nytimes.com/2014/01/29/arts/morrie-turner-dies-at-90-broke-barriers-in-comics.html\" target=\"_blank\">A New York Times obituary\u003c/a> relates how \"Wee Pals\" evolved:\u003c/p>\n\u003cblockquote>\u003cp>Mr. Turner’s comic strip “Wee Pals,” featuring childhood playmates who were white, black, Asian, Hispanic and Jewish (joined in later years by a girl in a wheelchair and a deaf girl), was considered subversive in 1965, when a major syndicate first offered it to newspapers.\u003c/p>\n\u003cp>Only two or three of the hundreds of newspapers in the syndicate picked it up. By early 1968, there were five. But of the many changes that occurred after the assassination of the Rev. Dr. Martin Luther King Jr. that April and the urban uprisings it started, some of the first appeared in the nation’s funny papers.\u003c/p>\n\u003cp>Thirty newspapers began subscribing to Mr. Turner’s comic strip in the first 30 days after the assassination; within a few months the number had swelled to 100. “Suddenly everybody was interested in me,” he told a public access television interviewer in 2010.\u003c/p>\n\u003cp>Later in 1968, the black artist Brumsic Brandon Jr. created his comic strip “Luther,” about a 9-year-old boy growing up in the ghetto. It, too, found a wide audience in newspaper syndication.\u003c/p>\n\u003cp>“You can imagine how I felt,” Mr. Turner said, referring to his newfound popularity. “I mean, I’m benefiting from the assassination of Dr. King, one of my heroes. It was kind of a bittersweet experience.”\u003c/p>\u003c/blockquote>\n\u003cp>In the video below, a public access TV interview recorded in 2010, Turner comments on one of the mysteries (and ironies) in \"Wee Pals\": that its main character, an African-American youngster named Nipper, wears a Confederate cap.\u003c/p>\n\u003cdiv class=\"single-image\">\u003ciframe src=\"//www.youtube.com/embed/WKbHAKDDNok\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n",
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"content": "\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_124682\" class=\"wp-caption aligncenter\" style=\"max-width: 640px\">\u003ca href=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/01/TURNER-2-obit-superJumbo-e1391020178646.jpg\">\u003cimg class=\"size-medium wp-image-124682\" src=\"http://ww2.kqed.org/news/wp-content/uploads/sites/10/2014/01/TURNER-2-obit-superJumbo-640x203.jpg\" alt='\"Wee Pals\" was written and drawn by Oakland native Morrie Turner, who died at age 90 last weekend. (Morrie Turner via Cartoon Art Museum, San Francisco)' width=\"640\" height=\"203\">\u003c/a>\u003cfigcaption class=\"wp-caption-text\">\"Wee Pals\" was written and drawn by Oakland native Morrie Turner, who died at age 90 last weekend. (Morrie Turner via Cartoon Art Museum, San Francisco)\u003c/figcaption>\u003c/figure>\n\u003cp>One of my many cultural blind spots: the funny papers. Once upon a time I read them as avidly as anyone. Then probably somewhere in the Reagan years, or Bush or Clinton or Bush II years, I lost the thread and my reading narrowed from a wide range of childhood and teenage favorites, like \"Dick Tracy\" and \"Peanuts\" and \"Pogo\" and \"Mark Trail\" and \"The Family Circus\" (comics don't need to be good to be classic; some you read because they're consistently lame) to \"Calvin and Hobbes,\" \"Life in Hell\" and maybe some \u003ca href=\"http://www.npr.org/2013/05/29/187079888/looking-ahead-to-the-future-of-cartoons-and-creativity\" target=\"_blank\">Lynda Barry \u003c/a> and \u003ca href=\"http://rozchast.com/\" target=\"_blank\">Roz Chast \u003c/a>stuff.\u003c/p>\n\u003cp>Now, my habit is down to the occasional glance at \"Doonesbury\" and comics substitutes like \"The Colbert Report,\" which is essentially the comics taken to manic, steroid-infused, 3-D (or at least 2-D) heights and performed live (or nearly live) on a screen near you every evening.\u003c/p>\n\u003cp>Long ago, I guess, I had encountered \"Wee Pals,\" a strip that focused in a direct, honest but non-confrontational way on racial issues. I wasn't a fan of the strip — again, a comment on me and my tastes, not the quality of \"Wee Pals\" — and I never delved into what was behind it. And one of the things I missed was an interesting piece of local history.\u003c/p>\n\u003cp>The creator of the strip, which began to get a national following in the late 1960s, was Oakland artist Morrie Turner, who died over the weekend in Sacramento at the age of 90. The San Francisco Chronicle's Peter Hartlaub wrote a nice remembrance of Turner on Sunday — \u003ca href=\"http://blog.sfgate.com/thebigevent/2014/01/27/rip-morrie-turner-comic-strip-artist-mentor-and-pride-of-oakland/\" target=\"_blank\">RIP Morrie Turner: Comic strip artist, mentor and pride of Oakland\u003c/a>. Hartlaub (who also wrote \u003ca href=\"http://www.sfgate.com/default/article/Morrie-Turner-pioneering-Wee-Pals-cartoonist-5183290.php\" target=\"_blank\">a full obituary on Turner\u003c/a>) said in part:\u003c/p>\n\u003cblockquote>\u003cp>We had been hearing for more than a year that Turner’s health was failing, but it seemed hard to believe. The Berkeley High graduate and longtime Oakland resident continued to draw his strip, even as local institutions including the San Francisco Library, Cartoon Art Museum and Children Fairyland honored his career in recent years. When Turner was with a crowd, he was more enthusiastic than most public figures half his age.\u003c/p>\n\u003cp>Nationally, Turner will likely be remembered as the first African-American cartoonist to draw a nationally syndicated strip, bringing humorous and honest racial dialogue into newspapers. (His “Soul Corner” on the right side of the strip often celebrated black heroes.)\u003c/p>\n\u003cp>Locally, I think artists and fans viewed him as more than that. After Charles Schulz died in 2000, Turner embraced his role as an elder statesman of Bay Area comic strip artists. He was a generous and gracious presence at WonderCon and other events, and younger talents were eager to absorb his wisdom. His work also generated pride in Oakland, where Turner’s strip reflected the city in a nuanced way that residents could understand.\u003c/p>\u003c/blockquote>\n\u003cp>\u003ca href=\"http://www.nytimes.com/2014/01/29/arts/morrie-turner-dies-at-90-broke-barriers-in-comics.html\" target=\"_blank\">A New York Times obituary\u003c/a> relates how \"Wee Pals\" evolved:\u003c/p>\n\u003cblockquote>\u003cp>Mr. Turner’s comic strip “Wee Pals,” featuring childhood playmates who were white, black, Asian, Hispanic and Jewish (joined in later years by a girl in a wheelchair and a deaf girl), was considered subversive in 1965, when a major syndicate first offered it to newspapers.\u003c/p>\n\u003cp>Only two or three of the hundreds of newspapers in the syndicate picked it up. By early 1968, there were five. But of the many changes that occurred after the assassination of the Rev. Dr. Martin Luther King Jr. that April and the urban uprisings it started, some of the first appeared in the nation’s funny papers.\u003c/p>\n\u003cp>Thirty newspapers began subscribing to Mr. Turner’s comic strip in the first 30 days after the assassination; within a few months the number had swelled to 100. “Suddenly everybody was interested in me,” he told a public access television interviewer in 2010.\u003c/p>\n\u003cp>Later in 1968, the black artist Brumsic Brandon Jr. created his comic strip “Luther,” about a 9-year-old boy growing up in the ghetto. It, too, found a wide audience in newspaper syndication.\u003c/p>\n\u003cp>“You can imagine how I felt,” Mr. Turner said, referring to his newfound popularity. “I mean, I’m benefiting from the assassination of Dr. King, one of my heroes. It was kind of a bittersweet experience.”\u003c/p>\u003c/blockquote>\n\u003cp>In the video below, a public access TV interview recorded in 2010, Turner comments on one of the mysteries (and ironies) in \"Wee Pals\": that its main character, an African-American youngster named Nipper, wears a Confederate cap.\u003c/p>\n\u003cdiv class=\"single-image\">\u003ciframe src=\"//www.youtube.com/embed/WKbHAKDDNok\" frameborder=\"0\" width=\"420\" height=\"315\">\u003c/iframe>\u003c/div>\n\u003cp>\u003c/p>\u003c/div>",
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"info": "What kind of no sabo word is Hyphenación? For us, it’s about living within a hyphenation. Like being a third-gen Mexican-American from the Texas border now living that Bay Area Chicano life. Like Xorje! Each week we bring together a couple of hyphenated Latinos to talk all about personal life choices: family, careers, relationships, belonging … everything is on the table. ",
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"info": "The Political Mind of Jerry Brown brings listeners the wisdom of the former Governor, Mayor, and presidential candidate. Scott Shafer interviewed Brown for more than 40 hours, covering the former governor's life and half-century in the political game – and Brown has some lessons he'd like to share. ",
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"info": "Political Breakdown is a new series that explores the political intersection of California and the nation. Each week hosts Scott Shafer and Marisa Lagos are joined with a new special guest to unpack politics -- with personality — and offer an insider’s glimpse at how politics happens.",
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"possible": {
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"info": "Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.",
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},
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"tagline": "Art is where you find it",
"info": "Rightnowish digs into life in the Bay Area right now… ish. Journalist Pendarvis Harshaw takes us to galleries painted on the sides of liquor stores in West Oakland. We'll dance in warehouses in the Bayview, make smoothies with kids in South Berkeley, and listen to classical music in a 1984 Cutlass Supreme in Richmond. Every week, Pen talks to movers and shakers about how the Bay Area shapes what they create, and how they shape the place we call home.",
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"title": "Snap Judgment",
"tagline": "Real stories with killer beats",
"info": "The Snap Judgment radio show and podcast mixes real stories with killer beats to produce cinematic, dramatic radio. Snap's musical brand of storytelling dares listeners to see the world through the eyes of another. This is storytelling... with a BEAT!! Snap first aired on public radio stations nationwide in July 2010. Today, Snap Judgment airs on over 450 public radio stations and is brought to the airwaves by KQED & PRX.",
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},
"soldout": {
"id": "soldout",
"title": "SOLD OUT: Rethinking Housing in America",
"tagline": "A new future for housing",
"info": "Sold Out: Rethinking Housing in America",
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