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He joined the KQED News team in April of 2016. Prior to that, he worked as a Reporter for KPCC in Los Angeles and a producer at \u003cem>Marketplace.\u003c/em>\r\n\r\nDuring eight years at KPCC, Brian covered business and economics, and his work won several awards. In 2008, he won the Los Angeles Press Club’s first-place award for Business and Financial Reporting, Broadcast. He’s also received honorable mention and been first runner up for the Press Club’s Radio Journalist of the Year. He won two Golden Mike awards from the Radio and TV News Association of Southern California.\r\n\r\nBrian holds degrees in theater from Yale University and the Sorbonne, and has worked as an actor in France, Italy, Brazil, Hungary and . . . Hollywood. He appeared in a few television shows, including \u003cem>The West Wing, Judging Amy\u003c/em> and \u003cem>The District.\u003c/em>\r\n\r\nEmail: bwatt@KQED.org Twitter: @RadioBWatt","avatar":"https://secure.gravatar.com/avatar/55393ff57ed34e2be773ba4789dd6a19?s=600&d=blank&r=g","twitter":"@RadioBWatt","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["contributor"]},{"site":"news","roles":["editor"]}],"headData":{"title":"Brian Watt | KQED","description":"Morning News Anchor","ogImgSrc":"https://secure.gravatar.com/avatar/55393ff57ed34e2be773ba4789dd6a19?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/55393ff57ed34e2be773ba4789dd6a19?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/bwatt"},"nvoynovskaya":{"type":"authors","id":"11387","meta":{"index":"authors_1716337520","id":"11387","found":true},"name":"Nastia Voynovskaya","firstName":"Nastia","lastName":"Voynovskaya","slug":"nvoynovskaya","email":"nvoynovskaya@kqed.org","display_author_email":false,"staff_mastheads":["arts"],"title":"Associate Editor","bio":"Nastia Voynovskaya is a Russian-born journalist raised in the Bay Area and Tampa, Florida. She's the associate editor at KQED Arts & Culture. She's the recipient of the 2018 Society of Professional Journalists-Northern California award for arts & culture reporting. In 2021, a retrospective of the 2010s she edited and creative directed, Our Turbulent Decade, received the SPJ-NorCal award for web design. Nastia's work has been published in NPR Music, \u003cem>San Francisco Chronicle\u003c/em>, VICE, Paste Magazine, Bandcamp and SF MoMA Open Space. Previously, she served as music editor at \u003cem>East Bay Express\u003c/em> and online editor at \u003cem>Hi-Fructose Magazine\u003c/em>. She holds a B.A. in comparative literature from UC Berkeley.","avatar":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twitter":"nananastia","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["administrator"]},{"site":"news","roles":["editor"]},{"site":"pop","roles":["administrator"]},{"site":"bayareabites","roles":["editor"]},{"site":"podcasts","roles":["editor"]},{"site":"hiphop","roles":["editor"]}],"headData":{"title":"Nastia Voynovskaya | KQED","description":"Associate Editor","ogImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g","twImgSrc":"https://secure.gravatar.com/avatar/310649817772dd2a98e5dfecb6b24842?s=600&d=mm&r=g"},"isLoading":false,"link":"/author/nvoynovskaya"},"ogpenn":{"type":"authors","id":"11491","meta":{"index":"authors_1716337520","id":"11491","found":true},"name":"Pendarvis Harshaw","firstName":"Pendarvis","lastName":"Harshaw","slug":"ogpenn","email":"ogpenn@gmail.com","display_author_email":false,"staff_mastheads":["arts"],"title":"Columnist and Host, Rightnowish","bio":"Pendarvis Harshaw is the host of \u003ca href=\"https://www.kqed.org/arts/tag/rightnowish\" rel=\"noopener noreferrer\">\u003cem>Rightnowish\u003c/em>\u003c/a> on KQED-FM, a columnist at KQED Arts, and the author of \u003ci>OG Told Me,\u003c/i> a memoir about growing up in Oakland.","avatar":"https://secure.gravatar.com/avatar/093d33baff5354890e29ad83d58d2c49?s=600&d=blank&r=g","twitter":"ogpenn","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"bayareabites","roles":["author"]},{"site":"hiphop","roles":["editor"]}],"headData":{"title":"Pendarvis Harshaw | KQED","description":"Columnist and Host, Rightnowish","ogImgSrc":"https://secure.gravatar.com/avatar/093d33baff5354890e29ad83d58d2c49?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/093d33baff5354890e29ad83d58d2c49?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/ogpenn"},"agonzalez":{"type":"authors","id":"11724","meta":{"index":"authors_1716337520","id":"11724","found":true},"name":"Alexander Gonzalez","firstName":"Alexander","lastName":"Gonzalez","slug":"agonzalez","email":"AlexanderGonzalez@KQED.org","display_author_email":false,"staff_mastheads":["news"],"title":"KQED Contributor","bio":null,"avatar":"https://secure.gravatar.com/avatar/63d43593dd7ebcafcd638e851a9bce5a?s=600&d=blank&r=g","twitter":null,"facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]}],"headData":{"title":"Alexander Gonzalez | KQED","description":"KQED Contributor","ogImgSrc":"https://secure.gravatar.com/avatar/63d43593dd7ebcafcd638e851a9bce5a?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/63d43593dd7ebcafcd638e851a9bce5a?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/agonzalez"},"achazaro":{"type":"authors","id":"11748","meta":{"index":"authors_1716337520","id":"11748","found":true},"name":"Alan Chazaro","firstName":"Alan","lastName":"Chazaro","slug":"achazaro","email":"agchazaro@gmail.com","display_author_email":true,"staff_mastheads":["arts"],"title":"Food Writer and Reporter","bio":"Alan Chazaro is the author of \u003cem>This Is Not a Frank Ocean Cover Album\u003c/em> (Black Lawrence Press, 2019), \u003cem>Piñata Theory\u003c/em> (Black Lawrence Press, 2020), and \u003cem>Notes from the Eastern Span of the Bay Bridge\u003c/em> (Ghost City Press, 2021). He is a graduate of June Jordan’s Poetry for the People program at UC Berkeley and a former Lawrence Ferlinghetti Fellow at the University of San Francisco. He writes about sports, food, art, music, education, and culture while repping the Bay on \u003ca href=\"https://twitter.com/alan_chazaro\">Twitter\u003c/a> and \u003ca href=\"https://www.instagram.com/alan_chazaro/?hl=en\">Instagram\u003c/a> at @alan_chazaro.","avatar":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g","twitter":"alan_chazaro","facebook":null,"instagram":null,"linkedin":null,"sites":[{"site":"arts","roles":["editor"]},{"site":"news","roles":["editor"]}],"headData":{"title":"Alan Chazaro | KQED","description":"Food Writer and Reporter","ogImgSrc":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g","twImgSrc":"https://secure.gravatar.com/avatar/ea8b6dd970fc5c29e7a188e7d5861df7?s=600&d=blank&r=g"},"isLoading":false,"link":"/author/achazaro"}},"breakingNewsReducer":{},"campaignFinanceReducer":{},"pagesReducer":{},"postsReducer":{"stream_live":{"type":"live","id":"stream_live","audioUrl":"https://streams.kqed.org/kqedradio","title":"Live Stream","excerpt":"Live Stream information currently unavailable.","link":"/radio","featImg":"","label":{"name":"KQED Live","link":"/"}},"stream_kqedNewscast":{"type":"posts","id":"stream_kqedNewscast","audioUrl":"https://www.kqed.org/.stream/anon/radio/RDnews/newscast.mp3?_=1","title":"KQED Newscast","featImg":"","label":{"name":"88.5 FM","link":"/"}},"arts_13963123":{"type":"posts","id":"arts_13963123","meta":{"index":"posts_1716263798","site":"arts","id":"13963123","score":null,"sort":[1724421809000]},"guestAuthors":[{"ID":"13818263","displayName":"Eric Deggans","firstName":"Eric","lastName":"Deggans","userLogin":"eric-deggans","userEmail":"","linkedAccount":"","website":"https://www.npr.org/people/243254424/eric-deggans","description":"","userNicename":"eric-deggans","type":"guest-author","nickname":""}],"slug":"as-late-night-loses-its-band-we-rank-the-best-groups-ever-on-late-night-tv","title":"As ‘Late Night’ Loses Its Band, We Rank the Best Groups Ever on Late Night TV","publishDate":1724421809,"format":"standard","headTitle":"As ‘Late Night’ Loses Its Band, We Rank the Best Groups Ever on Late Night TV | KQED","labelTerm":{"term":137,"site":"arts"},"content":"\u003cp>When producers at \u003cem>Late Night with Seth Meyers\u003c/em> told keyboardist and associate musical director Eli Janney the show would eliminate its live backing group, The 8G Band, due to budget cuts, he wasn’t all that surprised.\u003c/p>\n\u003cp>“This was a moment, honestly, we all saw coming,” said Janney, who made his name as a bassist and keyboardist for the indie rock band Girls Against Boys — and as a producer with artists like James Blunt — before musical director Fred Armisen asked him to join \u003cem>Late Night\u003c/em>’s backing group in 2014.\u003c/p>\n\u003cp>[aside postid='arts_13912923']Janney says Armisen was looking to bring an indie rock band into the world of late night TV.\u003c/p>\n\u003cp>Along with Janney on keyboards and Armisen on guitar, they had Seth Jabour on guitar, Marnie Stern on guitar, Syd Butler on bass and Kimberly Thompson on drums. But when Armisen’s performing career took off, he wound up leaving Janney in charge — returning for short stints as a guest drummer several times a year.\u003c/p>\n\u003cp>“About six months into the show, [Armisen] was like, ‘Hey I have to go work on the next season of \u003cem>Portlandia\u003c/em>, I should be back in about 30 days,” Janney said, laughing. “And then he just never came back [full time].”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Thompson and Stern eventually left the band, and 8G began playing with a succession of guest drummers, including Iron Maiden’s Nicko McBrain, Styx’s Todd Sucherman and Queens of the Stone Age’s Jon Theodore. Janney said they likely performed with over 300 drummers; Taylor Hawkins of the Foo Fighters was on their schedule to appear when he died in 2022.\u003c/p>\n\u003cp>The group’s last appearance in a new episode is Thursday, with Armisen back playing drums for their final week. Ironically, Janney and Armisen were just nominated for an Emmy this year for best musical direction.\u003c/p>\n\u003cp>“I think we knew broadcast TV was shrinking in general…[and] there’s just a limit to how many people are watching after 12:30 [a.m.] at night on broadcast,” he added. “Everybody’s moving to streaming. But I thought we had a couple more years, at least.”\u003c/p>\n\u003cp>When I caught up with Janney on a Zoom call last week, he was philosophical and relatively upbeat, stressing that producers and star Seth Meyers had fought to keep the band. Instead, they’ll pre-record music that the show can use in future episodes.\u003c/p>\n\u003ch3>Looking back on more late-night bands worth remembering\u003c/h3>\n\u003cp>[aside postid='arts_13867505']As a musician and late night TV nerd, I have an accompanying obsession with the bands who back the shows, and I’ve seen lots of them live. Late night bands often embody and amplify the tone of a show — Johnny Carson’s \u003cem>Tonight Show\u003c/em> had a rollicking, old school big band, while Jimmy Fallon’s version has the urbane cool of rap/soul/funk stars The Roots.\u003c/p>\n\u003cp>Now that 8G joins the ranks of bands of the past, I’m reflecting on more late night bands that have — or will one day — go down in history. Here’s a list of the best.\u003c/p>\n\u003ch3>#1: The World’s Most Dangerous Band/CBS Orchestra\u003c/h3>\n\u003cp>\u003cem>Late Night with David Letterman (NBC) and The Late Show with David Letterman (CBS)\u003c/em>\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\n\u003cp>https://www.youtube.com/watch?v=RUPSilcJFrQ\u003c/p>\n\u003cp>This group was squarely in my generation — a band I was hooked on from their early days with Letterman on NBC in the mid 1980s, right up until his retirement on CBS in 2015. It began as a hip four piece packed with the best session musicians in New York, including drummer Steve Jordan (now with the Rolling Stones), bassist Will Lee and often-barefoot guitarist Hiram Bullock, led by keyboardist and \u003cem>Saturday Night Live\u003c/em> alum Paul Shaffer. Their stripped-down, funky sound was a welcome change from Carson’s massive, more traditional jazz band.\u003c/p>\n\u003cp>Over the years, the group evolved into a much larger unit with two guitar players and a horn section; P-Funk keyboard legend Bernie Worrell even played with them for a time. And the band was capable of everything from skin-tight backing of James Brown to including guest musicians like David Sanborn and trading quips with Letterman himself.\u003c/p>\n\u003cp>“I watched them all the time … and just felt like they were on another level from what I was doing,” Janney said. “Also, they seemed to be having the best f—ing time. It wasn’t uptight at all.”\u003c/p>\n\u003ch3>#2: The NBC Orchestra\u003c/h3>\n\u003cp>\u003cem>The Tonight Show Starring Johnny Carson (NBC)\u003c/em>\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\n\u003cp>https://www.youtube.com/watch?v=1QXdi25469U\u003c/p>\n\u003cp>So many of the traditions we associate with late night TV and music started with Carson’s big band, from a flashy, signature theme song to a group packed with ace musicians — like jazz trumpeters Clark Terry and Snooky Young. Trumpeter Carl “Doc” Severinsen led the group, wearing flashy clothes and bantering with Carson while occasionally leading bits like “Stump the Band,” where audience members tried to name songs they couldn’t play.\u003c/p>\n\u003ch3>#3: The Roots\u003c/h3>\n\u003cp>\u003cem>Late Night with Jimmy Fallon and The Tonight Show with Jimmy Fallon (NBC)\u003c/em>\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\n\u003cp>https://www.youtube.com/watch?v=ziwYbVx_-qg\u003c/p>\n\u003cp>It may have seemed odd to some for a rap band from Philadelphia to join \u003cem>Late Night\u003c/em> when \u003cem>SNL\u003c/em> alum Fallon took over the show from Conan O’Brien in 2009. But it made perfect sense to me — bringing a modern, genre-blending attitude to the show while featuring one of the best bands in any category. And their “Slow Jam the News” segments are still a classic. Still, NBC took a little while to agree: bandleader Questlove \u003ca href=\"https://www.npr.org/2014/07/03/328167474/questlove-and-the-roots-how-a-hip-hop-band-conquered-late-night\">\u003cu>told me they were originally signed\u003c/u>\u003c/a> to a succession of 13-week contracts, in case the network decided to make a change quickly.\u003c/p>\n\u003ch3>#4: Jon Batiste and Stay Human\u003c/h3>\n\u003cp>\u003cem>The Late Show with Stephen Colbert (CBS)\u003c/em>\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\n\u003cp>https://www.youtube.com/watch?v=1HiBKSOeqvg\u003c/p>\n\u003cp>No shade to current Colbert bandleader/guitarist Louis Cato — an amazing multi-instrumentalist who I first saw playing drums with David Sanborn, George Duke and Marcus Miller years ago — but the first version of Colbert’s band led by piano prodigy Batiste was a breath of fresh, innovative air. The band, which Batiste had put together with classmates from Julliard well before they landed on Colbert‘s show, effortlessly moved from jazz and R&B to pop and even classical — with a cool way of playing while walking through the audience that recalled the Second Line marching bands from Batiste’s native New Orleans.\u003c/p>\n\u003ch3>#5: David Sanborn and friends\u003c/h3>\n\u003cp>\u003cem>Sunday Night/Night Music (NBC)\u003c/em>\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\n\u003cp>https://www.youtube.com/watch?v=gwgOUzodS6E\u003c/p>\n\u003cp>Executive produced by \u003cem>SNL \u003c/em>showrunner Lorne Michaels, this show was an offbeat experiment which aired for two seasons beginning in 1988, featuring the late jazz saxophonist Sanborn and co-host Jools Holland with a band of ace backing musicians, performing with a wide array of different artists in one show. Bassist Marcus Miller (Miles Davis/Luther Vandross) was the musical director, with guitarist Hiram Bullock, drummer Omar Hakim (Sting/David Bowie), keyboardist Philippe Saisse and many more.\u003c/p>\n\u003cp>[ad floatright]\u003c/p>\n\u003cp>Sanborn loved to bring different types of musicians together, having jazzers Carla Bley and Steve Swallow perform with funk master Bootsy Collins. And the band’s rocking take on “See the Light” with Jeff Healey remains one of my favorite performances by the late guitar god.\u003c/p>\n\n","blocks":[],"excerpt":"8G appears in their last ‘Late Night’ episode on Thursday. It joins the ranks of groundbreaking late night bands.","status":"publish","parent":0,"modified":1724378677,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":26,"wordCount":1286},"headData":{"title":"The 5 Best Bands of Late Night TV | KQED","description":"8G appears in their last ‘Late Night’ episode on Thursday. It joins the ranks of groundbreaking late night bands.","ogTitle":"As ‘Late Night’ Loses Its Band, We Rank the Best Groups Ever on Late Night TV","ogDescription":"","ogImgId":"","twTitle":"As ‘Late Night’ Loses Its Band, We Rank the Best Groups Ever on Late Night TV","twDescription":"","twImgId":"","socialTitle":"The 5 Best Bands of Late Night TV %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"As ‘Late Night’ Loses Its Band, We Rank the Best Groups Ever on Late Night TV","datePublished":"2024-08-23T07:03:29-07:00","dateModified":"2024-08-22T19:04:37-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Eric Deggans, NPR","nprStoryId":"nx-s1-5081255","nprHtmlLink":"https://www.npr.org/2024/08/22/nx-s1-5081255/8g-late-night-with-seth-meyers-late-night-bands","nprRetrievedStory":"1","nprPubDate":"2024-08-22T19:49:46.513-04:00","nprStoryDate":"2024-08-22T19:49:46.513-04:00","nprLastModifiedDate":"2024-08-22T19:49:46.513-04:00","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13963123/as-late-night-loses-its-band-we-rank-the-best-groups-ever-on-late-night-tv","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>When producers at \u003cem>Late Night with Seth Meyers\u003c/em> told keyboardist and associate musical director Eli Janney the show would eliminate its live backing group, The 8G Band, due to budget cuts, he wasn’t all that surprised.\u003c/p>\n\u003cp>“This was a moment, honestly, we all saw coming,” said Janney, who made his name as a bassist and keyboardist for the indie rock band Girls Against Boys — and as a producer with artists like James Blunt — before musical director Fred Armisen asked him to join \u003cem>Late Night\u003c/em>’s backing group in 2014.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13912923","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Janney says Armisen was looking to bring an indie rock band into the world of late night TV.\u003c/p>\n\u003cp>Along with Janney on keyboards and Armisen on guitar, they had Seth Jabour on guitar, Marnie Stern on guitar, Syd Butler on bass and Kimberly Thompson on drums. But when Armisen’s performing career took off, he wound up leaving Janney in charge — returning for short stints as a guest drummer several times a year.\u003c/p>\n\u003cp>“About six months into the show, [Armisen] was like, ‘Hey I have to go work on the next season of \u003cem>Portlandia\u003c/em>, I should be back in about 30 days,” Janney said, laughing. “And then he just never came back [full time].”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Thompson and Stern eventually left the band, and 8G began playing with a succession of guest drummers, including Iron Maiden’s Nicko McBrain, Styx’s Todd Sucherman and Queens of the Stone Age’s Jon Theodore. Janney said they likely performed with over 300 drummers; Taylor Hawkins of the Foo Fighters was on their schedule to appear when he died in 2022.\u003c/p>\n\u003cp>The group’s last appearance in a new episode is Thursday, with Armisen back playing drums for their final week. Ironically, Janney and Armisen were just nominated for an Emmy this year for best musical direction.\u003c/p>\n\u003cp>“I think we knew broadcast TV was shrinking in general…[and] there’s just a limit to how many people are watching after 12:30 [a.m.] at night on broadcast,” he added. “Everybody’s moving to streaming. But I thought we had a couple more years, at least.”\u003c/p>\n\u003cp>When I caught up with Janney on a Zoom call last week, he was philosophical and relatively upbeat, stressing that producers and star Seth Meyers had fought to keep the band. Instead, they’ll pre-record music that the show can use in future episodes.\u003c/p>\n\u003ch3>Looking back on more late-night bands worth remembering\u003c/h3>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13867505","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>As a musician and late night TV nerd, I have an accompanying obsession with the bands who back the shows, and I’ve seen lots of them live. Late night bands often embody and amplify the tone of a show — Johnny Carson’s \u003cem>Tonight Show\u003c/em> had a rollicking, old school big band, while Jimmy Fallon’s version has the urbane cool of rap/soul/funk stars The Roots.\u003c/p>\n\u003cp>Now that 8G joins the ranks of bands of the past, I’m reflecting on more late night bands that have — or will one day — go down in history. Here’s a list of the best.\u003c/p>\n\u003ch3>#1: The World’s Most Dangerous Band/CBS Orchestra\u003c/h3>\n\u003cp>\u003cem>Late Night with David Letterman (NBC) and The Late Show with David Letterman (CBS)\u003c/em>\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/RUPSilcJFrQ'\n title='//www.youtube.com/embed/RUPSilcJFrQ'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>This group was squarely in my generation — a band I was hooked on from their early days with Letterman on NBC in the mid 1980s, right up until his retirement on CBS in 2015. It began as a hip four piece packed with the best session musicians in New York, including drummer Steve Jordan (now with the Rolling Stones), bassist Will Lee and often-barefoot guitarist Hiram Bullock, led by keyboardist and \u003cem>Saturday Night Live\u003c/em> alum Paul Shaffer. Their stripped-down, funky sound was a welcome change from Carson’s massive, more traditional jazz band.\u003c/p>\n\u003cp>Over the years, the group evolved into a much larger unit with two guitar players and a horn section; P-Funk keyboard legend Bernie Worrell even played with them for a time. And the band was capable of everything from skin-tight backing of James Brown to including guest musicians like David Sanborn and trading quips with Letterman himself.\u003c/p>\n\u003cp>“I watched them all the time … and just felt like they were on another level from what I was doing,” Janney said. “Also, they seemed to be having the best f—ing time. It wasn’t uptight at all.”\u003c/p>\n\u003ch3>#2: The NBC Orchestra\u003c/h3>\n\u003cp>\u003cem>The Tonight Show Starring Johnny Carson (NBC)\u003c/em>\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1QXdi25469U'\n title='//www.youtube.com/embed/1QXdi25469U'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>So many of the traditions we associate with late night TV and music started with Carson’s big band, from a flashy, signature theme song to a group packed with ace musicians — like jazz trumpeters Clark Terry and Snooky Young. Trumpeter Carl “Doc” Severinsen led the group, wearing flashy clothes and bantering with Carson while occasionally leading bits like “Stump the Band,” where audience members tried to name songs they couldn’t play.\u003c/p>\n\u003ch3>#3: The Roots\u003c/h3>\n\u003cp>\u003cem>Late Night with Jimmy Fallon and The Tonight Show with Jimmy Fallon (NBC)\u003c/em>\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/ziwYbVx_-qg'\n title='//www.youtube.com/embed/ziwYbVx_-qg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>It may have seemed odd to some for a rap band from Philadelphia to join \u003cem>Late Night\u003c/em> when \u003cem>SNL\u003c/em> alum Fallon took over the show from Conan O’Brien in 2009. But it made perfect sense to me — bringing a modern, genre-blending attitude to the show while featuring one of the best bands in any category. And their “Slow Jam the News” segments are still a classic. Still, NBC took a little while to agree: bandleader Questlove \u003ca href=\"https://www.npr.org/2014/07/03/328167474/questlove-and-the-roots-how-a-hip-hop-band-conquered-late-night\">\u003cu>told me they were originally signed\u003c/u>\u003c/a> to a succession of 13-week contracts, in case the network decided to make a change quickly.\u003c/p>\n\u003ch3>#4: Jon Batiste and Stay Human\u003c/h3>\n\u003cp>\u003cem>The Late Show with Stephen Colbert (CBS)\u003c/em>\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/1HiBKSOeqvg'\n title='//www.youtube.com/embed/1HiBKSOeqvg'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>No shade to current Colbert bandleader/guitarist Louis Cato — an amazing multi-instrumentalist who I first saw playing drums with David Sanborn, George Duke and Marcus Miller years ago — but the first version of Colbert’s band led by piano prodigy Batiste was a breath of fresh, innovative air. The band, which Batiste had put together with classmates from Julliard well before they landed on Colbert‘s show, effortlessly moved from jazz and R&B to pop and even classical — with a cool way of playing while walking through the audience that recalled the Second Line marching bands from Batiste’s native New Orleans.\u003c/p>\n\u003ch3>#5: David Sanborn and friends\u003c/h3>\n\u003cp>\u003cem>Sunday Night/Night Music (NBC)\u003c/em>\u003c/p>\n\u003cfigure class=\"wp-block-embed is-type-video\">\u003c/figure>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/gwgOUzodS6E'\n title='//www.youtube.com/embed/gwgOUzodS6E'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Executive produced by \u003cem>SNL \u003c/em>showrunner Lorne Michaels, this show was an offbeat experiment which aired for two seasons beginning in 1988, featuring the late jazz saxophonist Sanborn and co-host Jools Holland with a band of ace backing musicians, performing with a wide array of different artists in one show. Bassist Marcus Miller (Miles Davis/Luther Vandross) was the musical director, with guitarist Hiram Bullock, drummer Omar Hakim (Sting/David Bowie), keyboardist Philippe Saisse and many more.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"floatright"},"numeric":["floatright"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Sanborn loved to bring different types of musicians together, having jazzers Carla Bley and Steve Swallow perform with funk master Bootsy Collins. And the band’s rocking take on “See the Light” with Jeff Healey remains one of my favorite performances by the late guitar god.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13963123/as-late-night-loses-its-band-we-rank-the-best-groups-ever-on-late-night-tv","authors":["byline_arts_13963123"],"categories":["arts_1","arts_69","arts_75","arts_990"],"tags":["arts_8805"],"affiliates":["arts_137"],"featImg":"arts_13963124","label":"arts_137"},"arts_13963029":{"type":"posts","id":"arts_13963029","meta":{"index":"posts_1716263798","site":"arts","id":"13963029","score":null,"sort":[1724366399000]},"guestAuthors":[],"slug":"star-amerasu-never-really-alone-the-stud-san-francisco","title":"Star Amerasu’s New Album Might Make You Cry in the Club","publishDate":1724366399,"format":"standard","headTitle":"Star Amerasu’s New Album Might Make You Cry in the Club | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.instagram.com/staramerasu/\">Star Amerasu\u003c/a> began her career making gorgeous, lo-fi and brutally honest electronic pop, and with her latest album, \u003cem>never, really alone\u003c/em>, she takes us out of her bedroom studio and into the club.\u003c/p>\n\u003cp>The dance music project pairs her ethereal vocals with high-energy tech-house beats that call to mind late ’90s classics by \u003ca href=\"https://www.youtube.com/watch?v=Lgs9QUtWc3M\">Alice Deejay\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=50vKiK5KsBw\">Jocelyn Enriquez\u003c/a>. Amerasu’s pen is sharp as ever, and standout tracks like “way of the doll” and “\u003ca href=\"https://www.youtube.com/watch?v=S1do5AaZzqQ\">not okay( i’ll be fine)\u003c/a>” speak to alienation and darkness she’s experienced as a trans woman, threading the needle between personal and universal. With the hopeful coda of “we’ll b okay,” she pays homage to trans people whose support she credits with saving her life.\u003c/p>\n\u003cp>\u003cem>never, really alone\u003c/em> hit streaming platforms on July 19, and Amerasu celebrates with a release party called Dancing With a Star at legendary queer club \u003ca href=\"https://www.studsf.com/\">The Stud\u003c/a>, which reopened earlier this year. She’s throwing the event in conjunction with mainstay of the San Francisco LGBTQ+ nightlife scene, Hard French, and the trans dance party T4T. DJs Brown Angel, Charles Hawthorne and Papa Xanny will join Amerasu behind the decks, and she’ll also perform tracks from the album live.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/album/4DDgNVUmwOuKbZp8qJHyPA?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Dancing With a Star closes a busy summer for Amerasu. \u003ca href=\"https://www.frameline.org/films/frameline48/after-hours\">\u003cem>After Hours\u003c/em>\u003c/a>, an Elliot Page-produced short film she directed and starred in, premiered at the queer film festival Frameline in June. Ever the multihyphenate, Amerasu also DJed at Outside Lands earlier this month.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>Dancing with a Star takes place at The Stud (1123 Folsom St., San Francisco) on Aug. 24, 10 p.m.–2 a.m. \u003ca href=\"https://www.instagram.com/p/C-ivjz-yNqb/\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"The singer-songwriter celebrates her newest album ‘never, really alone’ with a release show at The Stud.","status":"publish","parent":0,"modified":1724366399,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":8,"wordCount":290},"headData":{"title":"Star Amerasu’s New Album Might Make You Cry in the Club | KQED","description":"The singer-songwriter celebrates her newest album ‘never, really alone’ with a release show at The Stud.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Star Amerasu’s New Album Might Make You Cry in the Club","datePublished":"2024-08-22T15:39:59-07:00","dateModified":"2024-08-22T15:39:59-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13963029","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13963029/star-amerasu-never-really-alone-the-stud-san-francisco","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.instagram.com/staramerasu/\">Star Amerasu\u003c/a> began her career making gorgeous, lo-fi and brutally honest electronic pop, and with her latest album, \u003cem>never, really alone\u003c/em>, she takes us out of her bedroom studio and into the club.\u003c/p>\n\u003cp>The dance music project pairs her ethereal vocals with high-energy tech-house beats that call to mind late ’90s classics by \u003ca href=\"https://www.youtube.com/watch?v=Lgs9QUtWc3M\">Alice Deejay\u003c/a> and \u003ca href=\"https://www.youtube.com/watch?v=50vKiK5KsBw\">Jocelyn Enriquez\u003c/a>. Amerasu’s pen is sharp as ever, and standout tracks like “way of the doll” and “\u003ca href=\"https://www.youtube.com/watch?v=S1do5AaZzqQ\">not okay( i’ll be fine)\u003c/a>” speak to alienation and darkness she’s experienced as a trans woman, threading the needle between personal and universal. With the hopeful coda of “we’ll b okay,” she pays homage to trans people whose support she credits with saving her life.\u003c/p>\n\u003cp>\u003cem>never, really alone\u003c/em> hit streaming platforms on July 19, and Amerasu celebrates with a release party called Dancing With a Star at legendary queer club \u003ca href=\"https://www.studsf.com/\">The Stud\u003c/a>, which reopened earlier this year. She’s throwing the event in conjunction with mainstay of the San Francisco LGBTQ+ nightlife scene, Hard French, and the trans dance party T4T. DJs Brown Angel, Charles Hawthorne and Papa Xanny will join Amerasu behind the decks, and she’ll also perform tracks from the album live.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/album/4DDgNVUmwOuKbZp8qJHyPA?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>Dancing With a Star closes a busy summer for Amerasu. \u003ca href=\"https://www.frameline.org/films/frameline48/after-hours\">\u003cem>After Hours\u003c/em>\u003c/a>, an Elliot Page-produced short film she directed and starred in, premiered at the queer film festival Frameline in June. Ever the multihyphenate, Amerasu also DJed at Outside Lands earlier this month.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>Dancing with a Star takes place at The Stud (1123 Folsom St., San Francisco) on Aug. 24, 10 p.m.–2 a.m. \u003ca href=\"https://www.instagram.com/p/C-ivjz-yNqb/\">Details here\u003c/a>.\u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13963029/star-amerasu-never-really-alone-the-stud-san-francisco","authors":["11387"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_10278","arts_3226","arts_585"],"featImg":"arts_13963049","label":"arts_140"},"arts_13962959":{"type":"posts","id":"arts_13962959","meta":{"index":"posts_1716263798","site":"arts","id":"13962959","score":null,"sort":[1724276496000]},"guestAuthors":[],"slug":"nvr-ovr-pop-up-willie-maze-oakland","title":"What You’ll Find at NVR OVR’s ‘Pop-Up Inside a Pop-Up’","publishDate":1724276496,"format":"standard","headTitle":"What You’ll Find at NVR OVR’s ‘Pop-Up Inside a Pop-Up’ | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>When Marty Aranaydo first thought about doing a month-long pop-up store in a huge space on 12th and Harrison in Oakland, he joked that the building was big enough to be a cultural center.\u003c/p>\n\u003cp>And then he stopped laughing, and started planning events.\u003c/p>\n\u003cp>The space, the former site of Lucky Duck Bicycle Cafe, has been home to \u003ca href=\"https://www.kqed.org/arts/13958896/solespace-lab-oakland-sneakers-sustainability\" target=\"_blank\" rel=\"noopener\">SoleSpace Lab\u003c/a> of late. But for the next month, it’ll be what Aranaydo is calling “a pop-up inside of a pop-up,” where he’ll sell shirts and baseball hats from his \u003ca href=\"https://www.instagram.com/p/C-9DQq2PadJ/?igsh=MzRlODBiNWFlZA%3D%3D\" target=\"_blank\" rel=\"noopener\">NVR OVR\u003c/a> brand. And, concurrently, he’ll host a series of events in the spirit of the cultural centers he grew up attending.\u003c/p>\n\u003cp>“That’s where I got the idea that if you know something, you should share it,” says Aranaydo, listing places like the \u003ca href=\"https://www.ifhurbanrez.org/\" target=\"_blank\" rel=\"noopener\">Intertribal Friendship House\u003c/a>, \u003ca href=\"https://sscf.org/\" target=\"_blank\" rel=\"noopener\">the Spanish Speaking Citizens Foundation\u003c/a> and \u003ca href=\"https://www.eastsideartsalliance.com/\" target=\"_blank\" rel=\"noopener\">Eastside Arts Alliance\u003c/a> as institutions with a pivotal role in his upbringing.\u003c/p>\n\u003cp>“\u003ca href=\"https://lapena.org/\" target=\"_blank\" rel=\"noopener\">La Peña\u003c/a> was the first place where you could get on stage or get in the sound booth. You could even throw your own event,” says Aranaydo. “Some of the best DJ sets of my young life happened there.”\u003c/p>\n\u003cfigure id=\"attachment_13962962\" class=\"wp-caption aligncenter\" style=\"max-width: 1616px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962962\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/DSC08967.jpg\" alt='Marty \"DJ Willie Maze\" Aranaydo speaking to folks at the new location of his NVR OVR store in Oakland on Saturday Aug. 17.' width=\"1616\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/DSC08967.jpg 1616w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/DSC08967-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/DSC08967-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/DSC08967-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/DSC08967-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/DSC08967-1536x1027.jpg 1536w\" sizes=\"(max-width: 1616px) 100vw, 1616px\">\u003cfigcaption class=\"wp-caption-text\">Marty ‘DJ Willie Maze’ Aranaydo speaks with folks at the new location of his NVR OVR store in Oakland on Saturday, Aug. 17. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s Aranaydo’s love of third spaces — hangouts for likeminded people to share skills, stories and culture — that has spawned his latest endeavor.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Some of the events over the next month include lessons from DJ Fuze of Digital Underground, an afternoon event with the Native American DJ Association and a DJ battle. This Saturday, Aug. 24, there’ll be a record swap and sip, followed on Sunday by a tie-dye skillshare.\u003c/p>\n\u003cp>After a soft launch, the series kicked off on Aug. 17 with a celebration for Aranaydo’s late friend and legendary aerosol writer \u003ca href=\"https://www.kqed.org/arts/13863999/dream-day-2019-celebrating-mike-dream-franciscos-50th-birthday\" target=\"_blank\" rel=\"noopener\">Mike “Dream” Francisco\u003c/a>, who would’ve turned 55 on Aug. 15.\u003c/p>\n\u003cp>During the event, people observed projected images of Dream’s work, and longtime Bay Area aerosol writer and community pillar \u003ca href=\"https://www.kqed.org/arts/13926619/spie-one-tdk-bay-area-graffiti-history-hip-hop\">Spie\u003c/a> shared stories of painting with his friend and fellow TDK crew member.\u003c/p>\n\u003cfigure id=\"attachment_13962963\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962963\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-scaled.jpg\" alt=\"Spie, legendary San Francisco based aerosol writer, sharing an image of Mike "Dream" Francisco's first piece from 1983.\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-scaled.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-1536x2048.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco-based aerosol legend Spie shares an image of Mike “Dream” Francisco’s first piece from 1983. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At one point during the presentation, Aranaydo grabbed the mic to provide further context of his relationship to Dream and Spie, noting the importance of their work.\u003c/p>\n\u003cp>It’s rare for a shop owner to be able to speak about the art and culture their crew created and sustained for over four decades, but that’s one of the many things Aranaydo is offering with this space.\u003c/p>\n\u003cp>“It feels irresponsible to just ask people to support my cool-guy shit and give me money,” says Aranaydo of selling clothing and apparel. “I want people to not just buy something. I want them to walk away with much more.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The NVR OVR pop-up shop is at 302 12th St. in Oakland, with events slated from now through Oct. 15. \u003ca href=\"https://www.instagram.com/p/C-9DQq2PadJ/?igsh=MzRlODBiNWFlZA%3D%3D\" target=\"_blank\" rel=\"noopener\">Details and more info here\u003c/a>.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"A Native American DJ night, a sign painting workshop, a ‘rap tapes & mezcal’ event and more. ","status":"publish","parent":0,"modified":1724341167,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":556},"headData":{"title":"What You’ll Find at NVR OVR’s ‘Pop-Up Inside a Pop-Up’ | KQED","description":"A Native American DJ night, a sign painting workshop, a ‘rap tapes & mezcal’ event and more. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"What You’ll Find at NVR OVR’s ‘Pop-Up Inside a Pop-Up’","datePublished":"2024-08-21T14:41:36-07:00","dateModified":"2024-08-22T08:39:27-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13962959","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13962959/nvr-ovr-pop-up-willie-maze-oakland","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>When Marty Aranaydo first thought about doing a month-long pop-up store in a huge space on 12th and Harrison in Oakland, he joked that the building was big enough to be a cultural center.\u003c/p>\n\u003cp>And then he stopped laughing, and started planning events.\u003c/p>\n\u003cp>The space, the former site of Lucky Duck Bicycle Cafe, has been home to \u003ca href=\"https://www.kqed.org/arts/13958896/solespace-lab-oakland-sneakers-sustainability\" target=\"_blank\" rel=\"noopener\">SoleSpace Lab\u003c/a> of late. But for the next month, it’ll be what Aranaydo is calling “a pop-up inside of a pop-up,” where he’ll sell shirts and baseball hats from his \u003ca href=\"https://www.instagram.com/p/C-9DQq2PadJ/?igsh=MzRlODBiNWFlZA%3D%3D\" target=\"_blank\" rel=\"noopener\">NVR OVR\u003c/a> brand. And, concurrently, he’ll host a series of events in the spirit of the cultural centers he grew up attending.\u003c/p>\n\u003cp>“That’s where I got the idea that if you know something, you should share it,” says Aranaydo, listing places like the \u003ca href=\"https://www.ifhurbanrez.org/\" target=\"_blank\" rel=\"noopener\">Intertribal Friendship House\u003c/a>, \u003ca href=\"https://sscf.org/\" target=\"_blank\" rel=\"noopener\">the Spanish Speaking Citizens Foundation\u003c/a> and \u003ca href=\"https://www.eastsideartsalliance.com/\" target=\"_blank\" rel=\"noopener\">Eastside Arts Alliance\u003c/a> as institutions with a pivotal role in his upbringing.\u003c/p>\n\u003cp>“\u003ca href=\"https://lapena.org/\" target=\"_blank\" rel=\"noopener\">La Peña\u003c/a> was the first place where you could get on stage or get in the sound booth. You could even throw your own event,” says Aranaydo. “Some of the best DJ sets of my young life happened there.”\u003c/p>\n\u003cfigure id=\"attachment_13962962\" class=\"wp-caption aligncenter\" style=\"max-width: 1616px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962962\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/DSC08967.jpg\" alt='Marty \"DJ Willie Maze\" Aranaydo speaking to folks at the new location of his NVR OVR store in Oakland on Saturday Aug. 17.' width=\"1616\" height=\"1080\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/DSC08967.jpg 1616w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/DSC08967-800x535.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/DSC08967-1020x682.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/DSC08967-160x107.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/DSC08967-768x513.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/DSC08967-1536x1027.jpg 1536w\" sizes=\"(max-width: 1616px) 100vw, 1616px\">\u003cfigcaption class=\"wp-caption-text\">Marty ‘DJ Willie Maze’ Aranaydo speaks with folks at the new location of his NVR OVR store in Oakland on Saturday, Aug. 17. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It’s Aranaydo’s love of third spaces — hangouts for likeminded people to share skills, stories and culture — that has spawned his latest endeavor.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Some of the events over the next month include lessons from DJ Fuze of Digital Underground, an afternoon event with the Native American DJ Association and a DJ battle. This Saturday, Aug. 24, there’ll be a record swap and sip, followed on Sunday by a tie-dye skillshare.\u003c/p>\n\u003cp>After a soft launch, the series kicked off on Aug. 17 with a celebration for Aranaydo’s late friend and legendary aerosol writer \u003ca href=\"https://www.kqed.org/arts/13863999/dream-day-2019-celebrating-mike-dream-franciscos-50th-birthday\" target=\"_blank\" rel=\"noopener\">Mike “Dream” Francisco\u003c/a>, who would’ve turned 55 on Aug. 15.\u003c/p>\n\u003cp>During the event, people observed projected images of Dream’s work, and longtime Bay Area aerosol writer and community pillar \u003ca href=\"https://www.kqed.org/arts/13926619/spie-one-tdk-bay-area-graffiti-history-hip-hop\">Spie\u003c/a> shared stories of painting with his friend and fellow TDK crew member.\u003c/p>\n\u003cfigure id=\"attachment_13962963\" class=\"wp-caption aligncenter\" style=\"max-width: 1920px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962963\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-scaled.jpg\" alt=\"Spie, legendary San Francisco based aerosol writer, sharing an image of Mike "Dream" Francisco's first piece from 1983.\" width=\"1920\" height=\"2560\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-scaled.jpg 1920w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-800x1067.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-1020x1360.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-160x213.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-768x1024.jpg 768w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-1152x1536.jpg 1152w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/IMG_7402-1536x2048.jpg 1536w\" sizes=\"(max-width: 1920px) 100vw, 1920px\">\u003cfigcaption class=\"wp-caption-text\">San Francisco-based aerosol legend Spie shares an image of Mike “Dream” Francisco’s first piece from 1983. \u003ccite>(Pendarvis Harshaw/KQED)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>At one point during the presentation, Aranaydo grabbed the mic to provide further context of his relationship to Dream and Spie, noting the importance of their work.\u003c/p>\n\u003cp>It’s rare for a shop owner to be able to speak about the art and culture their crew created and sustained for over four decades, but that’s one of the many things Aranaydo is offering with this space.\u003c/p>\n\u003cp>“It feels irresponsible to just ask people to support my cool-guy shit and give me money,” says Aranaydo of selling clothing and apparel. “I want people to not just buy something. I want them to walk away with much more.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>The NVR OVR pop-up shop is at 302 12th St. in Oakland, with events slated from now through Oct. 15. \u003ca href=\"https://www.instagram.com/p/C-9DQq2PadJ/?igsh=MzRlODBiNWFlZA%3D%3D\" target=\"_blank\" rel=\"noopener\">Details and more info here\u003c/a>.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13962959/nvr-ovr-pop-up-willie-maze-oakland","authors":["11491"],"programs":["arts_140"],"categories":["arts_1","arts_835","arts_76","arts_69"],"tags":["arts_1143","arts_585"],"featImg":"arts_13962978","label":"arts_140"},"arts_13962980":{"type":"posts","id":"arts_13962980","meta":{"index":"posts_1716263798","site":"arts","id":"13962980","score":null,"sort":[1724271532000]},"guestAuthors":[],"slug":"history-bay-day-midway-san-francisco-dregs-one-souls-mischief-mob-figaz-kamaiyah","title":"Dregs One’s ‘History of the Bay Day’ Returns to the Midway","publishDate":1724271532,"format":"standard","headTitle":"Dregs One’s ‘History of the Bay Day’ Returns to the Midway | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>If you were at last year’s History of the Bay Day in San Francisco, you already know. Put on by Lakeview rapper Dregs One, the host of the \u003cem>History of the Bay\u003c/em> podcast, the daytime party brought out a who’s-who of regional hip-hop legends and a completely packed house.\u003c/p>\n\u003cp>This year is shaping up to be no different, based on today’s initial lineup announcement. Set for Oct. 19, the event will feature a reunion of the Jacka’s group Mob Figaz, along with a special tribute to the Jacka. Kamaiyah is on the bill too, along with Oakland ambassadors \u003ca href=\"https://www.kqed.org/arts/tag/souls-of-mischief\">Souls of Mischief\u003c/a>, who spent last year touring the globe to celebrate the anniversary of \u003cem>’93 Til Infinity\u003c/em>.\u003c/p>\n\u003cp>More performances will be announced soon. Throughout the event will be galleries for graffiti, skate photos and Bay Area memorabilia, along with DJ sets, a Women in Hip-Hop Panel hosted by KQED Arts & Culture’s Nastia Voynovskaya, a dance cypher and more. \u003ca href=\"https://www.kqed.org/arts/13931387/photos-history-of-the-bay-day-party-dregs-one-review\">Read our coverage of last year’s event here\u003c/a>.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>‘History of the Bay Day’ takes place Saturday, Oct. 19, at the Midway in San Francisco. \u003ca href=\"https://www.instagram.com/p/C-8Pgb6S4A2/?img_index=1\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\u003cp>\u003c/p>\n","blocks":[],"excerpt":"Mob Figaz, Souls of Mischief and Kamaiyah are among today's initial lineup announcement.","status":"publish","parent":0,"modified":1724271532,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":6,"wordCount":204},"headData":{"title":"Dregs One’s ‘History of the Bay Day’ Returns to the Midway | KQED","description":"Mob Figaz, Souls of Mischief and Kamaiyah are among today's initial lineup announcement.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Dregs One’s ‘History of the Bay Day’ Returns to the Midway","datePublished":"2024-08-21T13:18:52-07:00","dateModified":"2024-08-21T13:18:52-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13962980","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13962980/history-bay-day-midway-san-francisco-dregs-one-souls-mischief-mob-figaz-kamaiyah","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>If you were at last year’s History of the Bay Day in San Francisco, you already know. Put on by Lakeview rapper Dregs One, the host of the \u003cem>History of the Bay\u003c/em> podcast, the daytime party brought out a who’s-who of regional hip-hop legends and a completely packed house.\u003c/p>\n\u003cp>This year is shaping up to be no different, based on today’s initial lineup announcement. Set for Oct. 19, the event will feature a reunion of the Jacka’s group Mob Figaz, along with a special tribute to the Jacka. Kamaiyah is on the bill too, along with Oakland ambassadors \u003ca href=\"https://www.kqed.org/arts/tag/souls-of-mischief\">Souls of Mischief\u003c/a>, who spent last year touring the globe to celebrate the anniversary of \u003cem>’93 Til Infinity\u003c/em>.\u003c/p>\n\u003cp>More performances will be announced soon. Throughout the event will be galleries for graffiti, skate photos and Bay Area memorabilia, along with DJ sets, a Women in Hip-Hop Panel hosted by KQED Arts & Culture’s Nastia Voynovskaya, a dance cypher and more. \u003ca href=\"https://www.kqed.org/arts/13931387/photos-history-of-the-bay-day-party-dregs-one-review\">Read our coverage of last year’s event here\u003c/a>.\u003c/p>\n\u003chr>\n\u003cp>\u003cem>‘History of the Bay Day’ takes place Saturday, Oct. 19, at the Midway in San Francisco. \u003ca href=\"https://www.instagram.com/p/C-8Pgb6S4A2/?img_index=1\">Details here\u003c/a>. \u003c/em>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\u003cp>\u003c/p>\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13962980/history-bay-day-midway-san-francisco-dregs-one-souls-mischief-mob-figaz-kamaiyah","authors":["185"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_8505","arts_22280","arts_831","arts_21047","arts_585"],"featImg":"arts_13934348","label":"arts_140"},"arts_13961499":{"type":"posts","id":"arts_13961499","meta":{"index":"posts_1716263798","site":"arts","id":"13961499","score":null,"sort":[1724262908000]},"guestAuthors":[],"slug":"hardly-strictly-bluegrass-2024-initial-lineup-free-golden-gate-park","title":"Mavis Staples, Cat Power and More Join Hardly Strictly Bluegrass Lineup","publishDate":1724262908,"format":"standard","headTitle":"Mavis Staples, Cat Power and More Join Hardly Strictly Bluegrass Lineup | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>\u003cstrong>Update, Aug. 21, 2024:\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass announced a third update to the lineup for the annual, free festival coming to Golden Gate Park Oct. 4–6. Joining rock heavy-hitters Sleater-Kinney is soul, R&B and gospel powerhouse Mavis Staples, as well as Cat Power, who will perform a Bob Dylan tribute set in homage to his famed 1966 “Royal Albert Hall” concert.\u003c/p>\n\u003cp>Psychedelic cumbia band Combo Tezeta, folk singer-songwriter Jessica Pratt, Hardly Strictly mainstay Steve Earle, Cunningham Bird, Wonder Women of Country, Matt the Electrician, John Cooper Clarke, Carlene Carter and Wreckless Strangers have also been added to the bill.\u003c/p>\n\u003cp>\u003cstrong>Update, Aug. 7, 2024:\u003c/strong>\u003c/p>\n\u003cp>Sleater-Kinney will perform at \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass\u003c/a>. The concert, now in its 24th year, announced new additions to its lineup today.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>The influential group — whose guitarist, Carrie Brownstein, has another claim to fame as the co-creator of \u003cem>Portlandia\u003c/em> — emerged from the riot grrrl scene of the ’90s in Olympia, Washington and went on to become a force of indie rock in the 2000s. The band is still going strong in 2024 with their new album, \u003cem>Little Rope\u003c/em>, full of punchy grooves that invite listeners to dance and mosh out grief and other heavy emotions.\u003c/p>\n\u003cp>Venezuelan American singer Devendra Banhart also joins Hardly Strictly this year. He began his career busking on the streets of the Castro after dropping out of the San Francisco Art Institute, and became a star of the freak-folk movement of the aughts.\u003c/p>\n\u003cp>The 2024 lineup also offers a few standout international acts. London’s Ibibio Sound Machine will bring the dance party with their high-energy electronic pop, which draws heavily from West African music. And Kyiv’s Dakhabrakha promises to mesmerize with an experimental sound that builds upon Ukrainian folk music to create something completely new and surreal.\u003c/p>\n\u003cp>The lineup also features AJ Lee & Blue Summit, Emmylou Harris, Sean McConnell, Levitation Room, Jobi Riccio and Tony Trischka’s Earl Jam. More artists will be announced as the festival approaches.\u003c/p>\n\u003cp>\u003cstrong>Original story, July 24, 2024:\u003c/strong>\u003c/p>\n\u003cp>San Francisco is on a hot streak of \u003ca href=\"https://www.kqed.org/arts/13961468/sudan-archives-sf-live-noise-pop-crane-cove\">free concerts this summer\u003c/a>, but Hardly Strictly Bluegrass was always ahead of the curve. The annual festival has brought admission-free live music to Golden Gate Park every October for the past 24 years, and it just announced the first phase of the lineup for this year’s event, Oct. 4–6. [aside postid='arts_13961468,arts_13957394']\u003c/p>\n\u003cp>The intergenerational lineup of roots musicians ranges from millennials to nonagenarians. Expect foot-stomping Americana from \u003ca href=\"https://youtu.be/5o3gSY6XwEo?si=ac1M3F3518YVNE6V\">Greensky Bluegrass\u003c/a>; power pop band \u003ca href=\"https://youtu.be/gn5EWQtlevI?si=F6NwtasjKqDYnh8R\">Big Star\u003c/a> celebrating the 50th anniversary of their influential album \u003cem>Radio City\u003c/em>; original bluesman and 2024 Grammy winner \u003ca href=\"https://youtu.be/1Q_pdutDQPs?si=Hl2zC9n5F83LIPCh\">Bobby Rush\u003c/a>; harmonizing folk singer and multi-instrumentalist \u003ca href=\"https://youtu.be/7o19SHBWMV0?si=59HKI-tDfuZ4SwZn\">Alice Gerrard\u003c/a>; folk bands \u003ca href=\"https://youtu.be/KQKPmO2vgjc?si=e2jaHWmaisznXqEu\">The Wood Brothers\u003c/a> and \u003ca href=\"https://youtu.be/9n-oTRhWYWw?si=cdrn9wMszyTK03Mb\">Fruition\u003c/a>; English singer-songwriter \u003ca href=\"https://youtu.be/dnlsyCHN8Ic?si=Ad0dfxmZch4m-fcp\">Robyn Hitchcock\u003c/a>; introspective lyricist \u003ca href=\"https://youtu.be/Mub2i2BoHpM?si=amKeMq3cFTAPfUnv\">Haley Heynderickx\u003c/a>; folk-meets-art pop singer \u003ca href=\"https://youtu.be/ng-m9CCgyCc?si=JN4uyWSpY-npqcCX\">The Bones of J.R. Jones\u003c/a>; and \u003ca href=\"https://youtu.be/czseHfMBl4Q?si=WKQ9Pvq2-wX3_JYp\">Glen Hansard\u003c/a>, who’s currently on a sold-out tour with Pearl Jam.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Hardly Strictly will announce even more artists in the coming weeks.\u003c/p>\n\n","blocks":[],"excerpt":"The free festival features heavy-hitters Sleater-Kinney, psychedelic cumbia band Combo Tezeta and others.","status":"publish","parent":0,"modified":1724263819,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":522},"headData":{"title":"Hardly Strictly 2024: Mavis Staples, Cat Power Join Lineup | KQED","description":"The free festival features heavy-hitters Sleater-Kinney, psychedelic cumbia band Combo Tezeta and others.","ogTitle":"Mavis Staples, Cat Power and More Join Hardly Strictly Bluegrass Lineup","ogDescription":"","ogImgId":"","twTitle":"Mavis Staples, Cat Power and More Join Hardly Strictly Bluegrass Lineup","twDescription":"","twImgId":"","socialTitle":"Hardly Strictly 2024: Mavis Staples, Cat Power Join Lineup %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Mavis Staples, Cat Power and More Join Hardly Strictly Bluegrass Lineup","datePublished":"2024-08-21T10:55:08-07:00","dateModified":"2024-08-21T11:10:19-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13961499","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13961499/hardly-strictly-bluegrass-2024-initial-lineup-free-golden-gate-park","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003cstrong>Update, Aug. 21, 2024:\u003c/strong>\u003c/p>\n\u003cp>Hardly Strictly Bluegrass announced a third update to the lineup for the annual, free festival coming to Golden Gate Park Oct. 4–6. Joining rock heavy-hitters Sleater-Kinney is soul, R&B and gospel powerhouse Mavis Staples, as well as Cat Power, who will perform a Bob Dylan tribute set in homage to his famed 1966 “Royal Albert Hall” concert.\u003c/p>\n\u003cp>Psychedelic cumbia band Combo Tezeta, folk singer-songwriter Jessica Pratt, Hardly Strictly mainstay Steve Earle, Cunningham Bird, Wonder Women of Country, Matt the Electrician, John Cooper Clarke, Carlene Carter and Wreckless Strangers have also been added to the bill.\u003c/p>\n\u003cp>\u003cstrong>Update, Aug. 7, 2024:\u003c/strong>\u003c/p>\n\u003cp>Sleater-Kinney will perform at \u003ca href=\"https://www.hardlystrictlybluegrass.com/\">Hardly Strictly Bluegrass\u003c/a>. The concert, now in its 24th year, announced new additions to its lineup today.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The influential group — whose guitarist, Carrie Brownstein, has another claim to fame as the co-creator of \u003cem>Portlandia\u003c/em> — emerged from the riot grrrl scene of the ’90s in Olympia, Washington and went on to become a force of indie rock in the 2000s. The band is still going strong in 2024 with their new album, \u003cem>Little Rope\u003c/em>, full of punchy grooves that invite listeners to dance and mosh out grief and other heavy emotions.\u003c/p>\n\u003cp>Venezuelan American singer Devendra Banhart also joins Hardly Strictly this year. He began his career busking on the streets of the Castro after dropping out of the San Francisco Art Institute, and became a star of the freak-folk movement of the aughts.\u003c/p>\n\u003cp>The 2024 lineup also offers a few standout international acts. London’s Ibibio Sound Machine will bring the dance party with their high-energy electronic pop, which draws heavily from West African music. And Kyiv’s Dakhabrakha promises to mesmerize with an experimental sound that builds upon Ukrainian folk music to create something completely new and surreal.\u003c/p>\n\u003cp>The lineup also features AJ Lee & Blue Summit, Emmylou Harris, Sean McConnell, Levitation Room, Jobi Riccio and Tony Trischka’s Earl Jam. More artists will be announced as the festival approaches.\u003c/p>\n\u003cp>\u003cstrong>Original story, July 24, 2024:\u003c/strong>\u003c/p>\n\u003cp>San Francisco is on a hot streak of \u003ca href=\"https://www.kqed.org/arts/13961468/sudan-archives-sf-live-noise-pop-crane-cove\">free concerts this summer\u003c/a>, but Hardly Strictly Bluegrass was always ahead of the curve. The annual festival has brought admission-free live music to Golden Gate Park every October for the past 24 years, and it just announced the first phase of the lineup for this year’s event, Oct. 4–6. \u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13961468,arts_13957394","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>The intergenerational lineup of roots musicians ranges from millennials to nonagenarians. Expect foot-stomping Americana from \u003ca href=\"https://youtu.be/5o3gSY6XwEo?si=ac1M3F3518YVNE6V\">Greensky Bluegrass\u003c/a>; power pop band \u003ca href=\"https://youtu.be/gn5EWQtlevI?si=F6NwtasjKqDYnh8R\">Big Star\u003c/a> celebrating the 50th anniversary of their influential album \u003cem>Radio City\u003c/em>; original bluesman and 2024 Grammy winner \u003ca href=\"https://youtu.be/1Q_pdutDQPs?si=Hl2zC9n5F83LIPCh\">Bobby Rush\u003c/a>; harmonizing folk singer and multi-instrumentalist \u003ca href=\"https://youtu.be/7o19SHBWMV0?si=59HKI-tDfuZ4SwZn\">Alice Gerrard\u003c/a>; folk bands \u003ca href=\"https://youtu.be/KQKPmO2vgjc?si=e2jaHWmaisznXqEu\">The Wood Brothers\u003c/a> and \u003ca href=\"https://youtu.be/9n-oTRhWYWw?si=cdrn9wMszyTK03Mb\">Fruition\u003c/a>; English singer-songwriter \u003ca href=\"https://youtu.be/dnlsyCHN8Ic?si=Ad0dfxmZch4m-fcp\">Robyn Hitchcock\u003c/a>; introspective lyricist \u003ca href=\"https://youtu.be/Mub2i2BoHpM?si=amKeMq3cFTAPfUnv\">Haley Heynderickx\u003c/a>; folk-meets-art pop singer \u003ca href=\"https://youtu.be/ng-m9CCgyCc?si=JN4uyWSpY-npqcCX\">The Bones of J.R. Jones\u003c/a>; and \u003ca href=\"https://youtu.be/czseHfMBl4Q?si=WKQ9Pvq2-wX3_JYp\">Glen Hansard\u003c/a>, who’s currently on a sold-out tour with Pearl Jam.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>Hardly Strictly will announce even more artists in the coming weeks.\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13961499/hardly-strictly-bluegrass-2024-initial-lineup-free-golden-gate-park","authors":["11387"],"programs":["arts_140"],"categories":["arts_1","arts_69"],"tags":["arts_10278","arts_2688","arts_585"],"featImg":"arts_13903773","label":"arts_140"},"arts_13962694":{"type":"posts","id":"arts_13962694","meta":{"index":"posts_1716263798","site":"arts","id":"13962694","score":null,"sort":[1724192568000]},"guestAuthors":[],"slug":"hayward-hip-hop-rap-adambeen","title":"Hayward Isn’t Known For Hip-Hop — But This Samoan Rapper Is Changing That","publishDate":1724192568,"format":"aside","headTitle":"Hayward Isn’t Known For Hip-Hop — But This Samoan Rapper Is Changing That | KQED","labelTerm":{"site":"arts"},"content":"\u003cfigure id=\"attachment_13962721\" class=\"wp-caption aligncenter\" style=\"max-width: 642px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962721\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/0A4F24E7-133D-4EB9-BF1C-8D77D5C39DD5.jpg\" alt=\"a rapper wearing dark sunglasses stands against the wall\" width=\"642\" height=\"429\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/0A4F24E7-133D-4EB9-BF1C-8D77D5C39DD5.jpg 642w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/0A4F24E7-133D-4EB9-BF1C-8D77D5C39DD5-160x107.jpg 160w\" sizes=\"(max-width: 642px) 100vw, 642px\">\u003cfigcaption class=\"wp-caption-text\">AdamBeen is an American Samoa-born, Hayward-raised rapper bringing attention to his city through music and streetwear. \u003ccite>(Courtesy AdamBeen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was at a house party near the Dumbarton Bridge in Newark where I first met \u003ca href=\"https://www.instagram.com/adambeen_/\">AdamBeen\u003c/a>. On what should’ve been a restful Sunday afternoon, the large Samoan brought a bottle of mezcal and began to whip up cocktails in my cousin’s kitchen, which, in a houseful of Mexicans, is a welcome gesture.\u003c/p>\n\u003cp>Standing over 6 feet tall with the build of a defensive tackle, Adam stooped over the counter evincing the gentle touch of a seasoned bartender — salting the glass rims, and mixing generous pours of the Oaxacan spirit with splashes of fresh juice.\u003c/p>\n\u003cp>At the time, I didn’t know he made music and co-founded \u003ca href=\"https://www.instagram.com/hellatechh/?hl=en\">HellaTech\u003c/a>, an underground streetwear brand I’d seen some of my younger cousins wearing around the East Bay. Soon after taking a shot together and connecting over a simple mention of hip-hop, we mused on Gang Starr, Curren$y, Griselda, The Jacka, \u003ca href=\"https://www.kqed.org/arts/13934803/1100-himself-oakland-rapper-thizzler\">1100 Himself\u003c/a> and Rappin’ 4-Tay.\u003c/p>\n\u003cp>Covering a range of rap styles, regions and eras, he impressed me for a Bay Area dude nearly 10 years younger than me. Turns out that AdamBeen knows his hip-hop lore — a student of the game who, as a DJ in his spare time, is on his way to becoming a parochial tastemaker.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/album/3YUg3p1aGSS39vzgFo6rw5?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>What separates AdamBeen from his generational Bay Area contemporaries isn’t just his old-school rap erudition, though. As I later found out by diving into his music catalog, it’s his carefully tuned, Griselda-esque verbal artillery. And as a Pacific Islander born in American Samoa who was raised by an adopted family in a Mexican, Hawaiian and Samoan household in Hayward, AdamBeen’s got plenty of unique perspective to spit.\u003c/p>\n\u003cp>His development as an emcee can be traced to his 2021 debut, \u003ci>Under The Beenfluence, Vol. 1\u003c/i>. The LP opens with an audio clip of Spice 1 talking about Hayward, establishing a hometown lineage that the young emcee embraces in the video for “\u003ca href=\"https://www.youtube.com/watch?v=wsquAgV8E9Y&list=OLAK5uy_nIqsJaqfpQlMAMEH2v0v4urfJ_VVfiPGk&index=4\">Go On N Cry\u003c/a>.” The album served to calibrate his sonic identity within the Bay Area ecosystem, with a prominent feature from rising Filipino American rapper \u003ca href=\"https://www.instagram.com/darrellmedellin/\">Darrell Medellin\u003c/a> and local friends Benny Mak and Esancho. Entirely produced by Union City’s \u003ca href=\"https://www.instagram.com/payseanprod/\">Pay$ean\u003c/a>, the project carries overtones of mobb music, which Been would soon veer away from in favor of lo-fi minimalism.\u003c/p>\n\u003cp>In 2022, the \u003ca href=\"https://www.samoanews.com/linking-samoans/samoan-slang-fuels-aussie-interest-polynesian-culture-language\">big uce\u003c/a> dropped \u003ci>Bag of Bars\u003c/i>, a collaboration with Bay Area soundmaker Steelo Fury. On songs like “Heaven’s Tears,” “Prism,” “Tech Kwon Do,” and “Beached Thoughts,” the album allows for a quieter, wandering — if not euphonious — lyricism. Meditative and unforced, the album is free from remnants of mobb or hyphy energy to which many rappers in the region can be zealously bound.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=lLuEMJGvlQU\u003c/p>\n\u003cp>Now, with \u003ci>Selected Works\u003c/i> — released in the spring of 2024 — the emcee proves he’s stayed active in the lyrical dojo, delivering seven tracks on his best project to date. With a third collaborator at the helm, \u003ca href=\"https://www.instagram.com/allsngeye/\">THEALLSEEINGEYE\u003c/a> — an East Bay factotum who produces, raps, paints and even designed the album cover — AdamBeen’s artistry continues to grow into jazzier permutations while retaining a gritty, industrial texture reflective of Hayward’s backstreets.\u003c/p>\n\u003cp>A blue-collar suburb just south of Oakland, and the third largest city in Alameda County, Hayward first garnered shine in the Bay Area hip-hop cosmos in 1991, when Spice 1 released his anthemic track, “187 Proof.” The city has had only intermittent regional stars, like 187 Fac or Darkroom Familia, since.\u003c/p>\n\u003cp>Even back then, Spice 1 — the rapid-spitting gangster rapper known for his collaborations with 2Pac, the Luniz, E-40 and other California heavyweights — didn’t really rep Hayward with the same fervor his peers reserved for Oakland, Frisco, Vallejo and Richmond. Though a similar city in demographics and vibe — predominantly blue collar, dotted with warehouses and junkyards, close to the shoreline — Hayward, or the Stack, never reached the same level of rap eminence.\u003c/p>\n\u003cp>AdamBeen might be in the best position to change that. His artistic merit surpasses any online algorithm or follower count. For any true rap lover, particularly those with an allegiance to the boom-bap era, Been has a promising allure, particularly as one of Hayward’s sole representatives.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As he establishes on “Stop & Listen,” the introductory track to \u003ci>Selected Works\u003c/i>, he’s doing things his own way and doesn’t plan on switching up: “I ain’t no S.O.S [\u003ca href=\"https://unitedgangs.com/sons-of-samoa/\">Sons Of Samoa\u003c/a>], I ain’t on no same old shit / Had to make changes without changing / …you gotta hate yourself before you hate this.”\u003c/p>\n\u003chr>\n\n","blocks":[],"excerpt":"With Spice 1 as Hayward's primary rap icon, AdamBeen is poised to bring renewed attention to the city.","status":"publish","parent":0,"modified":1724334973,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":840},"headData":{"title":"Hayward Isn’t Known For Hip-Hop — But This Samoan Rapper Is Changing That | KQED","description":"With Spice 1 as Hayward's primary rap icon, AdamBeen is poised to bring renewed attention to the city.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Hayward Isn’t Known For Hip-Hop — But This Samoan Rapper Is Changing That","datePublished":"2024-08-20T15:22:48-07:00","dateModified":"2024-08-22T06:56:13-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13962694","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13962694/hayward-hip-hop-rap-adambeen","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cfigure id=\"attachment_13962721\" class=\"wp-caption aligncenter\" style=\"max-width: 642px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962721\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/0A4F24E7-133D-4EB9-BF1C-8D77D5C39DD5.jpg\" alt=\"a rapper wearing dark sunglasses stands against the wall\" width=\"642\" height=\"429\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/0A4F24E7-133D-4EB9-BF1C-8D77D5C39DD5.jpg 642w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/0A4F24E7-133D-4EB9-BF1C-8D77D5C39DD5-160x107.jpg 160w\" sizes=\"(max-width: 642px) 100vw, 642px\">\u003cfigcaption class=\"wp-caption-text\">AdamBeen is an American Samoa-born, Hayward-raised rapper bringing attention to his city through music and streetwear. \u003ccite>(Courtesy AdamBeen)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>It was at a house party near the Dumbarton Bridge in Newark where I first met \u003ca href=\"https://www.instagram.com/adambeen_/\">AdamBeen\u003c/a>. On what should’ve been a restful Sunday afternoon, the large Samoan brought a bottle of mezcal and began to whip up cocktails in my cousin’s kitchen, which, in a houseful of Mexicans, is a welcome gesture.\u003c/p>\n\u003cp>Standing over 6 feet tall with the build of a defensive tackle, Adam stooped over the counter evincing the gentle touch of a seasoned bartender — salting the glass rims, and mixing generous pours of the Oaxacan spirit with splashes of fresh juice.\u003c/p>\n\u003cp>At the time, I didn’t know he made music and co-founded \u003ca href=\"https://www.instagram.com/hellatechh/?hl=en\">HellaTech\u003c/a>, an underground streetwear brand I’d seen some of my younger cousins wearing around the East Bay. Soon after taking a shot together and connecting over a simple mention of hip-hop, we mused on Gang Starr, Curren$y, Griselda, The Jacka, \u003ca href=\"https://www.kqed.org/arts/13934803/1100-himself-oakland-rapper-thizzler\">1100 Himself\u003c/a> and Rappin’ 4-Tay.\u003c/p>\n\u003cp>Covering a range of rap styles, regions and eras, he impressed me for a Bay Area dude nearly 10 years younger than me. Turns out that AdamBeen knows his hip-hop lore — a student of the game who, as a DJ in his spare time, is on his way to becoming a parochial tastemaker.\u003c/p>\n\u003cp>\u003c!-- iframe plugin v.4.3 wordpress.org/plugins/iframe/ -->\u003cbr>\n\u003ciframe style=\"border-radius:12px\" src=\"https://open.spotify.com/embed/album/3YUg3p1aGSS39vzgFo6rw5?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" scrolling=\"yes\" class=\"iframe-class\">\u003c/iframe>\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>What separates AdamBeen from his generational Bay Area contemporaries isn’t just his old-school rap erudition, though. As I later found out by diving into his music catalog, it’s his carefully tuned, Griselda-esque verbal artillery. And as a Pacific Islander born in American Samoa who was raised by an adopted family in a Mexican, Hawaiian and Samoan household in Hayward, AdamBeen’s got plenty of unique perspective to spit.\u003c/p>\n\u003cp>His development as an emcee can be traced to his 2021 debut, \u003ci>Under The Beenfluence, Vol. 1\u003c/i>. The LP opens with an audio clip of Spice 1 talking about Hayward, establishing a hometown lineage that the young emcee embraces in the video for “\u003ca href=\"https://www.youtube.com/watch?v=wsquAgV8E9Y&list=OLAK5uy_nIqsJaqfpQlMAMEH2v0v4urfJ_VVfiPGk&index=4\">Go On N Cry\u003c/a>.” The album served to calibrate his sonic identity within the Bay Area ecosystem, with a prominent feature from rising Filipino American rapper \u003ca href=\"https://www.instagram.com/darrellmedellin/\">Darrell Medellin\u003c/a> and local friends Benny Mak and Esancho. Entirely produced by Union City’s \u003ca href=\"https://www.instagram.com/payseanprod/\">Pay$ean\u003c/a>, the project carries overtones of mobb music, which Been would soon veer away from in favor of lo-fi minimalism.\u003c/p>\n\u003cp>In 2022, the \u003ca href=\"https://www.samoanews.com/linking-samoans/samoan-slang-fuels-aussie-interest-polynesian-culture-language\">big uce\u003c/a> dropped \u003ci>Bag of Bars\u003c/i>, a collaboration with Bay Area soundmaker Steelo Fury. On songs like “Heaven’s Tears,” “Prism,” “Tech Kwon Do,” and “Beached Thoughts,” the album allows for a quieter, wandering — if not euphonious — lyricism. Meditative and unforced, the album is free from remnants of mobb or hyphy energy to which many rappers in the region can be zealously bound.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/lLuEMJGvlQU'\n title='//www.youtube.com/embed/lLuEMJGvlQU'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Now, with \u003ci>Selected Works\u003c/i> — released in the spring of 2024 — the emcee proves he’s stayed active in the lyrical dojo, delivering seven tracks on his best project to date. With a third collaborator at the helm, \u003ca href=\"https://www.instagram.com/allsngeye/\">THEALLSEEINGEYE\u003c/a> — an East Bay factotum who produces, raps, paints and even designed the album cover — AdamBeen’s artistry continues to grow into jazzier permutations while retaining a gritty, industrial texture reflective of Hayward’s backstreets.\u003c/p>\n\u003cp>A blue-collar suburb just south of Oakland, and the third largest city in Alameda County, Hayward first garnered shine in the Bay Area hip-hop cosmos in 1991, when Spice 1 released his anthemic track, “187 Proof.” The city has had only intermittent regional stars, like 187 Fac or Darkroom Familia, since.\u003c/p>\n\u003cp>Even back then, Spice 1 — the rapid-spitting gangster rapper known for his collaborations with 2Pac, the Luniz, E-40 and other California heavyweights — didn’t really rep Hayward with the same fervor his peers reserved for Oakland, Frisco, Vallejo and Richmond. Though a similar city in demographics and vibe — predominantly blue collar, dotted with warehouses and junkyards, close to the shoreline — Hayward, or the Stack, never reached the same level of rap eminence.\u003c/p>\n\u003cp>AdamBeen might be in the best position to change that. His artistic merit surpasses any online algorithm or follower count. For any true rap lover, particularly those with an allegiance to the boom-bap era, Been has a promising allure, particularly as one of Hayward’s sole representatives.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>As he establishes on “Stop & Listen,” the introductory track to \u003ci>Selected Works\u003c/i>, he’s doing things his own way and doesn’t plan on switching up: “I ain’t no S.O.S [\u003ca href=\"https://unitedgangs.com/sons-of-samoa/\">Sons Of Samoa\u003c/a>], I ain’t on no same old shit / Had to make changes without changing / …you gotta hate yourself before you hate this.”\u003c/p>\n\u003chr>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13962694/hayward-hip-hop-rap-adambeen","authors":["11748"],"categories":["arts_1","arts_835","arts_69"],"tags":["arts_11007","arts_8505","arts_5569","arts_22278","arts_974"],"featImg":"arts_13962937","label":"arts"},"arts_13962847":{"type":"posts","id":"arts_13962847","meta":{"index":"posts_1716263798","site":"arts","id":"13962847","score":null,"sort":[1724087137000]},"guestAuthors":[],"slug":"moon-unit-zappa-memoir-review-earth-to-moon-frank-valley-girl-dey-street-books","title":"Moon Unit Zappa Memoir Rides Messy Legacy of Father’s Genius on Journey to Self-Love","publishDate":1724087137,"format":"standard","headTitle":"Moon Unit Zappa Memoir Rides Messy Legacy of Father’s Genius on Journey to Self-Love | KQED","labelTerm":{"term":140,"site":"arts"},"content":"\u003cp>Moon Unit Zappa got the question a lot, particularly during the “Valley Girl” years: “What was it like growing up with \u003ca href=\"https://www.kqed.org/news/3279/mothers-of-preservation-frank-zappa-film-project-focuses-on-restoration-2\">Frank Zappa\u003c/a> for a dad?”\u003c/p>\n\u003cp>The eldest daughter of the quirky and unconventional musical visionary, who died at 52 in 1993, gives the world an extended, nuanced, often funny, many times painful answer to that question in her new memoir, \u003cem>Earth to Moon\u003c/em>, to be released Tuesday.\u003c/p>\n\u003cfigure id=\"attachment_13962848\" class=\"wp-caption aligncenter\" style=\"max-width: 834px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962848\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-19-at-9.43.27%E2%80%AFAM.png\" alt=\"A book cover depicting a cartoon girl walking on the moon's surface. Earth if visible beyond.\" width=\"834\" height=\"1216\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-19-at-9.43.27 AM.png 834w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-19-at-9.43.27 AM-800x1166.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-19-at-9.43.27 AM-160x233.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-19-at-9.43.27 AM-768x1120.png 768w\" sizes=\"(max-width: 834px) 100vw, 834px\">\u003cfigcaption class=\"wp-caption-text\">‘Earth to Moon’ by Moon Unit Zappa. \u003ccite>(Dey Street Books)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The book’s title carries the power of her life’s journey. Her mother, Frank’s second wife Gail, often used the phrase to scold her as a child — “Earth to Moon, the Earth doesn’t revolve around you” — but as Moon, now 56, matures, it comes to symbolize the grounding energy of appreciating her place on the planet. She punctuates her book with clever, space-themed sections, photos and old journal entries.\u003c/p>\n\u003cp>[aside postid='arts_13962315']“Love yourself, love yourself, love yourself” is one of her “big takeaways.”\u003c/p>\n\u003cp>Moon Unit’s hurts are many. She describes a childhood wrought with confusion and disappointment, in which she acted to nurture and protect her younger siblings — Dweezil, Ahmet and Diva — even as her own big life questions remained largely unaddressed by her preoccupied father and volatile mother.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Take sex. She was regularly exposed to her father’s scantily clad groupies, nudity around the house and being able to hear her parents’ love-making (and arguing) through the walls, yet had no clue how to use a tampon. It was the same with money. Although Moon accrued a nest egg from her and her father’s Grammy-nominated 1982 hit “Valley Girl” large enough to buy her own house (“Like, omigod!”), she never had “normal” childhood experiences like allowance and chores and struggled to hold a steady job.\u003c/p>\n\u003cp>https://www.youtube.com/watch?v=Qb21lsCQ3EM\u003c/p>\n\u003cp>Growing up in 1970s Hollywood meant hanging with plenty of fellow celebrities, though. Actors Justine and Jason Bateman are friends, they know Michael J. Fox as “Mike,” her brother Dweezil dates Molly Ringwald (and later VJs on MTV), and, in one hilarious scene, she chases her heartthrob, Jon Bon Jovi, to a fundraiser only to discover they’re star-crossed. Moon also relieves her stress by attending live comedy shows with the likes of newcomers Chris Rock and Janeane Garofalo.\u003c/p>\n\u003cp>[aside postid='arts_13962790']In his 1989 \u003cem>The Real Frank Zappa Book\u003c/em>, Frank admits he’s grumpy, has a bad attitude toward “typical familyism,” has no “friends,” and no time for “social activities.” (Quote marks, his.) “I do, however, have a wonderful wife and four totally unbelievable children, and that, folks, is way better,” he writes. Frank Zappa explains that he chooses to treat his children like people — as in, like adults — and believes, “Whatever they’re going to do in life, they’s going to do regardless of home instruction.”\u003c/p>\n\u003cp>Moon Unit describes those traits left her with a yearning — for more of his time, his attention, his validation. She and her mother frequently clash as they navigate Frank’s long absences, affairs, and occasional bomb drops (say, a possible run for president, or “Moon, I have cancer.”)\u003c/p>\n\u003cp>In one poignant episode, Moon describes being a child and being overcome with a fear of death. She dares to venture to Frank’s basement lair to seek her father’s comfort and he rebuffs her, telling her just not to think about it. Back in her room, she imagines what it would be like to be her dad and just not be afraid. She listens to his music and pretends he’s telling her a story.\u003c/p>\n\u003cp>“I listen to the notes of his song-story and my breathing slows down. My body feels heavy now,” she writes. “My eyes close to the night and the dark. I keep listening and let my daddy’s music wrap around me like tangled seaweed, and the music and my steady heartbeat intertwine until sleep pulls me under.”\u003c/p>\n\u003cp>Perhaps her biggest disappointment is her mother’s now well-publicized decision to make Ahmet and Diva “the sole and exclusive managers of all business” related to Frank after her death. She and Dweezil were given no rights to decisions about the family home, their father or their last name, which prompted deep soul-searching.\u003c/p>\n\u003cp>[aside postid='arts_13962650']Moon says she remains estranged from her two youngest siblings, and for different reasons from Dweezil, but she writes that she is finding her way to healing. She is a mother, a writer, an actor, a comic, an artist, a podcaster and a “tea baroness.”\u003c/p>\n\u003cp>Among the things that she’s learned is that growing up doesn’t end when you become an adult. She writes, “The way out is through. Make peace with what hurts and head toward joy.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Earth to Moon’ by Moon Unit Zappa is released nationwide on Aug. 20, 2024, via Dey Street Books.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"Zappa vividly describes a childhood wrought with confusion and disappointment in her searing new book.","status":"publish","parent":0,"modified":1724087137,"stats":{"hasAudio":false,"hasVideo":true,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":17,"wordCount":892},"headData":{"title":"Book Review: ‘Earth to Moon’ by Moon Unit Zappa | KQED","description":"Zappa vividly describes a childhood wrought with confusion and disappointment in her searing new book.","ogTitle":"Moon Unit Zappa Memoir Rides Messy Legacy of Father’s Genius on Journey to Self-Love","ogDescription":"","ogImgId":"","twTitle":"Moon Unit Zappa Memoir Rides Messy Legacy of Father’s Genius on Journey to Self-Love","twDescription":"","twImgId":"","socialTitle":"Book Review: ‘Earth to Moon’ by Moon Unit Zappa %%page%% %%sep%% KQED","schema":{"@context":"http://schema.org","@type":"Article","headline":"Moon Unit Zappa Memoir Rides Messy Legacy of Father’s Genius on Journey to Self-Love","datePublished":"2024-08-19T10:05:37-07:00","dateModified":"2024-08-19T10:05:37-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprByline":"Julie Carr Smyth, Associated Press","nprStoryId":"kqed-13962847","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","showOnAuthorArchivePages":"No","articleAge":"0","path":"/arts/13962847/moon-unit-zappa-memoir-review-earth-to-moon-frank-valley-girl-dey-street-books","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>Moon Unit Zappa got the question a lot, particularly during the “Valley Girl” years: “What was it like growing up with \u003ca href=\"https://www.kqed.org/news/3279/mothers-of-preservation-frank-zappa-film-project-focuses-on-restoration-2\">Frank Zappa\u003c/a> for a dad?”\u003c/p>\n\u003cp>The eldest daughter of the quirky and unconventional musical visionary, who died at 52 in 1993, gives the world an extended, nuanced, often funny, many times painful answer to that question in her new memoir, \u003cem>Earth to Moon\u003c/em>, to be released Tuesday.\u003c/p>\n\u003cfigure id=\"attachment_13962848\" class=\"wp-caption aligncenter\" style=\"max-width: 834px\">\u003cimg loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-13962848\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-19-at-9.43.27%E2%80%AFAM.png\" alt=\"A book cover depicting a cartoon girl walking on the moon's surface. Earth if visible beyond.\" width=\"834\" height=\"1216\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-19-at-9.43.27 AM.png 834w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-19-at-9.43.27 AM-800x1166.png 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-19-at-9.43.27 AM-160x233.png 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/Screenshot-2024-08-19-at-9.43.27 AM-768x1120.png 768w\" sizes=\"(max-width: 834px) 100vw, 834px\">\u003cfigcaption class=\"wp-caption-text\">‘Earth to Moon’ by Moon Unit Zappa. \u003ccite>(Dey Street Books)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>The book’s title carries the power of her life’s journey. Her mother, Frank’s second wife Gail, often used the phrase to scold her as a child — “Earth to Moon, the Earth doesn’t revolve around you” — but as Moon, now 56, matures, it comes to symbolize the grounding energy of appreciating her place on the planet. She punctuates her book with clever, space-themed sections, photos and old journal entries.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13962315","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>“Love yourself, love yourself, love yourself” is one of her “big takeaways.”\u003c/p>\n\u003cp>Moon Unit’s hurts are many. She describes a childhood wrought with confusion and disappointment, in which she acted to nurture and protect her younger siblings — Dweezil, Ahmet and Diva — even as her own big life questions remained largely unaddressed by her preoccupied father and volatile mother.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Take sex. She was regularly exposed to her father’s scantily clad groupies, nudity around the house and being able to hear her parents’ love-making (and arguing) through the walls, yet had no clue how to use a tampon. It was the same with money. Although Moon accrued a nest egg from her and her father’s Grammy-nominated 1982 hit “Valley Girl” large enough to buy her own house (“Like, omigod!”), she never had “normal” childhood experiences like allowance and chores and struggled to hold a steady job.\u003c/p>\u003c/p>\u003cp>\u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutube'>\n \u003cspan class='utils-parseShortcode-shortcodes-__youtubeShortcode__embedYoutubeInside'>\n \u003ciframe\n loading='lazy'\n class='utils-parseShortcode-shortcodes-__youtubeShortcode__youtubePlayer'\n type='text/html'\n src='//www.youtube.com/embed/Qb21lsCQ3EM'\n title='//www.youtube.com/embed/Qb21lsCQ3EM'\n allowfullscreen='true'\n style='border:0;'>\u003c/iframe>\n \u003c/span>\n \u003c/span>\u003c/p>\u003cp>\u003cp>Growing up in 1970s Hollywood meant hanging with plenty of fellow celebrities, though. Actors Justine and Jason Bateman are friends, they know Michael J. Fox as “Mike,” her brother Dweezil dates Molly Ringwald (and later VJs on MTV), and, in one hilarious scene, she chases her heartthrob, Jon Bon Jovi, to a fundraiser only to discover they’re star-crossed. Moon also relieves her stress by attending live comedy shows with the likes of newcomers Chris Rock and Janeane Garofalo.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13962790","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>In his 1989 \u003cem>The Real Frank Zappa Book\u003c/em>, Frank admits he’s grumpy, has a bad attitude toward “typical familyism,” has no “friends,” and no time for “social activities.” (Quote marks, his.) “I do, however, have a wonderful wife and four totally unbelievable children, and that, folks, is way better,” he writes. Frank Zappa explains that he chooses to treat his children like people — as in, like adults — and believes, “Whatever they’re going to do in life, they’s going to do regardless of home instruction.”\u003c/p>\n\u003cp>Moon Unit describes those traits left her with a yearning — for more of his time, his attention, his validation. She and her mother frequently clash as they navigate Frank’s long absences, affairs, and occasional bomb drops (say, a possible run for president, or “Moon, I have cancer.”)\u003c/p>\n\u003cp>In one poignant episode, Moon describes being a child and being overcome with a fear of death. She dares to venture to Frank’s basement lair to seek her father’s comfort and he rebuffs her, telling her just not to think about it. Back in her room, she imagines what it would be like to be her dad and just not be afraid. She listens to his music and pretends he’s telling her a story.\u003c/p>\n\u003cp>“I listen to the notes of his song-story and my breathing slows down. My body feels heavy now,” she writes. “My eyes close to the night and the dark. I keep listening and let my daddy’s music wrap around me like tangled seaweed, and the music and my steady heartbeat intertwine until sleep pulls me under.”\u003c/p>\n\u003cp>Perhaps her biggest disappointment is her mother’s now well-publicized decision to make Ahmet and Diva “the sole and exclusive managers of all business” related to Frank after her death. She and Dweezil were given no rights to decisions about the family home, their father or their last name, which prompted deep soul-searching.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13962650","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>Moon says she remains estranged from her two youngest siblings, and for different reasons from Dweezil, but she writes that she is finding her way to healing. She is a mother, a writer, an actor, a comic, an artist, a podcaster and a “tea baroness.”\u003c/p>\n\u003cp>Among the things that she’s learned is that growing up doesn’t end when you become an adult. She writes, “The way out is through. Make peace with what hurts and head toward joy.”\u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Earth to Moon’ by Moon Unit Zappa is released nationwide on Aug. 20, 2024, via Dey Street Books.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13962847/moon-unit-zappa-memoir-review-earth-to-moon-frank-valley-girl-dey-street-books","authors":["byline_arts_13962847"],"programs":["arts_140"],"categories":["arts_1","arts_73","arts_69","arts_75"],"tags":["arts_9054","arts_21679","arts_769","arts_585"],"featImg":"arts_13962850","label":"arts_140"},"arts_13962790":{"type":"posts","id":"arts_13962790","meta":{"index":"posts_1716263798","site":"arts","id":"13962790","score":null,"sort":[1723836913000]},"guestAuthors":[],"slug":"kexp-bay-area-music-vinelands-kelley-stoltz","title":"A New KEXP Show, ‘Vinelands,’ Will Play New Bay Area Music","publishDate":1723836913,"format":"standard","headTitle":"A New KEXP Show, ‘Vinelands,’ Will Play New Bay Area Music | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>There’s plenty to draw on when we think of Bay Area musical history. The 1960s were marked by psychedelic pop. A decade later, Sylvester ignited dance floors with his flare for disco synths. And later, legacy rock bands such as Metallica and Green Day emerged. \u003c/p>\n\u003cp>A new weekly radio show, called \u003cem>Vinelands\u003c/em>, wants to pay homage to these “golden ages” of Bay Area music — while highlighting emerging artists, says Kelley Stoltz, the show’s co-host and a San Francisco musician, whose 18th album came out in June and is known for guitar-laden psych pop tunes.\u003c/p>\n\u003cp>“We’re due for another deeper examination,” he said.\u003c/p>\n\u003cp>[aside postID='arts_13954030']\u003cem>Vinelands\u003c/em>, which premieres Saturday, comes on the heels of a \u003ca href=\"https://www.kqed.org/arts/13954030/kexp-san-francisco-bay-area-expansion-92-7-fm\">Bay Area expansion of KEXP\u003c/a>, a respected independent music station based in Seattle. Stoltz said when his own music was played on KEXP in the mid-aughts, it was a turning point in his career.\u003c/p>\n\u003cp>“I liken it to the applause you get at a live gig,” he added. “It’s that encouragement that you’re not just screaming in a void.”\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>Speaking with KQED’s Brian Watt, Stoltz talked about the vision for \u003cem>Vinelands\u003c/em> and gave a preview of the inaugural playlist. \u003c/p>\n\u003cp>\u003cem>Interview edited for length and clarity.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Brian Watt:\u003c/strong> \u003cstrong>The name of this show, I’m guessing there’s a reference to wine. But is there more to it than that?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Kelley Stoltz\u003c/strong>: My co-host Gabriel Lopez and I had a meeting over coffee. We were just shooting names back and forth. Bing bong, bing bong. \u003cem>Vinelands\u003c/em> popped out, and I think in reference to Northern California, to Thomas Pynchon and science fiction. To me, it means it’s like a chain of community. And I think that works.\u003c/p>\n\u003cp>\u003cstrong>The Bay Area has produced a lot of great musicians over the years. But what’s exciting to you about the up-and-coming artists who are performing here nowadays?\u003c/strong>\u003c/p>\n\u003cp>There’s so many different kinds of music being explored by young people today. As a guitar-based singer-songwriter-type of person, my ears are always open to people who are doing that kind of music. There are bands [like] Chimes School, The Umbrellas. Maya has her own stuff and plays with a group called \u003ca href=\"https://www.kqed.org/news/11979776/mild-universe-connected-endlessly\">Mild Universe\u003c/a>. It’s vaguely psychedelic pop. It’s a touch of The Byrds, R.E.M. – with an awareness of early ’80s English music that’s made a big resurgence here, for whatever reason.\u003c/p>\n\u003cp>It’s evident to me that there is a whole new generation of people who are working hard and putting in the time and figuring out a way to make it work. It’s not easy in this economy. It never was really, even in the old days. But there are so many different genres being explored, and it’s just exciting to me.\u003c/p>\n\u003cfigure id=\"attachment_13962800\" class=\"wp-caption aligncenter\" style=\"max-width: 1418px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/KelleyStoltz.jpg\" alt=\"\" width=\"1418\" height=\"1360\" class=\"size-full wp-image-13962800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/KelleyStoltz.jpg 1418w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/KelleyStoltz-800x767.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/KelleyStoltz-1020x978.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/KelleyStoltz-160x153.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/KelleyStoltz-768x737.jpg 768w\" sizes=\"(max-width: 1418px) 100vw, 1418px\">\u003cfigcaption class=\"wp-caption-text\">Kelley Stoltz. \u003ccite>(Artist Photo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Is there a scene of Bay Area music that you feel is especially under-covered right now that you want to highlight on the show?\u003c/strong>\u003c/p>\n\u003cp>They’re all under-covered. I think mainstream radio tends to look for something to go to. This year it’s Seattle, then it’s Detroit, then it’s Bristol. It’s easier to focus on one thing, highlight it and explore it and then leave it. The Bay had its last golden age, 2008 to 2012. It got a lot of press. And I think we’re just six months, a year away from people going, ‘Whoa, there’s a lot going on there right now.’\u003c/p>\n\u003cp>\u003cstrong>What is on the playlist for this first show?\u003c/strong>\u003c/p>\n\u003cp>I’ve got Charles Brown, one of the greatest singers all of time. The Flaming Groovies, a band from the ’60s-’70s. They’re still playing today. “Shake Some Action” is probably the greatest power-pop song ever written; it’s the blueprint for 40 years of music. That’s a Bay Area invention. Sylvester. Patrick Kelly. How many people are still trying to achieve that sound and have that reach to all different kinds of people? Tower of Power, John Lee Hooker. It goes on.\u003c/p>\n\u003cp>The great thing about Gabriel and me is I’m deep over here. He’s deep over there. We don’t want to do a specialty show that’s focused on just Oakland R&B from 1982-83. It’s not indie rock, psychedelic music from the ’60s only. And I guess that’s where \u003cem>Vinelands\u003c/em> comes in. It’s this long line of growth from way back on up to today. And I think we want to explore all kinds of music. Luckily, KEXP is all about it. And I hope you discover something you never heard. \u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Vinelands’ airs every Saturday from 6 p.m.–9 p.m. on KEXP at 92.7 FM, and streaming on \u003ca href=\"https://kexp.org/shows/vinelands/\">KEXP’s site\u003c/a>. The Seattle-based station is a tenant partner of KQED.\u003c/em>\u003c/p>\n\n","blocks":[],"excerpt":"A talk with longtime San Francisco musician Kelley Stoltz, co-host of the new radio show.","status":"publish","parent":0,"modified":1723836959,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":20,"wordCount":879},"headData":{"title":"A New KEXP Show, ‘Vinelands,’ Will Play New Bay Area Music | KQED","description":"A talk with longtime San Francisco musician Kelley Stoltz, co-host of the new radio show.","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"A New KEXP Show, ‘Vinelands,’ Will Play New Bay Area Music","datePublished":"2024-08-16T12:35:13-07:00","dateModified":"2024-08-16T12:35:59-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"audioUrl":"https://traffic.omny.fm/d/clips/0af137ef-751e-4b19-a055-aaef00d2d578/ffca7e9f-6831-41c5-bcaf-aaef00f5a073/d4be9bc5-6b35-4ff5-9c5e-b1ce010a50d1/audio.mp3","sticky":false,"WpOldSlug":"kexp-bay-are-music-vinelands-kelley-stoltz","nprStoryId":"kqed-13962790","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13962790/kexp-bay-area-music-vinelands-kelley-stoltz","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>There’s plenty to draw on when we think of Bay Area musical history. The 1960s were marked by psychedelic pop. A decade later, Sylvester ignited dance floors with his flare for disco synths. And later, legacy rock bands such as Metallica and Green Day emerged. \u003c/p>\n\u003cp>A new weekly radio show, called \u003cem>Vinelands\u003c/em>, wants to pay homage to these “golden ages” of Bay Area music — while highlighting emerging artists, says Kelley Stoltz, the show’s co-host and a San Francisco musician, whose 18th album came out in June and is known for guitar-laden psych pop tunes.\u003c/p>\n\u003cp>“We’re due for another deeper examination,” he said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13954030","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cem>Vinelands\u003c/em>, which premieres Saturday, comes on the heels of a \u003ca href=\"https://www.kqed.org/arts/13954030/kexp-san-francisco-bay-area-expansion-92-7-fm\">Bay Area expansion of KEXP\u003c/a>, a respected independent music station based in Seattle. Stoltz said when his own music was played on KEXP in the mid-aughts, it was a turning point in his career.\u003c/p>\n\u003cp>“I liken it to the applause you get at a live gig,” he added. “It’s that encouragement that you’re not just screaming in a void.”\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>Speaking with KQED’s Brian Watt, Stoltz talked about the vision for \u003cem>Vinelands\u003c/em> and gave a preview of the inaugural playlist. \u003c/p>\n\u003cp>\u003cem>Interview edited for length and clarity.\u003c/em>\u003c/p>\n\u003cp>\u003cstrong>Brian Watt:\u003c/strong> \u003cstrong>The name of this show, I’m guessing there’s a reference to wine. But is there more to it than that?\u003c/strong>\u003c/p>\n\u003cp>\u003cstrong>Kelley Stoltz\u003c/strong>: My co-host Gabriel Lopez and I had a meeting over coffee. We were just shooting names back and forth. Bing bong, bing bong. \u003cem>Vinelands\u003c/em> popped out, and I think in reference to Northern California, to Thomas Pynchon and science fiction. To me, it means it’s like a chain of community. And I think that works.\u003c/p>\n\u003cp>\u003cstrong>The Bay Area has produced a lot of great musicians over the years. But what’s exciting to you about the up-and-coming artists who are performing here nowadays?\u003c/strong>\u003c/p>\n\u003cp>There’s so many different kinds of music being explored by young people today. As a guitar-based singer-songwriter-type of person, my ears are always open to people who are doing that kind of music. There are bands [like] Chimes School, The Umbrellas. Maya has her own stuff and plays with a group called \u003ca href=\"https://www.kqed.org/news/11979776/mild-universe-connected-endlessly\">Mild Universe\u003c/a>. It’s vaguely psychedelic pop. It’s a touch of The Byrds, R.E.M. – with an awareness of early ’80s English music that’s made a big resurgence here, for whatever reason.\u003c/p>\n\u003cp>It’s evident to me that there is a whole new generation of people who are working hard and putting in the time and figuring out a way to make it work. It’s not easy in this economy. It never was really, even in the old days. But there are so many different genres being explored, and it’s just exciting to me.\u003c/p>\n\u003cfigure id=\"attachment_13962800\" class=\"wp-caption aligncenter\" style=\"max-width: 1418px\">\u003cimg loading=\"lazy\" decoding=\"async\" src=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/KelleyStoltz.jpg\" alt=\"\" width=\"1418\" height=\"1360\" class=\"size-full wp-image-13962800\" srcset=\"https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/KelleyStoltz.jpg 1418w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/KelleyStoltz-800x767.jpg 800w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/KelleyStoltz-1020x978.jpg 1020w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/KelleyStoltz-160x153.jpg 160w, https://cdn.kqed.org/wp-content/uploads/sites/2/2024/08/KelleyStoltz-768x737.jpg 768w\" sizes=\"(max-width: 1418px) 100vw, 1418px\">\u003cfigcaption class=\"wp-caption-text\">Kelley Stoltz. \u003ccite>(Artist Photo)\u003c/cite>\u003c/figcaption>\u003c/figure>\n\u003cp>\u003cstrong>Is there a scene of Bay Area music that you feel is especially under-covered right now that you want to highlight on the show?\u003c/strong>\u003c/p>\n\u003cp>They’re all under-covered. I think mainstream radio tends to look for something to go to. This year it’s Seattle, then it’s Detroit, then it’s Bristol. It’s easier to focus on one thing, highlight it and explore it and then leave it. The Bay had its last golden age, 2008 to 2012. It got a lot of press. And I think we’re just six months, a year away from people going, ‘Whoa, there’s a lot going on there right now.’\u003c/p>\n\u003cp>\u003cstrong>What is on the playlist for this first show?\u003c/strong>\u003c/p>\n\u003cp>I’ve got Charles Brown, one of the greatest singers all of time. The Flaming Groovies, a band from the ’60s-’70s. They’re still playing today. “Shake Some Action” is probably the greatest power-pop song ever written; it’s the blueprint for 40 years of music. That’s a Bay Area invention. Sylvester. Patrick Kelly. How many people are still trying to achieve that sound and have that reach to all different kinds of people? Tower of Power, John Lee Hooker. It goes on.\u003c/p>\n\u003cp>The great thing about Gabriel and me is I’m deep over here. He’s deep over there. We don’t want to do a specialty show that’s focused on just Oakland R&B from 1982-83. It’s not indie rock, psychedelic music from the ’60s only. And I guess that’s where \u003cem>Vinelands\u003c/em> comes in. It’s this long line of growth from way back on up to today. And I think we want to explore all kinds of music. Luckily, KEXP is all about it. And I hope you discover something you never heard. \u003c/p>\n\u003chr>\n\u003cp>\u003c/p>\n\u003cp>\u003cem>‘Vinelands’ airs every Saturday from 6 p.m.–9 p.m. on KEXP at 92.7 FM, and streaming on \u003ca href=\"https://kexp.org/shows/vinelands/\">KEXP’s site\u003c/a>. The Seattle-based station is a tenant partner of KQED.\u003c/em>\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13962790/kexp-bay-area-music-vinelands-kelley-stoltz","authors":["11724","11238"],"categories":["arts_1","arts_69","arts_235"],"tags":["arts_22272","arts_989"],"featImg":"arts_13962797","label":"arts"},"arts_13962352":{"type":"posts","id":"arts_13962352","meta":{"index":"posts_1716263798","site":"arts","id":"13962352","score":null,"sort":[1723833233000]},"guestAuthors":[],"slug":"hiero-day-postponed-to-2025-amid-financial-difficulties","title":"Hiero Day Postponed to 2025 Amid Financial Difficulties","publishDate":1723833233,"format":"standard","headTitle":"Hiero Day Postponed to 2025 Amid Financial Difficulties | KQED","labelTerm":{"site":"arts"},"content":"\u003cp>\u003ca href=\"https://www.hieroday.com/\">Hiero Day\u003c/a>, the popular \u003ca href=\"https://www.kqed.org/arts/tag/hiero-day\">annual hip-hop festival\u003c/a> in Oakland, has been canceled for 2024. Festival co-organizer and artist Tajai Massey told KQED that his team’s decision was due to financial difficulties, and that the event will return in 2025.\u003c/p>\n\u003cp>“We all sat down and regrouped and said, ‘Hey, let’s take some time, spend the entire year fundraising and then be ready for next year,’” said Massey, who produces Hiero Day with business partner Khari Bailey and a group of volunteers.\u003c/p>\n\u003cp>Part of those financial difficulties are debts incurred from 2023’s event, when Hiero Day threw a free, well-attended celebration for hip-hop’s 50th anniversary. Performers at the Labor Day event in Oakland’s Frank Ogawa Plaza included Chicago rapper Common, Massey’s group Hieroglyphics and other local artists, including Cellski and Kev Choice.\u003c/p>\n\u003cp>Hiero Day hired local company \u003ca href=\"https://www.ungaffableproductions.com/\">Ungaffable Productions\u003c/a> to provide the event’s stage production, operations and security. But company owner Tony Garcia alleges that Hiero Day still owes him $36,130 plus late fees for a range of services for Hiero Day 2023, including stages, sound systems and 125 staff members.\u003c/p>\n\u003cp>[aside postID='arts_13934324']A frustrated Garcia told KQED he’s had to cover the costs himself, and still doesn’t have a timeline for when he’ll be paid back.\u003c/p>\n\u003cp>[ad fullwidth]\u003c/p>\n\u003cp>“Unfortunately, what I’ve had to do here is max out my credit cards, take out personal loans and pretty much use all of my savings to pay off a bunch of people,” said Garcia. The situation has strained his relationship with business partners, he added, and required him to put in extra hours at his day job as a union carpenter to provide for his son.\u003c/p>\n\u003cp>“I’m not a bank,” Garcia said. “I’m not rich.”\u003c/p>\n\u003cp>Bailey, who handles Hiero Day’s finances, declined to be interviewed. In an email to KQED, he blamed Hiero Day’s debts, in part, on the City of Oakland, which he said contributed less sponsorship money than it had promised. He declined to say which city department promised the funding, how much was promised or how much Hiero Day ultimately received.\u003c/p>\n\u003cp>“Some of the funds we were told were earmarked for us ended up not being paid to us by the City, which is the amount owed to Ungaffable Productions,” Bailey wrote in the email.\u003c/p>\n\u003cp>“[Garcia] has a legitimate gripe. And all we’re trying to do is make good on it,” Massey said.\u003c/p>\n\u003cp>[aside postID='arts_13957786']When asked about the details of the City of Oakland’s sponsorship agreement with Hiero Day, Citywide Director of Communications & Engagement Sean Maher said in an email that the city waived police, fire inspection, custodial and other fees for the event, amounting to over $21,000. He wasn’t certain whether there were other discussions or arrangements about direct financial support, he said, and did not respond to multiple follow-up calls and emails.\u003c/p>\n\u003cp>Eleven months later, Garcia said he has no indication of when the money is coming. He’s filed complaints with the city attorney’s office, Labor Commissioner’s Office and Federal Trade Commission, and is considering legal action.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“This isn’t the route I wanted to take,” he said. “But [Hiero Day] left me no other option but to make this public.”\u003c/p>\n\n","blocks":[],"excerpt":"Festival producers still owe a local production company more than $36,000 for last year's event. ","status":"publish","parent":0,"modified":1724087720,"stats":{"hasAudio":false,"hasVideo":false,"hasChartOrMap":false,"iframeSrcs":[],"hasGoogleForm":false,"hasGallery":false,"hasHearkenModule":false,"hasPolis":false,"paragraphCount":15,"wordCount":595},"headData":{"title":"Hiero Day Postponed to 2025 Amid Financial Difficulties | KQED","description":"Festival producers still owe a local production company more than $36,000 for last year's event. ","ogTitle":"","ogDescription":"","ogImgId":"","twTitle":"","twDescription":"","twImgId":"","schema":{"@context":"http://schema.org","@type":"Article","headline":"Hiero Day Postponed to 2025 Amid Financial Difficulties","datePublished":"2024-08-16T11:33:53-07:00","dateModified":"2024-08-19T10:15:20-07:00","image":"https://cdn.kqed.org/wp-content/uploads/2020/02/KQED-OG-Image@1x.png"}},"sticky":false,"nprStoryId":"kqed-13962352","templateType":"standard","featuredImageType":"standard","excludeFromSiteSearch":"Include","articleAge":"0","path":"/arts/13962352/hiero-day-postponed-to-2025-amid-financial-difficulties","audioTrackLength":null,"parsedContent":[{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003cp>\u003ca href=\"https://www.hieroday.com/\">Hiero Day\u003c/a>, the popular \u003ca href=\"https://www.kqed.org/arts/tag/hiero-day\">annual hip-hop festival\u003c/a> in Oakland, has been canceled for 2024. Festival co-organizer and artist Tajai Massey told KQED that his team’s decision was due to financial difficulties, and that the event will return in 2025.\u003c/p>\n\u003cp>“We all sat down and regrouped and said, ‘Hey, let’s take some time, spend the entire year fundraising and then be ready for next year,’” said Massey, who produces Hiero Day with business partner Khari Bailey and a group of volunteers.\u003c/p>\n\u003cp>Part of those financial difficulties are debts incurred from 2023’s event, when Hiero Day threw a free, well-attended celebration for hip-hop’s 50th anniversary. Performers at the Labor Day event in Oakland’s Frank Ogawa Plaza included Chicago rapper Common, Massey’s group Hieroglyphics and other local artists, including Cellski and Kev Choice.\u003c/p>\n\u003cp>Hiero Day hired local company \u003ca href=\"https://www.ungaffableproductions.com/\">Ungaffable Productions\u003c/a> to provide the event’s stage production, operations and security. But company owner Tony Garcia alleges that Hiero Day still owes him $36,130 plus late fees for a range of services for Hiero Day 2023, including stages, sound systems and 125 staff members.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13934324","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>A frustrated Garcia told KQED he’s had to cover the costs himself, and still doesn’t have a timeline for when he’ll be paid back.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"ad","attributes":{"named":{"label":"fullwidth"},"numeric":["fullwidth"]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>\u003c/p>\n\u003cp>“Unfortunately, what I’ve had to do here is max out my credit cards, take out personal loans and pretty much use all of my savings to pay off a bunch of people,” said Garcia. The situation has strained his relationship with business partners, he added, and required him to put in extra hours at his day job as a union carpenter to provide for his son.\u003c/p>\n\u003cp>“I’m not a bank,” Garcia said. “I’m not rich.”\u003c/p>\n\u003cp>Bailey, who handles Hiero Day’s finances, declined to be interviewed. In an email to KQED, he blamed Hiero Day’s debts, in part, on the City of Oakland, which he said contributed less sponsorship money than it had promised. He declined to say which city department promised the funding, how much was promised or how much Hiero Day ultimately received.\u003c/p>\n\u003cp>“Some of the funds we were told were earmarked for us ended up not being paid to us by the City, which is the amount owed to Ungaffable Productions,” Bailey wrote in the email.\u003c/p>\n\u003cp>“[Garcia] has a legitimate gripe. And all we’re trying to do is make good on it,” Massey said.\u003c/p>\n\u003cp>\u003c/p>\u003c/div>","attributes":{"named":{},"numeric":[]}},{"type":"component","content":"","name":"aside","attributes":{"named":{"postid":"arts_13957786","label":""},"numeric":[]}},{"type":"contentString","content":"\u003cdiv class=\"post-body\">\u003cp>When asked about the details of the City of Oakland’s sponsorship agreement with Hiero Day, Citywide Director of Communications & Engagement Sean Maher said in an email that the city waived police, fire inspection, custodial and other fees for the event, amounting to over $21,000. He wasn’t certain whether there were other discussions or arrangements about direct financial support, he said, and did not respond to multiple follow-up calls and emails.\u003c/p>\n\u003cp>Eleven months later, Garcia said he has no indication of when the money is coming. He’s filed complaints with the city attorney’s office, Labor Commissioner’s Office and Federal Trade Commission, and is considering legal action.\u003c/p>\n\u003cp>\u003c/p>\n\u003cp>“This isn’t the route I wanted to take,” he said. “But [Hiero Day] left me no other option but to make this public.”\u003c/p>\n\n\u003c/div>\u003c/p>","attributes":{"named":{},"numeric":[]}}],"link":"/arts/13962352/hiero-day-postponed-to-2025-amid-financial-difficulties","authors":["11387"],"categories":["arts_1","arts_69","arts_235"],"tags":["arts_8505","arts_10278","arts_22068","arts_1088","arts_2284","arts_1694"],"featImg":"arts_13934344","label":"arts"}},"programsReducer":{"possible":{"id":"possible","title":"Possible","info":"Possible is hosted by entrepreneur Reid Hoffman and writer Aria Finger. Together in Possible, Hoffman and Finger lead enlightening discussions about building a brighter collective future. The show features interviews with visionary guests like Trevor Noah, Sam Altman and Janette Sadik-Khan. Possible paints an optimistic portrait of the world we can create through science, policy, business, art and our shared humanity. It asks: What if everything goes right for once? How can we get there? Each episode also includes a short fiction story generated by advanced AI GPT-4, serving as a thought-provoking springboard to speculate how humanity could leverage technology for good.","airtime":"SUN 2pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Possible-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.possible.fm/","meta":{"site":"news","source":"Possible"},"link":"/radio/program/possible","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/possible/id1677184070","spotify":"https://open.spotify.com/show/730YpdUSNlMyPQwNnyjp4k"}},"1a":{"id":"1a","title":"1A","info":"1A is home to the national conversation. 1A brings on great guests and frames the best debate in ways that make you think, share and engage.","airtime":"MON-THU 11pm-12am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/1a.jpg","officialWebsiteLink":"https://the1a.org/","meta":{"site":"news","source":"npr"},"link":"/radio/program/1a","subscribe":{"npr":"https://rpb3r.app.goo.gl/RBrW","apple":"https://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?s=143441&mt=2&id=1188724250&at=11l79Y&ct=nprdirectory","tuneIn":"https://tunein.com/radio/1A-p947376/","rss":"https://feeds.npr.org/510316/podcast.xml"}},"all-things-considered":{"id":"all-things-considered","title":"All Things Considered","info":"Every weekday, \u003cem>All Things Considered\u003c/em> hosts Robert Siegel, Audie Cornish, Ari Shapiro, and Kelly McEvers present the program's trademark mix of news, interviews, commentaries, reviews, and offbeat features. 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You ask the questions. You decide what Bay Curious investigates. 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Hosts Steve Inskeep, David Greene and Rachel Martin bring you the latest breaking news and features to prepare you for the day.","airtime":"MON-FRI 3am-9am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Morning-Edition-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.npr.org/programs/morning-edition/","meta":{"site":"news","source":"npr"},"link":"/radio/program/morning-edition"},"onourwatch":{"id":"onourwatch","title":"On Our Watch","tagline":"Police secrets, unsealed","info":"For decades, the process for how police police themselves has been inconsistent – if not opaque. In some states, like California, these proceedings were completely hidden. After a new police transparency law unsealed scores of internal affairs files, our reporters set out to examine these cases and the shadow world of police discipline. On Our Watch brings listeners into the rooms where officers are questioned and witnesses are interrogated to find out who this system is really protecting. Is it the officers, or the public they've sworn to serve?","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/On-Our-Watch-Podcast-Tile-703x703-1.jpg","imageAlt":"On Our Watch from NPR and KQED","officialWebsiteLink":"/podcasts/onourwatch","meta":{"site":"news","source":"kqed","order":"1"},"link":"/podcasts/onourwatch","subscribe":{"apple":"https://podcasts.apple.com/podcast/id1567098962","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5ucHIub3JnLzUxMDM2MC9wb2RjYXN0LnhtbD9zYz1nb29nbGVwb2RjYXN0cw","npr":"https://rpb3r.app.goo.gl/onourwatch","spotify":"https://open.spotify.com/show/0OLWoyizopu6tY1XiuX70x","tuneIn":"https://tunein.com/radio/On-Our-Watch-p1436229/","stitcher":"https://www.stitcher.com/show/on-our-watch","rss":"https://feeds.npr.org/510360/podcast.xml"}},"on-the-media":{"id":"on-the-media","title":"On The Media","info":"Our weekly podcast explores how the media 'sausage' is made, casts an incisive eye on fluctuations in the marketplace of ideas, and examines threats to the freedom of information and expression in America and abroad. For one hour a week, the show tries to lift the veil from the process of \"making media,\" especially news media, because it's through that lens that we see the world and the world sees us","airtime":"SUN 2pm-3pm, MON 12am-1am","imageSrc":"https://ww2.kqed.org/radio/wp-content/uploads/sites/50/2018/04/onTheMedia.png","officialWebsiteLink":"https://www.wnycstudios.org/shows/otm","meta":{"site":"news","source":"wnyc"},"link":"/radio/program/on-the-media","subscribe":{"apple":"https://itunes.apple.com/us/podcast/on-the-media/id73330715?mt=2","tuneIn":"https://tunein.com/radio/On-the-Media-p69/","rss":"http://feeds.wnyc.org/onthemedia"}},"our-body-politic":{"id":"our-body-politic","title":"Our Body Politic","info":"Presented by KQED, KCRW and KPCC, and created and hosted by award-winning journalist Farai Chideya, Our Body Politic is unapologetically centered on reporting on not just how women of color experience the major political events of today, but how they’re impacting those very issues.","airtime":"SAT 6pm-7pm, SUN 1am-2am","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Our-Body-Politic-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://our-body-politic.simplecast.com/","meta":{"site":"news","source":"kcrw"},"link":"/radio/program/our-body-politic","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/our-body-politic/id1533069868","google":"https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zaW1wbGVjYXN0LmNvbS9feGFQaHMxcw","spotify":"https://open.spotify.com/show/4ApAiLT1kV153TttWAmqmc","rss":"https://feeds.simplecast.com/_xaPhs1s","tuneIn":"https://tunein.com/podcasts/News--Politics-Podcasts/Our-Body-Politic-p1369211/"}},"pbs-newshour":{"id":"pbs-newshour","title":"PBS NewsHour","info":"Analysis, background reports and updates from the PBS NewsHour putting today's news in context.","airtime":"MON-FRI 3pm-4pm","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/PBS-News-Hour-Podcast-Tile-360x360-1.jpg","officialWebsiteLink":"https://www.pbs.org/newshour/","meta":{"site":"news","source":"pbs"},"link":"/radio/program/pbs-newshour","subscribe":{"apple":"https://itunes.apple.com/us/podcast/pbs-newshour-full-show/id394432287?mt=2","tuneIn":"https://tunein.com/radio/PBS-NewsHour---Full-Show-p425698/","rss":"https://www.pbs.org/newshour/feeds/rss/podcasts/show"}},"perspectives":{"id":"perspectives","title":"Perspectives","tagline":"KQED's series of of daily listener commentaries since 1991","info":"KQED's series of of daily listener commentaries since 1991.","imageSrc":"https://cdn.kqed.org/wp-content/uploads/2024/04/Perspectives-Podcast-Tile-703x703-1.jpg","officialWebsiteLink":"/perspectives/","meta":{"site":"radio","source":"kqed","order":"15"},"link":"/perspectives","subscribe":{"apple":"https://podcasts.apple.com/us/podcast/id73801135","npr":"https://www.npr.org/podcasts/432309616/perspectives","rss":"https://ww2.kqed.org/perspectives/category/perspectives/feed/","google":"https://podcasts.google.com/feed/aHR0cHM6Ly93dzIua3FlZC5vcmcvcGVyc3BlY3RpdmVzL2NhdGVnb3J5L3BlcnNwZWN0aXZlcy9mZWVkLw"}},"planet-money":{"id":"planet-money","title":"Planet Money","info":"The economy explained. 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